Literature in English, British Isles Commons^™

Satiric Modernism By Kevin Rulo, Michael Shallcross

The Journal of Wyndham Lewis Studies

Book Review

Kevin Rulo, Satiric Modernism (Clemson University Press/ Liverpool University Press, 2021), 288pp. £91.60 (Hbk)

Contributors

The Journal of Wyndham Lewis Studies

No abstract provided.

Editorial, Jo Cottrell, Louise Kane

The Journal of Wyndham Lewis Studies

No abstract provided.

"Neutrality—That Was Anathema": The Critique Of Ideology In The Revenge For Love, Joseph Owen

The Journal of Wyndham Lewis Studies

No abstract provided.

Wyndham Lewis's "Most Active Colleague": William Harcourt's 1917 Diary, Jim Beach, Rod Rosenquist

The Journal of Wyndham Lewis Studies

No abstract provided.

Wyndham Lewis, Time And Western Man By Paul Edwards, Alexander Alfred Scott

The Journal of Wyndham Lewis Studies

Book Review

Wyndham Lewis, Time and Western Man, edited by Paul Edwards (Oxford University Press, 2023), 592pp. £190.00 (Hbk)

Wyndham Lewis And British Art Rock: A Practicological Modernism By Thomas Keller, David A. Wragg

The Journal of Wyndham Lewis Studies

Book Review

Thomas Keller, Wyndham Lewis and British Art Rock: a Practicological Modernism. (Narr Francke Attempto Verlag, 2024), 328pp. £54.00 (Hbk)

The Grotesque Modernist Body: Gothic Horror And Carnival Satire In Art And Writing By David Cruickshank, Benjamin Bruce

The Journal of Wyndham Lewis Studies

Book Review

David Cruickshank, The Grotesque Modernist Body: Gothic Horror and Carnival Satire in Art and Writing (Palgrave Macmillan, 2024), 276pp. £99.00 (Hbk)

David Shackleton, British Modernism And The Antropocene: Experiments With Time, Alberto Andrés Calvo

The Journal of Wyndham Lewis Studies

Book Review

David Shackleton,  British Modernism and the Anthropocene: Experiments with Time (Oxford University Press, 2023), 226pp. £65.00 (Hbk)

Modernist Parody: Imitation, Origination, And Experimentation In Early Twentieth-Century Literature By Sarah Davison, Cooper Casale

The Journal of Wyndham Lewis Studies

Book Review

Sarah Davison, Modernist Parody: Imitation, Origination, and Experimentation in Early Twentieth-Century Literature (Oxford University Press, 2023), 300pp. £78.00 (Hbk)

Beyond Duality: The Doppelganger And The Multiplicity Of Identity In Oscar Wilde's The Picture Of Dorian Gray, Alyssa Roberts

Theses, Dissertations and Culminating Projects

This paper argues that Oscar Wilde uses The Picture of Dorian Gray to transform the Gothic doppelganger from a symbol of moral duality into a site of multiplicity that exposes the instability of identity. Earlier iterations of the double–ranging from mythic traditions to nineteenth-century texts—such as The Strange Case of Dr. Jekyll and Mr. Hyde—tend to structure the self through binary opposition. Wilde, however, reconfigures the double as an accumulative and dynamic process. This paper analyzes how Wilde disrupts the rigidity of Victorian binaries and society’s investment in duality through the portrait’s accumulation of the consequences of Dorian’s actions as …

The Outsider And The Enemy: Colin Wilson On Wyndham Lewis, Luke Gilfedder

The Journal of Wyndham Lewis Studies

No abstract provided.

Volume 12, 2024/2025, Full Issue

The Journal of Wyndham Lewis Studies

No abstract provided.

Time And The Small Man: Lewis's Early Democratic Tendencies, Alexander Alfred Scott

The Journal of Wyndham Lewis Studies

No abstract provided.

Investigating The "Party Consciousness": Gender Normativity & Affect In Woolf’S Party Scenes In “To The Lighthouse” & “Mrs. Dalloway”, Chelsea Goodman

English

In 1925, Virginia Woolf wrote in her diary, “…I should like to investigate the party consciousness…where people secrete an envelope which connects them and protects them from others, like myself, who am outside the envelope” (DIII 13). Woolf’s metaphor of the “envelope” reflects how parties have the potential to be places of community and, conversely, of alienation. In literary criticism, Woolf’s parties are often simplified and read as sites of communion. I argue that instead of a suspension of normativity across all characters, which one might expect in a party scene, Woolf’s domestic party scenes solidify, reflect, and enforce …

Great War Modernists: D.H. Lawrence, H.D., And Richard Aldington By Lee M. Jenkins, Buxi Duan

The Journal of Wyndham Lewis Studies

Book Review

Lee M. Jenkins, Great War Modernists: D. H. Lawrence, H. D., and Richard Aldington (Bloomsbury, 2024), 200pp. £85.00 (Hbk)

“Before Your Honour?”: Divine Morality And Women Reclaiming Power In Ben Jonson’S Volpone And William Shakespeare’S Measure For Measure, Delilah G. Fleming

Theses and Dissertations

This thesis explores how the female protagonists in Shakespeare’s Measure for Measure and Jonson’s Volpone navigate and combat corrupting patriarchal forces through moral religious speech. In both plays, the male characters have allowed false gods and hypocrisy to dictate and justify their corrupt behavior. By engaging with the historical significance of early modern female rhetoric this thesis examines Jonson’s Celia and Shakespeare’s Isabella, and how they operate in the interest of godly virtue rather than blind obedience to patriarchal figure heads.  Volpone’s Celia is a character largely neglected in the canon, and whose speech emphasizes the relationship between female agency …

The Monsters We Make: Confronting Repression And Failure In Mary Shelley’S Frankenstein, Ben Wilenski

Theses and Dissertations

This thesis builds upon psychoanalysis and Shelley’s biographical accounts to claim that, rather than creating fear through physical monstrosity, Frankenstein’s horror emerges from the return of repressed parental and social failures. While the novel never excuses its violence, it contextualizes the creature’s acts in ways that demand readers to confront complicity, neglect, and social shortcomings. The following section discusses general horror theory with a focus on notions of abjection and the synthesis of contrasting images and concepts. A baseline understanding of fear will be formed and referred to in each following segment. After establishing a basic understanding of horror vocabulary, …

“One Object Yields Both Grief And Joy”: Death In Elizabeth Cary’S The Tragedy Of Mariam (1613), Valeria Suprunova

Theses and Dissertations

This thesis argues that the dialog between early ancient Roman and early modern English traditions of death and dying helps illuminate the complex relationship between tyranny and death in Elizabeth Cary’s The Tragedy of Mariam (1613) and that death is an inextricable and dynamic element of the text.

Lewis Carroll’S Curious Creatures: Examining Carroll’S Use Of Animal Characters Within The Context Of His Life And Victorian Era England, Nima M. Faunce

Honors Program: Senior Projects (Public)

Lewis Carroll’s Alice’s Adventures in Wonderland (1865) has maintained a wide readership since its publication, but many aspects of Carroll’s original intentions and inspirations are lost on modern readers. By examining his animal characters through the lens of his personal life and Victorian England, a deeper understanding of his novel is uncovered. Some of his characters directly reflect individuals from his real life, such as the Liddell family, while other characters provide a window into Victorian beliefs and practices. This paper investigates each of Carroll’s animal characters in order of appearance and determines possible points of inspiration from his personal …

In Praise Of Antony's Folly: The Triumph Of Foolishness In Shakespeare's Antony And Cleopatra, Michael Anthony Rombola

Theses, Dissertations and Culminating Projects

Antony and Cleopatra has long been regarded as a play about shame. Underlying this reading there have been several assumptions, namely that Antony's shame is justified and that Cleopatra's influence is destructive. These beliefs are rooted largely in the historical treatment of Cleopatra, particularly that of Plutarch, who advanced the view that the Queen of Egypt destroyed a formerly great man. In this paper, I argue that the opposite is true: that Shakespeare's Cleopatra, far from destroying Antony, actually helps to liberate him from the tyranny of Roman expectation. In the course of my analysis, I examine two competing sets …

Bergsonian Blend: Subjective Temporality Within Modernist Aesthetics Of Mental Illness, Lydia Victoria Gervais

Electronic Theses and Dissertations

Henri Bergson was a modernist French philosopher who wrote extensively on the topic of the lived experience of time, which he called durée, or duration. His contemporary, Sigmund Freud, was developing psychoanalytic theory in a growing field of psychological study, which serves as a prominent ancestor to modern psychiatry and current psychoanalytical literary studies. Fiction writers of the 1900s absorbed the zeitgeist of melded chronology and consciousness, interweaving themes of time and trauma in their works. Utilizing Henri Bergson’s durée as a philosophical framework, I examine the moralization of time-consciousness in connection with mental illness and investigate representations of …

Russell Hoban: Faithful To The Strange By Graeme Wend-Walker, Nicholas Birns

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This is a review of David Wend-Walker's critical book on the fiction of Russell Hoban.

From Maldon To Mordor: Hobbits And The Lord-Retainer Relationship In The Lord Of The Rings, Samuel A. Masters

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Content warning: this paper discusses suicide and suicidal thoughts.

Tolkien’s interest in Old Germanic heroism had a profound impact upon the hobbits of The Lord of the Rings, and the Christianised form of heroism that they represent. In his essays, ‘Beowulf: The Monsters and the Critics (1936) and ‘The Homecoming of Beorhtnoth Beorhthelm’s Son’ (1953), Tolkien praises the loving, paternalistic relationship between a lord and his retainers in Old English poetry; this aspect of medieval heroism is retained in Frodo, Sam, Merry and Pippin However, Tolkien also highlights several shortcomings of the Old Germanic ‘Northern Courage’. In …

The Romantic Imagination Of Gustavo Adolfo Bécquer And J.R.R. Tolkien, Mariana Rios Maldonado, Andoni Cossio

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Studies on the presence of Romantic elements in J.R.R. Tolkien’s literary production have steadily risen to prominence, especially since the publication of Julian Eilmann’s landmark monograph J.R.R. Tolkien: Romanticist and Poet (2017) and, more recently, the edited collection The Romantic Spirit in the Works of J.R.R Tolkien (2024). Our paper seeks to contribute to this scholarly upsurge by presenting a comparative analysis of Tolkien’s works and those penned by one of the most noteworthy authors of Spanish Romanticism, Gustavo Adolfo Bécquer (1836–1870). Akin to the Kunstmärchenof German Romanticism and Tolkien’s Fairy-stories, Bécquer’s Leyendas—e. g. “El monte de las …

The Power Of A Woman’S Charm: Analyzing The Presence Of Onahal In Oroonoko, Kristyn Haney

Steeplechase: An ORCA Student Journal

Aphra Behn’s Oroonoko is a story that places great emphasis on the importance of the power of beauty, but it isn’t perhaps the strongest force at work in the novel. Onahal is a minor character in the story who contrasts the idea that beauty is the only way to obtain power. As a former wife of the King, it is noted that while she once possessed beauty, she is now older and has therefore lost her beauty to the passage of time. Though her beauty is diminished, she still has her charm, which grants her power within her space. In …

The Alembic - International Literary Journal, Sara Mackinnon, Finn Heller, Sarah Debian, Kate Blackwell

English Student Scholarship

No abstract provided.

“The Left Leg Is Not Well”: Identity, Economy, And Ability In Early Modern Drama, Emma D. Whaley

Department of English: Dissertations, Theses, and Student Research

The human reality of the disabled experience often goes overlooked by scholars analyzing early modern literature. Most scholarship seems to interpret disability as metaphorical without examining the human who experiences it. In this paper, I will be examining disability in three early modern texts as literal and inquire into the realities of the disabled experience for the characters. A Larum for London, The Shoemaker’s Holiday, and The Fair Maid of the Exchange all prominently feature a disabled character—Stump, Ralph, and Cripple respectively. These characters offer a depth of personhood rarely examined in early modern literary scholarship, even in …

Interview With Orca Award Winner Paul Olson, Unl English; Literature, Curricular Reform, Great Plains Studies, Mark A. Griep, Paul A. Olson

UNL ORCA Interview Series

Paul Olson was awarded the ORCA in 1984. He was born in 1932 in Washburn, Wisconsin. During his youth, his family also farmed in Nebraska and South Dakota. He earned a bachelor’s degree from Bethany College in Lindsborg, Kansas. Next, he earned a master’s in English from the University of Nebraska, had a Fulbright fellowship to spend a year at London University in England, and earned his doctorate in medieval and Renaissance studies from Princeton University in New Jersey. In 1957, he joined UNL as an assistant professor of English and was soon promoted to full professor. One of his …

Entiscum Yrfe Ealdniflunga: Meter And Poetic Style In Tolkien’S Old English Attila, Galen Miller-Atkins

Journal of Tolkien Research

Tolkien famously wrote several poems in Old English and Gothic; however, these remain understudied for their philological and poetic qualities relative to his modern English poetic corpus. In the Old English Poem of Attila Tolkien adapts the Old Norse poem Atlakviða into Old English. This essay analyzes the meter and poetic techniques in Old English Poem of Attila, especially in relation to the closely related, Eddic poem Atlakviða. The Old English Poem of Attila exhibits verse patterns and vocabulary from the Old Norse original, but it is firmly rooted in the Old English poetic tradition. Tolkien deliberately blends …