Literature in English, British Isles Commons^™

"You Know The Rules": A Dramatic Experiment In Aromantic Literary Theory, April Chronowski

English

This paper proposes a new literary theory framework based on the zine "an aromantic manifesto" by yingchen and yingtong, as well as the work of Erving Goffman, using theater as a device to examine romantic relationships. Blending English and sociology, I focus each chapter on a different literary period and examine two plays each: early modern (Christopher Marlowe's Doctor Faustus and William Shakespeare's Much Ado About Nothing), modern (Edward Albee's Who's Afraid of Virginia Woolf? and Djuna Barnes' "To The Dogs"), and contemporary (Caryl Churchill's Cloud 9 and Margaret Edson's W;t). In tandem with analysis of formal elements---like …

False Virtues And Fragile Honor: The Weight Of Reputation In Shakespeare’S Works, Amanda Sheps

Theses and Dissertations

"False Virtues and Fragile Honor: The Weight of Reputation in Shakespeare’s Works" analyzes the intersection between honor and social standing in William Shakespeare's Othello and Much Ado About Nothing, specifically in regards to the gender roles prevalent in the plays' societies. In both plays, women who are perceived as a threat to the prevailing norms of society are ostracized, ridiculed, and may even face violence at the hands of their male love interests. The innocence of Desdemona and Hero, however, calls into question the validity of this cruel treatment. These negative reactions reflect the pressure that men have to preserve …

“More Than What [They] Made Us To Be”: From Passing To Perception In Victorian And Modern Vampire Media, Lauren Sieberg

English (MA) Theses

Throughout Victorian Gothic horror fiction, vampires function as deviant figures, maneuvering within social confines of passing until their status quo-threatening identity is exposed. Of the popular vampires from this period, most gradually fail to maintain status as social insiders—as demonstrated with Bram Stoker’s Count Dracula or Sheridan Le Fanu’s Carmilla, who possess the temporary capacity to pass until their hidden monstrosity is revealed over time. Even if Gothic monsters are confined to a limited space and time far from society, this is still not enough; in accordance with the Victorian culture of morality policing by dominant groups, the vampiric Other …

The Robert Burns Portraits Revisited, Patrick Scott

Faculty Publications

Illustrated lecture for the 2025 annual meeting of the Robert Burns Association of North America, in Atlanta, Georgia, on the major portraits of the Scottish poet Robert Burns (1759-1796), and on the dissemination of the well-known Nasmyth portrait through engravings, copies, and adaptations, charting the delayed emergence of the other portraits now generally recognized, surveying recurrent efforts to get other 'discoveries' accepted as depicting Burns, and suggesting possible dramatic further news likely to come later in the year.

Double, Double, Toils And Troubles: Analyzing The “Magical” Relationships Between University Leaders’ Personality Traits And Their Self-Efficacy In Leadership Situations, Fay Ludvine Boudreaux

LSU New Orleans Theses and Dissertations

This present study investigated the relationship between higher education leaders’ personality traits and their self-efficacy in leadership situations. A total of 151 leaders employed across the nine institutions within the University of Louisiana System completed a survey that prompted them to identify their personal values, traits, and skill sets, as derived from the online Pottermore quiz, the official Harry Potter Hogwarts House sorting instrument. This niche personality metric was chosen to cater to higher education’s evolving landscape, as it welcomes an influx of Millennials into leadership positions. Participants’ responses were eventually recoded to “sort” them into their respective Houses: Gryffindor, …

The Castle Is Still Here, And Yes, It's Still Scary: Reconstructing The Gothic Through Contemporary Short Story, Alyssa Kilroy

Undergraduate Theses

Since Horace Walpole's The Castle of Otranto published in 1764, the literary Gothic has grown and spread to include a multitude of subgenres in a variety of formats. Gothic literature has served as both a product and a showcase of its contextual influences, providing a deeper look at humanity's deepest flaws, fears, and passions that shape our societies. While the Gothic's historically fluid identity allows Frankenstein to exist in a literary realm alongside Wuthering Heights, something consistent in its core continues to appeal to modern audiences and remains relevant in contemporary literature and other media. This project offers a …

Divergent Paths Of Homosexuality: Clive And Alec In E.M. Forster's Maurice, Samantha J. Dean

Honors Theses

E. M. Forster’s Maurice is a paramount text in queer literary circles, though it is highly under analyzed and discussed. This thesis analyzes E. M. Forster's Maurice and takes the focus away from the main protagonist, Maurice, and instead focuses on an in-depth analysis of the two main love interests of the novel, Clive and Alec, and how they represent two paths of homosexuality, Clive representing social visibility and homosexual repression and Alec representing social invisibility and homosexual freedom, through a close reading of the text, with the help of theory from Foucault. It begins with an introduction to the …

“The Atmosphere That Supports Life On Earth”: An Ecocritical Approach To Tolkien’S Arda, Elizabeth Anne Turello

Seton Hall University Dissertations and Theses (ETDs)

Ecocriticism speaks to the relationship between the environment and literature, a progressively vital topic of discussion. What is often overlooked, however, is the necessity of the theory’s applicability to stories of speculative fiction; that is, ones existing outside the realm of the real world or, as is the case with the father of modern-day fantasy J.R.R. Tolkien, a mythology set in the ancient days of our world (“Arda”). At first, it may seem contradictory to learn about our surroundings through fictionalized ones seemingly irrelevant to Earth’s own; this apparent contradiction is not valid, though, as the relationship between humans and …

Rinceaux: Authority And Botanical Transcendance In Medieval Authorship, Kyle J. Gunning

Senior Honors Projects

“Rinceaux: Authority and Botanical Transcendence in Medieval Authorship” is a research paper I composed which followed a semester of research that sought to explore various constructions of authorship throughout the late-medieval period. My research considered the field of Chaucer Studies as its main subject, making central the ways in which methodologies such as paleography, codicology, and literary analysis can provide different contexts with which we may understand late-medieval writing and authorship. Throughout the research period I consulted scholarship from a variety of disciplines, analyzed digital manuscript facsimiles, compared textual variations in manuscript transliterations, and studied modern printed editions of medieval …

Sisterly Bonds Beyond The Grave: The Ethical Implications Of Posthumously Publishing Jane Austen’S Persuasion, Ashleigh Jay

Honors Program: Senior Projects (Public)

By the time that Jane Austen died in 1817, she had only published four novels. After her death, her family retained her other writings. Later that year, they published one of Austen’s finished manuscripts which became the novel Persuasion. This act of posthumous publication invokes inquiries into whether the action was ethical. In order to better understand the ethics of publishing Persuasion posthumously, one can look at information from Jane Austen’s life and ideas around posthumous actions. Even though Persuasion by Jane Austen was published posthumously, Austen’s choice to leave the manuscript with her sister and her completion of …

“His Better Half”: Hindley And Heathcliff As Social Foils In Emily Brontë’S Wuthering Heights, Bethany Rozario Steinhagen

The Compass

Critical analyses of Emily Bronte’s Victorian classic Wuthering Heights often portray Hindley Earnshaw, Catherine’s older brother, as a mere analog to the Brontes’ own older brother Branwell. This paper claims that Hindley’s character is not only far more developed than commonly assumed, but that he is also integral to the development of Heathcliff becoming Heathcliff himself. Both men’s journeys can further be seen as parallel methods of navigating rigid Victorian social expectations. This analysis explores the foil relationship between these two men, who can both be described as each other’s ‘better half,’ shining a new light not only on the …

"To Keep Men In Awe": Religious Subversion And Anti-Providentialism In Marlowe's Tamburlaine And The Jew Of Malta, Will White

Honors Theses

In early modern England, the term “atheist” held quite a different meaning from its modern usage. Most often, it referred not to person who rejected God’s existence, but who rejected the validity of divine providence: the notion that God exerts control and order over the events of Earth. This understanding of atheism informs the reading of the 16th century playwright Christopher Marlowe, whose connection to atheistic ideas is perhaps more visible than any of his contemporaries. In this thesis, I argue that the unifying element of religion in Marlowe’s drama is anti-providentialism – a rejection of providence. I examine two …

J.R.R. Tolkien In Central Europe: Context, Directions, And The Legacy (2023), Edited By Janka Kaščáková And David Levente Palatinus, Andrew Higgins

Journal of Tolkien Research

Book review, by Andrew Higgins, of J.R.R. Tolkien in Central Europe: Context, Directions, and the Legacy (2023), edited by Janka Kaščáková and David Levente Palatinus

Fantasy And Faith: Lewis And Tolkien On Magic In Fantastical Literature, Zion Lang

Senior Honors Theses

Despite biblical warnings against the occult, Christian authors C. S. Lewis and J. R. R. Tolkien incorporated many kinds of magic into their works of fantasy. These authors had an orthodox view of the occult, but they also believed that fantasy magic differs from the esoteric: its purpose is imaginative, rather than power-seeking, and it is usually part of the imagined laws of the fantasy world. Lewis focused on the mythic side of fantasy and included more ambiguous magic. Tolkien focused on fantasy as eucatastrophic fairy tale, and his works include somewhat divine supernatural forces. Nonetheless, both authors saw fantasy …

Mimetic Theory & Middle-Earth: Untangling Desire In Tolkien’S Legendarium By Matthew J. Distefano, Curtis Gruenler

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Matthew Distefano’s friendly volume extends considerably the conversation about resonances between two twentieth-century literary giants, J. R. R. Tolkien and René Girard. Distefano not only clarifies essential aspects of Tolkien’s work by reading it through the lens of Girard’s mimetic theory but also, through his particular interest in how Hobbits provide models of positive mimetic desire, highlights, extends, and one might even say enacts aspects of Girard’s theory that are easily overlooked.

The Liberty To Bind Oneself: Chesterton And The Oath Of Fëanor, Matthew Mckenna

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This paper does two things. First, it reads the oath of Fëanor in The Silmarillion through the lens of Chesterton’s philosophy of oaths, and suggests that Tolkien was speculatively influenced by Chesterton on this topic. It accomplishes this by an exposition of Chesterton’s philosophy of vows followed by an in-depth exposition of the oath of Fëanor throughout The Silmarillion. Its thesis is that the oath of Fëanor works according to the mode of Chesterton’s philosophy of oaths, that is, the oath compels the oath-taker to act. Viewing the oath of Fëanor through the framework of Chesterton’s philosophy of oath …

Tolkien, Tabletop, And Orcs: The Impact Of Participatory Neomedievalisms On Authority, Tyler Bell

ATU Theses and Dissertations 2021 - Present

Different medieval and fantasy works have utilized race in different ways. Medieval Europe used race as a structural relationship to morally and religiously other certain people groups. J.R.R. Tolkien used race in a similar way, othering the fantasy races like orcs as a way to give the audiences clear antagonists. Direct film and video game adaptations of Tolkien uphold him as the authority on fantasy race, using orcs as antagonists and glorifying violence against them. The table-top role-playing game Dungeons and Dragons initially held up the antagonistic portrayal of orcs, but through different editions, the restrictions placed on orcs have …

What Is A Nation? Colonial Legacies, Identity, And Reclaiming In Métisse Autobiographical Narratives – A Case Study Of Sugar And Slate And Garçon Manqué, Thaïs Maëlle Autin

Foreign Languages & Literatures ETDs

This thesis examines the question of national belonging in autobiographical narratives of second-generation immigrant métisse women. I study the similar aesthetic manner in which individuals with different regional and cultural influences grapple with concepts of identity, gender, racism, exile, and negotiation, and the way in which the authors anchor themselves in a broader familial and national heritage. I argue that such an enterprise can be understood as part of the alternative heritage wave, based on Andrew Higson’s theory. The texts put in question traditional understandings of nation. Doing so opens the possibility of engaging in a dialogue that expands the …

Evelyn Waugh And The Problems Of Representing Conversion, Alec J. Miller

Department of English: Dissertations, Theses, and Student Research

Evelyn Waugh’s conversion to Catholicism in 1930 raised the question of how his writing would change. The satires he wrote before his conversion, Decline and Fall (1928) and Vile Bodies (1930), are hilarious but have no spiritual vision. Critics attacked his second novel after his conversion, A Handful of Dust (1934), for not being fitting for a Catholic writer to have made. Yet, Waugh makes a religious point in A Handful of Dust, exploring the wages of spiritual apathy without showing a path out. Later in Waugh’s career, he makes his finest attempt in the Sword of Honour trilogy …

Death Becomes Us: The Consumptive Body In Nineteenth-Century Gothic Literature, Jennifer Marie Mcmahon

All NMU Master's Theses

This thesis examines the impacts of nineteenth-century tuberculosis epidemics on gothic literature published between 1842 and 1872. In this period of time, tuberculosis was the leading cause of death in the United States and in Europe, killing an estimated one in seven people. Using theoretical lenses of psychoanalysis and material ecocriticism, this project considers borders between material bodies—specifically those between bacterial agents and humans—to be illusory and socially constructed. The first chapter focuses on the ways in which representations of tuberculosis, and its associated entanglement with the environment, appear in the work of two authors from the United States: Edgar …

Wizard, Demon, Cat; Reformer, Satanist, Bureaucrat: A Diachronic Analysis Of Three Modes Of Sauron In The Legendarium In Light Of The Book Of Lost Tales, Cameron Bourquein

Journal of Tolkien Research

This paper argues that Sauron is a metatextual shape-shifter. Through diachronic analysis it identifies and charts three distinct “modes” of Sauron coexisting in Tolkien’s legendarium. While Sauron’s most robust First Age appearance (in the tale of Beren and Lúthien) remained relatively unchanged from his introduction in the 1920s until Tolkien’s death, Sauron’s role in the Legendarium expanded significantly across Tolkien’s lifetime as Sauron became the primary antagonist of two additional Ages of Middle-earth. Some of the evolutions that accompanied this expansion are not retroactively reflected in the tales already written, hence these “modes” of Sauron could be said to remain …

“Walk No More In The Shadows, But Awake!”: Faramir’S Journey From Family Dysfunction And Grief To The Intimate Space In J.R.R. Tolkien’S The Lord Of The Rings, Rachel Crane

Journal of Tolkien Research

Examines Faramir's relationships--namely with Denethor, Boromir, and Éowyn--and role in Gondor via Yi-Fu Tuan's intimate space lens.

Monstrous Feminine, Deviant Mother: Tolkien’S Shelob And The Grotesque Maternal, Sara Brown

Journal of Tolkien Research

J.R.R. Tolkien’s menacing character of Shelob embodies the ultimate danger that faces Frodo on his journey to destroy the Ring of Power. Her actions, in combination with the language that Tolkien uses to describe her, invite the reader to view Shelob with revulsion and horror, designating her as Other. However, Shelob is also undeniably a mother, a term laden with social and cultural expectation. This paper explores Shelob as a representation of what Barbara Creed, in her article “Horror and the Monstrous-Feminine: An Imaginary Abjection”, has termed the ‘monstrous-feminine’, examining Shelob’s presentation within the text as not only identified as …

Celebrating Tolkien’S Legacy: Essays (2024), By Nancy Bunting, Seamus Hamill-Keays, And Toby Widdicombe, Douglas Charles Kane

Journal of Tolkien Research

Book review, by Douglas Charles Kane, of Celebrating Tolkien’s Legacy: Essays (2024), by Nancy Bunting, Seamus Hamill-Keays, and Toby Widdicombe

He Is The Master Of Wood, Water, And Hill: Is Tom Bombadil The True Key Keeper Of The Old Forest?, Noelia Ramos

Journal of Tolkien Research

Tom Bombadil, with his iconic singing―”Hey! Come merry doll! Derry doll and merry-o!―has captivated scholars worldwide, due to the enigmatic nature Tolkien intentionally left unexplained. This deliberate mystery has fuelled extensive debate, leading many to explore possible mythological and cultural frameworks that might decode Bombadil’s origins. Among these hypotheses, a Celtic interpretation has often been dismissed despite its potential relevance. This paper, thereby, seeks to analyse Bombadil’s function within the Old Forest and his interactions with the hobbits during their forest episode, presenting fresh insights into his role as a Celtic-inspired guide and druidic figure.

To support this analysis, primary …

Antiphons Of Iron And Blood: The Inspirations Of Tolkien's Poetry, Patrick J. Lyon

Journal of Tolkien Research

The new book, The Collected Poems of J.R.R. Tolkien, edited by Christina Scull and Wayne Hammond, is a fascinating new look into a trove of previously unpublished Tolkien poetry. One of these new poems, “Ferrum et Sanguis,” includes an interesting series of addenda and subtitles written by Tolkien that give insight into the origins and inspirations for the poem. Furthermore, the interpretation given by the editors in their commentary on the poem misses the specific reference and applies it to a different source. The real source for the poem is very likely found in the Advent Vespers of the …

The Mirror Of Desire Unbidden: Retrieving The Imago Dei In Tolkien And Late Medieval English Literature (2024) By Giovanni Carmine Costabile, Łukasz Neubauer

Journal of Tolkien Research

Book Review, by Łukasz Neubauer, of The Mirror of Desire Unbidden: Retrieving the Imago Dei in Tolkien and Late Medieval English Literature (2024) by Giovanni Carmine Costabile

Miscellaneous, Bruce R Johnson

Sehnsucht: The C. S. Lewis Journal

No abstract provided.

Film Review Of Freud’S Last Session, G. Connor Salter

Sehnsucht: The C. S. Lewis Journal

A review of Freud’s Last Session, by Matthew Brown and Mark St. Germain, directed by Matthew Brown, starring Anthony Hopkins and Matthew Goode. Los Angeles: Sony Picture Classic, 2023. 1 hr., 48 min.

Donald Williams, Answers From Aslan: The Enduring Apologetics Of C. S. Lewis, Josiah Peterson

Sehnsucht: The C. S. Lewis Journal

A review of Donald Williams, Answers from Aslan: The Enduring Apologetics of C. S. Lewis, (Tampa, FL: DeWard, 2023), 208 pages, $14.99. ISBN: 9781947929289