Literature in English, British Isles Commons^™

The Cosmopolitan Evergreen And The Global Digital, Lorraine Janzen Kooistra

Studies in Scottish Literature

Examines how Patrick Geddes’s The Evergreen: A Northern Seasonal used the affordances of fin-de-siècle print culture to imbricate the regional and the transnational, and shows how the magazine’s digital remediation on Yellow Nineties 2.0 makes its cosmopolitan vision newly accessible to global audiences today.

Contributors To Ssl 48.1

Studies in Scottish Literature

No abstract provided.

“The Battle Against Sameness”: Queer Marriages In Forster And Woolf, Lindsey Hatton

Departmental Honors & Graduate Capstone Projects

The Bloomsbury Group was known for unconventionality, both in their lives and in their writing. This holds especially true for E.M. Forster and Virginia Woolf, whose novels uniquely depict queer relationships as an alternative to traditional, rigid, heterosexual marriages. This paper looks at Clarissa and Richard from Mrs. Dalloway, Margaret and Henry from Howards End, and Maurice and Alec from Maurice and how each of these couples subvert the societal conventions of the Victorian era in different ways. A close reading of these texts and characters allows for a nuanced understanding of Woolf and Forster’s revolutionary visions and demonstrates how …

Mutually Exclusive: Being Gay And Being A Man In E.M. Forster’S Maurice, Kimber Foreman

Departmental Honors & Graduate Capstone Projects

This paper outlines the impacts of English heteronormativity on E.M. Forster’s novel Maurice by exploring applicable cultural context and its reflection within the text. Maurice was published after Forster’s death, and as his only novel with explicit queer characters, is the best suited for parsing Forster’s own understanding of the society he lived in. With a primary focus on the characters of Maurice and Clive, the paper examines the dichotomy that Forster posits heteronormative English society creates between traditional English masculinity and the identities of gay men. This examination ultimately leads to the conclusion that Forster writes the Greenwood-bound fate …

Tolkien, Enchantment, And Loss: Steps On The Developmental Journey (2022) By John Rosegrant, Marilyn R. Pukkila

Journal of Tolkien Research

Book review, by Marilyn R. Pukkila, of Tolkien, Enchantment, and Loss: Steps on the Developmental Journey (2022) by John Rosegrant

Calkas’S Daughter: Paternal Authority And Feminine Virtue In Troilus And Criseyde, Jennifer Alberghini

Medieval Feminist Forum: A Journal of Gender and Sexuality

The heroine of Geoffrey Chaucer’s Troilus and Criseyde has been of considerable interest to medieval feminist scholars as a woman who is depicted as both virtuous and an adulteress. Yet critical discussions do not often view Criseyde’s virtue in light of her role as daughter. This article explores that role, focusing on how her father Calkas is described by the characters as having authority over his daughter’s body in the marriage market. This will later enable them to use him as an excuse for Criseyde’s failure to return to Troy and thus preserve her status as virtuous. However, the characters …

Affect And The Tomb In Robert Henryson's Testament Of Cresseid, Elizabeth Elliott

Medieval Feminist Forum: A Journal of Gender and Sexuality

The penultimate verse of Henryson’s Testament of Cresseid suggests the possibility that Troilus raised a monument in memory of his former love, Cresseid: “Sum said he maid ane tomb of merbell gray” (l. 603). Examining the political implications of this uncertain act of memorialisation, this article considers how Henryson's poem mobilises the reader's emotional response to constitute Cresseid as a mourned subject, whose subjectivity is recognised only insofar as it is limited to suffering and death. In doing so, the Testament also establishes a subjectivity for women that offers conditional tolerance predicated on respectable behaviour, contributing to the historical production …

Poverty, Social Isolation, Uselessness, And Loneliness: The Fears And Anxieties Of 19th-Century British Governesses, Lydia Pejovic

English (MA) Theses

This essay focuses on the prevalent fears of governesses in nineteenth-century Britain: poverty and social isolation, uselessness/redundancy, and a life of loneliness. Through looking at Emma, Jane Eyre, and The Turn of the Screw, novels which span the century (their publication dates ranging from 1814-1898), and comparing them to the historical reality of many middle class women at the time, these fears are revealed to be quite valid. The fears and anxieties displayed by the characters in the three novels are reflected in statements made by former governesses (including Mary Wollstonecraft), and are likewise reinforced through census reports and common …

“Strumpet,” “Huswife,” “Whore”: Centering Othello’S Bianca, Phoebe Merten

English (MA) Theses

Is Bianca a sex worker? What meanings change if she is or isn’t? Not enough artistic or critical attention has been paid the character. It seems likely that the initial lack of attention stemmed from Bianca’s status as a purported sex worker, as though this makes her somehow categorically different from the other women in the play, or inherently less interesting. There has in the past decade or so been a marked increase in scholarship on sex work, but this too largely skims over Bianca, likely because of the ambiguity surrounding her profession.

In my introduction I go over some …

Problematic Advocacy And Victorian Public Health In Gatherings From Graveyards By Dr. George A. Walker, Olivia Ladner

Honors Theses

This thesis focuses on the problematic advocacy of Dr. George A. Walker in his public health pamphlet, Gatherings from Graveyards. In his work, Walker calls for the removal of urban cemeteries from within London and other cities in Great Britain due to concerns about public health safety. He cites miasmatic theory as the reason for the spread of disease from rotting corpses and unkept cemeteries in the British metropolis. Though he blames Parliament for the state of urban cemeteries, he continuously cites poor communities and neighborhoods as the sole sources of disease and does not conduct investigations into the …

Definitions And Depictions Of Rhetorical Practice In Medieval English Fürstenspiegel., Joseph Ethan Blaine Sharp

Electronic Theses and Dissertations

This dissertation examines how medieval authors defined rhetoric and depicted rhetorical practice in medieval English Fürstenspiegel. It begins by analyzing how the field of medieval rhetorical historiography has overlooked the Fürstenspiegel as a rhetorical genre due to its overt reliance on meta-rhetorical handbook genres as the objects of its analysis. This dissertation challenges traditional narratives that positions medieval rhetoric as a primarily academic discipline divorced from political practice by engaging in horizontal reading practices that examine the broader culture of medieval rhetorical practice alongside the definitions of rhetoric found in medieval English Fürstenspiegel. In so doing, this dissertation …

“Hysteria Abated”: Forster’S Treatment Of Women’S Mental Health In Howards End, Rosemary Pauley

Departmental Honors & Graduate Capstone Projects

In Howards End, Forster’s female characters are written off multiple times as having ‘hysteria’ or simply being foolish, sensitive women, which was a common attitude towards mental illness in Edwardian society. This essay investigates the concept of hysteria and Forster’s use of mental health with his female characters, using these factors to enhance the understanding of the characters, particularly the struggles or judgments that the three leading ladies, Helen, Margaret, and Ruth, face. The initial inspiration was drawn from Margaret’s jumping out of the carriage, as well as the neglect of Ruth’s dying wish; both women are deemed hysterical. While …

Enchanting Music: How English Playwrights Use Music In Renaissance Witchcraft Plays, Alyssa Anders

LSU New Orleans Theses and Dissertations

Music is an integral aspect of the Early Modern theater, but because most of this music is lost, scholars and students typically only analyze these works using literary theories. This approach does not allow for a full understanding these plays, which is especially true of witchcraft plays because witches typically utilize music for their spells. In this thesis, I am exploring the interdisciplinary connection of music and literature in the Jacobean witchcraft plays The Witch (c. 1616) by Thomas Middleton and The Tragedy of Sophonisba or The Wonder of Women (1604-1606). From my analysis of the existing music from The …

The Glass Coffin: Gothic Adaptations And The Formation Of Sexual Subjectivity., Colton T. Wilson

Electronic Theses and Dissertations

It is now an almost foregone conclusion that classic depictions of vampirism resonate with contemporary queer audiences. A sympathetic response to the monster’s persecution is often the key factor in these arguments, yet little attention is paid to the textual details that prompt such a process of identification. This study posits that the iconography used to establish a connection between monstrosity and non-normative sexuality has its origins in Victorian Gothic fiction, whose descriptions of vampirism were assimilated into the discourse of the fin-de-siècle medical field known as sexology. Theories that defined homosexuality as an illness with physical and psychological symptoms …

A Lesson In Mourning: The Evolution Of The English Anti-Elegy, K. Matthew Bennett

Electronic Theses and Dissertations

This thesis analyzes the evolution of the anti-elegy originating with Thomas Hardy’s elegiac sequence in memory of his wife Emma; Poems of 1912-1913. Using French post-structuralist Georges Bataille’s The Accursed Share as a theoretical lens, Hardy’s anti-elegies are analyzed and rhetorically connected to English war poet Siegfried Sassoon’s anti-elegies. Hardy’s anti-sentimentality, fatalistic outlook on death, and rejection of the Christian afterlife seeps into the language of Sassoon’s war poems which serve as a protest to the dehumanizing effects of late capitalism witnessed during the First World War. Hardy and Sassoon’s anti-elegies, with their hyper-focus on the elegized body, are …

"Custome Is An Idiot": How Genre Bending Opens New Meanings For Hæc Vir, Or The Womanish Man, Stephen Montgomery-Anderson

All Theses

Hæc Vir, or the Womanish Man is often conceived of as a satirical pamphlet. Moreover, scholars such as Linda Woodbridge and Simone Chess read the pamphlet as ultimately and explicitly arguing for a normative rendering of gender. Such readings, while acknowledging the rhetorical power and feminist nature of the crossdressed female character Hic Mulier’s arguments, invariably discount them in favor of a supposed return to normalcy. I instead suggest that Hic Mulier’s arguments be read as genuine and potentially altering. I further argue that we should read Hæc Vir as a closet drama. Bending the genre of the …

Love And Romance In Early Modern British Literature, Sophia Szeneitas

Senior Honors Projects

This paper seeks to describe and analyze the way in which themes of love and romance were presented in literature in early modern Britain, and how those may differ from or be similar to romantic themes in the media of today. The works being analyzed include plays by William Shakespeare and Christopher Marlowe, as well as some of Shakespeare’s sonnets. A few different lenses will be explored, including the interaction that love could have with the societal power structure and hierarchy present within the literature (such as the ways in which someone being the lover of a powerful person might …

Ghosts And Ethics In The Early Works Of James Joyce, Michael Menase

Graduate Theses and Dissertations

In the last 20 years, critics have contributed new insights into the character development, overall messages, themes, and other literary aspects of James Joyce’s works by focusing on their ethical implications. By following an intertextual method and by performing close readings of Joyce’s texts, I try to fill a gap in the scholarly literature by adding a related focus on ghosts to the conversation about Joyce’s ethics and those of his characters. Focusing on Dubliners and A Portrait of the Artist as a Young Man, I hope to show that the ghosts in Joyce’s corpus motivate characters and readers to …

Performance, Theatricality, And Identity In Shakespeare’S The Taming Of The Shrew, Nina Masin-Moyer

College Honors Program

William Shakespeare’s comedy The Taming of the Shrew is a curious and often controversial play due to its depiction of spousal abuse and female subordination. But despite that charged reputation, it continues to be produced on stages around the world, with creative choices that suggest an attempt to change a supposedly un-feminist play into a feminist one. My thesis argues that this play already features notable feminist elements at the level of the text itself, stemming in particular from its thematic and structural investment in performance and theatricality and in the roles that these elements play in constructing gender and …

Switzerland In Tolkien's Middle-Earth: In The Footsteps Of His Adventurous Summer Journey In 1911 (2021) By M.S. Monsch, Christina Scull &. Wayne G. Hammond

Journal of Tolkien Research

Book review, by Christina Scull and Wayne G. Hammond, of Switzerland in Tolkien's Middle-earth: In the Footsteps of His Adventurous Summer Journey in 1911 (2021) by M.S. Monsch.

First Person Narration In Postwar British Women’S Fiction, Julia Mccoy

English Student Scholarship

Julia McCoy ’22
Majors: English and Political Science
Faculty Mentor: Dr. William Hogan, English

A study of postwar English novelists Margaret Drabble and Jeannette Winterson, looking particularly at the way these writers use first person narration in their works. Both writers explore how women’s identity can be ‘written into being’ against external pressures and authorities that seek to define women’s ‘proper’ role.

Women And Supposition: The Chronicles Of Narnia And Biblical Womanhood, Carolyn Dailey

Honors Projects

Supplemented by C.S. Lewis' works in theology, predominately Mere Christianity, and 'Priestesses in the Church?" as well as sources from other theologians, and historians, this paper explores the relationship between Christian tradition and Biblical womanhood that is expressed in C.S. Lewis's The Chronicles of Narnia. This paper finds that C.S. Lewis drew more from the core tenets of love and equality that exist at the heart of Christianity rather than from traditional Christian beliefs, including some he held himself. In doing this, he crafted an imaginative fiction that affirms Biblical womanhood.

The Science Of Art “Faithfully Presented”: Entropy In British Victorian Literature, Hannah Harris

Departmental Honors & Graduate Capstone Projects

In the chemical world, entropy, or the randomness and chaos of a system, must continually increase; it is much more favorable for things to fall apart than to be put together. This scientific concept can also be rightly applied to the study of literature. While it is true books contain information put together into some sense of order from chaos, making them counterintuitive to entropy, I am convinced these works must still obey the laws of thermodynamics. There must be an increase in chaos somewhere, and if it is not within the words themselves, it must lie within the ideas …

The Gallant Edith Bratt: J.R.R. Tolkien’S Inspiration (2021) By Nancy Bunting And Seamus Hamill-Keays, Wayne G. Hammond &. Christina Scull

Journal of Tolkien Research

Book review, by Wayne G. Hammond and Christina Scull, of The Gallant Edith Bratt: J.R.R. Tolkien’s Inspiration (2021) by Nancy Bunting and Seamus Hamill-Keays.

Reimagining History Dataset 3.0, Michelle R. Warren, Neil Weijer

Other Faculty Materials

The Middle English prose Brut chronicle survives in nearly two hundred manuscripts. This corpus has been the subject of extensive study for more than a hundred years. The most recent research, however, has turned out to be the most fragile. In 2017, the multiyear digital humanities project “Imaging History: Perspectives on Late Medieval Vernacular Historiography” disappeared from the live Internet, only a decade after its publication. Shortly afterwards, we began a project called "Re-Imagining History"--to create a new dataset of information about the Brut manuscript corpus and learn how digital infrastructure might shape the production and preservation of historical data. …

“All The Daughters Of My Father's House, And All The Brothers Too”: Shakespeare’S Portrayal Of Gender Fluidity, Sebastian Lopez

Symposium of Student Scholars

This paper analyzes how Shakespeare's personal life influenced the relationship between Viola and Cesario in Twelfth Night through a feminist lens and an analysis of gender fluidity in the Elizabethan Era. It is a common misconception that conversations revolving around gender are a modern discussion. Shakespeare popularized the idea of gender fluidity in English literature in his play, Twelfth Night.

At the height of Shakespeare’s career, he wrote many comedies, yet few tragedies, however, a tonal shift occurred after the death of his son, Hamnet. Shakespeare was father to a pair of fraternal twins, Judith and Hamnet. However, the …

“Legato Con Amore In Un Volume”: Can Tolkien’S Ainulindalë Accommodate Divine Knowledge?, John Wm. Houghton

Journal of Tolkien Research

Tolkien's depiction of Eru Iluvatar in the Silmarillion as coming to know the Song of the Ainur only as he hears it conflicts with ideas about the nature of divine knowledge developed by such thinkers as Ibn Sina, Maimoindes, and Thomas Aquinas--as well as with more general ideas about omniscience and eternity. Texts recently published in The Nature of Middle-earth indicate that Tolkien was aware of some of these divergences. The fact that he classifies the Ainulindalë as a "legend" in which divine thought is merely "represented" as music offers some possibilities for reconciliation with the theological tradition, but Tolkien …

A Man Not A Monster : Reimagining Disability In Hollow Crown's Richard Iii, Taylor E. Uphus

Honors Theses

Traditional portrayals of William Shakespeare’s Richard III (1592) in film interpret Richard’s physical disability as an outward reflection of his evil. In recent years, disabilities studies scholars have reconsidered the historic association of Richard’s physical deformity with immorality. Unlike previous Richard III films, the BBC’s Hollow Crown: Richard III (Dominic Cooke, 2016) highlights Richard’s mental abuse and trauma. While the film does not shy away from Richard’s villainy, its more empathic depiction of Richard contests the one-dimensional stage and film representation of him as a conniving monster. Ultimately, this film presents Richard III to critique society’s treatment of disabled individuals.

Transforming Leviathan: Job, Hobbes, Zvyagintsev And Philosophical Progression, Graham C. Goff

Journal of Religion & Film

The allegory of Leviathan, the biblical serpent of the seas, has undergone numerous distinct and even antithetical conceptions since its origin in the book of Job. Most prominently, Leviathan was the namesake of Thomas Hobbes’s 1651 political treatise and Andrey Zvyagintsev’s 2014 film of the same name, a damning indictment of Russian corruption. These three iterations underscore the societal transition from the recognition of power as being derived from God to the secularization of power in Hobbes’s philosophy, to the negation of the legitimacy of divine and secular institutional power, in Zvyagintsev’s controversial film. This examination of Leviathan’s three unique …

To Put Her In Her Place: An Interrogation Of Death And Gender In Shakespearean Tragedy, Isabella A. Zentner

Criterion: A Journal of Literary Criticism

This analysis investigates the gendered implications of Shakespearean heroines' deaths. Using Macbeth, Antony and Cleopatra, and Titus Andronicus as case studies, evidence is drawn from the text. This evidence is then supported by extensive historical research and reference to external critical studies of these tragedies. By identifying the gendered aspects of these heroines’ deaths, one can gain a greater understanding of Shakespeare’s view of female autonomy and power. The deaths Shakespeare inflicts often act as a punishment for the heroines' betrayal of traditional gender roles and forcibly return the heroines to the feminine sphere.