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Literature in English, British Isles Commons™
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Articles 181 - 206 of 206
Full-Text Articles in Literature in English, British Isles
Death, Discipline, And The Dead: Biopolitical Rhetoric In Early Modern English Texts, Leslie Raybuck Malland
Death, Discipline, And The Dead: Biopolitical Rhetoric In Early Modern English Texts, Leslie Raybuck Malland
Theses and Dissertations--English
Death, Discipline, and the Dead: Biopolitical Rhetoric in Early Modern English Texts locates allusions to the biopolitical culture of Early Modern England within popular English texts. Through my examination of the period’s fascination with death—public executions, newly-authorized anatomies—and the ways in which death, as well as the treatment of the dead, was authorized by and supported the ideological aims of the state, my research identifies how those themes carry over into the most popular works of the day, reviewing instances of both verbal and nonverbal rhetoric across genres to find allusions to biopower — or, state control of the biological. …
Monstrous And Beautiful: Jungian Archetypes In Wilde’S Salomé, Nayana Rajnish
Monstrous And Beautiful: Jungian Archetypes In Wilde’S Salomé, Nayana Rajnish
English (MA) Theses
The subject of my research is the 1891 play Salomé, by Oscar Wilde and my thesis addresses the modern psychological implications of the cultural truths revealed by Wilde's re-vision of the myth of that biblical femme fatale. I argue that in fashioning a tragic heroine out of a female monster figure of “Immortal Vice”, Oscar Wilde created a document that captures two contradictory narratives: one in which Salomé plays the heroine of a tragedy and another in which she performs the role and functions of a villain. By employing Carl Jung's psychology of the archetypes, I am enabled …
The Creature In The Looking Glass: Miltonic Marriage And The Female Self In Breaking Dawn, Jay Wright
The Creature In The Looking Glass: Miltonic Marriage And The Female Self In Breaking Dawn, Jay Wright
Undergraduate Research Awards
Near the close of Breaking Dawn, the final installment of Stephenie Meyer's Twilight saga, Edward asks his new wife Bella a question. “When will you ever see yourself clearly?” (Dawn 744). Bella has no answer for him. Edward's question and, more importantly, Bella's apparent inability to answer is symptomatic of a broader issue throughout Breaking Dawn, in which, even as Bella obtains all that she has desired, her sense of self begins to fracture. Breaking Dawn formalizes Bella’s union with Edward through a series of increasingly binding steps: first through legal marriage, then sexual intimacy and pregnancy, then through vampiric …
Conquering Shame: The Growth Of Virginia Woolf’S Character In Moments Of Being, Ellie Windfeld-Hansen
Conquering Shame: The Growth Of Virginia Woolf’S Character In Moments Of Being, Ellie Windfeld-Hansen
Global Tides
This paper details the roles that shame, guilt, dread and humiliation play in Virginia Woolf's childhood and early adult life. It examines four key instances during these times in her life in which one or more of these feelings are present. Each of these instances also involves certain distinct family members. These experiences of Woolf's discussed in the paper and the family members with which she interacts strengthen her character and contribute to her unique perception and worldview.
‘I Have Had My Vision:’ Visions And The Escape From Expectations In The House Of Mirth And To The Lighthouse, Madison Yardumian
‘I Have Had My Vision:’ Visions And The Escape From Expectations In The House Of Mirth And To The Lighthouse, Madison Yardumian
Scripps Senior Theses
“I have had my vision,” Lily Briscoe declares in the triumphant culminating line of To the Lighthouse, indicating the fulfillment of her artistic vision on a project over ten years in the making. In her success, Lily Briscoe disproves those who have told her “women can’t write, women can’t paint” and actualizes her ability to create, all the while rejecting gendered and heteronormative expectations which prioritize heterosexual marriage over her artistic pursuits (Woolf, TL 86). Strikingly, this language of vision also recurs throughout The House of Mirth by Edith Wharton, a text published 22 years after To the Lighthouse, …
Shakespeare’S Deviation From His Predecessors: Aligning "Romeo And Juliet" With Italian Renaissance Marriage Culture, Tara Lynn Hohn
Shakespeare’S Deviation From His Predecessors: Aligning "Romeo And Juliet" With Italian Renaissance Marriage Culture, Tara Lynn Hohn
Honors Theses and Capstones
No abstract provided.
Dickens’S Changing Perspective Towards Capitalism And The Bourgeoisie, Christina Oliveira
Dickens’S Changing Perspective Towards Capitalism And The Bourgeoisie, Christina Oliveira
Honors Program Theses
Most scholars agree that author and social activist Charles Dickens (1812-1870) made keen observations on human behavior and societal problems through his works. However, scholars are divided over whether to categorize Dickens and his work as radically reformist or pro-bourgeoisie. Through an analysis of three of Dickens’s texts, A Christmas Carol (1843), Bleak House (1852), and Great Expectations (1861), this thesis demonstrates that Dickens’s works carry contradictory ideologies. As time passes, Dickens becomes disillusioned with capitalism but continues to promote capitalist and bourgeois values and ideologies. The trajectory of Dickens’s views shows the difficulties in imagining different realities outside of …
"It's Odd, Isn't It?": Irony, Breakdown, And Self-Healing In Doris Lessing's The Golden Notebook, Rachel M. Goodner
"It's Odd, Isn't It?": Irony, Breakdown, And Self-Healing In Doris Lessing's The Golden Notebook, Rachel M. Goodner
EWU Masters Thesis Collection
No abstract provided.
Women And World War One: Perspectives On Women's Role In Wwi Literature, Rachel Michelle Brown
Women And World War One: Perspectives On Women's Role In Wwi Literature, Rachel Michelle Brown
All Master's Theses
This thesis analyzes the changing gender roles of British women who served as caretakers in World War One. Often overlooked for their contributions, the women who worked on the frontlines of the war defined the changing role of women during and after the war in several crucial ways: 1) the general expectations of women’s gender role, 2) how women perceived and acted in motherhood, and 3) how women constructed and maintained heterosexual, homosocial, and platonic relationships. Using a gender theory approach, this thesis analyzes two semi-autobiographical fictional texts, Evadne Price’s Not So Quiet: Stepdaughters of War, published in 1930, and …
"To Find Healing In My Wounds": The Transformation Of Memory And Trauma Into Art In J.R.R. Tolkien's The Lord Of The Rings, Graysen S. Russell
"To Find Healing In My Wounds": The Transformation Of Memory And Trauma Into Art In J.R.R. Tolkien's The Lord Of The Rings, Graysen S. Russell
EWU Masters Thesis Collection
No abstract provided.
C. S. Lewis’S Complex Relationship With Queer Milton Studies: Indirect Inspiration, Hegemonic Antagonist, And Erased Inconvenient Forerunner, David V. Urban
C. S. Lewis’S Complex Relationship With Queer Milton Studies: Indirect Inspiration, Hegemonic Antagonist, And Erased Inconvenient Forerunner, David V. Urban
University Faculty Publications and Creative Works
This essay discusses queer Milton scholarship’s various responses to C. S. Lewis’s A Preface to Paradise Lost, beginning with Gregory Bredbeck’s groundbreaking 1991 PMLA article through the 2018 volume Queer Milton and beyond. Although most of these responses portray Lewis as one whose explicit denial of queer angelic behavior in Paradise Lost has served to prevent queer readings of Milton, Lewis can also been seen as one who, by this explicit denial, indirectly brought about queer Milton studies. Attention will be paid to Drew Daniel’s unexpected 2014 portrayal of Lewis’s offering an especially daring queer vision of Paradise Lost, a …
‘I Have Had My Vision:’ Visions And The Escape From Expectations In The House Of Mirth And To The Lighthouse, Madison Yardumian
‘I Have Had My Vision:’ Visions And The Escape From Expectations In The House Of Mirth And To The Lighthouse, Madison Yardumian
Scripps Senior Theses
“I have had my vision,” Lily Briscoe declares in the triumphant culminating line of To the Lighthouse, indicating the fulfillment of her artistic vision on a project over ten years in the making. In her success, Lily Briscoe disproves those who have told her “women can’t write, women can’t paint” and actualizes her ability to create, all the while rejecting gendered and heteronormative expectations which prioritize heterosexual marriage over her artistic pursuits (Woolf, TL 86). Strikingly, this language of vision also recurs throughout The House of Mirth by Edith Wharton, a text published 22 years after To the Lighthouse, …
Fantastical Worlds And The Act Of Reading In Peter And Wendy, The Chronicles Of Narnia, And Harry Potter, Grace Monroe
Fantastical Worlds And The Act Of Reading In Peter And Wendy, The Chronicles Of Narnia, And Harry Potter, Grace Monroe
Master’s Theses
My thesis explores the relationship between the child reader and the protagonist within fantasy children’s literature. By examining the experience of the protagonist in the text, I am complicating the notion of escapism in children’s literature and offering a new way to look at how children read. Using narrative theory and Freud’s fort-da, I detail how the events within a novel, the danger and catharsis within the plot, show how both the protagonist and the reader use narrative to better understand and cope with anxieties in their worlds. The novels and series that I discuss, Peter and Wendy (1911), …
Enter Invisible: Atavistic Dualism In Shakespeare, Donne, And Milton, Andrew Scott
Enter Invisible: Atavistic Dualism In Shakespeare, Donne, And Milton, Andrew Scott
Master’s Theses
This thesis explores the different ways in which either dualistic or monistic points of view are represented in select works of William Shakespeare, John Donne, and John Milton. I am relying principally on the broad definition of dualism Ioan Couliano utilizes in his book The Tree of Gnosis. Per Couliano, dualism is not necessarily a discrete tenet of a systematized belief; rather, he means by the word to indicate an intellectual tendency toward splitting certain complex ideas—body and soul, God and man, evil and its opposite, etc.—into separate, sometimes opposing parts. This in contrast to monism, which brings into …
Margaret Atwood’S The Testaments As A Dystopian Fairy Tale, Karla-Claudia Csürös
Margaret Atwood’S The Testaments As A Dystopian Fairy Tale, Karla-Claudia Csürös
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
Back Matter, Douglas Higbee
Back Matter, Douglas Higbee
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
The Oswald Review Of Undergraduate Research And Criticism In The Discipline Of English: Volume 23, 2021, Douglas Higbee
The Oswald Review Of Undergraduate Research And Criticism In The Discipline Of English: Volume 23, 2021, Douglas Higbee
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
Contents, Douglas Higbee
Contents, Douglas Higbee
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
Peace, Love And War: Venus As A Pacifist, Warmonger, And Powerful Woman In Venus And Adonis And The Faerie Queene, Maia J. Janssen
Peace, Love And War: Venus As A Pacifist, Warmonger, And Powerful Woman In Venus And Adonis And The Faerie Queene, Maia J. Janssen
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
Andersen’S Fairy Tales And The Bildungsroman, Joseph Torres
Andersen’S Fairy Tales And The Bildungsroman, Joseph Torres
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
The Path To Piety In Anne Bradstreet’S “Here Follows Some Verses Upon The Burning Of Our House July 10, 1666”, Preston Thompson
The Path To Piety In Anne Bradstreet’S “Here Follows Some Verses Upon The Burning Of Our House July 10, 1666”, Preston Thompson
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
Front Matter, Douglas Higbee
Front Matter, Douglas Higbee
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
The Seduction Novel’S Awakening, Julia Francis
The Seduction Novel’S Awakening, Julia Francis
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
Fracturing The Mirror: Girls Made Of Snow And Glass, Abigael Good
Fracturing The Mirror: Girls Made Of Snow And Glass, Abigael Good
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
Witch Pamphlets, Tsea M. Francisconi
Witch Pamphlets, Tsea M. Francisconi
Graduate Student Theses, Dissertations, & Professional Papers
The witch hysteria that overtook Christian Europe during the Early Modern era inspired a mass paranoia over the conspiratorial belief that the Abrahamic religion’s personification of the world’s evils, also known as Satan, the Devil, demons, or Lucifer interchangeably, was attempting to rise up and cause harm to Christian communities during this time period. It was believed that in order to achieve this goal the Christian version of the Devil had been recruiting humans within Christian communities and turning these chosen humans into witches by granting them the ability to wield magical powers to spread their destruction, murder, and terror …
What Man Artow?: An Exploration Of The Narrator Of The Canterbury Tales, Kimberly Cavalier
What Man Artow?: An Exploration Of The Narrator Of The Canterbury Tales, Kimberly Cavalier
Honors Program Theses
“Also I prey yow to foryeve it me, / Al have I nat set folk in hir degree / Here in this tale, as that they sholde stonde; / My wit is short, ye may wel understonde” (Chaucer 35). These are the words written by Geoffrey Chaucer, who is considered the father of English literature, in the prologue to The Canterbury Tales, a work that has survived and remained relevant for over six hundred years. The juxtaposition of a man whose writing turned him into a household name begging his audience to forgive his short wit and lack of …