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Literature in English, British Isles Commons™
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Articles 151 - 180 of 227
Full-Text Articles in Literature in English, British Isles
"She May Strew Dangerous Conjectures": The Political Sedition And Social Potency Of _Hamlet_'S Ophelia, Christina M. Luiggi
"She May Strew Dangerous Conjectures": The Political Sedition And Social Potency Of _Hamlet_'S Ophelia, Christina M. Luiggi
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
Sadomasochistic Cyclicality: Appropriations Of Shakespeare's "Dark Lady" Sonnets In Dickens's _Great Expectations_, Daniel G. Lauby
Sadomasochistic Cyclicality: Appropriations Of Shakespeare's "Dark Lady" Sonnets In Dickens's _Great Expectations_, Daniel G. Lauby
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
Young Shakespeare: Culture, Patrons, And Connections, David George
Young Shakespeare: Culture, Patrons, And Connections, David George
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
Hubert's Encounters With The Succession In Shakespeare's King John, Marcia Eppich-Harris
Hubert's Encounters With The Succession In Shakespeare's King John, Marcia Eppich-Harris
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
Encountering Shakespeare's Cleopatra: The Subversion Of The Occident's Threat Of Objectification, Amany El-Sawy
Encountering Shakespeare's Cleopatra: The Subversion Of The Occident's Threat Of Objectification, Amany El-Sawy
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
Front Matter, Emily Isaacson
Front Matter, Emily Isaacson
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
Language As Communication Vs. Language As Art: J.R.R. Tolkien And Early 20th-Century Radical Linguistic Experimentation, Dimitra Fimi
Language As Communication Vs. Language As Art: J.R.R. Tolkien And Early 20th-Century Radical Linguistic Experimentation, Dimitra Fimi
Journal of Tolkien Research
This article situates Tolkien’s “A Secret Vice” (and its accompanying notes and papers) within the cultural and intellectual milieu of the early 20th century. It claims that at the heart of Tolkien’s exploration in this material is the question of language as communication vs. language as art. It argues that Tolkien’s language invention navigates the (perceived) binary between a utilitarian aim for language invention (contemporary International Auxiliary Languages) vs. an aesthetic linguistic pursuit (contemporary Modernist and other avant-garde linguistic experimentation), by choosing a third (middle) way. It examines Tolkien's linguistic invention alongside the work of Sapir, Jespersen, Joyce, Stein, and …
Robert Burns’S Politics And The French Revolution, G. Ross Roy
Robert Burns’S Politics And The French Revolution, G. Ross Roy
Selected Essays on Robert Burns by G. Ross Roy
A sympathetic survey of Burns's changing political ideas before, during and after the French Revolution
Preface, Patrick Scott
Preface, Patrick Scott
Selected Essays on Robert Burns by G. Ross Roy
A brief introduction to Ross Roy's Selected Essays with a note on editorial procedure
Details On Printed Volume: Prelims, Dedication, Abbreviations, Contents Page, Patrick Scott, Elizabeth Sudduth, Jo Durant
Details On Printed Volume: Prelims, Dedication, Abbreviations, Contents Page, Patrick Scott, Elizabeth Sudduth, Jo Durant
Selected Essays on Robert Burns by G. Ross Roy
Consolidated prelims pages from the print edition of this book, giving seties and publication information (including ISBN), the dedication to Lucie Roy (1924-2018), abbreviations, and contents page.
Robert Burns: A Self-Portrait, G. Ross Roy
Robert Burns: A Self-Portrait, G. Ross Roy
Selected Essays on Robert Burns by G. Ross Roy
An essay looking at Burns as he portrays himself in his letters, notable for looking at how different correspondents bring out different aspects of his character.
The Bible In Burns And Scott, G. Ross Roy
The Bible In Burns And Scott, G. Ross Roy
Selected Essays on Robert Burns by G. Ross Roy
Surveys and compares the use of Biblical reference and allusion in two major Scottish writers, Robert Burns and Walter Scott
Editing Robert Burns In The Nineteenth Century, G. Ross Roy
Editing Robert Burns In The Nineteenth Century, G. Ross Roy
Selected Essays on Robert Burns by G. Ross Roy
Surveys and assesses the major Burns editors from James Currie and Robert Cromek, through Allan Cunningham and Robert Chambers, to Scott Douglas, and the Chambers-Wallace and Henley-Henderson editions.
Robert Burns And The Brash And Reid Chapbooks, G. Ross Roy
Robert Burns And The Brash And Reid Chapbooks, G. Ross Roy
Selected Essays on Robert Burns by G. Ross Roy
A survey and discussion of the poems and songs by Robert Burns included in one of the major Scottish late-18th century chapbook series, published by Brash and Reid of Glasgow, and collected in their series Poetry Original and Selected.
Robert Burns And The Merry Muses Of Caledonia, G. Ross Roy
Robert Burns And The Merry Muses Of Caledonia, G. Ross Roy
Selected Essays on Robert Burns by G. Ross Roy
An introduction for a reprint of the first edition of The Merry Muses of Caledonia, collection of (sometimes) bawdy songs, including some by Burns, first printed in 1799, probably in Edinburgh, for the Crochallan Fencibles. an Edinburgh social club to which Burns belonged.
Addenda To "Publications By G. Ross Roy: A Checklist", Patrick Scott
Addenda To "Publications By G. Ross Roy: A Checklist", Patrick Scott
Selected Essays on Robert Burns by G. Ross Roy
The original checklist of Ross Roy’s published writings, 1954-2011, compiled by Patrick Scott and Justin Mellette, appeared in Robert Burns and Friends, ed. Scott and Simpson (2012), 162-180. The list here notes a few earlier items retrieved from Ross Roy’s own files and updates the checklist to cover more recent publications, through 2015.
Sources And Acknowledgements, Patrick Scott
Sources And Acknowledgements, Patrick Scott
Selected Essays on Robert Burns by G. Ross Roy
A consolidated list with the pubication history of each essay, original publication venue, copyright status (which is G. Ross Roy, and Estate of G. Ross Roy/Studies in Scottish Literature unless otherwise specified), and where permission from the original publisher(s) or their successors.
The “Sighan, Cantan, Grace-Proud Faces”: Robert Burns And The Kirk, G. Ross Roy
The “Sighan, Cantan, Grace-Proud Faces”: Robert Burns And The Kirk, G. Ross Roy
Selected Essays on Robert Burns by G. Ross Roy
A sympathetic examination of Burns's kirk satires and his attitude to religion.
Robert Burns And “Clarinda”, G. Ross Roy
Robert Burns And “Clarinda”, G. Ross Roy
Selected Essays on Robert Burns by G. Ross Roy
A sympathetic introduction to Burns's relationship with Mrs Agnes (Nancy) McLehose, and their correspondence under the names "Sylvander" and "Clarinda"
“Tam O’ Shanter”, G. Ross Roy
“Tam O’ Shanter”, G. Ross Roy
Selected Essays on Robert Burns by G. Ross Roy
A short introduction to the background and history of one of Burns's greatest and most dramatic poems
"Auld Lang Syne", G. Ross Roy
"Auld Lang Syne", G. Ross Roy
Selected Essays on Robert Burns by G. Ross Roy
A short introductory account of the background, sources, and music, of one of the best-known Burns songs.
Poems And Songs Spuriously Attributed To Robert Burns, G. Ross Roy
Poems And Songs Spuriously Attributed To Robert Burns, G. Ross Roy
Selected Essays on Robert Burns by G. Ross Roy
A broad-ranging discussion of poems not written by Burns that have been wrongly attributed to him by later writers and editors, with quoted examples.
"The Mair They Talk, I'M Kend The Better": Poems About Robert Burns To 1859, G. Ross Roy
"The Mair They Talk, I'M Kend The Better": Poems About Robert Burns To 1859, G. Ross Roy
Selected Essays on Robert Burns by G. Ross Roy
A broad-ranging discussion, with quoted examples, of the many poems written to and about Burns from his lifetime up to the centenary of his birth in 1859.
Editing Burns's Letters In The Twentieth Century, G. Ross Roy
Editing Burns's Letters In The Twentieth Century, G. Ross Roy
Selected Essays on Robert Burns by G. Ross Roy
Discusses the history of Burns's letters, the major groups and collections, their editors, and the editions done by J. deLancey Ferguson (1931) and Ross Roy himself (1985).
Collecting Burns: A Conversation, G. Ross Roy, Patrick Scott
Collecting Burns: A Conversation, G. Ross Roy, Patrick Scott
Selected Essays on Robert Burns by G. Ross Roy
Illustrated transcript of extended interview made in which Ross Roy discusses the development of the G. Ross Roy Collection of Robert Burns, at the University of South Carolina, with comments on some important individual items and the story of how he acquired them. Interview videotaped in December 2008, at the University of South Carolina; first shown at a plenary session at the University of Glasgow’s Robert Burns 250th Anniversary conference, January 2009, and again during the South Carolina conference in April. The illustrations here are selected from those in the published catalogue of the Roy Collection by Elizabeth Sudduth (University …
Index To Selected Essays On Robert Burns, By G. Ross Roy, Elizabeth Sudduth, Jo C. Durant
Index To Selected Essays On Robert Burns, By G. Ross Roy, Elizabeth Sudduth, Jo C. Durant
Selected Essays on Robert Burns by G. Ross Roy
A full index to the poems, songs, books, people, and places referenced in Selected Essays on Robert Burns, by G. Ross Roy (Columbia, SC: South Carolina Scottish Literature Series, 2018).
The Gawain-Poet And The Fourteenth-Century English Anticlerical Tradition, Ethan Campbell
The Gawain-Poet And The Fourteenth-Century English Anticlerical Tradition, Ethan Campbell
Research in Medieval and Early Modern Culture
In this fresh reading of the Gawain-poet's Middle English works (Cleanness, Patience, Pearl, and Sir Gawain and the Green Knight), Ethan Campbell argues that a central feature of their moral rhetoric is anticlerical critique. Written in an era when clerical corruption was a key concern for polemicists such as Richard FitzRalph and John Wyclif, as well as satirical poets such as John Gower, William Langland, and Geoffrey Chaucer, the Gawain poems feature an explicit attack on hypocritical priests in the opening lines of Cleanness as well as more subtle critiques embedded within depictions of …
Shakespeare, Antony And Cleopatra, And The Nature Of Fame, Robert A. Logan
Shakespeare, Antony And Cleopatra, And The Nature Of Fame, Robert A. Logan
Research in Medieval and Early Modern Culture
Shakespeare, Antony and Cleopatra, and the Nature of Fame is a characterological study, presenting new perspectives on Antony and Cleopatra, the most ambiguous of Shakespeare's plays. It offers fresh insights into Shakespeare's understanding of the attributes of fame, the process by which it occurs, and the significance of being famous—and into the origins and nature of the playwright's own imperishable fame. Inclusive and enlarging, the study considers a fresh method of dealing with the longstanding difficulties theater-goers and readers have had in responding to the characters of Shakespeare's plays, the seventeenth-century contexts of the play that the playwright …
Environmental Humanities: Voices From The Anthropocene By Serpil Oppermann And Serenella Iovino, Pamela Banting
Environmental Humanities: Voices From The Anthropocene By Serpil Oppermann And Serenella Iovino, Pamela Banting
The Goose
Review of Environmental Humanities: Voices from the Anthropocene by Serpil Oppermann and Serenella Iovino, eds.
"Betwixt The World Destroyed And World Restored": Subjectivity And Paradisal Recovery In John Milton's Late Poems, Chihping Ma
"Betwixt The World Destroyed And World Restored": Subjectivity And Paradisal Recovery In John Milton's Late Poems, Chihping Ma
Dissertations, Theses, and Capstone Projects
This study focuses on the discovery of subjectivity through the recovery of lost paradise in Milton’s late poems, Paradise Lost, Paradise Regained, and Samson Agonistes. This theme revolves around the tension between the affective and the empirical, which also configure the spheres of the sacred and the profane. I explore how the irresistibly emancipatory impulse of recovering lost paradise compels Miltonic subjects to seek ways to return to their originary state or the divine ensemble. During this process, the subject is engaged with his own incapacity or privation while reaching into the sphere of unknown potentiality. In …