Literature in English, British Isles Commons^™

Silas Marner: George Eliot's Most Coleridgean Work?, Jen Davis

The George Eliot Review Online, ISSN: 2831-5375

In 1861 Henry Crabb Robinson compared George Eliot's Silas Mamer with Coleridge's 'The Ancient Mariner'. He noted the novel's 'great affinity' with the poem: 'A little child, its mother having frozen to death at his solitary hovel, is taken in by Silas [ ...]. It is to him what the blessing of the animals is to the Ancient Mariner.' 1 In 1977, U. C. Knoepflmacher argued that: '[b]oth The Mill on the Floss and Silas Mamer hark back to those poems of severance, loss, and expiation that had haunted the imaginations of Coleridge and Wordsworth at the turn of the …

Coelum Britannicum: Inigo Jones And Symbolic Geometry, Rumiko Handa

Architecture Program: Faculty Scholarly and Creative Activity

Inigo Jones’s interpretation that Stonehenge was a Roman temple of Coelum, the god of the heavens, was published in 1655, 3 years after his death, in The most notable Antiquity of Great Britain, vulgarly called Stone-Heng, on Salisbury Plain, Restored.¹ King James I demanded an interpretation in 1620. The task most reasonably fell in the realm of Surveyor of the King’s Works, which Jones had been for the preceding 5 years. According to John Webb, Jones’s assistant since 1628 and executor of Jones’s will, it was Webb who wrote the book based on Jones’s “few indigested” notes, on …

Mortal Reason And Divine Infinity: Justifying The Ways Of God To Men In Book Vi Of Paradise Lost, Sarah Plavcan

Inquiry: The University of Arkansas Undergraduate Research Journal

In his epic poem, Paradise Lost, Milton’s goal was to “justify the ways of God to men” (PLI.25-26). For his seventeenth-century Protestant audience, this meant reconciling both the paradox of human free will and divine foreknowledge and the paradox of human suffering and God’s goodness. Although God’s speech in Book III makes an explicit argument declaring God’s justice, this paper will show that Book VI, the War in Heaven, completes this argument by attempting to move the poem’s readers beyond the limits of human reason into a divine understanding of the universe. Through temporal compression and confusion, created by the …

Dress Rehearsal: Word Play And Narrative Construction In The Assembly Of Ladies, Nicola Blake

Publications and Research

In the erotics of theater, words are (theoretically) corporeal. They are up there for public scrutiny. The mind's eye echoes the mind's ear. Words act. They are elements of the: scenic investiture affecting, synesthetically, light space rhythm pattern sound, but they also resound at the deepest level of the: mise-en-scene, through self time memory consciousness as well. Mere words, true. Problematic to the last breath of being. The: material elements of theater - like the: body itself - situate us.

Wordsworth's Lyrical Ballads, 1800, Jason N. Goldsmith

Scholarship and Professional Work - LAS

Prelude:

IN the dense tracts of woodland that stretch south from Esthwaite Water, a young boy pauses amidst a copse of hazel. His chest heaves; his heart races. Brake, bramble, and thorn. Exhaustion and expectation gather in each breath, course through his body and deeper still into his soul. He eyes the trees, fingers the milk-white flowers that hang in clusters, and knows joy. His breathing slows. Leaves murmur in the breeze. His heart fills with kindness. Taking up the crook that lies in the long grass, he swings it wide. Petals fill the air, swirl around him like …

Hamlet Reinvents Himself, William Walsh

Scholarship and Professional Work - LAS

We see the early modern as an open carry society. Hamlet’s success in the swordplay at the end is usually seen as his triumph, fulfilling his father’s injunction at last. The 2013 RSC production of Hamlet projected ambiguity, which I share. The most intriguing angle was Hamlet’s costume. Jonathon Slinger very quickly donned half of a fencing jacket; but the straps of the jacket dangled, strongly suggesting a straight jacket. Half mad, half resolute, Hamlet is driven through much of the play until, I will argue, he reinvents himself as a mad version of divine providence. The providential idea is …

Safety And Silence In A Shakespearean Space, Cheryl Hogue Smith

Publications and Research

This article describes a homophobic incident in a Shakespeare community college class and explains how the teacher then tried to create a safe space for all students.

Queer 'Paradise Lost': Reproduction, Gender, And Sexuality, Emily R. Kolpien

Scripps Senior Theses

In the span of this thesis, I investigate the queer nature of John Milton’s epic poem Paradise Lost, and argue that in spite of the biblical subject matter it is in fact a text filled with instances of queer transgression. I focus on preexisting feminist critiques of Milton in my introduction in order to ground myself within the academic field, and in order to illustrate how I will be branching out from it. In my first chapter, I discuss the queered nature of the poem’s landscapes, such as Chaos and Hell, and the specifically queer and masculine nature of …

The Problem Of Love And Codes Of Conduct For The Younger Courtiers In King Lear, Debora L. Pfeiffer

Masters Theses

The courtiers Edmund and Edgar are critical to the action of King Lear, yet there has been little scholarship which has treated these characters in depth. I argue that one way to comprehend them and their significance in the play's action is to analyze their behavior according to the standards of the Renaissance conduct books that were circulating in England at the beginning of the seventeenth century when the play was written. Baldassare Castigligone's The Book of the Courtier, Niccolo Machiavelli's The Prince, and Desiderius Erasmus's The Education of a Christian Prince each sheds light on important themes …

G.A.M.E.: A Hypermedia Edition Of James Mcneill Whistler’S The Gentle Art Of Making Enemies, Amy Colombo

Theses and Dissertations

This dissertation, G.A.M.E., refashions James McNeill Whistler’s book, The Gentle Art of Making Enemies, into a hypermediated facsimile text and archive. By remediating the text, the socio-historical context of the Victorian time period in which Whistler lived is reestablished, making his book more accessible to twenty-first century audiences. The era studied in this dissertation includes the expansion of the idea of celebrity, the power of the press, and the concept of art for art’s sake from 1863 through 1892. In order to showcase these concepts, archival materials, such as personal correspondence, newspaper clippings, and published pamphlets, from this period were …

Though My Gross Blood Be Stain'd: Bleeding Bodies And Power Dynamics In Shakespeare's The Tragedy Of Coriolanus And The Rape Of Lucrece, Lindsey Katherine Dee Wedow

Master's Theses

Early modern literature is replete with references to blood. These references appear in the contexts of class and gender distinction, medical information, religious significance, and more. Upon looking into the Galenic model of medicine utilized in early modern England, it becomes clear that blood, while one of the four humors of the body, held a place of special significance amongst the rest. Thus in reading the works of Shakespeare we are able to see how he often handles blood as a substance that holds special qualities and as such plays an important role in human lives. This paper examines two …

The (Re)Naturalization Of Margaret Cavendish: Making Active The Relationship Between Nature And Female Subjectivity In Blazing World, Daniel P. Richards, Julie Chappell (Ed.), Kamille Stone Stanton (Ed.)

English Faculty Publications

No abstract provided.

Expanding The Literary Enterprise: How We Experience The Texts Of The Advanced Placement English Literature And Composition Curriculum, Molly Ostrow

Honors Theses

How we read the texts of the Advanced Placement English Literature and Composition curriculum.

Recalling Anna, Reclaiming Trauma: A Psychoanalytic Approach To Jean Rhys's "Voyage In The Dark", Emily Duffy

English and Creative Writing Independent Study Projects

A psychoanalytic reading of Jean Rhys's Voyage in the Dark, which compares the experiences, dreams and memories of the character Anna with that of Freud's protagonist, Dora, in his Portrait of Dora.

"Nobody Else Knows Me, But The Street Knows Me" - Jean Rhys's Urban Flaneuses: Mapping "Good Morning, Midnight", Emily Duffy

English and Creative Writing Independent Study Projects

My project explores the urban geography of Paris, as depicted by Rhys, through theories of space articulated by Walter Benjamin, Michel de Certeau, and Gaston Bachelard. I will provide some theoretical context to show how approaching this novel from a spatial perspective can help us understand Sasha’s experience. Additionally, I explore how Sasha’s gendered body moves through these spaces, how place and space affect her identity, and how mapping this novel can enrich the experience of the reader, especially a reader who is unfamiliar with interwar Paris.

The Joys Of Earth: Evolutionary Kinship In Victorian Atheist And Agnostic Authors, Keri R. Stevenson

Theses and Dissertations--English

Darwin’s evolutionary theory provided, for some atheist and agnostic authors in Victorian England, a theory of kinship and community, of investment in the world, that had been missing before. Without a “creation” story that could match the Biblical version, those who stood outside the dominant Christian paradigm rarely had the words or concepts to construct their own visions of how humans fit into the existence of other species, into landscapes, and into a world that, if unfallen, seemed resistant to other explanations. Those who did construct alternate mythologies usually reared them on a Christian base.

Into the Victorian loss of …

Shakespeare's Dictionary: One Playwright's Influence On The Modern English Lanugage, Jennifer Walton

Undergraduate Distinction Papers

William Shakespeare is considered to the be the father of Modern English, but what most people do not realize is that he influenced much more in English than just the language. The number of phrases and words he created is over-exaggerated, he borrowed from many other languages, and he was one of the first people to document modern medical disorders. Not to mention Shakespeare was writing during one of the most lexically innovative time periods, so he helped aid in the transition from using “thee” to using “you” when addressing another person. Moving away from language specifically, Shakespeare’s writing has …

Robert Southey On Portugal: Travel Narrative And The Writing Of History, Manuela MourãO

English Faculty Publications

First paragraph:

Robert Southey was once referred to by Ernest Bernhardt-Kabisch as “one of the best known of the unread poets” (9) in a study that deliberately focused on what he considered Southey’s largely failed poetic quest: “Southey’s grand failures,” he explained, “are more interesting than his modest successes and far more illuminative of Romanticism and Romantic myth-making generally” (9). In an oblique way, my focus in this essay is likewise another of Southey’s grand failures-- his planned, but never finished, History of Portugal. This ambitious project, despite remaining mostly unwritten, occupied much of Southey’s time in the early years …

The Ethics Of Mourning: The Role Of Material Culture And Public Politics In The 'Book Of The Duchess' And The 'Pearl' Poem, Tarren Andrews

Graduate Student Theses, Dissertations, & Professional Papers

This project is a socio-historic analysis of two late 14^th century dream visions: Chaucer’s Book of the Duchess and the Pearl poem. Utilizing Robert Pogue Harrison’s concept of objectifying grief through ritualized communal mourning, this thesis examines the ways in which mourning literature functioned as consolatory device, and a form of public performance for the powerful patrons who commissioned the pieces. By engaging with pre-existing communities of grief, material culture, and courtly discourse these poems perform the work of mourning while simultaneously enacting modes of public performativity that stress the ethics of grieving, and suggest that, for royal patrons, …

The Rise And Fall Of The New Edinburgh Theatre Royal, 1767-1859: Archival Documents And Performance History, Judith Bailey Slagle

ETSU Faculty Works

Excerpt: In 1859, the Edinburgh house of Wood and Company published a Sketch of the History of the Edinburgh Th eatre-Royal in honor of its fi nal performance and closing, its author lamenting that “Th is House, which has been a scene of amusement to the citizens of Edinburgh for as long as most of them have lived, has at length come to the termination of its own existence” (3).

Faces And Figures Of Fortune: Astrological Physiognomy In Tamburlaine Part 1., Vanessa I. Corredera

Faculty Publications

When articulating the relationship between man and the world around him (or her), George Peele imagines man as a canvas, a 'picture' of the universe, a microcosm whose makeup carries the 'face' or the viewable surface of the macrocosm. Peele's statement perfectly encapsulates the early modern belief in signatures and correspondences, in which 'Individual objects on earth...contain the signature of the heavenly bodies to which they supposedly correspond'. By envisioning man as a 'picture', Peele conceives of the universe as readily legible upon the human body. In his discussion of the history of signatures and correspondences in The Order of …

The Wisdom In Folly: An Examination Of William Shakespeare's Fools In Twelfth Night And King Lear, Siri M. Brudevold

Scripps Senior Theses

This thesis explores the complexities to be found in the characters of Lear's Fool from King Lear and Feste from Twelfth Night. It begins with an investigation of the history behind the taxonomy of fools that William Shakespeare created in his works. The rest of the thesis is devoted to examining the many facets of the two aforementioned fools, with the goal of discovering just how important and influential they are to their respective plots and to the world of literature. Finally, there is a brief coda that explores the other striking similarities that the two plays have in …

The Germ Theory Of Dystopias: Fears Of Human Nature In 1984 And Brave New World, Clea D. Harris

Scripps Senior Theses

This project is an exploration of 20^th century dystopian literature through the lens of germ theory. This scientific principle, which emerged in the late 19^th century, asserts that microorganisms pervade the world; these invisible and omnipresent germs cause specific diseases which are often life threatening. Additionally, germ theory states that vaccines and antiseptics can prevent some of these afflictions and that antibiotics can treat others. This concept of a pervasive, invisible, infection-causing other is not just a biological principle, though; in this paper, I argue that one can interpret it as an ideological framework for understanding human existence …

Love At First Sight? Jane Austen And The Transformative Male Gaze, Rachel S. Grate

Scripps Senior Theses

In this thesis, I claim that the gaze is central to the courtship process in Austen’s novels. I also propose that an analysis of the gaze is crucial to understanding the gendered power dynamics that are central to these relationships. We tend to think of male gazers as having all the power, but one of Austen’s subversive arguments is that women can also be subjects of the gaze and transform through it. However, limits exist to their power. As I will argue, while men are able to simply project their transformative gaze, women must first use their gaze to perceive …

Hamlet #Princeofdenmark: Exploring Gender And Technology Through A Contemporary Feminist Re-Interpretation Of Hamlet, Allegra B. Breedlove

Scripps Senior Theses

Exploring the process of designing, producing, directing and starring in a multimedia feminist re-interpretation of Shakespeare's Hamlet set in a contemporary social media landscape.

Redefining Irishness: Fragmentation Or Intercultural Exchange, Rania M Rafik Khalil

English Language and Literature

The traditional definition of Irishness has been overwritten by internationalization, cultural and political discourses. Globalisation today sets the ground for the redefinition of a “new Ireland” altering the ethnocultural base to the definitions of Irish national identity. Recent cultural criticism on modern Irish studies have described the Irish nation as undergoing moments of crisis and instability within a global context. This paper explores and analyzes the process by which literary dramatic works dealing with Irish national distinctiveness have been put subject to being written and re-written as the Irish nation passes through periods of instabilities and problematisations. Ireland has been …

In Defense Of Marianne Dashwood: A Categorization Of Language Into Principles Of Sense And Sensibility, Ashley Bonin

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Woman Warrior: The Silent Creation Of A Third Space, Hayley Struzik

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Intergenerational Trauma: A Look At Sherman Alexie's Child Characters, Kiersten Sargent

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Back Matter, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.