Literature in English, British Isles Commons^™

Review Of Monomania: The Flight From Everyday Life In Literature And Art, Marina Van Zuylen

The George Eliot Review Online, ISSN: 2831-5375

The obvious monomaniac in Middlemarch is Casaubon, determined and devoted to writing his 'Key to All Mythologies'. This, his idee fixe, orders his world and certainly his relationship with his wife Dorothea, who seems an unwitting victim of his obsession and his coldness. But in Marina van Zuylen's Monomania, Dorothea becomes the focus of attention: in a chapter on Middlemarch, Miss Brooke's persistent 'urge to sublimate' her will to Casaubon's is read as monomania, with compelling results.

Van Zuylen's interdisciplinary study surveys incarnations of monomania beginning in nineteenth-century Europe; she constructs monomania as an obsession whose psychical function is to …

Address At Wreath-Laying In Poets' Corner, Westminster Abbey 24 June 2004, Gabriel Woolf

The George Eliot Review Online, ISSN: 2831-5375

150 years ago, in 1854, George Eliot, still Marian Evans at that point, and George Henry Lewes made the momentous decision to live together. They did so for 24 years until Lewes died and, in the first five years together, made literary history. We know they couldn't marry, we know that neither of them was regarded as physically attractive but, to quote an apposite line from a Shakespeare sonnet: Let me not to the marriage of true minds, admit impediment. Not even in this place.

The inspirational meeting of such minds and the rich love the two bore each other …

Review Of George Eliot & Middlemarch, Tim Dolin, George Eliot

The George Eliot Review Online, ISSN: 2831-5375

Both books under review appear in series that aim to give new currency to texts and authors by the provision of critical and cultural context. The implied audience is not simply the old 'sixth form and junior undergraduate' cohorts: there is a presumption of an informed wider readership which appreciates and in some cases requires assistance from critical commentary and scholarly apparatus. Such guidance is appropriately supplied in accordance with their respective series briefs by Gregory Maertz in his edition of Middlemarch and Tim Dolin in his study of George Eliot. Maertz makes a distinct scholarly contribution to study of …

The George Eliot Review: Journal Of The George Eliot Fellowship 2005 No. 36, Beryl Gray, John Rignall

The George Eliot Review Online, ISSN: 2831-5375

CONTENTS

Notes on Contributors .......................................................... 5

ARTICLES Dinah Birch: 'School-Time': George Eliot and Education (The Thirty-Second George Eliot Memorial Lecture, 16 October 2004) ................................... 7

Ceri Hunter: Moving Beyond Signs: The Crisis of Language in Daniel Deronda (Prize Essay) ................................................................................ 17

Leonee Ormond: George Eliot and the Victorian Art World ........................... 25

Bonnie Shannon McMullen: Legitimate Plots, Private Lots in Felix Holt and Daniel Deronda ........................................................................................................ .39

Omar Sabbagh: Aspects of 'Indefiniteness' in Middlemarch............................................... 46

Richard Winter: Romantic Love as Spiritual Companionship? A Buddhist Re-reading of George Eliot ......................................................................... 53

Miyuki Amano: The Widening Vision and Undying Hope in The …

Moving Beyond Signs: The Crisis Of Language In Daniel Deronda, Ceri Hunter

The George Eliot Review Online, ISSN: 2831-5375

It is no critical initiative to point out that George Eliot's Daniel Deronda (1876) plays with the premises of realist narrative art.! Previous readings have, however, tended to engage only tangentially with the way in which the novel scrutinises the use of language? This omission of linguistic context is curious, given that Daniel Deronda is set during a decade which placed the Victorian ruling classes' confidence in the English language under strain. The 1860s teemed with words. There were more English speakers than ever before, owing to population increase and dispersal. The English language was democratised by the 1867 reform …

Review Of The Effective Protagonist In The Nineteenth-Century British Novel: Scott, Bronte, Eliot, Wilde, Terence Dawson

The George Eliot Review Online, ISSN: 2831-5375

Let me declare my critical prejudices from the outset. Terence Dawson's study is a work of psychological criticism, of post-Jungian criticism to be exact, and I am frequently left unconvinced by such critical inquiry. As Dawson admits, 'it is often held that the weakness of psychological analyses of literary works is that they require the reader to accept their premises. This both is, and is not so.' In the case of Dawson's book, I can't help but feel that it is so, and by the end of a dense, if often suggestive, study, I remained unpersuaded as to the merits …

George Eliot And The Victorian Art World, Leonee Ormond

The George Eliot Review Online, ISSN: 2831-5375

Reading the letters and diaries of Victorian practitioners of the different arts reminds us that their social world differed markedly from that of artists today. In nineteenth-century London the number of people involved was sufficiently small for artists of all kinds to meet each other regularly.

Among the public functions at which such meetings could take place were the various events at the Royal Academy, held in the National Gallery building in Trafalgar Square until 1868 and, after that, in the Academy's grand new residence at Burlington House in Piccadilly. The Private View of the summer exhibition in May was …

Legitimate Plots, Private Lots In Felix Holt And Daniel Deronda, Bonnie Shannon Mcmullen

The George Eliot Review Online, ISSN: 2831-5375

A preoccupation with the idea of home was central to George Eliot's fiction from its beginnings until its end. In Felix Holt and Daniel Deronda, however, this theme is developed in terms that involve legal complexities that have embroiled her characters, perplexed her readers, and sent the author to seek advice and reassurance from the barrister Frederic Harrison. Esther Lyon has a 'right in remainder'! in a property, while Harold Transome has 'a reversion tantamount to possession' (p. 284), Sir Hugo Mallinger is a tenant for life, his nephew Grandcourt a tenant in tail. These intricacies of plot have puzzled …

George Eliot Birthday Lucheon, 21 November 2004 The Toast To The Immortal Memory, Rosemary Ashton

The George Eliot Review Online, ISSN: 2831-5375

Ladies and gentlemen, this is a special year because it is ISO years since George Eliot and G. H. Lewes began to live together openly. 22 November 1854 was her thirty-fifth birthday. Where were she and Lewes? What were they doing?

They were in Berlin, having moved on from Weimar on 3 November. They had left England on 19 July, the day Marian Evans sent her famous telegram to her Coventry friends Charles and Cara Bray and Sara Hennell:

Dear Friends - all three

I have only time to say good bye and God bless you. Poste Restante, Weimar

for …

Short Fiction By Women In The Victorian Literature Survey, Elisabeth Rose Gruner

English Faculty Publications

The first time I taught a Victorian Literature survey, fresh out of a curriculum integration workshop in graduate school, I taught ten authors: five male and five female. One student evaluation after the course was over complained that despite the promise of “great” Victorian writers, half of those on the syllabus were women. While this did take place in the dark ages of the early nineties, I still find myself, as I design my syllabi, caught in the familiar conundrum as to what to teach, what to cut, and why. In my case, it seems simple: The Victorian period is …

Eyes In The Text: Surveying The Ocular Aesthetic In Pat Barker's War Trilogy, James Hammond

Electronic Theses and Dissertations

In 1991, British novelist Patricia Barker published Regeneration, the first of three novels that portrayed the exploits of both factual and fictional characters during the darkest days of WWI. Barker's Eye in the Door (1993), followed by The Ghost Road (1995) for which she won the Booker Prize for Fiction, completed the series that explored the effects of combat on the human psyche. What emerges as a dominant feature of Barker's war novels is her depiction of the ocular sense. Reminiscent of Orwellianism, Barker's texts contain a seemingly ubiquitous ocular presence. For example, neurasthenic patients are scrutinized by army psychiatrists, …

Cravens, Margaret (1881-1912), Robert Spoo

Articles, Chapters in Books and Other Contributions to Scholarly Works

No abstract provided.

Patronage Of The Arts, Robert Spoo

Articles, Chapters in Books and Other Contributions to Scholarly Works

No abstract provided.

Unshap'd Monsters: Political Farce On The London Stage, 1717-1737, Melissa Ann Bloom

Dissertations, Theses, and Capstone Projects

This dissertation reexamines the role of John Gay's and Henry Fielding's anti-government satirical farces during the politically contentious 1720s and 1730s in London. Although their plays were and still are considered, variously, burlesques, entertainments, farces, and satires, I call them satirical farce for two reasons. First, contemporaries used the term farce as much to signify political and social stances as dramatic type or function. Those political and social stances are the central focus of this dissertation. Second, I see in this collection of plays—Gay's Three Hours After Marriage (1717) and The Beggar's Opera (1728), Fielding's The Author's Farce (1730), The …

Front Matter, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Redefining Ars Moriendi In J.R.R. Tolkien's The Lord Of The Rings, Heather Harman

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Contents, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Language In The Silent Space: Virginia Woolf's To The Lighthouse, Elizabeth Hirt

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Greater Of Two Evils: Distinguishing Between Machiavellians And Tyrants In Shakespeare's "The Rape Of Lucrece" And Milton's Paradise Lost, Mark Crisp

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Back Matter, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Oswald Review Undergraduate Research And Criticism In The Discipline Of English: Volume 7 Fall 2005

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.