Literature in English, British Isles Commons^™

Aspects Of 'Indefiniteness' In George Eliot's Middlemarch, Omar Sabbagh

The George Eliot Review Online, ISSN: 2831-5375

In this article I will be teasing out the significance of the various uses and senses of 'indefiniteness' in Middlemarch. Whether it is in relationships between other characters, or between Dorothea and other characters, or between Dorothea and herself, or indeed between Dorothea and the novel or the reader, it will be seen that indefiniteness often stands in for unfavourable conceptions of abstraction and externality, and that all contribute to disharmony in Eliot's rendering. This disharmony is resolved by the end of the novel, and it seems to me that this particular resolution is one of the novel's main themes. …

The George Eliot Review: Journal Of The George Eliot Fellowship 2005 No. 36, Beryl Gray, John Rignall

The George Eliot Review Online, ISSN: 2831-5375

CONTENTS

Notes on Contributors .......................................................... 5

ARTICLES Dinah Birch: 'School-Time': George Eliot and Education (The Thirty-Second George Eliot Memorial Lecture, 16 October 2004) ................................... 7

Ceri Hunter: Moving Beyond Signs: The Crisis of Language in Daniel Deronda (Prize Essay) ................................................................................ 17

Leonee Ormond: George Eliot and the Victorian Art World ........................... 25

Bonnie Shannon McMullen: Legitimate Plots, Private Lots in Felix Holt and Daniel Deronda ........................................................................................................ .39

Omar Sabbagh: Aspects of 'Indefiniteness' in Middlemarch............................................... 46

Richard Winter: Romantic Love as Spiritual Companionship? A Buddhist Re-reading of George Eliot ......................................................................... 53

Miyuki Amano: The Widening Vision and Undying Hope in The …

George Eliot And The Victorian Art World, Leonee Ormond

The George Eliot Review Online, ISSN: 2831-5375

Reading the letters and diaries of Victorian practitioners of the different arts reminds us that their social world differed markedly from that of artists today. In nineteenth-century London the number of people involved was sufficiently small for artists of all kinds to meet each other regularly.

Among the public functions at which such meetings could take place were the various events at the Royal Academy, held in the National Gallery building in Trafalgar Square until 1868 and, after that, in the Academy's grand new residence at Burlington House in Piccadilly. The Private View of the summer exhibition in May was …

The Thirty-Third George Eliot Memorial Lecture, 2004 'School-Time': George Eliot And Education, Dinah Birch

The George Eliot Review Online, ISSN: 2831-5375

In George Eliot's first piece of published fiction, the hero - if that's the right word for the hapless Reverend Amos Barton - is no advertisement for the conventional schooling of a middle-class Englishman. Though he has managed to struggle through the university degree he needs to qualify him for a clerical life, his years as a student have not made an intellectual of Amos: 'Mr. Barton had not the gift of perfect accuracy in English orthography and syntax, which was unfortunate, as he was known not to be a Hebrew scholar, and not in the least suspected of being …

Japanese Branch Report 2004, Keiji Yata

The George Eliot Review Online, ISSN: 2831-5375

On Saturday, 27 November 2004, the eighth annual convention of the George Eliot Fellowship of Japan was held at Literature Hall in Kobe College (Kobe Jogakuin).

The morning session began with an opening address by Kazuo Fujikawa (Okayama University), followed by a welcome address by Masako Hirai (Kobe College). In the morning, we had three papers. The first two papers were introduced and commented upon by Toshie Maeda (Kansai University), while Hiroshi Oshima (Hyogo University of Teacher Education) introduced and commented upon the third.

Nana Yano (Shirayuri College) read the first paper, 'Hetty and Water Imagery in Adam Bede'. Her …

Legitimate Plots, Private Lots In Felix Holt And Daniel Deronda, Bonnie Shannon Mcmullen

The George Eliot Review Online, ISSN: 2831-5375

A preoccupation with the idea of home was central to George Eliot's fiction from its beginnings until its end. In Felix Holt and Daniel Deronda, however, this theme is developed in terms that involve legal complexities that have embroiled her characters, perplexed her readers, and sent the author to seek advice and reassurance from the barrister Frederic Harrison. Esther Lyon has a 'right in remainder'! in a property, while Harold Transome has 'a reversion tantamount to possession' (p. 284), Sir Hugo Mallinger is a tenant for life, his nephew Grandcourt a tenant in tail. These intricacies of plot have puzzled …

Moving Beyond Signs: The Crisis Of Language In Daniel Deronda, Ceri Hunter

The George Eliot Review Online, ISSN: 2831-5375

It is no critical initiative to point out that George Eliot's Daniel Deronda (1876) plays with the premises of realist narrative art.! Previous readings have, however, tended to engage only tangentially with the way in which the novel scrutinises the use of language? This omission of linguistic context is curious, given that Daniel Deronda is set during a decade which placed the Victorian ruling classes' confidence in the English language under strain. The 1860s teemed with words. There were more English speakers than ever before, owing to population increase and dispersal. The English language was democratised by the 1867 reform …

Review Of George Eliot & Middlemarch, Tim Dolin, George Eliot

The George Eliot Review Online, ISSN: 2831-5375

Both books under review appear in series that aim to give new currency to texts and authors by the provision of critical and cultural context. The implied audience is not simply the old 'sixth form and junior undergraduate' cohorts: there is a presumption of an informed wider readership which appreciates and in some cases requires assistance from critical commentary and scholarly apparatus. Such guidance is appropriately supplied in accordance with their respective series briefs by Gregory Maertz in his edition of Middlemarch and Tim Dolin in his study of George Eliot. Maertz makes a distinct scholarly contribution to study of …

Review Of George Eliot's Dialogue With John Milton, Anna K. Nardo

The George Eliot Review Online, ISSN: 2831-5375

This, despite some blemishes and limitations indicated in passing below, is an examination of selected writings by Milton, the stories about him, and the engagement with his life and works which is reflected in the life and works of George Eliot. Nardo's primary aim is to show how Eliot's 'strenuous dialogue with Milton's life and art ... animated the epic novels she wrote for an age of unbelief' (1). Immediately we are struck by the large claims implied by 'animated' and 'epic' and the convenient but dubious definition of 'an age of unbelief'. The statement does scant service to the …

Patronage Of The Arts, Robert Spoo

Articles, Chapters in Books and Other Contributions to Scholarly Works

No abstract provided.

Cravens, Margaret (1881-1912), Robert Spoo

Articles, Chapters in Books and Other Contributions to Scholarly Works

No abstract provided.

Short Fiction By Women In The Victorian Literature Survey, Elisabeth Rose Gruner

English Faculty Publications

The first time I taught a Victorian Literature survey, fresh out of a curriculum integration workshop in graduate school, I taught ten authors: five male and five female. One student evaluation after the course was over complained that despite the promise of “great” Victorian writers, half of those on the syllabus were women. While this did take place in the dark ages of the early nineties, I still find myself, as I design my syllabi, caught in the familiar conundrum as to what to teach, what to cut, and why. In my case, it seems simple: The Victorian period is …

Eyes In The Text: Surveying The Ocular Aesthetic In Pat Barker's War Trilogy, James Hammond

Electronic Theses and Dissertations

In 1991, British novelist Patricia Barker published Regeneration, the first of three novels that portrayed the exploits of both factual and fictional characters during the darkest days of WWI. Barker's Eye in the Door (1993), followed by The Ghost Road (1995) for which she won the Booker Prize for Fiction, completed the series that explored the effects of combat on the human psyche. What emerges as a dominant feature of Barker's war novels is her depiction of the ocular sense. Reminiscent of Orwellianism, Barker's texts contain a seemingly ubiquitous ocular presence. For example, neurasthenic patients are scrutinized by army psychiatrists, …

Unshap'd Monsters: Political Farce On The London Stage, 1717-1737, Melissa Ann Bloom

Dissertations, Theses, and Capstone Projects

This dissertation reexamines the role of John Gay's and Henry Fielding's anti-government satirical farces during the politically contentious 1720s and 1730s in London. Although their plays were and still are considered, variously, burlesques, entertainments, farces, and satires, I call them satirical farce for two reasons. First, contemporaries used the term farce as much to signify political and social stances as dramatic type or function. Those political and social stances are the central focus of this dissertation. Second, I see in this collection of plays—Gay's Three Hours After Marriage (1717) and The Beggar's Opera (1728), Fielding's The Author's Farce (1730), The …

Language In The Silent Space: Virginia Woolf's To The Lighthouse, Elizabeth Hirt

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Redefining Ars Moriendi In J.R.R. Tolkien's The Lord Of The Rings, Heather Harman

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Front Matter, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Contents, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Greater Of Two Evils: Distinguishing Between Machiavellians And Tyrants In Shakespeare's "The Rape Of Lucrece" And Milton's Paradise Lost, Mark Crisp

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Back Matter, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Oswald Review Undergraduate Research And Criticism In The Discipline Of English: Volume 7 Fall 2005

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.