Literature in English, British Isles Commons^™

'Dear Cara': A Newly Discovered Letter, Kathleen Adams

The George Eliot Review Online, ISSN: 2831-5375

At the beginning of the year a donation was made to Coventry's Herbert Art Gallery and Museum of a box of papers relating to the Fridlanders, a nineteenth-century Coventry watch-making family. Annie Fridlander was a friend of Charles and Caroline (known as Cara) Bray and of Cara's sister, Sara Hennell.1t was not surprising, therefore, to find that some of the letters in the box were written by them to Annie. What was quite unexpected was to discover a tiny envelope containing a short letter from Marian Evans (George Eliot) to Cara Bray, her beloved Coventry friend.

The envelope and letter …

The George Eliot Review: Journal Of The George Eliot Fellowship- 1996 No.27, Beryl Gray, John Rignall

The George Eliot Review Online, ISSN: 2831-5375

Notes on Contributors ........................................................... 5

REPORTS Kathleen Adams: Annual Report 1995 .................................... 7

Ruth Barris: University of Warwick, Second George Eliot Conference Report: 'George Eliot and Europe' ............................................................... 12

Rosalind De Sailly: University of Adelaide, Australian Victorian Studies Association Seventeenth Conference Report: 'The Victorians and Science'..................... 16

Elizabeth Gundrey: Report on the lecture delivered by John Cooper at the National Portrait Gallery, December 1995: 'George Eliot at the National Portrait Gallery'................... 18

Linda K. Robertson: American Branch Report 1995 ..............................19

ADDRESSES Richard Thompson: Wreath-laying in the George Eliot Memorial Garden, 11 June 1995 .....................................................................20

John Rignall: The Twenty-Fourth George Eliot …

The Twenty-Fourth George Eliot Memorial Lecture: George Eliot And The Furniture Of The House Of Fiction, John Rignall

The George Eliot Review Online, ISSN: 2831-5375

In a letter to Martha Jackson of March 1841 the young Marian Evans, at the age of twenty- one, reflects on the way that a person's immediate surroundings help determine the impression that he or she makes on others:

I suppose we are all loved (or despised) a little for the sake of our circumstances as well as for our qualities .... What extrinsic charm have /, to make people care for me a little more then my qualities might deserve? Certainly none from the landscape about me, and as little from the carpets and curtains and other recommendations of …

Late-Victorian Plans For A George Eliot Memorial Library, Kathleen Adams

The George Eliot Review Online, ISSN: 2831-5375

On 5 March 1896 a paragraph appeared in the Daily News from a correspondent who wrote:

Will you allow me through your columns to appeal to the countless admirers of one of England's greatest teachers and of the world's most perfect artists? That portion of 'Leafy Warwickshire' in the midst of which little Marian Evans drew her first inspiration, literally beneath some of the very oaks which formed part of the classic Forest of Arden, has of late years proved to be a teeming storehouse of mineral wealth, and a large and vastly increasing industrial population at the present moment …

Music As A Sign In Daniel Deronda, Phyllis Weliver

The George Eliot Review Online, ISSN: 2831-5375

The language of music communicates and contributes to spiritual transformation in Daniel Deronda. It expresses non-verbal truths about humanity's connection to the world, and unifies the novel with a continuous vocabulary since sound and silence are frequently described in musical terms. George Eliot specifies meaning in non-verbal mediums. For instance, since the narrator says that Gwendolen blushes as a result of surprise, the reader can decipher an encoded meaning in situations where she blushes, although the characters must still interpret via deduction: 'A blush is no language: only a dubious flag-signal which may mean either of two contradictories. In order …

Review Of George Eliot: A Life, Rosemary Ashton

The George Eliot Review Online, ISSN: 2831-5375

Fifty years after John Cross's hagiographic George Eliot's Life as Related in her Letters and Journals (1885), Gordon Haight planned a more forthright biography but first found that it would be necessary to re-edit those letters and journals expurgated by Cross and search out material unavailable or unmentioned by Cross. The results was first the seven volumes of The George Eliot Letters in 1954-55 and, in 1968, George Eliot: A Biography, the then definitive life. More material has been coming to light since, notably (but not only) the two supplemental volumes of the Letters Haight added in 1978, and there …

Review Of Imperialism At Home: Race And Victorian Women's Fiction, Susan Meyer

The George Eliot Review Online, ISSN: 2831-5375

My favourite exam 'howler' came from a first year student who wrote lyrically of the episode in Wuthering Heights in which Cathy opened the window, 'and the Moors came pounding in' - as though a hundred dark-skinned men on horseback came trampling over Cathy's prostrate body. Susan Meyer's book, Imperialism at Home, while in no way suggesting anything so ludicrous as a north African invasion of a lonely house on the Yorkshire moors, does, nevertheless, lend a certain logic to the idea. Meyer's point is that we should read the abundant oriental imagery and allusions in Victorian fiction by women …

Review Of Sex Scandal, The Private Parts Of Victorian Fiction, William A. Cohen

The George Eliot Review Online, ISSN: 2831-5375

I feel I should begin with a warning: 'this review contains material which some readers may find offensive'. I apologize, but it is not my fault.

The book centres on the relation between sex scandals and literature. Cohen believes that Victorian England was a 'culture of scandal' - a culture in which we still live - in which people were preoccupied with sexual behaviour but at the same time unable to admit it. Sex was simultaneously fascinating and unspeakable. The result was the evolution of a sort of doublethink or linguistic code, through which sexual matters could be at once …

American Branch Report 1996, Linda K. Roberston

The George Eliot Review Online, ISSN: 2831-5375

The seventh annual dinner of the American branch was held at the I Matti restaurant in Washington, D.C. on 29 December 1996. There was no formal programme, but the traditional toast was offered and greetings were delivered from members who could not attend. Those present particularly appreciated the messages from Kathleen and Bill Adams and from Harriet Williams. While we enjoyed excellent Italian food, there was lively conversation about recent works on George Eliot, film versions of various nineteenth-century novels, and our own projects and recent reading. Those in attendance were Marjorie Goss, Shoshana Knapp, Lee Pierson, Meri-Jane Rochelson, Ed …

Annual Report 1996, Kathleen Adams

The George Eliot Review Online, ISSN: 2831-5375

When our year began with the Annual General Meeting we had the opportunity to accept our new Constitution. This enabled us to apply for and receive Charitable Status which we hope will be a useful situation for us in the future. At the meeting we were afraid that we were to lose a wonderful treasurer with no sign of a replacement but John Bunn agreed to stay on until the end of September while our search continued. Before that deadline Sally-Ann Pye offered her services and she has worked well and efficiently with us since, proving a helpful and enthusiastic …

Phantom Formations: Aesthetic Ideology And The Bildungsroman, Marc Redfield

The George Eliot Review Online, ISSN: 2831-5375

Marc Redfield has written an ambitious, challenging and closely argued book with a scope extending even beyond what its title may suggest. While focusing in the German tradition of the Bildungsroman, or novel of education, it engages the whole significance of aesthetics in Western culture since the Enlightenment and, through this in turn, the nature of the modem literary academy and the recent function of literary theory within it. The argument draws deftly on a formidable knowledge of relevant debates and contexts.

The term Bildungsroman has suffered a peculiar bifurcation. Outside specialist Germanist circles it has become to mean, as …

The Collected Works Of Abraham Cowley, Vol. 2: Poems (1656) - Part 1: The Mistress (Book Review), Sidney Gottlieb

Communication, Media & The Arts Faculty Publications

Book review by Sidney Gottlieb.

Cowley, Abraham et al. The Collected Works of Abraham Cowley, vol. 2: Poems (1656) - Part 1: The Mistress. Newark: University of Delaware Press, 1993.

ISBN 9780874134087

Geoffrey Chaucer's House Of Fame: From Authority To Experience, Victoria Frantseva

Masters Theses

Geoffrey Chaucer's House of Fame is one of the most provocative dream-vision poems written in the fourteenth century. In many ways, it continues to present a serious problem of interpretation to students of medieval poetry. Many critics have tried to arrive at a singular cohesive theory explaining meaning and defining the genre of the House of Fame. However, these attempts have failed and the poem's enigma endures, probably for all time.

The House of Fame seems to elicit many different responses from its readers. While opinions of the poem may vary, the points of argument generally concern the following areas: …

New Plays For Old : Jonson's Orton And Orton's Jonson, Josephine M. Wayling

Theses : Honours

The aim of this thesis is to ascertain to what extent Ben Jonson's play Volpone can be constructed through Joe Orton's play Loot. I will attempt to discover how far Loot can be said to be of use in re-examining Volpone in a different light since the emergence of Orton's brand of comic drama. I shall start by looking at influences such as Erasmus and his particular brand of humour as created in The Praise of Folly, and the implications for comedy that it presents in the form of the mock encomium. The relevance of "not what …

Transforming A Legend: Significance Of The Wandering Jew In Shelley's Work, Matthew D. Landrus

Masters Theses

Although Percy Bysshe Shelley has been recognized for his use of the Wandering Jew, critics have failed to produce a definitive work examining how this biblical legend figures into an understanding of the poet's changing world views. Since a comprehensive analysis was lacking, I studied Shelley's treatment of the Wandering Jew in each work that included the character to determine whether or not a relationship existed between Shelley's management of the figure and the poet's world beliefs. This thesis records the results of that study.

In his earliest works involving the Wandering Jew--those written between 1810-1812--Shelley's treatment of the Wandering …

Chaucer's Use Of The Absalom Archetype In The Knight's Tale And In The Miller's Tale, Sharon Hardin

Masters Theses

Although Chaucer did not write The Canterbury Tales until after the death of Edward III, Chaucer's youth was spent in the company (albeit on the fringes) of the war-like king and his war-like sons. Surely, as the young Chaucer performed his duties and perhaps read stories or listened to the gossip spread by servants and courtiers, such as the account of Edward's having ravished a defenseless woman, impressions formed in Chaucer's mind. Perhaps such rumors as that Edward's son Lancaster had designs on his father's throne added to and solidified those impressions into opinion, and a character type was born, …

A Woman Alone And Writing: Anti-Ideology And Artistic Irony In Writings Of Mary Shelley, Delores Archaimbault

Masters Theses

This study focuses upon the letters, journals and selected fiction of Mary Shelley and reveals that Shelley engages in the processes of anti-ideology and artistic irony to help her explore gender identity. To show her consistent use of these processes, I juxtapose excerpts from her letters and journals with excerpts from her fiction. The fiction selections are narrowed to three: Frankenstein, Mathilda and The Last Man. In addition, I examine her writing and her use of anti-ideology and artistic irony relative to the influences of her significant others: her mother Mary Wollstonecraft, her father William Godwin and her …