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Articles 271 - 300 of 302
Full-Text Articles in Literature in English, British Isles
“The Future Of The Planet”− Scottish Cosmopolitanism/ Cosmofeminism And Environmentalism In Theresa Breslin’S Saskia’S Journey, Fiona Mcculloch
“The Future Of The Planet”− Scottish Cosmopolitanism/ Cosmofeminism And Environmentalism In Theresa Breslin’S Saskia’S Journey, Fiona Mcculloch
Studies in Scottish Literature
Discusses major themes and concerns in the young adult novel Saskia's Journey, by Theresa Breslin, with special attention to the relation between Breslin's environmental themes (and Scottish setting) with her portrayal of the novel's central character and multigenerational family relationships.
The First Publication Of Burns's 'Tam O' Shanter', Bill Dawson
The First Publication Of Burns's 'Tam O' Shanter', Bill Dawson
Studies in Scottish Literature
Examines the early publication history of Robert Burns's poem "Alloway Kirk" or "Tam o' Shanter," which Burns wrote for Francis Grose's illustrated Antiquities of Scotl;and (1789-1791), describing Grose's method of publication in parts, restoring the priority of Grose's publication of the poem, and refuting assertions that the poem has appeared slightly earlier in two Edinburgh periodicals.
Doing And Teaching, Roderick Watson
Doing And Teaching, Roderick Watson
Studies in Scottish Literature
Discusses the decision at the University of Stirling, Scotland, in the late 1960s, to appoint a Scottish poet, Norman MacCaig, to the permanent faculty, and to include creative writing options within the English studies degree program. Assesses subsequent developments and argues for the value of such integration for all literature undergraduates.
The Popular Voice In Sir David Lyndsay's Satire Of The Thrie Estaitis, Greg Walker
The Popular Voice In Sir David Lyndsay's Satire Of The Thrie Estaitis, Greg Walker
Studies in Scottish Literature
Analyzes the representation of the Scottish people in the 16th century Scottish drama A Satire of the Thrie Estaitis by Sir David Lyndsay [or Lindsay] (1490-1555), through the figure of the Pauper or Poor Man in the first version (the 1540 interlude performed at Linlithgow), and the character of John of the Commonwealth in the two fuller versions (at Cupar in 1552 and Edinburgh in 1554). Distinguishes Lyndsay's Pauper from equivalent figures in plays by John Bale and Nicholas Udall, and argues (by contrast with Tyrone Guthrie's famous 1948 Edinburgh festival production) that John of the Commonwealth is less a …
How Scottish Is The Scottish Psalter? William Mure Of Rowallan, Zachary Boyd, And The Metrical Psalter Of 1650, Peter Auger
How Scottish Is The Scottish Psalter? William Mure Of Rowallan, Zachary Boyd, And The Metrical Psalter Of 1650, Peter Auger
Studies in Scottish Literature
Reassesses the origin and sources for the Scottish metrical psalter of 1650, in particular the contributions and influence of Sir William Mure of Rowallan and Zachary Boyd, questioning the statistical analysis of specific phrases by William Rorison on which most previous discussions have relied, and focusing instead on circumstances of the revision, the complex interrelation of multiple available versions, and the significance of Mure's version as a model of what Scottish psalmody could be, rather than as a source for particular verses or lines.
Authorial Disguise And Intertextuality: Scott’S The Lay Of The Last Minstrel, Coleridge, And Keats, Beth Lau
Authorial Disguise And Intertextuality: Scott’S The Lay Of The Last Minstrel, Coleridge, And Keats, Beth Lau
Studies in Scottish Literature
Discusses Walter Scott's first published poem The Lay of the Last Minstrel (1805), exploring the relation between Scott's use of disguise and distancing devices with his use of anonymity in his fiction, and explores the intertextual relationships between his poem and other poems of the romantic era.
David Masson And Thomas Carlyle, Ian M. Campbell
David Masson And Thomas Carlyle, Ian M. Campbell
Studies in Scottish Literature
Discusses the forty-year friendship between the Scottish historian and essayist Thomas Carlyle (1795-1881) and the critic and literary scholar David Masson (1822-1907), regius professor of rhetoric and English literature at the University of Edinburgh, and explores their correspondence, their interactions (especially Masson's first visit to the Carlyle household, as reported by Jane Welsh Carlyle, and Carlyle's visit to Edinburgh to give his inaugural address at Rector of the University), and the influence of Carlyle on Masson's writing, especially his monumental Life of John Milton.
George Mackay Brown’S “Celia”: The Creative Conversion Of A Catholic Heroine, Linden Bicket
George Mackay Brown’S “Celia”: The Creative Conversion Of A Catholic Heroine, Linden Bicket
Studies in Scottish Literature
Compares the early manuscript and published text of a short story "Celia," by the Scottish Orcadian writer, poet, and Catholic convert George Mackay Brown (1921-1996), to examine the depiction of alcoholism in the story, the influence of Graham Greene, and Brown's softening or repression of his original explicit Catholic themes and imagery when revising the story for publication.
An Autograph Manuscript Of Robert Burns’S “Afton Braes”, Patrick G. Scott
An Autograph Manuscript Of Robert Burns’S “Afton Braes”, Patrick G. Scott
Studies in Scottish Literature
Describes and illustrates the autograph manuscript of the song "Afton Braes" ("Flow gently, sweet Afton"), by the Scottish poet Robert Burns (1759-1796), recently acquired by the G. Ross Roy Collection, University of South Carolina Libraries, giving a collation of variants against the other major sources, examining the paper's watermark and excise stamping, and exploring both the provenance of the manuscript itself and its significance for the University of South Carolina.
Hamish Henderson And Nelson Mandela: Notes For “Rivonia”, Patrick G. Scott
Hamish Henderson And Nelson Mandela: Notes For “Rivonia”, Patrick G. Scott
Studies in Scottish Literature
Describes and reproduces manuscript notesin the G. Ross Roy Collection University of South Carolina Libraries, for the protest song "Rivonia" ("Free Mandela"), written by the Scottish poet, folklorist and folksinger Hamish Henderson (1919-2002) in 1963-64 in response to the trial of Nelson Mandela and other leaders of the African National Congress who had been arrested at Rivonia, South Africa and sentenced to life imprisonment on Robben Island; assesses the influence of Henderson's song, which was recorded in 1964 by the Corries Trio, and sung at the anti-apartheid protests at Murrayfield, Edinburgh, against the visit of the Springboks rugby team in …
Books Noted And Received, Patrick G. Scott, John T. Knox
Books Noted And Received, Patrick G. Scott, John T. Knox
Studies in Scottish Literature
Brief reviews of twenty-four recent books in Scottish literary and cultural studies.
Prelims, Prefatory Note To Ssl 37, Preface To Robert Burns & Friends, Patrick G. Scott, Anthony Jarrells, Kenneth G. Simpson
Prelims, Prefatory Note To Ssl 37, Preface To Robert Burns & Friends, Patrick G. Scott, Anthony Jarrells, Kenneth G. Simpson
Studies in Scottish Literature
Prefatory note by Patrick Scott and Tony Jarrells, preface by Patrick Scott and Kenneth Simpson
Footnoted Folklore: Robert Burns's "Hallowe'en", Corey E. Andrews
Footnoted Folklore: Robert Burns's "Hallowe'en", Corey E. Andrews
Studies in Scottish Literature
Examines Robert Burns's poem "Hallowe'en," first published in the Kilmarnock edition (1786), both in relation to its background in Scottish folklore and in terms of the way Burns presented it on the page, with numerous footnotes, arguing that "throughout the poem Burns acts as a participant observer in the classic anthropological sense."
Back To Burns, Fred Freeman
Back To Burns, Fred Freeman
Studies in Scottish Literature
Argues that the published settings of the songs written and collected by the Scottish poet Robert Burns (1759-1796), especially the settings in George Thomson's series A Select Collection of Original Scottish Airs, conceal Burns's original intentions, and traces this to anti-Scottish critical prejudice that had driven the genuine folk tradition underground.
"The Poor Man's Friend In Need": Baird, Burns And Miller, David Robb
"The Poor Man's Friend In Need": Baird, Burns And Miller, David Robb
Studies in Scottish Literature
Surveys the career of the Rev. George Baird (1761-1840), principal of the University of Edinburgh and minister of Edinburgh's High Kirk, assessing Baird's edition of the poems of Michael Bruce (1796), tracing his early encounter with the Scottish poet Robert Burns and his later connection with the self-educated Scottish writer and geologist Hugh Miller, and describing his efforts to relieve destitution and improve education in the west and north of Scotland and his extensive travels on behalf of the General Assembly's Highlands and Islands Committee.
A Passion For Scholarship & Collecting: The G. Ross Roy Collection Of Robert Burns & Scottish Literature, Thomas Keith
A Passion For Scholarship & Collecting: The G. Ross Roy Collection Of Robert Burns & Scottish Literature, Thomas Keith
Studies in Scottish Literature
Pays tribute to G. Ross Roy as book collector, describing the origins and growth of the Robert Burns collection begun by his grandfather W. Ormiston Roy (1874-1958), of Montreal, Canada, but greatly developed by Professor Roy, before finding a permanent home in the University's Irvin Department of Rare Books.& Special Collections. Notes the range of Scottish authors now included in the collection and describes briefly many of the most distinctive and important Burns items.
G. Ross Roy: A Tribute, Kenneth G. Simpson
G. Ross Roy: A Tribute, Kenneth G. Simpson
Studies in Scottish Literature
Tribute to G. Ross Roy (1924-2013), as scholar of Robert Burns, editor of the Burns letters, and founder of the scholarly journal .Studies in Scottish Literature.
Robert Burns As Dramatic Poet, R. D. S. Jack
Robert Burns As Dramatic Poet, R. D. S. Jack
Studies in Scottish Literature
Discusses Burns's skill in creating dramatic voice in his poetry, and what can be learned about the poems in their performance. Examples include "My luve is like a red, red rose," "John Anderson, my jo," "Robert Burns's March to Bannockburn," and "Tam o' Shanter."
"Epistolary Performances": Burns And The Arts Of The Letter, Kenneth G. Simpson
"Epistolary Performances": Burns And The Arts Of The Letter, Kenneth G. Simpson
Studies in Scottish Literature
The letters written by the Scottish poet Robert Burns (1759-17960 show a self-conscious writer, who relished the craft of letter-writing and the role-playing that it allowed him. Examines letters that Burns wrote to Dr. John Moore, Margaret Chalmers, and others, and suggests a kinship between Burns as letter-writer and the letters and novels of Laurence Sterne.
On Editing The Merry Muses, Valentina Bold
On Editing The Merry Muses, Valentina Bold
Studies in Scottish Literature
Discusses the sources and issues in reediting the late 18th century Scottish song collection, The Merry Muses of Caledonia (1799), in connection the 50th anniversary of the first modern scholarly edition, edited by Sydney Goodsir Smith, James Barke, and J. Delancey Ferguson in 1959.
Burns's Two Memorials To Fergusson, Carol M. Mcguirk
Burns's Two Memorials To Fergusson, Carol M. Mcguirk
Studies in Scottish Literature
Discusses the relation between the Scottish poet Robert Burns and one of his most important precursors Robert Fergusson, describing Burns's efforts to raise a memorial on Fergusson's grave and the ways in which Burns's first book, Poems chiefly in the Scottish Dialect (Kilmarnock, 1786) was also a memorial to Fergusson.
"Tongues Turned Inside Out": The Reception Of "Tam O' Shanter", Gerard Carruthers
"Tongues Turned Inside Out": The Reception Of "Tam O' Shanter", Gerard Carruthers
Studies in Scottish Literature
Examines the dramatic poem "Tam o' Shanter", by Robert Burns, with especial focus on the significance of the lines that Alexander Fraser Tytler had criticized when Burns sent him a proof copy of the poem, and that Burns subsequently omitted.
"O My Luve's Like A Red, Red Rose": Does Burns's Melody Really Matter, Kirsteen Mccue
"O My Luve's Like A Red, Red Rose": Does Burns's Melody Really Matter, Kirsteen Mccue
Studies in Scottish Literature
Examines the musical sources and later published settings for Robert Burns's song "O, my luve is like a red, red rose," with particular focus on Niel Gow's setting "Major Graham's Strathspey."
James Hogg's First Encounter With Burns's Poetry, Douglas S. Mack
James Hogg's First Encounter With Burns's Poetry, Douglas S. Mack
Studies in Scottish Literature
Describes and evaluates the varying accounts given by the Scottish poet and novelist James Hogg (1770-1835) of his first encounter with the poems of the Scottish poet Robert Burns (1759-1796), exploring inconsistencies of dating and differences in detail between the best-known version, the "Memoir of the Author's Life" in Hogg's Altrive Tales(1832) and the earlier "Memoir" in his The Mountain Bard (1807), and discussing also two other versions, a long note in the Hogg-Motherwell edition of Burns (1834) and a letter Hogg wrote to an unidentified correspondent that same year. Briefly analyses and quotes Hogg's memorial poem on Robert …
Alexander Mclachlan: The "Robert Burns" Of Canada, Edward J. Cowan
Alexander Mclachlan: The "Robert Burns" Of Canada, Edward J. Cowan
Studies in Scottish Literature
Surveys the career of the Scottish-Canadian poet Alexander McLachlan (1820-1896), the "Robert Burns of Canada," examining both his political poems, which are shown to have continuing interest, and his often-sentimental emigrant poetry and poems about Scottish life.
On Translating Burns: A Heavenly Paradise And Two Versions Of "A Red, Red, Rose", Marco Fazzini
On Translating Burns: A Heavenly Paradise And Two Versions Of "A Red, Red, Rose", Marco Fazzini
Studies in Scottish Literature
Discusses, and prints, two different verse-translations from Scots into Italian of Robert Burns's well-known song "O, My Luve is Like a Red, Red, Rose," with brief comment on earlier Italian Burns translations. .
Publications By G. Ross Roy, A Checklist, 1953-2011, Patrick G. Scott, Justin Mellette
Publications By G. Ross Roy, A Checklist, 1953-2011, Patrick G. Scott, Justin Mellette
Studies in Scottish Literature
This checklist details books and other separate publications, articles, and reviews, published through December 2011 by the Burns scholar G. Ross Roy (1924-2013), longtime professor of English at the University of South Carolina. The list encompasses his work not only on Burns and Scottish poetry, but in Canadian literature, comparative literature, and book history.
"The Poets Welcome": An Unrecorded Manuscript By Robert Burns, G. Ross Roy, Patrick G. Scott
"The Poets Welcome": An Unrecorded Manuscript By Robert Burns, G. Ross Roy, Patrick G. Scott
Studies in Scottish Literature
Introduces, reproduces, and gives provenance for a previously-unrecorded autograph manuscript of Robert Burns's poem about the birth of his first-born child, and his mixed emotions of pride and some shame at her illegitimacy.
In The South Seas, Robert I. Hillier
In The South Seas, Robert I. Hillier
Studies in Scottish Literature
A general discussion of Robert Louis Stevenson's encounters with Pacific island cultures, which traces Robert Louis Stevenson's changing plans for a major book to be titled In the South Seas growing from his voyages in the Pacific; his frustrations with the task he had set himself, the disagreements and interventions in his plans by Sidney Colvin and Fanny Stevenson, and the limitations of the volume of the same title, using mostly unrevised material, published posthumously in 1896. Hillier argues that the book should be seen as the "writer's notebook," "an informative fragment," and sees Stevenson as drawing from it in …
Stepping Back To An Early Age: James Hogg's Three Perils Of Woman And The Ion Of Euripides, David Groves
Stepping Back To An Early Age: James Hogg's Three Perils Of Woman And The Ion Of Euripides, David Groves
Studies in Scottish Literature
No abstract provided.