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Literature in English, British Isles Commons™
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- Shakespeare (38)
- Theater (6)
- Ethics (5)
- Film (5)
- Hamlet (5)
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- Front Matter (4)
- As You Like It (3)
- Feminism (3)
- _The Tempest_ (3)
- Commedia Dell'Arte (2)
- Gender (2)
- Historiography (2)
- Introduction (2)
- King Lear (2)
- Merchant of Venice (2)
- Nation (2)
- Ohio Valley Shakespeare Conference (2)
- Ophelia (2)
- Othello (2)
- Performance (2)
- Sonnets (2)
- Women's studies (2)
- _Coriolanus_ (2)
- _Love's Labor's Lost_ (2)
- _The Taming of the Shrew (2)
- "Much Ado About Nothing" (1)
- 9/11 (1)
- Acting (1)
- Adaptation (1)
- Adaptations (1)
Articles 31 - 60 of 80
Full-Text Articles in Literature in English, British Isles
Skin As An Index To Moral Character In English Renaissance Tragedy, Uwe Klawitter
Skin As An Index To Moral Character In English Renaissance Tragedy, Uwe Klawitter
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
A Case For Using The First Folio As Directing And Acting Text, Megan Burnett
A Case For Using The First Folio As Directing And Acting Text, Megan Burnett
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
Front Matter, Gabriel A. Rieger
Front Matter, Gabriel A. Rieger
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
“With What’S Unreal Thou Coactive Art”: Gender And The Forces Of Illusion In The Winter’S Tale And The Tempest, Mark S. Rideout
“With What’S Unreal Thou Coactive Art”: Gender And The Forces Of Illusion In The Winter’S Tale And The Tempest, Mark S. Rideout
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
"Busking For The Queen Of Faerie: Elizabethan Playwrights In Contemporary Fantasy Fiction", Kristen Mcdermott
"Busking For The Queen Of Faerie: Elizabethan Playwrights In Contemporary Fantasy Fiction", Kristen Mcdermott
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
“Art Thou Not, Fatal Vision, Sensible / To Feeling As To Sight?”: Spiritual Bondage, Carnal Corruption, And Horror In Marlowe’S Doctor Faustus And Shakespeare’S Macbeth, Jared Johnson
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
Immortal Parts: Ghostly Renown In Shakespeare, Jennifer Holl
Immortal Parts: Ghostly Renown In Shakespeare, Jennifer Holl
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
Hath Not Thy Rose A Canker?”: Monstrous Generation And Comic Subversion In King Henry Vi, Part 1, Heather Frazier
Hath Not Thy Rose A Canker?”: Monstrous Generation And Comic Subversion In King Henry Vi, Part 1, Heather Frazier
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
The Dead Can Speak; Or, The Testament Of Elizabeth Sawyer In Dekker, Ford, And Rowley’S The Witch Of Edmonton, Chuck Conaway
The Dead Can Speak; Or, The Testament Of Elizabeth Sawyer In Dekker, Ford, And Rowley’S The Witch Of Edmonton, Chuck Conaway
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
The “Local Habitation” Of Marian Intercession In Shakespeare’S Plays Of Justice And Mercy, Elizabeth Burow-Flak
The “Local Habitation” Of Marian Intercession In Shakespeare’S Plays Of Justice And Mercy, Elizabeth Burow-Flak
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
Hamlet, The Ghost, And A New Document, David George
Hamlet, The Ghost, And A New Document, David George
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
Front Matter
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
Performing Marriage In Shakespeare: The Tempest, Robert B. Pierce
Performing Marriage In Shakespeare: The Tempest, Robert B. Pierce
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
Shakespeare Disenchanted: From Chivalric Court To Elizabeth's And James I'S Courts, David George
Shakespeare Disenchanted: From Chivalric Court To Elizabeth's And James I'S Courts, David George
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
Commedia Dell’Arte Influences On Shakespearean Plays: The Tempest, Love’S Labor's Lost, And The Taming Of The Shrew, Amy Drake
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
Front Matter
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
“A Masque Is Treason’S Licence”: Masquing And Mockery In The Revenger’S Tragedy, Gabriel Rieger
“A Masque Is Treason’S Licence”: Masquing And Mockery In The Revenger’S Tragedy, Gabriel Rieger
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
Extremes Of Gender And Power: Sycorax’S Absence In Shakespeare’S The Tempest, Brittney Blystone
Extremes Of Gender And Power: Sycorax’S Absence In Shakespeare’S The Tempest, Brittney Blystone
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
When Words Defile Things: Homoerotic Desire And Extreme Depictions Of Masculinity In Shakespeare’S Coriolanus And, Aaron Hubbard
When Words Defile Things: Homoerotic Desire And Extreme Depictions Of Masculinity In Shakespeare’S Coriolanus And, Aaron Hubbard
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
Jean-François Ducis: Re-Creating Shakespeare For An Eighteenth-Century Audience, Amy Drake
Jean-François Ducis: Re-Creating Shakespeare For An Eighteenth-Century Audience, Amy Drake
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
A Hot Mess: Knowing Juliet Through Accidental Encounters In Popular Culture, Kirk Hendershott-Kraetzer
A Hot Mess: Knowing Juliet Through Accidental Encounters In Popular Culture, Kirk Hendershott-Kraetzer
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
Helena And “The Rarest Argument Of Wonder”: All’S Well That Ends Well And The Romance Genre, Byron Nelson
Helena And “The Rarest Argument Of Wonder”: All’S Well That Ends Well And The Romance Genre, Byron Nelson
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
Front Matter, Hillary Nunn
Front Matter, Hillary Nunn
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
Lexical Dichotomy And Ethics In Macbeth, Lindsey Simon-Jones
Lexical Dichotomy And Ethics In Macbeth, Lindsey Simon-Jones
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
“How This World Is Given To Lying!”: Orson Welles’S Deconstruction Of Historiographies In Chimes At Midnight, Jeffrey Wayne Yeager
“How This World Is Given To Lying!”: Orson Welles’S Deconstruction Of Historiographies In Chimes At Midnight, Jeffrey Wayne Yeager
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
Tortured Calculations: Body Economies In Shakespeare’S Cultures Of Honor, Brandon E. Polite
Tortured Calculations: Body Economies In Shakespeare’S Cultures Of Honor, Brandon E. Polite
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
The Dangers Of Playing House: Celia's Subversive Role In As You Like It, Allison Grant
The Dangers Of Playing House: Celia's Subversive Role In As You Like It, Allison Grant
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
“Much Virtue In If”: Ethics And Uncertainty In Hamlet And As You Like It, David Summers
“Much Virtue In If”: Ethics And Uncertainty In Hamlet And As You Like It, David Summers
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
Hamlet’S Hard-Boiled Ethics, James Lewin
Hamlet’S Hard-Boiled Ethics, James Lewin
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
Time Served In Prison Shakespeare, Niels Herold, Matt Wallace
Time Served In Prison Shakespeare, Niels Herold, Matt Wallace
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.