Literature in English, British Isles Commons^™

Putting Down Roots: A Tolkienian Conception Of Place, Kayla Snow

Masters Theses

This thesis explores the way in which J.R.R. Tolkien's develops and expresses his nuanced sense of place through his major literary works--namely, The Silmarillion, The Hobbit, and The Lord of the Rings trilogy. Tolkien's sense of place, as expressed through his fiction, encompasses both metaphysical and geographical relational structures that are operative at both the local and global levels. As Tolkien develops his sense of place in his fiction, he draws from the Distributist principles--largely informed by Catholic social policy of the late nineteenth century and popularized by G.K. Chesterton--to build the economy in Middle-earth. The resulting economy resists industrialization …

Weaver Of Allegory: John Bunyan's Use Of The Medieval Theme Of Vice And Virtue As Devotional Writer And Social Critic In The Holy War, David Madsen

Masters Theses

The literary artistry of Bunyan's The Holy War is overshadowed by the longstanding popularity of his greatest-known work The Pilgrim's Progress. However, The Holy War displays an impressive intricately-woven story with several complex strands of allegorical meaning. One such strand is its emphasis on the theme of virtue and vice in literature of the Middle Ages. In The Holy War, Bunyan applies this thematic thread from the Medieval Psychomachia and morality plays to his allegory in seventeenth-century Restoration England. The present research begins with an exploration of allegory as story with emphasis on Bunyan's role as storyteller in general and …

Charles Dickens' Great Expectations: The Failed Redeemers And The Fate Of The Orphan, Rebekah Overbey

Masters Theses

The figure of the orphan is scattered throughout the pages of Victorian novels, though few novelists created orphans that were quite as memorable as Charles Dickens. Lonely orphans and abused children appear in nearly all of Dickens' fictional works; in the novels in which the orphan is the main character, this innocent, helpless orphan is often adopted by a wealthy and benevolent benefactor, and the orphan is thus redeemed by a dramatic rescue. In Great Expectations, however, Dickens inverts this redemption by rescue that was so characteristic of his earlier novels. Instead of an innocent, helpless child, Great Expectations has …

Queering The Sublime: Virginia Woolf, Sexology, And Sexuality, Emily Whitmore

Masters Theses

Using Virginia Woolf's novels, The Voyage Out, Mrs. Dalloway, To the Lighthouse, and Orlando, I begin to explore moments where the characters experience the sublime as defined by Edmund Burke. Woolf uses the traditional sublime, but complicates the concept beyond its initial intention. The moments that mimic the sublime, but include the body, the natural world, and artistic creativity grows into what I will call the "queer sublime," which is new for both Woolf scholarship and for the sublime. Woolf's experimentation with the term and part of the "queer sublime" also helps to create a different …

Pubs, Temperance, And The Construction Of Irishness In James Joyce's Ulysses, Leslie Sweet Myrick

Masters Theses

Ulysses can be read as a bar crawl; three episodes and part of a fourth are set in public houses, while various characters walk to and from drinking activities and establishments throughout the day. However, Ulysses' main character, Leopold Bloom, is an extremely moderate drinker and not considered "a regular" patron at any public house. His practicing of temperance is one example of how Bloom does not embody the typical Irish masculinity. However, the drinking culture in Ulysses has not been fully explored in context of the temperance movement which was an ongoing cause in 1904 Dublin despite Guinness's Brewery …

Don't Take Orpheus Without The Lyre: The Intricacies Of Using Pagan Myths For Christian Purposes In The Divine Comedy And Paradise Lost, Rebekah J. Waltmann

Masters Theses

Because of their universal and artistic nature, the classical myths lend themselves well to use in literature, especially poetry. When used properly, as by Dante and Milton, the myths have the ability to enhance the work; when used poorly, they become gaudy ornamentation. It was, and is, this ability to enhance both the artistry and function of literature that pulled so many poets to the myths, despite the difficulties that could arise when the pagan myths did not quite match the Christian setting. My purpose in this thesis is not to explicate every use of myth within The Divine Comedy …

The Significance Of Silence: The Muted Voices Of Count Fosco And Laura Fairlie In The Woman In White, Melanie Page

Masters Theses

This thesis examines the intricacies of voice using narrative theory and reader-response theory with Wilkie Collins' The Woman in White. Since Collins first wrote this epistolary novel serially, he wrote aware of his audience as he printed segments with different narrators. This novel allowed Collins the opportunity to reveal an internal set of narrators' responses to other characters' voices--responses that sometimes conflict with and modify one another. At the same time, Collins' contemporary audience's responses to the novel reveal the role of characters' voices in shaping reactions of members of the novel's reading public. Two opposing figures--Laura Fairlie and Count …

A Hierarchy Of Love: Myth In C.S. Lewis's Perelandra, Joseph Walls

Masters Theses

In C.S. Lewis's Perelandra, the transposed creature is drawn up into its "kindly stede" as a sacramental symbol of Christ through that fictional planet's unbroken relationship between meaning and form. Although Perelandra's "wheels-within-wheels" hierarchy may at first seem reminiscent of Catholicism's teachings on symbol, as a Protestant, Lewis believes that human beings cannot be truly sacramental symbols until the return of Christ. Lewis's optimistic depiction of a cosmic hierarchy is one of perfect love: superiors rule their subordinates with agape, and creatures who discover their submissive roles reciprocate with eros or adoring love. Every created being in Perelandra is part …

Framing Jane: Film Adaptation And Jane Eyre, 1934-2006, Joy Wohlman Boyce

Masters Theses

No abstract provided.

The Enduring Austen Heroine: Self-Awareness And Moral Maturity In Jane Austen's Emma And In Modern Austen Fan-Fiction, Brittany A. Meng

Masters Theses

Jane Austen's novels continue to be popular in the twenty-first century because her heroines are both delightful and instructive; they can be viewed as role models of personal growth due to their honest self-examination and commitment to high moral standards. Chapter one establishes the patterns of personal growth that uniquely characterizes Austen's heroines in each of her six novels. Chapter two tests these conclusions by carefully examining the character of Emma Woodhouse. Though Emma is a unique heroine due to her wealth and social privileges, she follows the principles of personal growth possessed by Austen's other heroines. Chapter three further …

The Mermaid's Dress: Marriage And Empire In The Voyage Out And Mrs Dalloway, Melissa Wharton-Smith

Masters Theses

This thesis examines how socio-historical influences shape the protagonists of Virginia Woolf’s The Voyage Out (1915) and Mrs. Dalloway (1925)-- Rachel Vinrace and Clarissa Dalloway. During the writing of these two novels, attitudes about roles for women before and after World War I shifted as pre-war domestic strife was replaced by a post-war push to return to normalcy. Throughout the period, imperialist ideology demanded that women conform to traditional gender roles by marrying and reproducing. Woolf depicts this pressure as it affects her two protagonists.

In The Voyage Out, the British Empire's imposing presence is exhibited through the setting of …

Facade Of A Romantic: Benjamin Disraeli And Coningsby Or The New Generation, Sybil Or The Two Nations, And Tancred Or The New Crusade, Peggy Pope

Masters Theses

Dismissed by contemporary critics as a second-rate writer, Benjamin Disraeli has been undervalued for over a hundred and fifty years. Writing in 1979, D.R. Schwarz rued that no recent full-length study of his novels had been undertaken, while other, even more minor novelists have been regularly exhumed. A substantial reassessment may be underway, as Paul Smith notes, particularly in the area of Disraeli's Jewishness. Bernard Glassman's volume, Benjamin Disraeli: The Fabricated Jew in Myth and Memory (2003), and Disraeli's Jewishness (2002), by Todd Endelman and Tony Kushner, attest to this new interest. A recent general study, Disraeli (2000), by Edgar …

The Noble Survivor And The Sublime Victim: A Study Of Two Hardy Heroines, Elizabeth-Jane And Tess, Wei Gao

Masters Theses

In his novel-writing career, Thomas Hardy created a host of female characters struggling to survive in nineteenth-century England. Whether center stage or in the background, these women embody Hardy's insights into the conditions of the female sex--their frailties, strength, miseries, dreams, and finally, their destinies. Throughout his career as a novelist, Hardy's representation of women has not been consistent. His earlier heroines--heroines in the novels preceding The Mayor of Casterbridge (1886)--are generally depicted as faulty characters eventually subdued or destroyed. In contrast, the later heroines are portrayed with increasing emphasis on their intellectual or mental traits and moral superiority. This …

"I Am No Mean Player Myself": Games And Recreation In Irish Mythology, Julie Lynn Perenchio

Masters Theses

Superhuman heroics in myth certainly succeed in capturing our immediate attention, but it takes a more human touch of talent and fallibility to make heroes personally appealing to readers. In Irish mythology, immortals and humans engage in a marvelous variety of recreational activities, and show universally-felt emotions and tendencies, like competitive spirits, creativity, and tenacity. Far from being idle entertainment, play makes significant impacts on the lives of Irish heroes, individually, socially, and culturally. For example, chess games, even between complete strangers, can cause the upheaval of one's lifestyle and test not only the intellectual powers of players, but also …

Victorian Philosophies Of Useless Work Versus Work For The Mind: Carlyle, Ruskin, Morris, And Marx, Marlaina Easton

Masters Theses

In my Thesis, I will investigate the dominant perceptions of work that spanned the Victorian Period. One of the most important authors of criticism dealing with work in the early part of the Victorian Period was Thomas Carlyle (1845). John Ruskin then became a counterpoint to Carlyle throughout the middle of the century (1862). And although he agreed with much of what Carlyle said, he brings new notions of work to the Victorian Period. William Morris then offered a completely different point of view on the issue of work at the latter part of the Victorian Period (1885). I will …

Delight, Subversion And Truth In The Canterbury Tales: Chaucer's Talking Birds, Terri Benson Blair

Masters Theses

Geoffrey Chaucer mentions birds over 240 times throughout The Canterbury Tales (Tatlock and Kennedy). This frequent allusion to birds is significant, especially since three of his twenty-four tales are actually about birds. What makes these three tales particularly fascinating is that their bird protagonists have the gift of speech. This study examines Chaucer's use of bird imagery in The Canterbury Tales, in particular, his use of talking birds in "The Squire's Tale," "The Nun's Priest's Tale" and "The Manciple's Tale." My theory is that Chaucer uses bird imagery and talking birds to question the sovereign power of the fourteenth-century …

Reanimating The Creature: The Last Man As A Sequel To Frankenstein, Shannon Phillips

Masters Theses

In my thesis, I explore how Mary Shelley's The Last Man (1826) continues a critique of Romanticism that she began in her more well-known novel Frankenstein. Although Frankenstein has been read many different ways through a variety of critical methodologies, one of the central questions continually asked about the novel is whether (and to what extent) Frankenstein challenges or extends the romanticism of her husband, Percy Bysshe Shelley, and others in the Byron-Shelley circle. Another way to investigate this lingering question is through a comparative study of The Last Man. My preliminary thesis is that a comparative study reveals not …

Are They Fact Or Are They Fiction? The Sadeian Women Of Angela Carter, Catherine Gall

Masters Theses

Angela Carter is well-known for her gothic twists on fairy tales and the use of magical realism in creating alternate worlds and monstrous creatures that exist within our own. The meaningful "twists" that her tales take often have to do with gender, reversing traditional roles and transcending barriers. In her fiction, Carter creates characters and scenes that often include "traditional" roles, displaying an awareness of the sexual stereotypes that have been in place for centuries. Her female characters offer a complex commentary on the patriarchal standard that suggests that a woman's value is dependent upon her virginity.

Her book The …

‘Two Are Better Than One;’ Adam And Eve's Symbiotic Marriage In John Milton's Paradise Lost, Jeffrey Paul Pietruszynski

Masters Theses

Although much has been written on the roles of Adam and Eve created by John Milton in Paradise Lost, the critics, oddly enough, overlook the dependency created by the roles. This paper extends these roles further, explaining that Milton wanted to show that the roles of man and woman, husband and wife, combine to create a unit dependent on one another other for survival. As Adam himself states, when they are separated, husband and wife are vulnerable to the dangers of evil. However, together, they form a single unit, able to accomplish any task, epitomizing the symbolic relationship described in …

Speaking Of The Raj: Kipling, Forster, And Scott On The English Language In British India, Victoria K. Tatko

Masters Theses

In my thesis I examine how language, particularly the English language, participated in the Raj, as depicted thematically in Rudyard Kipling's Kim (1901), E. M. Forster's A Passage to India (1924), and Paul Scott'sThe Raj Quartet (1966-1975): The Jewel in the Crown (1966), The Day of the Scorpion (1968), The Towers of Silence (1971), and A Division of the Spoils (1975). I show that all three authors portray language as central to British colonialism in India; the connection between the English language and the Empire grows increasingly problematic as the linguistic situation becomes a metaphor for the state of …

William Butler Yeats And The Cuchulain Cycle, Zhibo Wang

Masters Theses

No abstract provided.

"That Gentil Text Kan I Wel Understonde": Textual Authority In Chaucer’S The Wife Of Bath’S Prologue, Emilie Roy

Masters Theses

It has become a critical commonplace to note that Chaucer created the character of the Wife of Bath out of an anti-feminist textual tradition that condemns just the kind of strong-voiced proto-feminist woman that she is. The anti-feminist tradition is deeply embedded in the western cultural framework. Established and perpetuated by a male clergy, it was an integral part of the institutionalized religious structure that controlled education, literacy, and thus access to texts of all kinds. The tradition assumed that woman—viewed as a collective entity—was portrayed as either a moral ideal or a wicked sinner, with little possibility for nuances …

Geoffrey Chaucer's House Of Fame: From Authority To Experience, Victoria Frantseva

Masters Theses

Geoffrey Chaucer's House of Fame is one of the most provocative dream-vision poems written in the fourteenth century. In many ways, it continues to present a serious problem of interpretation to students of medieval poetry. Many critics have tried to arrive at a singular cohesive theory explaining meaning and defining the genre of the House of Fame. However, these attempts have failed and the poem's enigma endures, probably for all time.

The House of Fame seems to elicit many different responses from its readers. While opinions of the poem may vary, the points of argument generally concern the following areas: …

Transforming A Legend: Significance Of The Wandering Jew In Shelley's Work, Matthew D. Landrus

Masters Theses

Although Percy Bysshe Shelley has been recognized for his use of the Wandering Jew, critics have failed to produce a definitive work examining how this biblical legend figures into an understanding of the poet's changing world views. Since a comprehensive analysis was lacking, I studied Shelley's treatment of the Wandering Jew in each work that included the character to determine whether or not a relationship existed between Shelley's management of the figure and the poet's world beliefs. This thesis records the results of that study.

In his earliest works involving the Wandering Jew--those written between 1810-1812--Shelley's treatment of the Wandering …

Chaucer's Use Of The Absalom Archetype In The Knight's Tale And In The Miller's Tale, Sharon Hardin

Masters Theses

Although Chaucer did not write The Canterbury Tales until after the death of Edward III, Chaucer's youth was spent in the company (albeit on the fringes) of the war-like king and his war-like sons. Surely, as the young Chaucer performed his duties and perhaps read stories or listened to the gossip spread by servants and courtiers, such as the account of Edward's having ravished a defenseless woman, impressions formed in Chaucer's mind. Perhaps such rumors as that Edward's son Lancaster had designs on his father's throne added to and solidified those impressions into opinion, and a character type was born, …

A Woman Alone And Writing: Anti-Ideology And Artistic Irony In Writings Of Mary Shelley, Delores Archaimbault

Masters Theses

This study focuses upon the letters, journals and selected fiction of Mary Shelley and reveals that Shelley engages in the processes of anti-ideology and artistic irony to help her explore gender identity. To show her consistent use of these processes, I juxtapose excerpts from her letters and journals with excerpts from her fiction. The fiction selections are narrowed to three: Frankenstein, Mathilda and The Last Man. In addition, I examine her writing and her use of anti-ideology and artistic irony relative to the influences of her significant others: her mother Mary Wollstonecraft, her father William Godwin and her …

An Analysis Of Personal Pronouns In Middle English Literary Texts, Melissa Jill Bennett

Masters Theses

This thesis examines the evolution of personal pronouns from the tenth to the fourteenth centuries, with a particular focus upon the southern literary dialects of that era. The baseline text for this analysis is the Anglo-Saxon poem The Dream of the Rood, although Bright's paradigm of Anglo-Saxon pronouns is also employed. The Owl and the Nightingale (circa 1200), The Fox and the Wolf (circa 1275), Piers Plowman (circa 1375), and Parliament of Fowls (circa 1375) are used to illustrate the changes in the forms of the pronouns over four centuries, Chaucer's Parliament serving to represent the emerging London standard. …

The Transformation Of Immanence: From The Augustinian Faith Of Henry Vaughan To The Rationalist Faith Of S.T. Coleridge, Tristum M. Ryan

Masters Theses

The present study focuses on the conception of immanence and the manner in which it evolved from the seventeenth century, as represented in Henry Vaughan's Silex Scintillans, to the nineteenth century, as represented in Samuel Taylor Coleridge's nature poetry and his collection of letters, Confessions of an Inquiring Spirit. Vaughan's conception of a basic immanence of reflected divinity in nature evolved, over the course of two hundred years, into Coleridge's version of an immanence based on reason. These two different conceptions of immanence in part formed the basis of the respective faiths of Vaughan and Coleridge. Vaughan's traditional Augustinian faith …

From Innocence To Experience In William Blake's The Book Of Thel And The Visions Of The Daughters Of Albion, Ann B. Moutray

Masters Theses

My thesis focuses on William Blake's challenge of the conventional Christianity of his time and his questioning of what he perceived as the hypocritical moral codes of the Church of England. Blake blames these codes for dominating and imprisoning humanity by preventing individuals from acting through their use of the imagination. For Blake, the imagination does not simply imply a creation of the imaginative faculty; instead, it refers to an imagination that is transforming and that becomes a measure of salvation and deliverance from the man-made codes that imprison humanity. These codes, while originating from and propagated by the Church …

The Feminine Other: A Study Of The Women In Shakespeare's Major Tragedies, Kurt E. Wilamowski

Masters Theses

The central examination of this thesis concentrates on the essential contributions of the female characters in Shakespeare's major tragedies--Hamlet, Othello, King Lear, and Macbeth. Without the women's conflict with the patriarchal order, the males would be unable to recognize and combat the corrupt elements in their society. The awareness of the female characters allows them to perceive the tainted patriarchal atmosphere they dwell in and operate within it as best as they can.

In short, each woman's individual field of awareness allows her to act as the executor of the dénoucement in the tragedy. Even …