Literature in English, British Isles Commons^™

Tolkien’S Transformative Women: Art In Triptych (2024), By Annie Brust, Sara Brown

Journal of Tolkien Research

Book review, by Sara Brown, of Tolkien’s Transformative Women: Art in Triptych (2024), by Annie Brust

The Enduring Enigma Of Tom Bombadil: From Riddlic Styling To Metaphorical Encounter, Derek Simon

Journal of Tolkien Research

Conversationalists and critics alike continue to take delight in Tom Bombadil, yet remain perplexed by his enduring enigma. Interpretive positioning appears to be determined by the semantics of the term enigma deployed and how it intersects with any of the several textual standpoints adopted. The primary contention of this article is that the enigma is intentionally both a riddle (noun) and a riddling (verb). Reading the enigma through literary features of the Old English riddle-song can yield an alternate interpretation of Tom Bombadil that has received scant attention in critical commentary. In support of this contention, I propose to read …

The Collected Poems Of J.R.R. Tolkien (2024), Edited By Christina Scull And Wayne G. Hammond., John R. Holmes

Journal of Tolkien Research

Book review, by John R. Holmes, of The Collected Poems of J.R.R. Tolkien (2024), edited by Christina Scull and Wayne G. Hammond

Cities And Strongholds: Of Middle-Earth: Essays On The Habitations Of Tolkien’S Legendarium (2024) Edited By Cami D. Agan, Marilyn R. Pukkila

Journal of Tolkien Research

Book review, by Marilyn R. Pukkila, of Cities and Strongholds: of Middle-earth: Essays on the Habitations of Tolkien’s Legendarium (2024), edited by Cami D. Agan

‘Fiery The Angels Rose’: The Romantic Prometheanism Of Tolkien’S Diabolical Characters, Robert T. Tally Jr.

Journal of Tolkien Research

Milton’s Satan in the seventeenth century was hardly viewed as heroic, yet in his resistance to supreme authority and bold transvaluation of values (“Evil, be thou my Good”) he emerges as a sort of tragic hero for many Romantics such as William Blake or later Herman Melville. Like Prometheus, the subject of Percy Bysshe Shelley great poetic drama, Satan is a figure of noble rebellion against omnipotent force. Tolkien’s more ‘satanic” characters, such as Melkor, Sauron, and perhaps even Saruman, do not often strike readers as heroes, yet there is a sort of Prometheanism in each of them. Viewed from …

“We Are As We Are, And Ye Are As We Find You” (Or, Finrod Elfsplains The Gift Of Ilúvatar): The ‘Athrabeth Finrod Ah Andreth’ As Core Text In Tolkien’S Legendarium, Sara Brown

Journal of Tolkien Research

The "Athrabeth Finrod ah Andreth" is a highly problematic text that directly challenges, if not overturns, the eschatology of Tolkien’s legendarium. In combination with the "Tale of Adanel," we are confronted with the possibility that, in the beginning, the Atani were also deathless and that mortality was a punishment, calling into question the nature of the ‘gift of Ilúvatar’.

Rimmo Nín Bruinen Dan In Ulaer!: Waters Of Wisdom And Wonder In Tolkien’S The Fellowship Of The Ring (1954), Noelia Ramos Soria

Journal of Tolkien Research

Tolkien's profound and enigmatic incorporation of water elements has captivated not only Tolkien enthusiasts but also scholars from various academic fields, positioning this elemental motif as a significant focus in contemporary literary studies. Although environmental themes in Tolkien's works have been widely researched, the specific role of water in Elven realms—and its possible Celtic cultural connotations—remains largely overlooked. This paper examines J.R.R. Tolkien's engagement with Celtic influences in The Fellowship of the Ring (1954), focusing on the motif of water in elven realms. Despite critiquing Milton Waldman’s idea of “Celtic Things,” Tolkien paradoxically integrates Celtic mythology, creating complex aquatic landscapes …

Remembering And Forgetting: National Identity Construction In Tolkien’S Middle-Earth, Sara Brown

Journal of Tolkien Research

The medieval period in Europe saw the development of vernacular literatures, grown out of oral tradition and classical mythology, in which epic poems were a means of preserving culture, sharing a moral code, and offering solace in times of hardship. These epic poems, usually transcribed or translated in monastic scriptoria, were passed down through generations and enabled the sharing of memory via storytelling. In many ways, this early literature, rooted as it was in both the religious and the secular aspects of life in this time, was as much a part of the identity of the various European peoples as …

Tolkien's 'Beloved' _Pearl_, Jane Beal Phd

Journal of Tolkien Research

Abstract: This essay explores Tolkien’s life-long engagement with the fourteenth-century, Middle English, dream vision poem called Pearl. It examines the inspiration he took from the poem through reading, reciting, copying, editing, translating, and teaching it to undergraduate students at the University of Leeds and Merton College, Oxford University. Milestones in Tolkien’s work on Pearl include his edition of it, produced with E.V. Gordon and Ida Gordon for Oxford University Press (1953), and a metrical translation of it that he worked on from 1920s onwards, which was published with Allen & Unwin in London and Random House in New York …

Tolkien’S _Beowulf_-Poet And His Dantean Tower, Michael David Elam

Journal of Tolkien Research

J.R.R. Tolkien’s tower metaphor in “Beowulf: The Monsters and the Critics” shows significant affinities with views of the sea presented in Dante’s Purgatorio. These affinities combine with relevant similarities between Dante and Tolkien’s view of the Beowulf-poet to show an underlying preoccupation Tolkien has about the purgation of source material and the sanctification of authors. Ultimately in Tolkien’s perspective, the Beowulf-poet’s view from the top of his tower looks ahead to the hope of eternal life promised to the Chrisitan elect.

Tolkien And Laʒamon, Deidre Dawson

Journal of Tolkien Research

In this essay I argue that the Arthurian poem that had the greatest influence on The Lord of the Rings was Laʒamon’s Brut. In a Letter to editor Milton Waldman from 1951 Tolkien expressed his regret that England lacked a mythology and stories of its own that were “bound up with its tongue and soil, ” explaining that the Arthurian world was “associated with the soil of Britain but not with English,” and that “its ‘faerie’ is too lavish, and fantastical, incoherent and repetitive.” Perhaps to rectify these deficiencies in the Matter of Britain, Tolkien began writing his own …

“‘And Númenor Went Down Into The Sea’: Tolkien, Beowulf, And The Masochistic Jouissance Of Westernesse”, Christopher Vaccaro

Journal of Tolkien Research

In Tolkien, Enchantment and Loss, John Rosegrant avers that Tolkien wrote of the downfall and destruction of Númenor in order to release a personal emotional complex (John Rosegrant, Tolkien, Enchantment, and Loss, 118-20). In this essay, I examine in greater detail the emotional power of this story and relate it to the psychological notion of primary masochism (Freud, Deleuze, Bersani) and the pleasures connected to the dissolution of the self. The Beowulf poem renders conspicuous the dependency of heroic Anglo-Saxon male subjectivity on experiences of masochistic desire and the Death Drive, the desire to be unburdened of great …

Introduction To The Special Issue On "J.R.R. Tolkien And Medieval Poets", Jane Beal Phd

Journal of Tolkien Research

This is an “Introduction” by Dr. Jane Beal to the Special Issue of the Journal of Tolkien Research on the theme of “J.R.R. Tolkien and Medieval Poets” in honor of Richard C. West.

It begins with an overview of previous scholarly work on the intersections of medieval poetry with Tolkien’s literary corpus. It explains the process of creating this special issue, which is a festschrift in West’s honor, and it gives an overview of the contents of each of the seven academic articles included in it by contributors Dr. Anna Smol, Dr. Christopher Vaccaro, Dr. Kristine Larsen, Dr. Deidre Dawson, …

Tolkien And The Kalevala (2024) By Jyrki Korpua, Translated By Sonja Virta, Verlyn Flieger

Journal of Tolkien Research

Book review, by Verlyn Flieger, of Tolkien and the Kalevala (2024) by Jyrki Korpua.

Fallen Kingdoms And Ancient Monoliths: The Influence Of Atlantis And Egypt In Tolkien’S Númenor, Charlotte J. Brockway

Journal of Tolkien Research

In light of the recent publication of The Fall of Númenor, my essay aims to focus on Tolkien’s, somewhat underappreciated, influences on Gondor; particularly Ancient Egypt. This essay looks at Plato's Timaeus and Critias, Ignatius Donnelly's theories, and examines the Atlantean and Egyptian motifs in Tolkien’s version of Westernesse, in particular, the remnants of Atlantean civilization survived by Egyptian colonists which mirror the Realms of Exile (Gondor and Arnor).

Title: Questioning Attebery’S ‘Bullseye’: Interviews With Young Readers Of Fantasy May De-Center The Lord Of The Rings, Luke Shelton

Journal of Tolkien Research

In 2018 and 2019, I interviewed young readers about their opinions of The Lord of the Rings (LotR) as a part of my PhD thesis. Their ideas concerning the genre of the text destabilize Attebery's use of it as a central point for the genre. Since these readers do not demonstrate a consensus that LotR is a work of fantasy, one is left to wonder if the idea of the fuzzy set proposed by Attebery is accurate when considering the lived experiences of readers. This leads to several questions about why these young readers have categorized the story …

Skilled Smiths And Princes Of Elves: The Wayland-Legend And The First Age Of Middle-Earth, Lillian Hammen

Journal of Tolkien Research

This article examines the influence of the legend of Wayland the Smith, a literary figure common to medieval Germanic literature, upon the fantasy writings of J.R.R. Tolkien. Although Tolkien did not publish on Wayland specifically, his scholarly interests included the figure, who frequently appeared in the Old English and Old Norse texts Tolkien studied and taught. Despite clear evidence of Tolkien’s interest in Wayland, and the frequency with which scholarly and creative discourse discussed Wayland in Tolkien’s lifetime, few scholars have engaged the connection between Tolkien’s writings and the medieval figure. This article attempts to address this lacuna in the …

“And Each Day After They Did Likewise.” Looking At Life Together As The Fulcrum Of Éowyn’S And Faramir’S Love Story, Christian S. Trenk

Journal of Tolkien Research

The love story between Éowyn and Faramir in Tolkien's The Lord of the Rings is sometimes misunderstood as a patriarchal submission of the Rohirric shieldmaiden. This paper contradicts such interpretations, exploring instead how Tolkien subtly constructs their love as a liberating experience for Éowyn. In the looks they cast separately, at each other, as well as together, Éowyn's inner healing is expressed, enabling the love to Faramir, and both their eventual wholeness.

Reading Tolkien In Chinese: Religion, Fantasy, And Translation (2024) By Eric Reinders, Giovanni Carmine Costabile

Journal of Tolkien Research

Book review, by Giovanni Carmine Constabile, of Reading Tolkien in Chinese: Religion, Fantasy, and Translation (2024) by Eric Reinders

Mapping Middle-Earth: Environmental And Political Narratives In J. R. R. Tolkien’S Cartographies (2024) By Anahit Behrooz, Stefan Ekman

Journal of Tolkien Research

Book review, by Stefan Ekman, of Mapping Middle-earth (2024) by Anahit Behrooz

Germanic Heroes, Courage, And Fate: Northern Narratives Of J.R.R. Tolkien’S Legendarium (2024) By Richard Z. Gallant, Andrew Higgins

Journal of Tolkien Research

Book review, by Andrew Higgins, of Germanic Heroes, Courage, and Fate: Northern Narratives in J.R.R. Tolkien's Legendarium (2024) by Richard Z. Gallant

From Ghitterns To Harps: How Tolkien’S Music Became Generic, Alexander Retakh

Journal of Tolkien Research

When music is discussed in Tolkien studies, the primary focus is the songs and, typically, their non-musical content. However, appearances of instrumental music and its performance are often critical to the narrative. This talk focuses on Tolkien’s construction and use of music. Its descriptions were growing more economical as he developed as a writer and his musical references became simpler.

Tolkien has often been accused of being almost illiterate musically, yet a more careful reading of his letters shows that he merely saw himself as a musical amateur. In Oxford he could not avoid learning about the Early Music movement, …

Tolkien: Voyage En Terre Du Milieu (2019), Ed. By Vincent Ferré And Frédéric Manfrin, Deidre A. Dawson

Journal of Tolkien Research

Book review, by Deidre A. Dawson, of Tolkien: Voyage en Terre du Milieu (2019) ed. by Vincent Ferré and Frédéric Manfrin

The Literary Role Of History In The Fiction Of J.R.R. Tolkien (2024), By Nicholas Birns, Thomas Honegger

Journal of Tolkien Research

Book review, by Thomas Honegger, of The Literary Role of History in the Fiction of J.R.R. Tolkien (2024) by Nicholas Birns

From Imagination To Faërie: Tolkien’S Thomist Fantasy (2022) By Yannick Imbert, John Wm. Houghton

Journal of Tolkien Research

Book review, by John Wm. Houghton, of From Imagination to Faërie: Tolkien’s Thomist Fantasy (2022) by Yannick Imbert

Theology And Tolkien: Practical Theology (2023), Edited By Douglas Estes, Lisa Coutras

Journal of Tolkien Research

Book review, by Lisa Coutras, of Theology and Tolkien: Practical Theology (2023), edited by Douglas Estes

Gifted Amateurs And Other Essays On Tolkien, The Inklings, And Fantasy Literature (2023), By David Bratman, Douglas Charles Kane

Journal of Tolkien Research

Book review, by Douglas C. Kane, of Gifted Amateurs and Other Essays on Tolkien, the Inklings, and Fantasy Literature (2023), by David Bratman

Translating And Illustrating Tolkien (2023) Ed. By Will Sherwood, Arden R. Smith

Journal of Tolkien Research

Book review, by Arden R. Smith, of Translating and Illustrating Tolkien (2023), ed. by Will Sherwood

Middle-Earth’S Middleman: Exploring The Contradictory Positionalities Of Faramir In J.R.R. Tolkien’S 'The Lord Of The Rings', Kelsey A. Fuller-Shafer

Journal of Tolkien Research

In the large pantheon of characters in The Lord of the Rings, Faramir stands out for his position of unbelonging, and is usually analyzed comparatively to other characters rather than in-depth in his own right. However, more focused considerations of Faramir can articulate the breadth of Tolkien’s influences that were incorporated into Middle-earth as well as the ways in which those influences conflicted with Tolkien's own moral compass, and thus needed to be openly challenged and modified. Those internal conflicts can be interrogated throughout Faramir’s contradictory positions within the literature, history, and societies that Middle-earth represents. His positioning in a …

Pity, Power, And Tolkien's Ring: To Rule The Fate Of Many (2023) By Thomas P. Hillman, Marilyn R. Pukkila

Journal of Tolkien Research

Book review, by Marilyn R. Pukkila, of Pity, Power, and Tolkien's Ring: To Rule the Fate of Many (2023) by Thomas P. Hillman