Literature in English, British Isles Commons^™

The Art Of Cognition: British Empiricism And Victorian Aesthetics, Rachel Kravetz

Dissertations, Theses, and Capstone Projects

The British are credited—or charged—with establishing empiricism, the view that all knowledge is embedded in sense experience. My project argues for and describes an undercurrent of idealism within British empiricism: the writers of my study investigated modes of thinking that transform sensory experience. To see their idealism at work, it is necessary to look closely at how they conceived of ideas in the mind as pictures. Given that the term “picture” was used to refer to both inner ideas and actual paintings, it is not surprising (though rarely noticed) that when empiricists wanted to consider how the mind shapes ideas, …

Knowing Others, Or Not: Performing, Caring, Foreboding, And Acknowledging In Nineteenth-Century British Fiction, Meechal Hoffman

Dissertations, Theses, and Capstone Projects

Knowing Others, Or Not makes two overarching claims about the nineteenth-century novel’s depictions of relations. First, they are overwhelmingly concerned with epistemological questions about knowing others, and second, more often than not, the problem of other minds is portrayed as productive of both pleasure and valuable negative affects. While much scholarship on the relational nineteenth century focuses on either sympathy or social responsibility within the framework of liberal individualism, I show instead that the authors in this study—Jane Austen, Charlotte Brontë, Wilkie Collins, and George Eliot—repeatedly register doubt about the usefulness or possibility of authenticity, and posit the pleasure that …

Lyrical Mysticism: The Writing And Reception Of Catherine Of Siena, Lisa Tagliaferri

Dissertations, Theses, and Capstone Projects

Lyrical Mysticism: The Writing and Reception of Catherine of Siena (https://caterina.io) affirms the 14th-century mystic Catherine of Siena as a writer through contextualizing her texts among the corpus of contemporary Italian literature, and studying her reception in the Renaissance period of Italy and England. Joining an increasing body of recent meaningful scholarship that has been making significant progress to recover many overlooked and peripheral female voices of the Middle Ages and the Renaissance, this work serves to fully assert Catherine as a writer of work that is literarily significant and worthy of textual analysis alongside contemporary male Italian …

"The Engine Of Free Expression": The Political Economy Of Copyright In The Colonial British Atlantic And Early National United States, Nora Slonimsky

Dissertations, Theses, and Capstone Projects

In 1985, the Supreme Court of the United States concluded that copyright was included in the Constitution in order to serve as the “engine of free expression.” By providing economic incentive to drive artistic and scientific innovation, the nation received essential information and other tools of learning necessary to make sound political decisions. However, transnational copyright disputes, then and now, frequently resulted in complex and often contradictory understandings of free expression. The formation of copyright in America was thus a far more complex story, and it is that story that forms the basis of this project.

Amidst the many moving …

Literary Theories Of Circumcision, A. W. Strouse

Dissertations, Theses, and Capstone Projects

“Literary Theories of Circumcision” investigates a school of thought in which the prepuce, as a conceptual metaphor, organizes literary experience. In every period of English literature, major authors have employed the penis’s hood as a figure for thinking about reading and writing. These authors belong to a tradition that defines textuality as a foreskin and interpretation as circumcision. In “Literary Theories of Circumcision,” I investigate the origins of this literary-theoretical formulation in the writings of Saint Paul, and then I trace this formulation’s formal applications among medieval, early modern, and modernist writers. My study lays the groundwork for an ambitious …

Intelligent Bodies And Embodied Minds: Reading Religious Performance In Middle English Writing From Syon Abbey, Nicholas Love, William Langland, And John Gower, Paul Holchak

Dissertations, Theses, and Capstone Projects

This dissertation argues for a new reading of the relationship that texts have to performance, bodies have to agency, and that social construction has to literary criticism as these matters relate to the study of religious practice in late medieval England. The project first asks what it meant to participate in religious practice in two, early fifteenth-century Middle English prose texts, The Myroure of Oure Ladye and The Mirror of the Blessed Life of Jesus Christ. The former work is a gloss of the Divine Service performed by the Brigittine sisters at Syon Abbey, and the latter consists of …

"What's The Use Of Trying To Read Shakespeare?": Modes Of Memory In Virginia Woolf's Fiction And Essays, Sara Remedios Bloom

Dissertations, Theses, and Capstone Projects

This dissertation maps the relationship between Virginia Woolf’s fiction and essays, and William Shakespeare’s person and plays. I argue that Woolf’s writing is intended as an interactive practice of cultural memory, challenging her readers to become responders and to engage critically with the canon. I further argue that Woolf offers herself as inheritor of a literary practice that actively seeks to shape the values and social ideology of the time. The introduction defines three modes of memory operating in Woolf’s work: memory as opiate; memory as political instrument; and memory as dialectic. The first chapter shows the cultural memory of …

Radical Interiorities, Aesthetic Selves: Charlotte Brontë, Henry James, Virginia Woolf, Miciah Hussey

Dissertations, Theses, and Capstone Projects

In her essay “On Being Ill” (1926), Virginia Woolf writes “We do not know our own souls, let alone the souls of others…There is a virgin forest in each; a snowfield where even the print of birds' feet is unknown.” My dissertation explores how the novel’s attempts to represent this inherently intimate and estranging “virgin forest” also test its formal limitations. From free indirect discourse to stream of consciousness, the development of the novel is marked by different modes of reproducing inner life that push beyond the boundaries of historical, social, and physiognomic indices. I argue that these narrative and …

Between Life And Literature: The Influence Of Don Quixote And Madame Bovary On Twentieth-Century Women's Fiction, Victoria Tomasulo

Dissertations, Theses, and Capstone Projects

This project demonstrates the influence of two foundational novels in the Western canon, Don Quixote and Madame Bovary, on twentieth-century British, Italian, and Anglo-American women’s fiction. Both novels illustrate the dangers and pleasures of literary influence. Stylistically innovative, they anticipated concerns that were of import to feminist literary critics in the seventies and beyond: the transformative power of the reading encounter, its normative and subversive effects on gendered identities, and the need of individual writers to liberate themselves from the shackles of literary convention. Drawing upon textual and paratextual evidence such as interviews, journal entries, and essays, I argue …

Playing With Matches: Matchmaking As Authorship In The Nineteenth-Century Marriage Plot, Colleen Cusick

Dissertations, Theses, and Capstone Projects

This dissertation examines the narrative treatment of matchmakers in British marriage plots across the nineteenth century. In an era of increasing state control over marriage and the rising ideology of romantic marriage, the matchmaker represents the communal courtship practices of the past. As such, she offers both a threat to the emerging status quo and a reminder of the persistence of superseded cultural forms in the modern marriage system. Simultaneously, she constitutes an image of female creativity and authority that speaks to concerns about the professionalization of novel-writing and the place of women writers within that profession. Through this focus …

Heavy Expectations: Reading Pregnancy In The Victorian Novel, Livia Arndal Woods

Dissertations, Theses, and Capstone Projects

This dissertation articulates the tendency of Victorian novels to make legible only the pregnant bodies of immodest characters who transgress gendered ideologies while the pregnant bodies of modest characters tend to go undescribed. Tracing the medicalization of pregnancy and childbirth over the course of the long nineteenth century, my chapters demonstrate the function of moralizing narrative conventions in the representation of pregnancy in mid-Victorian novels, of a self-conscious use of free indirect diagnosis in high-Victorian fiction, and a shift at the fin-de-siècle from pregnancy as a signifier of morality to a symptom of unstable minds. The novels I read closely …

Wandering In Contemporary Literature: A Narrative Theory Of Cognition, Hillel E. Broder

Dissertations, Theses, and Capstone Projects

This study offers a theory of wandering cognition as an animating feature of western literature, in general, and of contemporary literature, in particular. Unlike existing theories of peripatetic bodies and minds in fiction that focus primarily on political critiques, cultural practices, or pleasures of digression, this theory of wandering offers an aesthetic philosophy and ethical critique of representing cognition, memory, and narrative identity that finds affinities in the political, phenomenological, and ethical thought of Walter Benjamin, Emmanuel Levinas, and Giorgio Agamben.

Unlike existing cognitive theories of literature that apply cognitive theory to literary study (or vice versa), this study develops …

The Queen's Feud: Women And Kinship In Malory's Morte Darthur, Elsa K. Anderson

Dissertations, Theses, and Capstone Projects

The impact of blood feud on the knights of the Round Table in Malory's Morte Darthur is clear and has been well studied. Likewise documented is the shift to an institutionalized political system focused on individual chivalry after the founding of the Round Table. This study focuses on the feuds and political changes, which also swept up the women in and around the Round Table including Nynyve, Lyonesse, Guenivere, and Morgawse. Individual chivalry gives women significant independence in action and changes the values they are celebrated for, but their family connections are always considered as primary motivations. The women of …

Ceasing To Run Underground: 20th-Century Women Writers And Hydro-Logical Thought, Annie M. Cranstoun

Dissertations, Theses, and Capstone Projects

Starting from two central ecopoetic convictions—the constitutive role of environment in human experience (and vice versa), and text’s ability to connect with the world—this dissertation then moves in a different direction from most ecocritical projects. Instead of looking at the ways literary representation flows back into nature in the forms of attitude, praxis, and policy, this study focuses on the earlier part of the loop: the emergence of text from environment, particularly its aquatic parts, via the faculty of the imagination. In its scrutiny of images that spring directly from matter and its faith in the concept of a personal …

Modernism's Impossible Witness: Peace Testimonies From The Modernist Wars, Jean Ashley Foster

Dissertations, Theses, and Capstone Projects

"Modernism's Impossible Witness: Peace Testimonies from the Modernist Wars" begins the process of recuperating the lost history of Spanish Civil War pacifism. It studies the ways in which writers and artists employ the aesthetic techniques of modernism, so often ensconced in violence and militarism, to articulate a program of peace. By approaching the Spanish Civil War as a pivotal site of production and inspiration for an international network of writers and artists, this project reworks what is generally accepted as the very center of modernism. "Modernism's Impossible Witness" explores the connections among art, violence, war, and peace in the twentieth …

Works In Progress: Child Characters In Victorian And Postcolonial Fiction, 1814 - 2006, Kiran Mascarenhas

Dissertations, Theses, and Capstone Projects

In this dissertation I analyze the relationship between national and individual development in Victorian and postcolonial novels set in India. My central argument is that the investment in the idea of progress that characterizes colonial narratives of childhood gives way in postcolonial fiction to a suspicion of dominant understandings of progress, and that this difference is manifest in the identity formation of the child character as well as in the form of the novel.

In the Victorian colonial narratives discussed in this study, the bildung of the child involves the overcoming of the child's conflicted cultural identity. The children of …

Archives Of Transnational Modernism: Lost Networks Of Art And Activism, Anne Donlon

Dissertations, Theses, and Capstone Projects

Archives Of Transnational Modernism: Lost Networks Of Art And Activism considers the work of several intersecting figures in transnational modernism, in order to reassess the contours of race and gender in anglophone literature of the interwar period in the U.S. and Europe. Writers and organizers experimented with literary form and print culture to build and maintain networks of internationalism. This dissertation begins to suggest some of these maps of connection, paying particular attention to people who played key roles as hubs within networks. British radical Sylvia Pankhurst's 1920s publications, which have not been much considered in terms of literary contribution, …

The Vastness Of Small Spaces: Self-Portraits Of The Artist As A Child Enclosed, Matthew John Burgess

Dissertations, Theses, and Capstone Projects

A tent of bed sheets, a furniture fort, a corner of the closet surrounded by chosen objects--the child finds or fashions these spaces and within them daydreaming begins. What do small spaces signify for the child, and why do scenes of enclosure emerge in autobiographical self-portraits of the artist? Sigmund Freud's theory that the literary vocation can be traced to childhood experiences is at the heart of this project, especially his observation that "the child at play behaves like a writer, in that he creates a world of his own, or rather, re-arranges the things of this world in a …

The Advance Of The Mobile Woman: Representations Of British Women's Physical Mobility, 1660-1820, Amanda Booth Springs

Dissertations, Theses, and Capstone Projects

Britain's long eighteenth century (1660-1820) underwent an infrastructure and transportation revolution. Over the same period of time, scholars argue, the ideology of "the domestic woman" grew increasingly prevalent. This dissertation explores the improvements to roadways and representations of the various ways in which British women of the period increasingly utilized transportation, equestrianism, and pedestrianism to traverse the nation, which was also reflected in the development of traveling clothing for women. It argues that these literary and pictorial representations depict the tensions around women's increasing capacity for physical movement, contending that the ideology of the domestic woman was largely reactionary rhetoric …

Unshap'd Monsters: Political Farce On The London Stage, 1717-1737, Melissa Ann Bloom

Dissertations, Theses, and Capstone Projects

This dissertation reexamines the role of John Gay's and Henry Fielding's anti-government satirical farces during the politically contentious 1720s and 1730s in London. Although their plays were and still are considered, variously, burlesques, entertainments, farces, and satires, I call them satirical farce for two reasons. First, contemporaries used the term farce as much to signify political and social stances as dramatic type or function. Those political and social stances are the central focus of this dissertation. Second, I see in this collection of plays—Gay's Three Hours After Marriage (1717) and The Beggar's Opera (1728), Fielding's The Author's Farce (1730), The …