Literature in English, British Isles Commons^™

The Desire Of Strict Souls: The Poetry, Criticism, And Letters Of Paul Valéry And Wallace Stevens, Michael Healy

Dissertations, Theses, and Capstone Projects

This dissertation compares the poetic, critical, and epistolary oeuvres of Paul Valéry and Wallace Stevens and the influence of the former on the latter. Valéry famously advocated for the pursuit of “poésie pure” (“pure poetry”) and influenced Stevens especially in this way, though both of them concluded it was not achievable. I establish an approximation of a critical framework based on the work of the following critics and scholars: Wendy Lesser, Wendy Steiner, Anthony Cuda, Michael Clune, Paul Bové, and Liesl Olson. Harold Bloom’s passionate advocacy and deep, sustained engagement with Stevens and his work strongly influenced my choice to …

Interspecies Responsivity In Early Modern Drama And Animal Performances, Taylor C. Culbert

Dissertations, Theses, and Capstone Projects

This dissertation proposes an expansive, interspecies definition of performance that uses behavior rather than cognition as the decisive feature and illustrates how such a definition can reshape our approach to theatre and performance history. Using the concept of responsivity, which refers to the embodied and affective ways that humans and non-human animals acknowledge and react to one another, I trace human–animal interactions across a variety of sixteenth- and seventeenth-century performance genres, from the aristocratic stag hunt and entertainments involving trained animals to the plays of Molière and Shakespeare. Drawing on my experience training animals, I offer a new perspective on …

A Mute Pleasure: Novelistic Poetics In The Nineteenth-Century, Ryan Everitt

Dissertations, Theses, and Capstone Projects

Through special attention to the non-narrative, descriptive, lyrical, or even boring passages that interrupt the story, this dissertation explores what happens when the nineteenth-century British novel envelops experiences that were traditionally (or since Romanticism) in the domain of poetry: longings for escape, exhilarating affects of freedom, opaque moments of revelation. In most cases, I characterize the novel discourse as representing a prosaic consciousness that wrestles with its more visceral yet vital “other,” poetic consciousness. To articulate how poetry survives within novelistic discourse, this dissertation is organized around sets of opposing terms, whose unresolved tension becomes the basis of my analysis …

Queer Impersonality: Compulsory Visibility And The Politics Of Form In Modernist Women's Life Writing, Margot Kotler

Dissertations, Theses, and Capstone Projects

Modernist impersonality is an aesthetic practice typically associated with Anglo-European formalism and the doctrine of artistic autonomy. Although central to the modernist canon, impersonality has not been taken up by queer and feminist studies because critics have considered its implied evacuation of emotion and personal identity to be apolitical, and even dangerous. At its worst, impersonality reproduces an unmarked, white, and masculine subjectivity, yet it also questions the parameters of selfhood, posing a radical challenge to liberal-humanist conceptions of identity. Queer Impersonality moves beyond this critical impasse by tracing impersonality’s queer and feminist histories among modernist women writers whose engagement …

The Redemption Of History: Poetics And Politics In The Modern Epic, Giacomo R. Bianchino

Dissertations, Theses, and Capstone Projects

This dissertation, “The Redemption of History: Poetics and Politics in the Modern Epic.” provides a materialist theory of the modern epic, focusing on the way that the poets deployed this form towards political ends. Building on theories of the epic going back to the German Romantics, it argues that the modern form is predicated on the idea that it has departed from the conditions that made the ancient form possible. It examines the way that writers in the late nineteenth and early twentieth century developed the idea that the immediacy of the social “totality” expressed by the ancient epopee was …

When Critics Are Artists: Ekphrasis In Erotic Art Criticism, Joanna A. Ligon

Dissertations, Theses, and Capstone Projects

In “Against Interpretation,” Susan Sontag argues for an erotics of art in art criticism in place of hermeneutics. In this thesis, I examine erotics of art, a focus on form and experiencing art instead of exclusively on content, in practice. Drawing on other essays by Sontag, specifically the essay “Godard” in comparison with the filmmaker Jean-Luc Godard’s own filmic criticism in Breathless, criticism according to an erotics of art becomes a new artwork itself. Subsequently, I present a definition of erotic through Anne Carson and Roland Barthes and juxtapose the term with Hans-Georg Gadamer’s hermeneutics. The comparison ultimately undoes …

Ekphrasis: An Exploration Of Poetry Inspired By Art, Caitlin Cacciatore

Dissertations, Theses, and Capstone Projects

“Ekphrasis: An Exploration of Poetry Inspired by Art” is an Open Educational Resource (OER) that occupies the underdeveloped niche of freely available teaching and learning materials about the interdisciplinary poetic medium of ekphrasis. Ekphrastic poetry is a form dating back to Book XVIII of the Iliad, experiencing a revitalization in the latter half of the 18^th century, when demand for written descriptions of paintings was in high demand, and again taking on a new, modern meaning in the early 19^th century, with poems like John Keats’ 1819 “Ode on a Grecian Urn.” Ekphrasis is …

Of Method: A Propaedeutic To Coleridge's Prose Works, Michael A. Granger

Dissertations, Theses, and Capstone Projects

Coleridge’s prose works, published and unpublished, demonstrate a thorough and critical testing and understanding of British and German philosophical responses to skepticism and the ability of philosophy to progress by maintaining a double-minded and conflicted suture of both the practical or imaginative eclipse of knowledge and theorizing the hypothetical epistemological absolute that explains the relativity of facticity. Any inadequate method of inquiry stagnates within attempting a purely figurative or purely demonstrative solution to skepticism. Thus, the appropriate way to approach Coleridge’s understanding of philosophy is the struggle to make inquiry adequate though progression. Coleridge’s methodological impulse originates explicitly in a …

'Since No Expressions Do': Queer Tools For Studying Literature, Filipa G. Calado

Dissertations, Theses, and Capstone Projects

This dissertation explores how digital methods and tools for studying text engage with queer literature. I critique digital methods and tools by posing computation, where textual data is cleaned and structured for electronic processing, against the complexity of queer subjecthood and affects expressed in textual style, form, and voice. While tools like quantitative text analysis, for example, transform, and necessarily reduce, qualitative elements of gender and sexuality into numerical data such as word frequencies or concordances, I argue that this reduction opens up possibilities for interpreting the formal qualities of queer literature. Just as digital formats transform and manipulate text …

The Divided Self: Internal Conflict In Literature, Philosophy, Psychology, And Neuroscience, Yulia Greyman

Dissertations, Theses, and Capstone Projects

This thematic project examines the notion of self-division, particularly in terms of the conflict between cognition and metacognition, across the fields of philosophy, psychology, and, most recently, the cognitive and neurosciences. The project offers a historic overview of models of self-division, as well as analyses of the various problems presented in theoretical models to date. This work explores how self-division has been depicted in the literary works of Edgar Allan Poe, Don DeLillo, and Mary Shelley. It examines the ways in which artistic renderings alternately assimilate, resist, and/or critique dominant philosophical, psychological, and scientific discourses about the self and its …

Ambivalent Scales: Methods For Reading Scenes Of Sexual Violation, Natalie Ruby

Dissertations, Theses, and Capstone Projects

The importance of unveiling rape in the #MeToo era has unintentionally obscured encounters that lack the clarity of “yes” or “no.” However, desire can be ambiguous even in unambiguous cases of assault. Feminist activists and scholars have started to address ambiguity by arguing for a new epistemology of rape, what Linda Alcoff calls “grey rape.” In this thesis, I interrogate the “grey” embedded in ordinary sexual encounters by looking at ambivalence as an example of everyday desire evident across the seduction plot and the novel tradition. Rather than seeking to make consent more inclusive to oppressed groups, I read between …

A Difference Of One's Own: Race, Sex, Modernism, Ryan L. Tracy

Dissertations, Theses, and Capstone Projects

“A Difference of One’s Own” demonstrates that deconstructive conceptions of race lie at the heart of the modernist canon’s experimental representations of selfhood. Drawing on recent and canonical scholarship in Modernist Studies, Black Studies, Deconstruction, Queer Theory, Critical Theory, and Feminist Studies, I look at moments in modernist-era literature where the need to represent racial blackness, whether as a descriptor that defines one’s self-identity or the identity of another person, fails to draw a coherent line of difference between people, communities, selves, and importantly, the literatures that are thought to adhere to hard and fast racial distinctions. “Part I: …

Colonial Investments: The Global Coordinates Of The English Political Imaginary, 1628–1668, Nathan D. Nikolic

Dissertations, Theses, and Capstone Projects

The main question my dissertation attempts to address is: what role did the expansion of English colonial trades play in the transformation of English society and government between the Petition of Right and the early years of the Restoration (1628-1668)? My thesis is that during this period, colonial expansion rose to the level of a general national interest and that many early seventeenth-century texts index the complexities and tensions of this development. As a small but very organized group of merchants, peers, and MPs mobilized the military and financial technologies of colonization to support Parliament’s war against Charles I, their …

The Confounding Body: Female Corporeality, Androgyny, And Disgust In The Work Of Virginia Woolf And Zinaida Gippius, Yelizaveta Shapiro

Dissertations, Theses, and Capstone Projects

The Confounding Body: Female Corporeality, Androgyny, and Disgust in the Work of Virginia Woolf and Zinaida Gippius examines how the discourses of degeneration, eugenics, and sexology shaped representations of women’s bodies in British and Russian modernist literature. Focusing on the writing of Zinaida Gippius (1869-1945) and Virginia Woolf (1882-1941), I challenge the longstanding argument that both authors attempted to escape the material body by resorting to androgynous tropes. I argue that the material female body takes center stage in both Gippius’s and Woolf’s work and functions as a powerfully paradoxical entity: one that generates disgust and enables oppression while housing …

Marriage Stories: Legal Reform And The Novel In France And Britain, 1780–1860, Tatiana Nunez-Bright

Dissertations, Theses, and Capstone Projects

“Marriage Stories” analyzes connections between novelistic form, marriage law reform, and portrayals of virtue in texts by, among others, Stéphanie de Genlis, Mary Wollstonecraft, Sophie Cottin, Claire de Duras, Jane Austen, Honoré de Balzac, Sophie Doin, George Sand, Anne Brontë, and Gustave Flaubert. I argue that the novel was less concerned with abolishing or even critiquing marriage than it was with delineating “good” from “bad” unions, which in turn reflects contemporary discussions about marriage’s role in response to burgeoning social movements. My first chapter considers the epistolary novel in relation to the idea of spouses existing as “one body” culturally …

Muscling Through: Athletic Women In Victorian Popular Representation, 1864–1915, Julia G. Fuller

Dissertations, Theses, and Capstone Projects

“Muscling Through” reconstructs an overlooked history of strong female bodies in the nineteenth century. It argues that popular representations of athletic women introduced a new category of identity that was distinct from women’s traditional relational and social roles. The project’s central figure is the hyper-able “Sportswoman,” who bridges the gap between two familiar versions of the Victorian woman’s body: the mid-century ideal of docile, domesticated femininity and the sturdy, capable women who enter universities, professions, and public spaces en masse just before the turn of the century. Representationally, the Sportswoman figures a range of attitudes, from anxious to aspirational, toward …

Haunting At Troy: Troy Narratives, Trauma, And Desire For The Past In Late Medieval English Literature, Woo Ree Heor

Dissertations, Theses, and Capstone Projects

The mythical city of Troy functioned as an imagined point of origin for many medieval nations, providing a tangible connection to the legendary past and nation-building tools useful for the ruling class. Troy provided a convenient foundation narrative upon which ideas of collective identity could be built for these nations, and England, where construction of a homogeneous past was difficult due to frequent ruptures in its development of communal identity, was an eager producer and consumer of such a legitimizing device. However, the trauma of war and destruction intrinsic in Troy narratives also generates potent political anxiety about the reanimated …

Gaps Of Speculation: Refusing Representation In Queer And Postcolonial Fiction, Sarah Schwartz

Dissertations, Theses, and Capstone Projects

This dissertation examines how queer and postcolonial novels respond to the archive as a determiner of what stories we can and cannot tell through formal experimentation that omits expected elements. Focusing on the subject- and object-making power and the tekhne of inclusion and exclusion that shape the modern archive, I analyze how novels spanning the late nineteenth century to the early twenty-first century refuse to mimetically reproduce bodies that were traditionally made the object of that knowledge in ways legible to the familiar archival forms. Instead, these novels turn the exclusion of the archive back on itself by manifesting lacunae …

Women And Ventriloquism In Early Modern English Drama, Ja Young Jeon

Dissertations, Theses, and Capstone Projects

Bringing together feminist and theater-centered readings, this dissertation examines the status of female vessels that foreign voices inhabit and animate in early modern drama, arguing that the Greek model of ventriloquism represented by the Pythia exerted a powerful influence on the period’s ideas about women’s speech. In feminist work on ventriloquism, despite highlighting theatrical performance’s dependence on citationality, ventriloquism has been largely understood as an analogue for exploring male poets’ authorial power to appropriate women’s voices. In these readings, the term ‘ventriloquist’ is mainly identified with the person who throws his voice into human or nonhuman objects, reminding us of …

"You Can't Be Shakespeare And You Can't Be Joyce": Lou Reed, Modernism, And Mass Production, Daniel C. Jacobson

Dissertations, Theses, and Capstone Projects

This dissertation proposes a reevaluation of the overlooked connections between American popular music and modernist literature’s scope and formal experimentation which arose in the mid-20th century. Because Lou Reed’s ever-changing persona situates his work uncomfortably between high art and pop-culture, modernism and “post-modernity,” literature and music, and ethics and aesthetics, I intend to consider Reed as this dissertation’s empty, refracted center. One that will allow for a critique of several major intellectual movements, both inside and outside the academy, that continue to influence thinking about art, ethics, and material culture. Additionally, I hope to show that the work of a …

The Visionary Mode In Anglophone Modernist Fiction, Wei Wu

Dissertations, Theses, and Capstone Projects

This study is a critical reexamination of descriptions of visionary experiences in the novels of Woolf and Lawrence. Its goal is twofold: first, to demonstrate that the visionary mode, when best practiced by the modernist novelists here discussed, can overcome the ideological liabilities that its supposed individualist stance seems to entail; secondly, based on an updated understanding of the visionary mode, to reconceptualize its relation with the ordinary. Through discussions of five important modernist novels, this study concludes that modernist practicing of the visionary mode, when contextualized and historicized, portrays the subject as situated in dynamic exchanges with otherness, subscribes …

Here Time Becomes Space: The Victorian Spatial Imaginary, Jonathan E. Rachmani

Dissertations, Theses, and Capstone Projects

My dissertation, “Here Time Becomes Space: The Spatiality of the Victorian Novel,” addresses the Victorian realist representation of space as the open zone of interaction where the circulation of affect among embodied subjects and the places and things in their environment challenges the individualist axis of Victorian plots. I envision this spatiality as a composite literary practice emerging from contact with eighteenth-century realism, the Gothic novel, and the radical revision of the social imagination under the Romantics. Through an analysis of major works by Charlotte Brontё, Charles Dickens, George Eliot, and Henry James, I trace the dialectical development of realist …

Unthinkable Conditions: Affect And Environment In Romanticism And Speculative Fiction, Amelia Z. Greene

Dissertations, Theses, and Capstone Projects

Unthinkable Conditions bridges two literary periods and two theoretical modes in order to illustrate important parallels between historical periods and the writers who attempted to approach the changing environmental conditions of their respective eras. Each chapter names and theorizes a unique form of feeling which then serves as a framework for eco-affective analysis, drawing from existing studies in the environmental humanities and in studies of affect in order to construct a hybrid theoretical model which more fully accounts for the work of the writer treated in each chapter. The central claim of this dissertation is that vital affective innovations accompany …

“Woman’S Legitimate Empire”: Fabricating Asianness In Gaskell’S North And South And Mary Elizabeth Braddon’S Lady Audley’S Secret, Hailey Lam

Dissertations, Theses, and Capstone Projects

This thesis argues that the fabrication of Asianness in Victorian literature is indebted to the subtle, yet frequent gestures, habits, and interactions that occur in the literary works of Elizabeth Gaskell and Mary Elizabeth Braddon. By specifically focusing on Gaskell’s North and South (1855) and Braddon’s Lady Audley’s Secret (1862), I explore a methodological approach for literary studies that is capacious enough to reckon with the material histories and materiality of race that pervade the cultural imagination of an eighteenth and nineteenth century England. Queer of color criticism by scholars like Sara Ahmed and meditations on aesthetics, race, and culture …

(In)Hospitable Modernity: Hospitality And Its Discontents (1920–1953), Daniel A. Hengel

Dissertations, Theses, and Capstone Projects

This dissertation discusses the tacit forms of political activity operating through the performance and space of hospitality in modern fiction. I read the habitus, praxis, and dissemblages of hospitality in modern fiction as conduits that reveal dialectics of submission and resistance to Victorian and Edwardian markers of normativity. This is ultimately an infrapolitical work. I locate fulcrums of dissent, cloaked in a guise of hospitality, in the domestic sphere and the politicization of formerly private spaces into sites with the potential to reorder legitimated forms of agency. This project attempts to uncover veiled forms of sociopolitical resistance in and through …

Vulnerability: Sensation And Subjectivity In The Late Victorian Novel, Michael Shelichach

Dissertations, Theses, and Capstone Projects

“Vulnerability: Sensation and Subjectivity in the Late Victorian Novel” explores how developments in the science of psychology in the second half of the nineteenth century destabilized the genre of literary realism in Britain. Prominent mid-Victorian psychologists theorized a subject with a highly impressionable brain and nervous system. This new understanding of the mind’s potential vulnerability to external influence impelled contemporary novelists to contemplate the extent to which subjective interiority could be altered by the environment. Through close readings of canonical realist novels like Charles Dickens’s Great Expectations, George Eliot’s The Mill on the Floss and Wilkie Collins’s The Moonstone …

The Seduction Of Pessimism: Eros, Failure, And The Novel, Tom Ribitzky

Dissertations, Theses, and Capstone Projects

In Plato’s Symposium, we get a pessimistic myth not only about love, but about the first experience of loss, in which we were once globular cosmic beings who were split in two by Zeus’s thunderbolts as punishment for not obeying the Olympian gods. Falling down to earth after the split, Zeus introduced eros out of pity for our condition. Our consolation was to find our other halves and hold on to them as a way of remembering what it was like when we were whole. But, as Allan Bloom notes:

…man’s condition soon worsened. In the beginning, their real …

The Lodge In The Wilderness: Ecologies Of Contemplation In British Romantic Poetry, Sean M. Nolan

Dissertations, Theses, and Capstone Projects

This dissertation argues that contemplation is often overlooked in studies of British Romantic poetry. By the late 1700s, changing commercial and agricultural practices, industrialism, secularization, and utilitarianism emphasizing industriousness coalesced to uproot established discourses of selfhood and leisure, and effected crises of individuation in Romantic poetry and poetics. Closely reading poems and writing about poetry composed between the 1780s and 1830s by William Cowper, George Crabbe, Robert Bloomfield, Charlotte Smith, William Wordsworth, Samuel Taylor Coleridge, and John Stuart Mill, I probe the relationship between aesthetic, ethical, and emotional responses to depictions of toil, idleness, and leisure. I argue that ecologies …

Bloodied Hearts And Bawdy Planets: Greco-Roman Astrology And The Regenerative Force Of The Feminine In Shakespeare’S The Winter’S Tale, Christina E. Farella

Dissertations, Theses, and Capstone Projects

This thesis offers a new reading of William Shakespeare’s late play The Winter’s Tale (1623), positing that in order to understand this complex and eccentric work, we must read it with a complex and eccentric eye. In The Winter’s Tale, planets strike without warning, pulling at hearts, wombs, and blood, impacting the health and emotional experience of characters in the play. This work is renowned for its inconsistent formal structure; the first half is a tragedy set in winter, but abruptly shifts to a comedy set in spring/summer in its latter half. What’s more, is that planets, luminaries, and …

British Romanticism And The Paradoxes Of Natural Education, Catherine S. Engh

Dissertations, Theses, and Capstone Projects

“British Romanticism and the Paradoxes of Natural Education” offers a distinct perspective on Romantic-era ideas on “natural” education and human development. Though the Romantic retreat into nature has long been understood as a break from the Enlightenment’s programmatic commitment to the progress of reason, I contend that the ideas on natural development of four canonical Romantic authors—Mary Wollstonecraft, William Wordsworth, Samuel Taylor Coleridge and Mary Shelley—actually originate in the ideas of one of the foremost figures of the Enlightenment, Jean-Jacques Rousseau. Natural education is doomed to failure in Rousseau’s thought because “nature” is paradoxically a social construct. I argue that …