Literature in English, British Isles Commons^™

In Memoriam Of Andrew Brown, Joanne Shattock

The George Eliot Review Online, ISSN: 2831-5375

Andrew Missak: Cleverley Brown died peacefully at home on 21 January 2014, days short of his sixty-fourth birthday, and only months after his retirement from the position of Development Director for Academic Publishing at Cambridge University Press. He joined the Press as a Graduate Trainee in 1976, and over subsequent decades was influential in developing first the literary studies list, then Humanities and Social Science more broadly, and finality the whole of Academic and Professional Publishing. While he had an extraordinary range of interests, his scholarly heartland was Victorian fiction: his Cambridge doctorate was on 'The Metaphysical Novels of Edward …

Japanese Branch Report- 2013, Ayako Tani

The George Eliot Review Online, ISSN: 2831-5375

On Saturday 7 December 2013, the Seventeenth Annual Convention of The George Eliot Fellowship of Japan was held at Keio University.

The morning session started with an opening address by Maiko Otake (Obirin University). Three papers were presented in the morning session. The first two were commented on by Toyotsugu Matsui (Daido University) and the third by Hideo Takano (Komazawa University).

The first speaker was Nanae Hama (Seinan Gakuin University), whose subject was 'The Hero Worship and the Imperial Consciousness: How George Eliot Described Heroes among Children'. In her presentation on The Mill on the Floss (1860), Hama argued that …

Laughter Vesus Sympathy In Romola And Felix Holt, Louise Lee

The George Eliot Review Online, ISSN: 2831-5375

I want to start with a useful rather than a funny question posed by the critic Hilary M. Schor: 'What acts of information-organization do we perform on the Eliot career?'! The answer is possibly a succession of familiar base-touchings: Eliot's Warwickshire childhood and family life, the loss of her evangelical faith, her London journalism and reviewing, the development of her artistic values through engagement with European art and literature - the works of Baruch Spinoza, Ludwig Feuerbach, David Strauss, and Auguste Comte - and, of course, her partnership with George Henry Lewes. Other notable Eliot 'themes' might include science, religion, …

Obituary Of Andrew Brown, Joanne Shattock

The George Eliot Review Online, ISSN: 2831-5375

I first met Andrew Brown on the conference circuit in the early 1980s. As the recently appointed senior editor for literature at Cambridge University Press he was a regular presence at Victorian Studies conferences, wearing his Press hat, but unlike many other publishers, attending as a productive scholar in his own right. He got in touch with me in 1989 asking if he could come to Leicester to talk about a project he was contemplating, a new edition of the Cambridge Bibliography of English Literature, the nineteenth-century volume of which had been last updated under George Watson's editorship in 1969. …

Politics And Pastoral In Silas Marner, Barbara Hardy

The George Eliot Review Online, ISSN: 2831-5375

When eighteen-year-old sumameless Eppie stands by Silas Mamer and against Godfrey Cass she joins a line of subversive children in Victorian fiction. Charlotte Bronte's Jane Eyre speaks out against her aunt; Dickens's Oliver Twist asks for more gruel; his Paul Dombey asks the capitalist father, 'What is money after all?' One child rebels against adult power; one against institutional power; one against the cash nexus. The children are all economic dependants but there is no emphasis on class. Oliver behaves like a little gentleman; Paul is a little gentleman; Jane tells Brocklehurst she would not like to be poor, and …

Review Of After Darwin: Animals, Emotions, And The Mind, Angelique Richardson

The George Eliot Review Online, ISSN: 2831-5375

This extremely interesting and well organized collection of 11 original essays and an 'Afterword' is not greatly concerned with George Eliot, although it would seem every major Victorian concern somehow ends by involving her. As a study that aims at what its title indicates, it includes George Eliot and G. H. Lewes as direct subjects, hut only in one essay, Angelique Richardson's 'George Eliot, G. H. Lewes, and Darwin: Animals, Emotions, and Morals'. Although, she concedes, both 'maintained human distinction in their writing' (p. 137), George Eliot felt and expressed through anthropomorphism, a real kinship with animals. With Lewes (whose …

Adding To Blake Set To Music: A Bibliography, Ashanka Kumari

Department of English: Dissertations, Theses, and Student Research

William Blake, like other Romantic-era poets, was inspired by and wrote about the world around him. The hundreds of poems he wrote later inspired other genres such as music. In 1990 the University of California Press published Blake Set to Music: A Bibliography of Musical Settings of the Poems and Prose of William Blake written by Donald Fitch. This bibliography lists 1,412 pieces up to 1988. The following bibliography consists of pieces of music written after Fitch’s bibliography was published or, in a few cases, a composition written before Fitch’s bibliography was published, but not mentioned in that bibliography. This …

Hardy, Darwin, And The Art Of Moral Husbandry, Owen Roberts-Day

Department of English: Dissertations, Theses, and Student Research

This study of the influence of Charles Darwin on Thomas Hardy's tragic novels centers on two key concepts in the work of Darwin. The first is Darwin's narrative of the evolution of morality, which describes moral decisions as a struggle for survival between various instincts, habits, and customs, both within the individual and within society as a whole. Of particular importance is the role of reason and sympathy in overcoming base and selfish instincts. The second is the idea, introduced in Origin, that the work of scientific breeders represents an act of Conscious Selection, a separate form of evolution …

Conference Report: Romola And Felix, Institute Of English Studies, 23 November 2013., A.G. Van Den Broek

The George Eliot Review Online, ISSN: 2831-5375

George Eliot's two Marmite novels - given their reputations, not everyone tries them, and when they do, they often leave them only partially digested - Romola (1862-3), the one she famously said aged her, and Felix Holt (1866), the one with that involved legal plot, were the focus of last year's George Eliot Conference sponsored by the Institute of English Studies at the University of London. Nevertheless, despite their uneven appeal, the Conference drew a tolerably-sized audience. Barbara Hardy (Birkbeck and Swansea) and Louise Lee (Roehampton) once again organized the Conference, bringing together a group of speakers who variously dealt …

Illuminating The Darkness: The Naturalistic Evolution Of Gothicism In The Nineteenth-Century British Novel And Visual Art, Cameron Dodworth

Department of English: Dissertations, Theses, and Student Research

The British Gothic novel reached a level of very high popularity in the literary market of the late 1700s and the first two decades of the 1800s, but after that point in time the popularity of these types of publications dipped significantly. However, towards the end of the nineteenth century, the British Gothic novel rebounded in popularity, though not to the level of the early 1800s. This dissertation seeks to address why the publication of truly Gothic novels in Britain decreased during the middle of the century, only to increase once again at the fin de siècle. What this …

Beyond The Looking-Glass: The Intensity Of The Gothic Dream In Nineteenth-Century British Literature, Anne N. Nagel

Department of English: Dissertations, Theses, and Student Research

The dream is a contested space in terms of allegory and affect, the non-conscious intensity associated with feelings and emotions. Readers tend to express disappointment when a narrative turns out to be “just a dream,” yet the dream is uniquely capable of evoking powerful affective intensity. Yet most scholarship approaches the literary dream through representational interpretation, which not only overlooks the intensity of affect, but dampens it. The dreamer cannot interpret the dream while engrossed in dreaming. By taking into consideration the perspective of the dreamer, this thesis moves beyond the reflective lens of symbolic interpretation to explore the intensity …

“In Counterfeit Passion”: Cross-Dressing, Transgression, And Fraud In Shakespeare And Middleton, Anastasia S. Bierman

Department of English: Dissertations, Theses, and Student Research

This thesis examines the way women cross-dressing as men functions as a crime in Thomas Middleton and Thomas Dekker’s The Roaring Girl and William Shakespeare’s As You Like It and Twelfth Night. While many modern scholars have discussed cross-dressing in these plays, many look to the end of the plays as the foundation for their analysis rather than the play as a whole. Because of this oversight, scholars deem the characters in the plays not transgressive, when, in fact, cross-dressing is transgressive. They ignore the way cross-dressing is often presented in writing in the Renaissance, i.e. as a type …

Symbolic Capital And The Performativity Of Authorship: The Construction And Commodification Of The Nineteenth-Century Authorial Celebrity, Whitney Helms

Department of English: Dissertations, Theses, and Student Research

Victorian and Antebellum writers were the first literary figures to construct and perform their authorship within the sphere of celebrity. Unlike their Romantic predecessors who endured fame as an unexpected consequence of their popularity, the Victorians and their contemporaries understood celebrity as a condition of authorship. This dissertation takes as its subject the origins and development of symbolic power for authors as it was expressed in the trappings of celebrity and mass culture and argues that authorship became no longer strictly a profession of writing, but rather a performative endeavor that could be presented through diverse commercial markets. Investigating the …

Monstrosity, Karen N. Wohlgemuth

Department of English: Dissertations, Theses, and Student Research

The Early Gothic Period of English Literature was widely scrutinized for its sensationalism. This thesis explores the value of the genre by offering an alternative view of the monster typically portrayed. A close textual analysis of The Mysteries of Udolpho, The Monk, and Frankenstein prove that the real monster is society, and more importantly ourselves. While this thesis dissects the innate characteristics of humankind in the novels, the author hopes that the readers will recognize the same themes in contemporary society. As students of the learned world, we all can acknowledge that Gothic fiction can teach us more …

'The Antigone And Its Moral': George Eliot's Antigonean Considerations, Kathryn Brigger Kruger

The George Eliot Review Online, ISSN: 2831-5375

As early as 1856 with the publication of the essay, 'The Antigone and Its Moral' ,1 George Eliot turned her literary attention to the Sophoclean figure of Antigone. Scholars such as Gerhard Joseph' and David Moldstad' have enumerated Eliot's multiple references to Antigone, and they have argued that Eliot makes Antigone a relevant figure for '"modern" life' (Joseph, 27) and an example of 'the continuity of man's elemental self, concerned in all ages with similar needs and problems, though moral codes have come and gone' (Moldstad, 531). Where Joseph traces the specific Antigone references in Eliot's fiction - especially in …

The Golden Gates Are Passed, Robert Muscutt

The George Eliot Review Online, ISSN: 2831-5375

There have always been attempts not just to conceal knowledge of George Eliot's life but also to manipulate it into conformity with a preconceived profile. In the Preface to his edition of The George Eliot Letters in nine volumes, Gordon Haight revealed that those pages of her Journal from immediately after her father's death in 1849 until shortly before she went to Weimar with Lewes in 1854 were tom out and presumably destroyed, probably by Cross. Charles Lewes, George Eliot's main literary executor, also seems to have destroyed nine of his father 's journals, the first volume extant beginning in …

The Two Felixes: Narrational Irony And The Questions Of Radicalism In Felix Holt And 'Address To Working Men, By Felix Holt', Helen Kingstone

The George Eliot Review Online, ISSN: 2831-5375

In this characterization of Dorothea by the narrator of Middlemarch (1871-2), the 'Great' Reform Act of 1832 is posited as a dividing line between two phases of history, so distinct as to have separate spheres of interest and judgements of normality. George Eliot flatters her mid-Victorian reader by insinuating that only the 'modem' mind of their shared present could understand the zeal of a humanistic 'exalted enthusiasm' that took its source of energy from within. In this passage, therefore, 'reform' seems to be the key to historical, social and personal change. The issue of reform - of society, of institution …

'And Her Wings Fall From Her And She Drops To The Ground': Reading Eliot's Mr Casaubon Through Benjamin Jowett's Phaedrus, Royce Best

The George Eliot Review Online, ISSN: 2831-5375

In the scene describing Casaubon 's pathetic mental state prior to his heart attack in Chapter XXIX of Middlemarch, the narrator makes an enigmatic reference: 'Doubtless some ancient Greek has observed that behind the big mask and the speaking-trumpet, there must always be our poor little eyes peeping as usual and our timorous lips more or less under anxious control'.' It seems odd to conclude this powerful passage, long read as a telling example of the hazards of over-study without meaningful application, with a reference to ancient Greek drama. Yet, perhaps not enough attention has been given to the indebtedness …

Chairman's Annual Report 2012, John Burton

The George Eliot Review Online, ISSN: 2831-5375

The year began in March with an introduction to Romo/a for the Nuneaton George Eliot Study Group which was attended by nearly forty local members. This was followed up by more in depth sessions on Romola at Bedworth Almshouses after Easter. These sessions were aimed at those going to Florence in November, to walk in Romola's footsteps. Numbers were constant throughout the sessions and we ended the ten sessions by watching the 1924 silent film version of the book. The study notes for these sessions will be made available to members worldwide on the website

Following the AGM that same …

The Forty-First George Eliot Memorial Lecture, 2012- Romola's Artists, Leonee Ormond

The George Eliot Review Online, ISSN: 2831-5375

2012-2013 marks the one hundred and fiftieth birthday of Romola. Originally published in the Comhill Magazine from July 1862 to August 1863, it later appeared in a three volume edition in 1863. An illustrated edition followed in 1865.

George Eliot had begun work on the novel in 1861, when she was forty-one. She had recently published Silas Mamer, and The Mill on the Floss, preceded by Adam Bede, had come out not long before that. The genesis of Romola came in May 1860 when George Eliot and George Henry Lewes spent two weeks in Florence. Lewes noted that, …

George Eliot, Marcel Proust, And The Logic Of Desire, Kenichi Kurata

The George Eliot Review Online, ISSN: 2831-5375

The influence of George Eliot's fiction on Marcel Proust's In Search of Lost Time has often been discussed. For instance, L. A. Bisson drew attention in 1945 to 'the possibility, even the likelihood, of[ ... ] [an] immediate and sympathetic suggestion' by Eliot, citing Proust's claim in 1910 that 'II n'y a pas de litterature qui ait sur moi un pouvoir comparable a la litterature anglaise ... deux pages du Moulin sur la Floss me font pleurer.'2 Bisson goes on to suggest that three specific passages in The Mill on the Floss have their counterparts in Proust's work, the …

George Eliot, Scientific Materialism And Literary Form: Some Relfections On Felicia Bonaparte's Will And Destiny, K.M. Newton

The George Eliot Review Online, ISSN: 2831-5375

Felicia Bonaparte's study of Eliot's fiction, Will and Destiny: Morality and Tragedy in George Eliot's Novels, was published in 1975. I read it rather quickly towards the end of the 1970s because at the time I was working on a study of Eliot of my own and inevitably my attention was somewhat focused on whether there was going to be any overlap with my book. Since Bonaparte's book argued strongly that Eliot was intellectually committed to empiricism and scientific rationality and mine attempted to bring out her relation to aspects …

George Eliot's Brazilian Critical Fortune And The Case Of Romola, Jaqueline Bohn Donada

The George Eliot Review Online, ISSN: 2831-5375

I would like to begin this paper with a comment by Professor Felicia Bonaparte about George Eliot's novels. In an introductory reflection, she once observed that

We have found nothing yet that Eliot did not deliberately put in her novels; [ ... ]. Indeed, the fact is we have not yet read in these novels all that Eliot wrote. We have not yet, for example, looked carefully at what Eliot had to say about women in society. Eliot was a great feminist, and her novels, although they never stoop to mere propaganda, urge a relentless war against the conditions by …

Japanese Branch Report- 2012, Shinsuke Hori

The George Eliot Review Online, ISSN: 2831-5375

On Saturday 1 December 2012, the Sixteenth Annual Convention of the George Eliot Fellowship of Japan was held at Kansai University of Foreign Studies.

The morning session started with an opening address by Chizuko Watari (Kansai University of Foreign Studies). Three papers were presented in the morning session. The first two were commented upon by Midori Niino (Kobe University of Foreign Studies) and the third by Masayuki Kato (Kobe University).

The first speaker was Ayako Tani (Fukuoka University), whose subject was 'The Idea of a Double in Daniel Deronda: Grandcourt's Death and Gwendolen's Rebirth'. Grandcourt's death has been often criticized …

Review Of Form And Feeling In Modern Literature: Essays In Honour Of Barbara Hardy, Isobel Armstrong, William Baker

The George Eliot Review Online, ISSN: 2831-5375

Does criticism move in circles and cycles? Perhaps, like a Yeatsian gyre, it progresses by revolving and rotating. If times have changed utterly since the appearance of Barbara Hardy's first book, The Novels of George Eliot (1959), then it is also hard to ignore how some new directions in criticism appear to be rediscovering matters close to this great critic's heart. Form and feeling, certainly, are both back. Professor Hardy used these two unfussy terms to describe, respectively, literature's structured way of happening and its potential to arouse or enrich a reader's felt experience; now, in the more modish guises …

Review Of George Eliot In Society: Travels Abroad And Sundays At The Priory, Kathleen Mccormack

The George Eliot Review Online, ISSN: 2831-5375

This is a welcome and wholly worthwhile extension of the author's George Eliot's English Travels: Composite Characters and Coded Communication (2005), a densely written and stimulating examination of places and people in Eliot's life which have some resonance, in varying degrees of coding, from the seemingly casual to the subtly integrated, in her published work. McCormack there defined three categories of place identification. These range from 'absolute certainties' through 'pretty good cases' to 'alluring, probable, but irretrievably speculative suppositions', categories certainly applicable to herpresent study, in which her dedication and saturation in George Eliot, the works, the life, and a …

Review Of Heathen And Outcast: Scenes In The Life Of George Eliot, Robert Muscutt

The George Eliot Review Online, ISSN: 2831-5375

This fictionalized version of George Eliot's life between 1841 and 1854 takes as its starting point Edith Simcox's account of visiting the Midlands after the novelist's death and collecting material for a biography which, in the end, was never written. Thus the first section of four chapters is titled 'From Conversations with Maria Lewis' and is written in the latter 's voice, while the second section of two chapters follows the same pattern and is narrated by Charles Bray. The Simcox framework of posthumous interviews falters in the final section of eight chapters since here the narration is taken over …

Review Of Reading For Our Time: 'Adam Bede' And 'Middlemarch' Revisited, J. Hillis Miller

The George Eliot Review Online, ISSN: 2831-5375

As his sub-title indicates, J. Hillis Miller is returning in his latest book to the study of George Eliot, bringing to bear on Adam Bede and Middlemarch the insight and erudition acquired in a long and distinguished career as a scholar and critic. He pursues a similar line to his wellknown articles from the 1970s on 'Narrative and History' and 'Optic and Semiotic in Middlemarch', subjecting that novel to a close and tenacious deconstructive reading that brings out the sophisticated self-qualifying nature of George Eliot's fiction. This is preceded by a shorter discussion of Adam Bede which shows how its …

Review Of The Ladislaw Case, Inke Thormahlen

The George Eliot Review Online, ISSN: 2831-5375

We live in an age of prequels and sequels either in book form or in television serials, with nineteenth-century novelists providing the majority of the material for contemporary writers to develop or elaborate. It was perhaps only a matter of time before one of George Eliot's novels was to form the basis for such treatment. In this case the novel is probably her greatest, Middlemarch, and the sequel, The Ladislaw Case, is the first major work of a young Swedish graduate of Lund University, Imke Thormahlen.

Twelve years after the conclusion of Middlemarch, Will Ladislaw, now married to Dorothea (Brooke, …

On Sir Charles Bell’S The Hand, 1833, Peter J. Capuano

Department of English: Faculty Publications

This essay explores the cultural context in which Sir Charles Bell’s 1833 Bridgewater Treatise was published by focusing on the work as a culmination of his deep religious faith, his Edinburgh anatomical training, and his occupation as a surgeon at the Leeds Infirmary. It argues that The Handwas not merely an extension of Paleyan natural theology but also an important response to the era’s struggle with the grim physical reality of the supersession of manual labor by automatic manufacture.