Literature in English, British Isles Commons^™

Putting Down Roots: A Tolkienian Conception Of Place, Kayla Snow

Masters Theses

This thesis explores the way in which J.R.R. Tolkien's develops and expresses his nuanced sense of place through his major literary works--namely, The Silmarillion, The Hobbit, and The Lord of the Rings trilogy. Tolkien's sense of place, as expressed through his fiction, encompasses both metaphysical and geographical relational structures that are operative at both the local and global levels. As Tolkien develops his sense of place in his fiction, he draws from the Distributist principles--largely informed by Catholic social policy of the late nineteenth century and popularized by G.K. Chesterton--to build the economy in Middle-earth. The resulting economy resists industrialization …

Weaver Of Allegory: John Bunyan's Use Of The Medieval Theme Of Vice And Virtue As Devotional Writer And Social Critic In The Holy War, David Madsen

Masters Theses

The literary artistry of Bunyan's The Holy War is overshadowed by the longstanding popularity of his greatest-known work The Pilgrim's Progress. However, The Holy War displays an impressive intricately-woven story with several complex strands of allegorical meaning. One such strand is its emphasis on the theme of virtue and vice in literature of the Middle Ages. In The Holy War, Bunyan applies this thematic thread from the Medieval Psychomachia and morality plays to his allegory in seventeenth-century Restoration England. The present research begins with an exploration of allegory as story with emphasis on Bunyan's role as storyteller in general and …

The Persistence Of Narrative: Archetypal And Thematic Parallelism In Milton And Shelley, Douglas Stephens Iv

Other Undergraduate Scholarship

The literary connections between Mary Shelley’s Frankenstein and John Milton’s Paradise Lost are relatively obvious to anyone familiar with both works. Less obvious is the fact that an astonishing number of character roles and thematic components translate directly between the two works. The characters of Frankenstein continually switch in and out of these clearly archetypal roles, but careful study reveals that the underlying parallels hold true throughout. The question at hand is whether the parallelism evident in the relationship between the books is a result of thematic referentialism or if there is a deeper historical and mythopoeic significance. That these …

Charles Dickens' Great Expectations: The Failed Redeemers And The Fate Of The Orphan, Rebekah Overbey

Masters Theses

The figure of the orphan is scattered throughout the pages of Victorian novels, though few novelists created orphans that were quite as memorable as Charles Dickens. Lonely orphans and abused children appear in nearly all of Dickens' fictional works; in the novels in which the orphan is the main character, this innocent, helpless orphan is often adopted by a wealthy and benevolent benefactor, and the orphan is thus redeemed by a dramatic rescue. In Great Expectations, however, Dickens inverts this redemption by rescue that was so characteristic of his earlier novels. Instead of an innocent, helpless child, Great Expectations has …

"Just A Fool's Hope": J.R.R. Tolkien's Eucatastrophe As The Paradigm Of Christian Hope, Margaret A. Bush

Senior Honors Theses

In his essay titled “On Fairy-Stories,” J.R.R. Tolkien uses the term “eucatastrophe” to describe the unexpected, fortunate turn of events for the protagonist in a fantasy story. Tolkien applies the word beyond its literary context to signify the Christian’s experience of joy, especially resulting from the Incarnation and Resurrection. Such an explicit link between fiction and theology seems absent from his more well-known work, The Lord of the Rings. Yet both Tolkien himself and critics of his writing have labeled the novel a modern-day classic of Christian literature. This thesis will defend the Christian label of The Lord of …

Don't Take Orpheus Without The Lyre: The Intricacies Of Using Pagan Myths For Christian Purposes In The Divine Comedy And Paradise Lost, Rebekah J. Waltmann

Masters Theses

Because of their universal and artistic nature, the classical myths lend themselves well to use in literature, especially poetry. When used properly, as by Dante and Milton, the myths have the ability to enhance the work; when used poorly, they become gaudy ornamentation. It was, and is, this ability to enhance both the artistry and function of literature that pulled so many poets to the myths, despite the difficulties that could arise when the pagan myths did not quite match the Christian setting. My purpose in this thesis is not to explicate every use of myth within The Divine Comedy …

The Significance Of Silence: The Muted Voices Of Count Fosco And Laura Fairlie In The Woman In White, Melanie Page

Masters Theses

This thesis examines the intricacies of voice using narrative theory and reader-response theory with Wilkie Collins' The Woman in White. Since Collins first wrote this epistolary novel serially, he wrote aware of his audience as he printed segments with different narrators. This novel allowed Collins the opportunity to reveal an internal set of narrators' responses to other characters' voices--responses that sometimes conflict with and modify one another. At the same time, Collins' contemporary audience's responses to the novel reveal the role of characters' voices in shaping reactions of members of the novel's reading public. Two opposing figures--Laura Fairlie and Count …

A Hierarchy Of Love: Myth In C.S. Lewis's Perelandra, Joseph Walls

Masters Theses

In C.S. Lewis's Perelandra, the transposed creature is drawn up into its "kindly stede" as a sacramental symbol of Christ through that fictional planet's unbroken relationship between meaning and form. Although Perelandra's "wheels-within-wheels" hierarchy may at first seem reminiscent of Catholicism's teachings on symbol, as a Protestant, Lewis believes that human beings cannot be truly sacramental symbols until the return of Christ. Lewis's optimistic depiction of a cosmic hierarchy is one of perfect love: superiors rule their subordinates with agape, and creatures who discover their submissive roles reciprocate with eros or adoring love. Every created being in Perelandra is part …

Post-War Europe: The Waste Land As A Metaphor, Semy Rhee

Senior Honors Theses

This thesis analyzes the mindset of twentieth-century Europe through the perspective of a modern individual that T. S. Eliot creates in his poem The Waste Land. Although The Waste Land is the greatest modernist poem, it is often criticized for its esoteric nature. A thorough examination of the poem is useful in understanding and appreciating Eliot’s masterful demonstration of the modernist philosophy. This study analyzes the poem in light of the definition of modernism and the poem’s metaphorical nature. It also aims to reconcile the two most confusing elements of the poem—its allusive content and fragmented structure—to the design …

Mars And Venus: Symbols Of The Chaotic And Conflicted Human Passions And The Reestablishment Of Order In “The Knight’S Tale.”, Olivia L. Blessing

Senior Honors Theses

During the Middle Ages, Europe experienced a period when philosophers attempted to separate and analyze the passionate and rational elements of the soul.  Some supported strict reason as the sole moral basis for living, while others looked to the tempestuous passionate emotions.  Geoffrey Chaucer’s “The Knight’s Tale” portrays this conflict between reason and the passions through the depicted relationship between Mars and Venus and the uncontrolled passions of Arcite and Palamon.

Determining that a world controlled by passions results in chaos, Chaucer offers three different solutions—negating the passions, subjugating the passions to reason, and a balance between passion and reason. …

The Enduring Austen Heroine: Self-Awareness And Moral Maturity In Jane Austen's Emma And In Modern Austen Fan-Fiction, Brittany A. Meng

Masters Theses

Jane Austen's novels continue to be popular in the twenty-first century because her heroines are both delightful and instructive; they can be viewed as role models of personal growth due to their honest self-examination and commitment to high moral standards. Chapter one establishes the patterns of personal growth that uniquely characterizes Austen's heroines in each of her six novels. Chapter two tests these conclusions by carefully examining the character of Emma Woodhouse. Though Emma is a unique heroine due to her wealth and social privileges, she follows the principles of personal growth possessed by Austen's other heroines. Chapter three further …

Chivalry In Malory: A Look At The Inconsistencies Of Lancelot, Gareth, And Tristram In Le Morte D’Arthur, Natalie Beals

Senior Honors Theses

Chivalry and its counterpart, courtly love, are indispensible to Sir Thomas Malory’s fifteenth century work on Arthurian legend, Le Morte d’Arthur. The three great examples of chivalry in this work are the knights Lancelot, Gareth, and Tristram, each of whom has a book dedicated to his story. Within these knights’ portrayals of chivalry, however, develop certain inconsistencies which seem out of place against their chivalrous backdrop. The purpose of this thesis is to propose that the reason for these contradictions of character and of chivalry is the close yet destructive relationship between chivalry and courtly love. What leads Lancelot, Gareth, …

A Pure Woman, Archetypally Presented: Towards A Jungian Criticism Of Hardy’S Tess Of The D’Urbervilles, Bethany M. Gullman

Senior Honors Theses

Tess Durbeyfield is one of the most memorable characters in English literature. She is at once a working-class woman and a mythic figure. Abused by her superior and caught between classes, she represents the individual struggling for identity.

Tess of the d’Urbervilles appeals universally to the nature of the woman in literature. Her status as the natural or archetypal woman is clear throughout the novel. Hardy created Tess who cannot be defined by just one categorization. Tess certainly fulfills the limited idea of the fallen woman. However, Hardy is appealing beyond this narrow view of humanity to the more ancient …