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Theatre and Performance Studies

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Articles 391 - 420 of 428

Full-Text Articles in Literature in English, British Isles

Balance, Symmetry, And Order In As You Like It, Lois Stacy Creed May 1976

Balance, Symmetry, And Order In As You Like It, Lois Stacy Creed

Masters Theses & Specialist Projects

Although many critics have commented on various aspects of balance, symmetry, and order in Shakespeare’s As You like It, others have given the impression that the play uses a carefree series of episodes to give the audience lighthearted entertainment. Few, if any have discussed the extent to which these elements are exemplified through the remarkable skill and craftsmanship of the playwright. The coordination of these elements shows that the work is not, as it frequently has been considered, a simple romance, but is rather a superlative exemplification of Shakespeare’s remarkable artistry. Through the use of various devices, Shakespeare constructs for …


Illusion Vs. Reality In The Tragedy Of Hamlet, Glendora S. Plath Jan 1976

Illusion Vs. Reality In The Tragedy Of Hamlet, Glendora S. Plath

Masters Theses

No abstract provided.


Beckett's Manipulation Of Audience Response In Waiting For Godot, Robert Carl Themer Jan 1976

Beckett's Manipulation Of Audience Response In Waiting For Godot, Robert Carl Themer

Masters Theses

This thesis examines one of the many paradoxes of Samuel Beckett's Waiting for Godot--that although on the surface Beckett reduces his characters to the barest minimum in human terms, the spectator still finds himself, mysteriously, identifying with those pathetic stage creatures and their plights.

The dual purpose of this paper is to examine the methods Beckett used to foster this sense of spectator-character likeness and to assess its impact upon the spectator. It explores the contrast between the near-caricatures, Pozzo and Lucky, and the more complexly humanized Vladimir and Estragon. It discusses Beckett's universalization of character, time, place, and …


The Theme Of Othello, James Irving Krumrey Jan 1976

The Theme Of Othello, James Irving Krumrey

Masters Theses

No abstract provided.


Richard Iii & Elizabethan Kingship, Frances Perdue Aug 1975

Richard Iii & Elizabethan Kingship, Frances Perdue

Masters Theses & Specialist Projects

In this study Richard III's character, motivations, and his path to the throne were examined as they affect the well-being of the country. Analyzed were the political, social, and moral philosophies of Elizabethan England and how they conflicted with Richard's Machiavellian tactics in achieving and holding the position of king. The necessity of purging Richard III from the throne was shown to be consistent with the Elizabethan concept of God's will for the good of the country. "Macbeth" and "Hamlet" revealed the idea that the health of the nation depends on the moral health of the king. In "Coriolanus," another …


Polonius, The Man Behind The Arras: A Study Of His Archetypal Significance, Elizabeth Oakes Jul 1975

Polonius, The Man Behind The Arras: A Study Of His Archetypal Significance, Elizabeth Oakes

Masters Theses & Specialist Projects

On the archetypal level of Hamlet, Polonius embodies three roles--the wise old man, the fool, and the scapegoat-- in a schema composed also of embodiments of the archetypal hero-prince, the anima, the racial father, the shadow, the terrible mother, and the night sea journey. Polonius as an incarnation of the wise old man archetype has both a positive side, which is denoted in his relationship to Ophelia, and a negative side, which is shown in his relationship to Hamlet. From the wise old man, Polonius degenerates into the archetypal fool who, being on the periphery of the social order, constantly …


Isolation In The Dramas Of T.S. Eliot, Jean Conway Jan 1975

Isolation In The Dramas Of T.S. Eliot, Jean Conway

Masters Theses & Specialist Projects

T.S. Eliot is a monumental figure in literature. He distinguished himself as a poet in his youth, as a critic in his middle age, and as a dramatist in his later years. Because of the vitality of Eliot’s early literary works, his dramas are frequently bypassed by critics when discussing the major themes that interested him as an artist. The purpose this study is to examine thoroughly Eliot’s position on isolation and alienation as revealed in his seven plays: Sweeney Agonistes (1926), The Rock (1934), Murder in the Cathedral (1935), The Family Reunion (1939), The Cocktail Party (1949), The Confidential …


Gertrude & Volumnia: Their Influences On Their Sons At The Climaxes Of The Plays, Laddawan Bunchoo May 1974

Gertrude & Volumnia: Their Influences On Their Sons At The Climaxes Of The Plays, Laddawan Bunchoo

Masters Theses & Specialist Projects

The examination of the climaxes of the two plays Hamlet, and Coriolanus, illustrates that the two mothers, Gertrude and Volumnia, have destructive influences on their sons. The closet scene in Hamlet reflects that Gertrude's second marriage and her choice of Claudius shatter Hamlet's Idealization of her in the role of the faithful wife and the virtuous mother. Hamlet's inaction and destruction are caused in part by his mother's influence.

Volumnia's influence both shapes and destroys her son. She rears him as the embodiment of her chivalric ideal of nobility. The climactic scene in this play reveals that Coriolanus' …


An Analysis Of The Treatment Of Platonic Love In Ford's Nondramatic Works And Independent Tragedies, Kathryn M. Jackson Jan 1973

An Analysis Of The Treatment Of Platonic Love In Ford's Nondramatic Works And Independent Tragedies, Kathryn M. Jackson

Masters Theses

No abstract provided.


The Fool In Lear Exposes A Foolish Lear, Anthony John Cuccio Jan 1972

The Fool In Lear Exposes A Foolish Lear, Anthony John Cuccio

Masters Theses

No abstract provided.


The Stage History Of John Webster's The Duchess Of Malfi, Kathy Lynn Emerson Jan 1972

The Stage History Of John Webster's The Duchess Of Malfi, Kathy Lynn Emerson

English Theses & Dissertations

No abstract.


An Analysis Of Byron's Attempt To Reform The English Stage Through His Venetian Plays, Linda J. Fuller Jul 1971

An Analysis Of Byron's Attempt To Reform The English Stage Through His Venetian Plays, Linda J. Fuller

English Theses & Dissertations

No abstract.


The Uses Of Processions In Shakespeare's Plays, William F. Sodini Jul 1970

The Uses Of Processions In Shakespeare's Plays, William F. Sodini

English Theses & Dissertations

No abstract.


A Critical Study Of The Dramas Of Four Major Romantic Poets, Earl Murphy Jr. Jun 1970

A Critical Study Of The Dramas Of Four Major Romantic Poets, Earl Murphy Jr.

Masters Theses & Specialist Projects

Since little critical attention has been given to the dramas of this period, it would seem that further examination of them would be of value. The purpose of this study, therefore, is to investigate the dramas of the major Romantic poets in order to provide a new critical perspective on their plays specifically and Romantic drama generally. From this it is hoped useful conclusions can be drawn. The study will be limited to the plays of Samuel Taylor Coleridge, Percy Bysshe Shelley, William Wordsworth, and George Gordon, Lord Byron. John Keats has been omitted from this group because his only …


The Church In The Dramas Of T. S. Eliot, Rebecca Ellen Dunn Jan 1970

The Church In The Dramas Of T. S. Eliot, Rebecca Ellen Dunn

All Master's Theses

From the desolation of a sterile Waste Land populated by straw men, Eliot's dramas increasingly portray a world of great meaning and hope. His early dramas portray a hostile and insensible world which must be fought and completely rejected by religious persons who are called to martyrdom and sainthood. Eliot's acceptance of the material world and comfort with its society brings a steady transformation of his spiritual vision when at the end of his dramas the world is one of common people who strive to find meaning and "make the best of a bad job," illumined by a vision of …


To Hell For A Heavenly Cause: The Re-Emergence Of The Harrowing Of Hell Motif In Twentieth Century Literature, Margaret Shepherd Aug 1969

To Hell For A Heavenly Cause: The Re-Emergence Of The Harrowing Of Hell Motif In Twentieth Century Literature, Margaret Shepherd

Masters Theses & Specialist Projects

To define the scope of this study, therefore, Harrowing of Hell imagery will be thought of as those symbols peculiar to the pseudo-biblical story, with redemptive activity and triumph as distinguishing criteria. The hero is a Christ figure who has already achieved a degree of self-mastery. His descent into hell represents an act of redemption for others, with victory as the outcome. This delimitation, it will be seen, is not impossibly restrictive. A survey of contemporary literature indicates that Wasserman's use of the descent motif with redemptive implications is far from an isolated instance. Edward Albee in The Zoo Story …


John Skelton's Satire Of The Burial Rites Of The Roman Church In "Philip Sparrow", Jean M. Regone Jul 1969

John Skelton's Satire Of The Burial Rites Of The Roman Church In "Philip Sparrow", Jean M. Regone

English Theses & Dissertations

No abstract.


Concepts Of Suffering In King Lear, Emma Jean Westcot Apr 1969

Concepts Of Suffering In King Lear, Emma Jean Westcot

English Theses & Dissertations

No abstract.


The Function Of Some Comic Elements In The Wakefield Plays In The Towneley Cycle, Frances E. Whitehall Jul 1968

The Function Of Some Comic Elements In The Wakefield Plays In The Towneley Cycle, Frances E. Whitehall

English Theses & Dissertations

No abstract.


Falstaff, A Product Of Historical And Moral Traditions, Emily Stacy Apelt Oct 1967

Falstaff, A Product Of Historical And Moral Traditions, Emily Stacy Apelt

English Theses & Dissertations

No abstract.


Thomas Shadwell: The Sentimental Characteristics Of His Comedies, Ramona Hartley Hamby Apr 1966

Thomas Shadwell: The Sentimental Characteristics Of His Comedies, Ramona Hartley Hamby

English Theses & Dissertations

No abstract.


Literary Criticism Of Shakespeare's King Lear, Daniel Lee Burcham Jan 1966

Literary Criticism Of Shakespeare's King Lear, Daniel Lee Burcham

Masters Theses

No abstract provided.


The Hobbesian Villain In Dryden's Heroic Plays, Margaret Norman Simmons Jan 1966

The Hobbesian Villain In Dryden's Heroic Plays, Margaret Norman Simmons

English Theses & Dissertations

No abstract.


A Comparative Study Of Caroline & Restoration Drama, Jane Pfingston Aug 1964

A Comparative Study Of Caroline & Restoration Drama, Jane Pfingston

Masters Theses & Specialist Projects

The original plan for research was to make a comparative study of plays written in the twenty year span before the theaters closed and in the twenty year period after the theaters reopened - a comparative study of Jacobean and Restoration drama. However, the availability of play copies limited the number of plays read and the authors used. Therefore the twenty year plan proved to be quite cumbersome and the plays were reduced roughly to a twelve year period. The subject for research then became "A Comparative Study of Caroline and Restoration Drama."


A Study Of The Dramatic Criticism Of Charles Lamb, Lyman Francis Smart Jun 1960

A Study Of The Dramatic Criticism Of Charles Lamb, Lyman Francis Smart

English Language and Literature ETDs

In the one hundred fifty years since Charles Lamb published what might be termed his first formal criticism, opinions of his stature as a critic have waxed and waned. His critical writing has been attached as the "blasphemies of a poor manic," and praised as possibly the greatest applied criticism in English. Recent critical estimates of British criticism have tended to ignore Lamb or to damn him with faint praise.

The purpose of this study is to re-examine the earlier attitudes toward Lamb and his writing on the drama, and to look with fresh perspective at the most noteworthy of …


Some Differences In The Comedy Of Manners Plays From The Restoration To Somerset W. Maugham, Tressa C. Bennett Jan 1958

Some Differences In The Comedy Of Manners Plays From The Restoration To Somerset W. Maugham, Tressa C. Bennett

Masters Theses

No abstract provided.


A Comparison Of The Nineteenth And Twentieth Century Criticism Of Shakespeare's Heroines, Grace Mcleod Gartman Jan 1950

A Comparison Of The Nineteenth And Twentieth Century Criticism Of Shakespeare's Heroines, Grace Mcleod Gartman

University of the Pacific Theses and Dissertations

The nineteenth century critics appraised Shakespeare's heroines by standards different from those of the twentieth; consequently the two ages reached different conclusions. The purpose of this paper is to point out just what these differences are.

A paper of this scope had to be narrowed in some ways. Otherwise a formidable array of heroines would have been enumerated, but little depth of research could have been shown. In the general conclusion the result would have been the same, as I have discovered through wide reading. To limit the subject only the most famous heroines could be included. The process of …


The Renaissance Movement In The Irish Theatre, 1899-1949, Margaret Flaherty Diehl Jun 1949

The Renaissance Movement In The Irish Theatre, 1899-1949, Margaret Flaherty Diehl

All-Inclusive List of Electronic Theses and Dissertations

No abstract provided.


A Thesis On Shakespeare, Literature's Master Dramatist, Hilda Mary Armstrong Jul 1932

A Thesis On Shakespeare, Literature's Master Dramatist, Hilda Mary Armstrong

Electronic Theses and Dissertations

This thesis, submitted in partial fulfillment of requirements for a Bachelor of Arts degree in Education, presents a survey of the life and dramatic works of William Shakespeare, situated within the broader history of English drama. The thesis traces English drama's origins in medieval Catholic Church miracle plays and moralities through the development of Bible drama, interludes, and early English comedy and tragedy, before turning to the Elizabethan stage on which Shakespeare wrote.

A biographical account of Shakespeare's life at Stratford-on-Avon and London is followed by a description of the physical conditions of the Elizabethan theatre, including stage construction, scenery, …


Shakespere's Histories As A Dramatic Pageant Of The Middle Ages, Janice M. Wolf Jun 1930

Shakespere's Histories As A Dramatic Pageant Of The Middle Ages, Janice M. Wolf

Bachelors’ Theses

"When Shakespeare, Jonson, Fletcher, ruled the stage, They took so bold a freedom with the age, That there was scarce a knave or fool in town Of any note but had his picture down." But William Shakespeare has gone farther than this and has woven into his Histories a beautiful story. A story, or rather a colorful pageant that carries us back several centuries to the time when William Shakespeare lived and Queen Elizabeth ruled England. Between lines he gives us a beautiful picture of merry England and her people. He reveals the customs, beliefs, and ideas of his age …