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Theatre and Performance Studies

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Articles 181 - 210 of 428

Full-Text Articles in Literature in English, British Isles

Review Of Royal Shakespeare Company Production Of Mary Pix’S The Beau Defeated, Retitled The Fantastic Follies Of Mrs. Rich, Aparna Gollapudi Nov 2018

Review Of Royal Shakespeare Company Production Of Mary Pix’S The Beau Defeated, Retitled The Fantastic Follies Of Mrs. Rich, Aparna Gollapudi

ABO: Interactive Journal for Women in the Arts, 1640–1830

Jo Davies’s reprise of Mary Pix’s comedy The Beau Defeated, Or The Lucky Younger Brother,performed by the Royal Shakespeare Company at Swan Theatre in Stratford-upon-Avon under the title The Fantastic Follies of Mrs. Rich refocuses the comedy from its original engagement with primogeniture and middling class masculinity towards the female characters. It also diffuses Pix’s Whiggish moralism in Mrs. Rich's portrayal, highlighting instead her energy and verve. Overall, a very successful production, the performance is more Restoration comedy than the transitional work that Pix's play was when it opened in 1700.

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Editing Aphra Behn In The Digital Age: An Interview With Gillian Wright And Alan Hogarth, Laura Runge, Gillian Wright, Alan Hogarth Nov 2018

Editing Aphra Behn In The Digital Age: An Interview With Gillian Wright And Alan Hogarth, Laura Runge, Gillian Wright, Alan Hogarth

ABO: Interactive Journal for Women in the Arts, 1640–1830

This interview provides a view of the work in progress for the Cambridge University Press edition of the Complete Works of Aphra Behn. Gillian Wright serves as a general editor (with Elaine Hobby, Claire Bowditch, and Mel Evans) as well as the volume editor for Behn’s poetry. Alan Hogarth is the Postdoctoral Research Associate working with Mel Evans on the computational stylistics and author attribution testing. The discussion focuses on the scope and principles of editing the poetry of Aphra Behn, the role of stylometry in establishing the corpus, the status of work, a few particular poems, and some surprises.

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Reading Her Queenly Coiffure: A Collaborative Approach To The Study Of Marie-Antoinette's Hairstyles, Hélène Bilis, Jenifer Bartle, Laura M. O'Brien, Ruth R. Rogers Nov 2018

Reading Her Queenly Coiffure: A Collaborative Approach To The Study Of Marie-Antoinette's Hairstyles, Hélène Bilis, Jenifer Bartle, Laura M. O'Brien, Ruth R. Rogers

ABO: Interactive Journal for Women in the Arts, 1640–1830

Four colleagues--a faculty member, a digital services librarian, a research librarian, and a curator of Special Collections--take turns describing their role in creating an undergraduate student project around an eighteenth-century almanac that belonged to Marie-Antoinette. In recounting the steps taken, the collaborative process, the student research, and the analysis of the contents of the Trésor des Grâces almanac, we share the lessons learned for completing a digital exhibit over the course of one semester.

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New Lines: Mary Ann Yates, The Orphan Of China, And The New She-Tragedy, Elaine Mcgirr Nov 2018

New Lines: Mary Ann Yates, The Orphan Of China, And The New She-Tragedy, Elaine Mcgirr

ABO: Interactive Journal for Women in the Arts, 1640–1830

This essay demonstrates a significant break in eighteenth-century tragedy from tales of fallen women begging (the audience) for forgiveness and redemption to a different kind of she-tragedy, in which the heroine is neither fallen nor sexually desired, but rather transcends nation and politics with the “natural” moral force of maternal love. I argue that this shift was made possible/legible by Susannah Cibber’s ill-health, which forced Arthur Murphy to reconceive The Orphan of China’s heroine and allowed a rival actress, Mary Ann Yates, to step into this new role and to establish a tragic ‘line’ defined in opposition to that of …

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Illuminating The Eighteenth-Century British Stage: Perfecting Performance Through Education, Bethany Csomay May 2018

Illuminating The Eighteenth-Century British Stage: Perfecting Performance Through Education, Bethany Csomay

Electronic Theses and Dissertations

Actress studies has become “a truly interdisciplinary field” that “intersect[s] with art, music, literature, history, economics, psychology, anthropology, sociology, and fashion” (Engel 752). While much scholarship has been conducted on the actress’ life, interaction with material culture, public spectacle, authority, femininity, and writings, the role of an actress’ education in her success has yet to be explored adequately or examined beyond biography. My project seeks to examine the educational beginnings of actresses and I assert there are three modes that eighteenth-century actresses often undertook to cultivate their celebrity and success: inheritance, discovery, and trial and error. This project examines the …

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Review Of The Making Of Jane Austen, Mary Beth Tegan May 2018

Review Of The Making Of Jane Austen, Mary Beth Tegan

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

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Review Of Edinburgh Lyceum Theatre Production Of Hannah Cowley's The Belle's Stratagem, Tanya M. Caldwell May 2018

Review Of Edinburgh Lyceum Theatre Production Of Hannah Cowley's The Belle's Stratagem, Tanya M. Caldwell

ABO: Interactive Journal for Women in the Arts, 1640–1830

This article reviews the production of Hannah Cowley's The Belle's Stratagem directed by Tony Cownie and produced for the Lyceum Theatre in Edinburgh in February and March 2018. In setting the play in Edinburgh and placing emphasis on its women characters, Cownie underscores the universal and timeless relevance of Cowley's play as well as its performance versatility.

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Anna Larpent And Shakespeare, Fiona Ritchie May 2018

Anna Larpent And Shakespeare, Fiona Ritchie

ABO: Interactive Journal for Women in the Arts, 1640–1830

Anna Larpent (1758-1832) is a crucial figure in theater history and the reception of Shakespeare since drama was a central part of her life. Larpent was a meticulous diarist: the Huntington Library holds seventeen volumes of her journal covering the period 1773-1830. These diaries shed significant light on the part Shakespeare played in her life and contain her detailed opinions of his works as she experienced them both on the page and on the stage in late eighteenth- and early nineteenth-century London. Larpent experienced Shakespeare’s works in a variety of forms: she sees Shakespeare’s plays performed, both professionally and by …

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Theatrical Weddings And Pious Frauds: Performance And Law In Victorian Marriage Plots, Adrianne A. Wojcik Apr 2018

Theatrical Weddings And Pious Frauds: Performance And Law In Victorian Marriage Plots, Adrianne A. Wojcik

Dissertations (1934 -)

This study investigates how key Victorian novelists, such as Anne and Charlotte Brontë, Elizabeth Gaskell, Charles Dickens, Wilkie Collins, Mary Elizabeth Braddon, George Eliot, and Thomas Hardy, emphasize performativity in their critiques of marriage. Given the performative nature of wedding ceremonies, this project focuses on wedding descriptions in select novels by the aforementioned authors. Such a focus highlights an interesting dilemma. Although we often think of Victorian novels as overwhelmingly concerned with marriage, the few wedding descriptions found in Victorian fiction are aborted, unusually short or announced after the fact. Those Victorian novelists who do feature weddings often describe them …

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Theology, Phenomenology, And The Divine In King Lear, Kent R. Lehnhof Jan 2018

Theology, Phenomenology, And The Divine In King Lear, Kent R. Lehnhof

English Faculty Books and Book Chapters

"In what follows, then, I would like to think through Levinas's ideas on transcendence and ethics in such a way as to map out a new pathway for approaching Shakespeare's great tragedy. As unorthodox as it may sound, I propose to shed light on the darkling religiosity of King Lear by turning-not to the theological doctrines of early modem Christians-but to the postmodern ethics of a twentieth-century Jew."

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Whispering Together In The Dark: Rereading Samuel Beckett's Homosociality Through Harold Pinter, Aaron Botwick Jan 2018

Whispering Together In The Dark: Rereading Samuel Beckett's Homosociality Through Harold Pinter, Aaron Botwick

Publications and Research

In a 1960 letter to a friend, Harold Pinter wrote of Samuel Beckett, “I’ll buy his goods hook, line, and sinker, because he leaves no stone unturned and no maggot lonely. He brings forth a body of beauty; his work is beautiful.” What do we learn if we take the word “beautiful” seriously? Rereading Waiting for Godot backward through Betrayal, this article argues that Beckett’s landscape, typically read as a realization of postwar angst, is in fact one released of the pressures of contemporary living and for Pinter a homosocial Eden. Jerry’s joke upon discovering the adultery—“Maybe I should …

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Immigrant Communities, Cultural Conflicts, And Intermarriage In Ann Marie Di Mambro's Tally's Blood, Ian Brown Dec 2017

Immigrant Communities, Cultural Conflicts, And Intermarriage In Ann Marie Di Mambro's Tally's Blood, Ian Brown

Studies in Scottish Literature

Discusses the stage history, structure and themes of Anne Marie Di Mambro’s play Tally’s Blood (1990), especially in terms of the cultural stresses on Italian immigrant families in Scotland in the 1930s and the impact on them of the Second World War.

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Review Of Laura Engel And Elaine Mcgirr, Eds., Stage Mothers: Women, Work, And The Theater, 1660-1830, Kristina Straub Oct 2017

Review Of Laura Engel And Elaine Mcgirr, Eds., Stage Mothers: Women, Work, And The Theater, 1660-1830, Kristina Straub

ABO: Interactive Journal for Women in the Arts, 1640–1830

Stage Mothers is a collection of essays that complicate the binary between female professional and domestic mother, contributing to theater history and the history of female professionalization and maternity.

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Review Of Kathryn E. Davis, Liberty In Jane Austen's Persuasion, Stephanie Russo Oct 2017

Review Of Kathryn E. Davis, Liberty In Jane Austen's Persuasion, Stephanie Russo

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

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Review Of Heteronormativity In Eighteenth-Century Literature And Culture, Kevin Bourque Oct 2017

Review Of Heteronormativity In Eighteenth-Century Literature And Culture, Kevin Bourque

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

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Wwabd? Intersectional Futures In Digital History, Tonya L. Howe Oct 2017

Wwabd? Intersectional Futures In Digital History, Tonya L. Howe

ABO: Interactive Journal for Women in the Arts, 1640–1830

WWABD: What would Aphra Behn—world traveler and spy, playwright and poet of scandal, innovator of novelistic forms—do, were she to imagine a future for digital humanities in period-specific scholarship? This essay outlines a vision for the DH section of Aphra Behn Online: An Interactive Journal for Women in the Arts, 1640-1830. In particular, I see three important and interrelated places for development: theorizing the feminized labor of digital recovery, editing, and textual preparation; offering thoughtful and feminist approaches to digital pedagogy that are specific to the work we do in the period; and critically assessing the absences in existing …

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Highest Form Of Public Scholarship, Cynthia Richards Oct 2017

Highest Form Of Public Scholarship, Cynthia Richards

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

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Women, Gender And The Arts: Intersections, Differences And Connections, Mona Narain Oct 2017

Women, Gender And The Arts: Intersections, Differences And Connections, Mona Narain

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

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What's In A Name? New Vision For Abo, Laura Runge Oct 2017

What's In A Name? New Vision For Abo, Laura Runge

ABO: Interactive Journal for Women in the Arts, 1640–1830

Introduction to the new vision statements for the journal.

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Rosencrantz & Guildenstern Died Today. Or, Maybe, Yesterday; I Can't Be Sure..., Christopher R. Fee Sep 2017

Rosencrantz & Guildenstern Died Today. Or, Maybe, Yesterday; I Can't Be Sure..., Christopher R. Fee

English Faculty Publications

50 years on, Rosencrantz & Guildenstern are Dead continues to captivate and to entertain audiences with its darkly comic examination of existential themes of life, death, and indecision drawn from the pages, situations, and characters of Hamlet. First produced at the Edinburgh Festival Fringe in 1966, the play opened at the Old Vic in London in 1967, and has been reprised there this season to rave reviews, with none other than Harry Potter in a leading role.

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From Humiliation To Epiphany: The Role Of Onstage Spaces In T. S. Eliot’S Middle Plays, Ria Banerjee Jul 2017

From Humiliation To Epiphany: The Role Of Onstage Spaces In T. S. Eliot’S Middle Plays, Ria Banerjee

Publications and Research

This essay looks at T. S. Eliot's major dramatic productions from the 1930s-40s: Murder in the Cathedral, The Family Reunion, and The Cocktail Party as a series of investigations into spatial expressions of faith. By using onstage space in unique ways, Eliot encourages audiences to consider the connections between performance and belief, the knowable and unknowable.

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An Invitation To Play: Sleep No More / Punchdrunk At The Mckittrick Hotel, Shannon Mchugh, Alice Fischetti, Mohammad Sadic, Amy Moore Jun 2017

An Invitation To Play: Sleep No More / Punchdrunk At The Mckittrick Hotel, Shannon Mchugh, Alice Fischetti, Mohammad Sadic, Amy Moore

Early Modern Culture

No abstract provided.

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Love's Labour's Lost & Won / Royal Shakespeare Company, Mary L. Hjelm Jun 2017

Love's Labour's Lost & Won / Royal Shakespeare Company, Mary L. Hjelm

Early Modern Culture

No abstract provided.

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Henry Vi, Part 2 / Cincinnati Shakespeare Company, Marcia Eppich-Harris Jun 2017

Henry Vi, Part 2 / Cincinnati Shakespeare Company, Marcia Eppich-Harris

Early Modern Culture

No abstract provided.

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The Public Theater's Free Shakespeare In The Park Troilus And Cressida / Delacorte Theater, Central Park, Stephanie Pietros Jun 2017

The Public Theater's Free Shakespeare In The Park Troilus And Cressida / Delacorte Theater, Central Park, Stephanie Pietros

Early Modern Culture

No abstract provided.

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The Anti-Brexit Cymbeline / Royal Shakespeare Company, Rachel Ellen Clark Jun 2017

The Anti-Brexit Cymbeline / Royal Shakespeare Company, Rachel Ellen Clark

Early Modern Culture

No abstract provided.

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King And Country: Shakespeare's Great Cycle Of Kings / Brooklyn Academy Of Music, Elizabeth Zeman Kolkovich, Joey Burley, Kaylor Montgomery, Will Sly, Ashley Van Hesteren Jun 2017

King And Country: Shakespeare's Great Cycle Of Kings / Brooklyn Academy Of Music, Elizabeth Zeman Kolkovich, Joey Burley, Kaylor Montgomery, Will Sly, Ashley Van Hesteren

Early Modern Culture

No abstract provided.

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Arabella’S Valentines And Literary Connections [Dot] Com: Playing With Eighteenth-Century Gender Online, Melanie D. Holm Jun 2017

Arabella’S Valentines And Literary Connections [Dot] Com: Playing With Eighteenth-Century Gender Online, Melanie D. Holm

ABO: Interactive Journal for Women in the Arts, 1640–1830

This article describes two digital assignments that ask students to imaginatively embody characters from eighteenth-century texts written by women in order to cultivate a greater awareness of the critical role of gender and gender critique in these works. The first of these assignments, “Arabella’s Valentines,” asks students to translate dialogue from Charlotte Lennox’s The Female Quixote as humorous Internet memes. The second assignment, “Literary Connections [dot] com,” asks students to imagine how characters from the course archive might represent themselves on an internet dating site. Through creative role-play facilitated by these digital genres, students engage with the texts in stimulating …

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Review Of Ill Composed: Sickness, Gender, And Belief In Early Modern England, Amy Mallory-Kani Jun 2017

Review Of Ill Composed: Sickness, Gender, And Belief In Early Modern England, Amy Mallory-Kani

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

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Charlotte Charke’S Gun: Queering Material Culture And Gender Performance, Jade Higa Jun 2017

Charlotte Charke’S Gun: Queering Material Culture And Gender Performance, Jade Higa

ABO: Interactive Journal for Women in the Arts, 1640–1830

This essay juxtaposes readings of material culture and gender performance in Charlotte Charke’s Narrative of the Life of Mrs. Charlotte Charke (1755). It argues that the transient relationship Charke has to the objects in her life mirrors the fluidity of her gender. The essay ultimately uses Charke’s narrative as a case study in a questioning of a binarized gender matrix. The thesis suggest that, though we lack language to fully describe it, characters and historical figures like Charke move beyond and explode gender binaries.

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