Literature in English, British Isles Commons^™

Scientism, Satire, And Sacrificial Ceremony In Dostoevsky's "Notes From Underground" And C.S. Lewis's "That Hideous Strength", Jonathan Smalt

Masters Theses

Though the nineteenth-century Victorian belief that science alone could provide utopia for man weakened in the epistemological uncertainty of the postmodern era, this belief still continues today. In order to understand our current scientific milieu--and the dangers of propagating scientism--we must first trace the rise of scientism in the nineteenth-century. Though removed, Fyodor Dostoevsky, in Notes From Underground (1864), and C.S. Lewis, in That Hideous Strength (1965), are united in their critiques of scientism as a conceptual framework for human residency. For Dostoevsky, the Crystal Palace of London's Great Exhibition (1862) embodied the nineteenth-century goal to found utopia through the …

Towards An Integrated Personhood Through Suffering: The Disparate Ideologies Of Freud, Maritain, And Aquinas And The Power Of Analogy In Graham Greene's The Power And The Glory, Dana Sarchet

Masters Theses

Freud, Maritain, and Aquinas have greatly influenced the literature of Graham Greene, and Greene's The Power and the Glory is no exception. As both Freud and Greene attest to the irrevocable influence of childhood on adulthood, we must read Luis, the primary child character in The Power and the Glory, in light of the characters who impact his transition into his adult life. But these characters reflect yet another thread in Greene's perspective of personhood; studying Catholicism at least four years before writing Catholic fiction, Greene was also greatly influenced by the theological thought of Aquinas and Maritain, and this …

Detective Fiction Reinvention And Didacticism In G. K. Chesterton's Father Brown, Clifford Stumme

Masters Theses

In the Father Brown stories, G. K. Chesterton reengineers the classic detective story so that it can be a vehicle for didactic messages. Through a rethinking of mysteries, a repurposing of secondary characters, and a subversion of Holmsean-type detectives, Chesterton is able to insert philosophic ideas into his stories while still entertaining readers. Differing from earlier detective stories, the Father Brown mysteries showcase an acceptance of the spiritual and a natural empathy for all characters whether criminal or no. In my research, I show how, through these stories, Chesterton posits messages that are new to the mystery genre and how …

The Effects Of Processing Fluency On Restorative Environments, Andrea Ahles

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Psychometric Analysis Of The Appreciative Advising Inventory, Nancy J. Crone

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Analysis Of Stakeholder Expectations Of Effective Indiana High Schools, Doug Miller

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Effects Of Autonomy-Supported Learning On Academic Achievement In Indiana Schools, Nicole L. Singer

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Ncaa Compliance: An Examination Of Ncaa Division I Compliance Officers’ Perceptions On The Educative Process, Tonya L. Gimbert

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To Lift The Leaden-Eyed: Ernest Boyer’S Career In Higher Education, Drew Moser

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"My Words Fly Up, My Thoughts Remain Below": Community And Penance In Early Modern English Drama, Benedict John Whalen

UNLV Theses, Dissertations, Professional Papers, and Capstones

This dissertation examines the vexed relationship between Christian doctrine, practice, and community in English Renaissance drama due to the abandonment of the sacrament of auricular confession during the Protestant Reformation. I argue that many English Renaissance dramatists were sensitive to the vast ramifications of the Reformers' theological understanding of penance, particularly in its emphasis upon a sinner's ability to accomplish unmediated contrition, and to be psychologically and emotionally satisfied thereby. By desacramentalizing and interiorizing penitential practices, the Protestant understanding of penance fundamentally changed the ways in which communities dealt with sins. As this dissertation demonstrates, many of the plays from …

Perceptions Of Retention Indicators In Athletic Training, Laura Juzeszyn

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Acceptability Of Brownies Supplemented With Black Bean Puree By College Students At Indiana State University, Amanda M. Fleischer

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Levels Of Selection In A Polymorphic Species, Marisa L. Korody

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Validity Of Instrument Assisted Soft Tissue Mobilization For Detecting Myofascial Adhesions Through Secondary Diagnostic Ultrasound Analysis, Kaitlyn Silbaugh

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Weaver Of Allegory: John Bunyan's Use Of The Medieval Theme Of Vice And Virtue As Devotional Writer And Social Critic In The Holy War, David Madsen

Masters Theses

The literary artistry of Bunyan's The Holy War is overshadowed by the longstanding popularity of his greatest-known work The Pilgrim's Progress. However, The Holy War displays an impressive intricately-woven story with several complex strands of allegorical meaning. One such strand is its emphasis on the theme of virtue and vice in literature of the Middle Ages. In The Holy War, Bunyan applies this thematic thread from the Medieval Psychomachia and morality plays to his allegory in seventeenth-century Restoration England. The present research begins with an exploration of allegory as story with emphasis on Bunyan's role as storyteller in general and …

Pusey's Sermons At St. Saviour's, Leeds, Robert Ellison

English Faculty Research

"E . B. Pusey as a Preacher." It would not be surprising to find such a phrase as the title of a nineteenth-century work. Authors in both Britain and America used it in books and articles about numerous ministers, literary figures, the Apostle Paul, and even Jesus himself.¹ Edward Bouverie Pusey, in fact, was the subject of one such piece: a review of Sermons for the Church's Seasons from Advent to Trinity, published in the Spectator on 11 August 1883.

Such a scope would, however, be too broad for a scholarly study in the twenty-first century. Pusey's canon …

Wisdom From A Lost Friend To A New Friend, Veronica Murphy

Common Reading Essay Contest Winners

Third Place

Risk Characteristics Of Healthcare Workers That Decline Voluntary Influenza Vaccination, Caroline Epler

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Assessment Of Health-Related Quality Of Life (Hrqol) In A Sample Of Children Referred For An Adhd Evaluation, Maria Riccardi

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Remote Sensing Of Tanzanian Volcano Oldoinyo Lengai: Verifying Detection Methods Of Flow Activity, Scott Richard Frystak

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The Rebound Effect: The Use Of Short-Term Mating Strategies After The Dissolution Of A Significant, Loving Relationship, Sarah L. Pierce

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The Development Of Attentional Skill In A Rapid Serial Visual Presentation Task: Effects Of Extended Practice On The ‘Attentional Blink’, Greg Simmons

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"When The Eternal Can Be Met": Bergsonian Time In The Theologies Of C.S. Lewis, T.S. Eliot, And W.H. Auden, James Corey Latta

Dissertations

C. S. Lewis, T. S. Eliot, and W. H. Auden all converted to the Christian faith and, upon conversion, turned to the theme of time in their post-conversion works. Interestingly, these Christian authors employed the secular philosophical framework of Henri Bergson’s theory of duration to construct their theologies of time. As texts fostered by Bergson’s ideas of intuition, the dualistic self, and durative force, Lewis’s The Great Divorce, Eliot’sFour Quartets, and Auden’s “Kairos and Logos” are theological works that depict time as an agent.

Race Bias In The Diagnosis Of Schizophrenia, Rose M. Fernandez

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Traitorous Texting: Addressing The Methodological Issue Of Arousal In Romantic Jealousy Research, Rachel Rasley

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Spiritual Flow: The Influence Of Religious Experience On Psychological Well-Being, Christian H. Monson

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"Just A Fool's Hope": J.R.R. Tolkien's Eucatastrophe As The Paradigm Of Christian Hope, Margaret A. Bush

Senior Honors Theses

In his essay titled “On Fairy-Stories,” J.R.R. Tolkien uses the term “eucatastrophe” to describe the unexpected, fortunate turn of events for the protagonist in a fantasy story. Tolkien applies the word beyond its literary context to signify the Christian’s experience of joy, especially resulting from the Incarnation and Resurrection. Such an explicit link between fiction and theology seems absent from his more well-known work, The Lord of the Rings. Yet both Tolkien himself and critics of his writing have labeled the novel a modern-day classic of Christian literature. This thesis will defend the Christian label of The Lord of …

Don't Take Orpheus Without The Lyre: The Intricacies Of Using Pagan Myths For Christian Purposes In The Divine Comedy And Paradise Lost, Rebekah J. Waltmann

Masters Theses

Because of their universal and artistic nature, the classical myths lend themselves well to use in literature, especially poetry. When used properly, as by Dante and Milton, the myths have the ability to enhance the work; when used poorly, they become gaudy ornamentation. It was, and is, this ability to enhance both the artistry and function of literature that pulled so many poets to the myths, despite the difficulties that could arise when the pagan myths did not quite match the Christian setting. My purpose in this thesis is not to explicate every use of myth within The Divine Comedy …

A Hierarchy Of Love: Myth In C.S. Lewis's Perelandra, Joseph Walls

Masters Theses

In C.S. Lewis's Perelandra, the transposed creature is drawn up into its "kindly stede" as a sacramental symbol of Christ through that fictional planet's unbroken relationship between meaning and form. Although Perelandra's "wheels-within-wheels" hierarchy may at first seem reminiscent of Catholicism's teachings on symbol, as a Protestant, Lewis believes that human beings cannot be truly sacramental symbols until the return of Christ. Lewis's optimistic depiction of a cosmic hierarchy is one of perfect love: superiors rule their subordinates with agape, and creatures who discover their submissive roles reciprocate with eros or adoring love. Every created being in Perelandra is part …

The Dissonant Bible Quotation: Political And Narrative Dissension In Gaskell's Mary Barton, Jon Singleton Ph.D.

Faculty Research and Publications

Religious language exerted multivalent force in Victorian society, as this case study of Gaskell’s novel Mary Barton, Chartist political protest, and the weaponization of the Bible in contemporary social struggle makes clear. Scholars have established that different classes read the Bible differently; but I demonstrate how Gaskell makes the Bible read in several different ways for the same reader. Gaskell makes Bible quotations dissonant through her use of character and narration, in order to challenge the boundaries of readers’ political sympathies. This study shows how any religious utterance escapes the control and political interests of any class—and how its conflicting …