Literature in English, British Isles Commons^™

Fantastic Borderlands And Masonic Meta-Religion In Rudyard Kipling’S “The Man Who Would Be King”, Lucas Kwong

Publications and Research

This article examines Kipling’s The Man Who Would Be King” through the lens of Freemasonry’s interreligious ideology. In British India, members of “The Craft” offered what scholar James Laine calls a meta-religion, a fraternity whose emphasis on interreligious tolerance masks power relations between colonizers and colonized. When he became a Freemason, Kipling’s lifelong fascination with India’s religious diversity translated into enthusiasm for the sect’s unifying aspirations. In this context, “The Man Who Would Be King” stands out for how sharply it contests that enthusiasm. The story’s Masonic protagonists determine to find glory and riches in Kafiristan, a borderland region known …

Wherein To Catch The Conscience Of The Queen: Dystopian Politics In Elizabethan Drama, Helen Fielding

Senior Honors Theses

Though established English history portrays Elizabeth I (1533-1603) as uniting England under the new Protestant religion, recent historical evidence reveals that extensive counter-currents still existed. This thesis examines how the politico-religious beliefs of Elizabethan and Jacobean playwrights manifest themselves in their drama, particularly through imagery and allusions. It draws especially from Frances Yates to assert that imagery of white magic, Christian Cabala, and alchemy in these dramatists’ works refers to the pure imperial reform movement of Elizabeth’s reign, and also from Clare Asquith to illuminate a reading of Shakespeare as a playwright who encoded in his plays a Catholic message …

Bloodied Hearts And Bawdy Planets: Greco-Roman Astrology And The Regenerative Force Of The Feminine In Shakespeare’S The Winter’S Tale, Christina E. Farella

Dissertations, Theses, and Capstone Projects

This thesis offers a new reading of William Shakespeare’s late play The Winter’s Tale (1623), positing that in order to understand this complex and eccentric work, we must read it with a complex and eccentric eye. In The Winter’s Tale, planets strike without warning, pulling at hearts, wombs, and blood, impacting the health and emotional experience of characters in the play. This work is renowned for its inconsistent formal structure; the first half is a tragedy set in winter, but abruptly shifts to a comedy set in spring/summer in its latter half. What’s more, is that planets, luminaries, and …

Bombadil And Bible Stories: A Biblical Function For Tom Bombadil Within Frodo’S Quest, Clive Shergold

Journal of Tolkien Research

This essay probes the purpose of the encounter between Tom Bombadil and Frodo and his friends, within the overall narrative of J.R.R. Tolkien’s The Lord of the Rings. It asks: Why do the hobbits encounter Tom at this point in their journey? Why does Tom rescue, care for, equip and send them on? Why does Tom not accompany them further, and why does he never meet them again? Then it proposes an explanation based on comparisons with Bible stories that include theophanies and angelic appearances, and shown to provide answers to the questions, and suggestions for Tom Bombadil’s wider …

The Unlimited Absorbs The Limits: Analyzing The Religious And Mystical Aspects Of Virginia Woolf's Work Through The Lens Of William James, Zachary J. Beck

Graduate Theses/Dissertations

Commentators on the work of modernist author Virginia Woolf have frequently remarked upon the “religious” and “mystical” aspects that appear throughout Woolf’s oeuvre, but have found it difficult to reconcile these aspects of Woolf’s work with her self-expressed atheistic beliefs. For those who have sought to resolve the tension between the “religious” and “mystical” features of Woolf’s work and Woolf’s (lack of) personal religious beliefs, the work of American psychologist and philosopher William James has proven to be a starting point for investigations into selections of Woolf’s oeuvre that seem to exhibit “religious” and “mystical” characteristics. There continues to exist, …

“Thus Seyden Sadde Folk”: Chaucer’S Oxford Clerk On Theological Controversy In The 14th Century, Molly Kluever

CSB and SJU Distinguished Thesis

Among the most disturbing of The Canterbury Tales, the Oxford Clerk’s story of the submissive Griselda and her husband-cum-tormentor Walter has, despite its categorization as one of Chaucer’s “religious tales,” resisted most, if not all, theological readings with its lack of a clear moral. I attempt to address this ambiguity by focusing on the teller himself. As an Oxford-trained cleric, the Clerk is uniquely qualified to juggle the interrelated but conflicting discourses of two significant theological controversies of the late fourteenth century: the ongoing realist-nominalist debate within medieval universities and the rising Wycliffite/lollardy reform movement among all levels of …

Feminist Theology And The Fantastic In Jewish Poetics And Children's Literature (1960s–Present), Meira S. Levinson

Dissertations, Theses, and Capstone Projects

This dissertation traces the development of Jewish fantasy rhetoric in post-WWII British and American literature, focusing on three genres: kabbalistic Beat poetry, children’s fantasy, and graphic novels/comics. Despite increasing scholarly attention to all these areas, little work has focused on fantasy rhetoric or issues of gender and sexuality within non-canonical Jewish literature, or on interplays of religion and fantasy in children’s literature. Jewish kabbalistic poetry and children’s fantasy speak to each other in their mutual engagements with the otherworldly, mystical and monstrous, interrogations of gender, and complex portrayals of feminist theological potentialities. I identify and analyze Jewish-hermeneutic themes and methodologies …

Flower Unfurling: Buddhist Modernism And The Early Writing Of James Joyce, Erin Garrow

Dissertations, Theses, and Capstone Projects

This dissertation traces the history of the references to Buddhism in Stephen Hero, James Joyce’s first and unpublished novel, through the author’s previous writing, his sources, and his context, in order to determine how—if at all—the tradition bore upon his earliest depiction of consciousness. Acknowledging that Joyce habitually revisited and refined earlier ideas and prose, it attends to previous essays, notebooks, book reviews, conversations, letters, epiphanies, poems, and autobiographical prose; to available material, bibliographical, and biographical evidence about the specific volumes and performances to which Joyce had access; to language and paratext—including advertisements, introductions, and appended essays—in those volumes; …

The Conclusion In Which Nothingness Is Concluded, Marissa Rimes

Student Scholar Symposium Abstracts and Posters

Samuel Johnson’s The History of Rasselas, Prince of Abyssinia is ironically most often classified as an “oriental philosophic tale,” but is rarely analyzed from the point of view of oriental philosophy. Although Buddhism’s ambiguities, inwardness, and nothingness, provoke anxiety in Western critique, Johnson’s The History of Rasselas, Prince of Abyssinia does something unique from eighteenth-century British thought in that it disavows this Buddaphobia by actively employing a similar line of thought. Through the lens of a Buddhist framework many of the text’s renownedly gloomy implications, in regard to its circular structure and inconclusiveness, are freed from the great sludge of …

“Thus Seyden Sadde Folk” : Chaucer’S Oxford Clerk On Theological Controversy In The 14th Century, Molly K. Kluever

Forum Lectures

Of all of Chaucer’s Canterbury Tales, the Clerk’s Tale is perhaps the most disturbing. The alarmingly submissive Griselda and her husband-cum-tormenter Walter have horrified and frustrated scholars with their irrational behavior for centuries. Although considered a teller of one of Chaucer’s “religious tales,” the Clerk’s seeming ambivalence about his tale’s moral has rendered most, if not all, theological readings unsatisfying and inconclusive. For this reason, the Clerk’s Tale has primarily been studied for the glimpse it provides into medieval gender politics. My research, however, attempts to situate the tale within its theological context by paying more attention to its …

Cardinal Newman's Pilgrimage, In His Own Words, Robert Ellison

English Faculty Research

This is the text of a presentation given at Marshall University on October 14 and 17, 2019, to commemorate the October 13 canonization of John Henry Cardinal Newman. As the title suggests, it draws largely upon his autobiography, an autobiographical novel, and his published letters to trace the trajectory of his religious life, from the earliest glimmers in his mid-teens to his conversion to Catholicism at the age of 44.

Setting The Stage And Building Homes: Architecture Metaphors And Space In Donne's First Caroline Sermon, Alexander S. Laws

LSU New Orleans Theses and Dissertations

Through his use of "foundation" and "house" metaphors in his "First Sermon Preached to King Charles at St. James, 3 April 1625," John Donne discreetly presents his ideologies and principles before the new king, while simultaneously criticizing his contemporaries' misguided bickering over religio-political factions. This essay seeks to unpack the history surrounding, as well as the casuistical logic found within Donne's first sermon preached during the Caroline period, which both explicitly and implicitly addresses the foremost anxieties of the people of the changing age.

"We Are Strangers In This Life": Theology, Liminality, And The Exiled In Anglo-Saxon Literature, Nathan John Haydon

Graduate Theses and Dissertations

In “‘We Are Strangers in this Life’: Theology, Liminality, and the Exiled in Anglo-Saxon Literature,” I analyze the theme of exile in the theological literature of the Anglo-Saxon era as a way of conveying the spiritual condition of eschatological separation. The anthropological theory of liminality will be applied in this dissertation as a way of contextualizing the existence of the exiled, and the multiple ways in which exile is enacted. The intervention of the theory of liminality in this dissertation offers a methodology and vocabulary for assessing what exile means in terms of a spiritual identity, how it operates in …

The Divinity That Shapes Our Ends: Theological Conundrums And Religious Scepticism In Hamlet, Kyler Merrill

Student Works

This paper proposes that Shakespeare deliberately incorporated speculative theology into Hamlet to stimulate religious scepticism. It explores the troubling implications of the ghost’s behaviour, cinematic adaptations of the murder testimony, and the characters’ moral failings in the purportedly Catholic cosmos of Elsinore.

Enchantment: A Teleology, Nathanael S. Toth

Senior Honors Theses

Despite the highly developed nature of his fictional world, Middle-earth, Tolkien never formally laid out a tabulated magic system for his fantasy creation. Nevertheless, unlike many stories by others in the fantasy genre, the magic he does include is far from just a shallow, world-building mechanism. Instead, it encapsulates the core theme of his fiction and the purposes which Ilúvatar (the God of Middle-earth) has given to the story’s many characters.

This paper will examine the nature and function of this magic from many angles: the identification of good magic with art and evil magic with domination; the delineation between …

Kinship And Twinship In Jacob And Esau, Kent R. Lehnhof

English Faculty Articles and Research

"The implications of these early stage directions are upheld and amplified elsewhere in the play. In what follows, I demonstrate this to be the case by reviewing some of the ways the interlude seeks to justify Jacob’s usurpation, most interestingly in its systematic and strategic deployment of kinship ties and familial terms. After explaining how the play leverages family relations to elevate Jacob and overthrow Esau, I concentrate on one family relation in particular: namely, the complicated bond between twin brothers. As I will make clear, the interlude’s treatment of twinship raises pressing questions about the way wealth, affection, and …

C. S. Lewis And Satan: A Preface To Paradise Lost And Its Respondents, 1942-1952, David V. Urban

University Faculty Publications and Creative Works

This essay discusses C. S. Lewis’s influential and controversial chapter, within A Preface to “Paradise Lost” (1942), on Milton’s Satan. Lewis’s chapter presents itself as a response to what Lewis sees as the dominant Romantic understanding of Milton’s Satan, but Lewis oversimplifies the critical landscape both by misrepresenting Shelley’s discussion of Satan and by failing to acknowledge various post-Shelley challenges to Milton’s Satan that had appeared before Lewis’s book. Lewis’s chapter elicited various sustained critical responses in the ensuing decade. This essay analyzes those responses—most of which seek to refute Lewis’s presentation of Satan by reasserting a Romantic understanding of …

"Companions In Shipwreck: J. R. R. Tolkien's Female Friendships" Chapter In Apprehending Love Edited By Olli-Pekka Vainio And Pekka Kärkkäinen, Jason Lepojärvi

Faculty Publications - George Fox School of Theology

No abstract provided.

Poetry In A Troubling Time: Analyzing Several Poems Inspired By The Troubles In Northern Ireland, Michael Mccarthy

Claremont-UC Undergraduate Research Conference on the European Union

Most of the news about Northern Ireland for the past year has been about what effect Brexit will have on the North’s relationship with the Republic of Ireland. The discussion of eliminating the “soft-border,” and replacing it with a “hard- border,” which would see the reinstitution of checkpoints along the 500-kilometer border, continues to dominate international headlines. The EU has been attempting to allay concerns, and in March, President of the European Council Donald Tusk, traveled to Dublin and reaffirmed the EU’s commitment to avoiding a hard border and maintaining the peace process in the region (Stone, 2018). At the …

Who Is Tom Bombadil?: Interpreting The Light In Frodo Baggins And Tom Bombadil's Role In The Healing Of Traumatic Memory In J.R.R. Tolkien's _Lord Of The Rings_, Jane Beal Phd

Journal of Tolkien Research

In Rivendell, after Frodo has been attacked by Ringwraiths and is healing from the removal of the splinter from a Morgul-blade that had been making its way toward his heart, Gandalf regards Frodo and contemplates a “clear light” that is visible through Frodo to “eyes to see that can.” Samwise Gamgee later sees this light in Frodo when Frodo is resting in Ithilien. The first half of this essay considers questions about this light: how does Frodo become transparent, and why, and what is the nature of the light that fills him? As recourse to Tolkien’s letters shows, the light …

The Presentation Of Postmodern Sexuality In Short Fiction, Allie J. Kapus

Senior Honors Theses

Shifting norms in twentieth century western society, coupled with emerging postmodern thought in the 1960s, radically changed the ways in which people viewed sexuality, gender roles, and the institutions of marriage and the family. The literature of the postmodern era, namely short fiction, also reflects such ideological shifts. Literature is a powerful communicator of the human condition as well as a crucial means for reflecting the customs, beliefs, and norms of a society at the time of its writing. Such evolving differences as were occurring in the realm of sexuality came to be represented in postmodern literature. This thesis aims …

C.S. Lewis And Christian Postmodernism: Word, Image, And Beyond. Kyoko Yuasa, Peter G. Epps

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

In C. S. Lewis and Christian Postmodernism, Kyoko Yuasa has managed to advance the cause of careful reading and discussion of Lewis’s novels as contemporary cultural artifacts, rather than mere ciphers for apologetics or mere fluff for children, for both Japanese and American audiences. This is no mean feat, not only in terms of translation but also in terms of trans-Pacific discourse, and Yuasa deserves great credit for the accomplishment. Her close reading of several of Lewis’s major fiction works in a comparative frame she derives from works by Iris Murdoch, Muriel Spark, Doris Lessing, and John Fowles yields …

Turning “Bad Jews Into Worse Christians”: Hermann Adler And The London Society For Promoting Christianity Amongst The Jews, Robert Ellison

English Faculty Research

This paper explores how sermons contributed to Jewish-Christian relations in Victorian England. I begin with a rhetorical analysis of sermons preached on behalf of the London Society for Promoting Christianity among the Jews, the largest and best known missionary organization of its kind. I then examine a collection of sermons in which Hermann Adler, then rabbi of London’s Bayswater Synagogue and later Chief Rabbi of the British Empire, pushes back against their efforts, offering the “true explanations” of passages which, in his view, had been improperly employed by Christian preachers. Finally, I trace a kind of “feedback loop” in which …

Parallels Of Morality: Wilde And Nietzsche’S Challenge To Social Obligation, Amzie A. Dunekacke

Honors Program: Senior Projects (Public)

This thesis explores Irish author Oscar Wilde’s The Picture of Dorian Gray in relation to a selection of texts by the German philosopher Friedrich Nietzsche. To demonstrate the similarities between Wilde and Nietzsche’s challenges to European morality, this work considers these themes, which are present in the ideologies of both Wilde and Nietzsche: the body and sensual pleasure, social construction, and the hypocrisy of altruism. Both radical thinkers castigate Platonic notions of the body as ignoble and weak, and they mock European propriety’s shyness of the body. In addition, Wilde and Nietzsche offer similar criticisms of social laws, adopting a …

"Betwixt The World Destroyed And World Restored": Subjectivity And Paradisal Recovery In John Milton's Late Poems, Chihping Ma

Dissertations, Theses, and Capstone Projects

This study focuses on the discovery of subjectivity through the recovery of lost paradise in Milton’s late poems, Paradise Lost, Paradise Regained, and Samson Agonistes. This theme revolves around the tension between the affective and the empirical, which also configure the spheres of the sacred and the profane. I explore how the irresistibly emancipatory impulse of recovering lost paradise compels Miltonic subjects to seek ways to return to their originary state or the divine ensemble. During this process, the subject is engaged with his own incapacity or privation while reaching into the sphere of unknown potentiality. In …

Tragedy And Theodicy: The Role Of The Sufferer From Job To Ahab, Nora Carroll

Dissertations, Theses, and Capstone Projects

The character of Job starts in literature, a trope and archetype of the suffering man who potentially gains wisdom through suffering. Job’s characterization informs a comparison to Sophocles’ Oedipus Rex, Shakespeare’s King Lear, Milton’s Paradise Lost, and finally Melville’s Moby-Dick. These versions of Job rally, fight, and rebel against a universe that was once loving and fair towards a more chaotic and nihilistic one. Job’s suffering is on the mark of all tragedy because he not only experiences a downfall, he gains wisdom through universalizing his torment. The Job trope not only stresses the role of suffering, it …

Theology, Phenomenology, And The Divine In King Lear, Kent R. Lehnhof

English Faculty Books and Book Chapters

"In what follows, then, I would like to think through Levinas's ideas on transcendence and ethics in such a way as to map out a new pathway for approaching Shakespeare's great tragedy. As unorthodox as it may sound, I propose to shed light on the darkling religiosity of King Lear by turning-not to the theological doctrines of early modem Christians-but to the postmodern ethics of a twentieth-century Jew."

Review Of W. B. Patterson, Thomas Fuller: Discovering England’S Religious Past, Brooke Conti

English Faculty Publications

No abstract provided.

"A Meruelous Thinge!": Elizabeth Of Spalbeek, Christina The Astonishing, And Performative Self-Abjection In Oxford, Bodleian Library, Ms Douce 114, Murrielle Michaud

Theses and Dissertations (Comprehensive)

Contributing to the spirited discussion regarding feminist and pro-feminine readings of Middle English hagiography, this dissertation challenges the tradition of grouping accounts of medieval holy women into a single genre that relies on stereotypes of meekness and obedience. I argue that fifteenth-century England saw a pro-feminine literary movement extolling the virtues of women who engaged in what I term “performative self-abjection,” a form of vicious self-renunciation and grotesque asceticism based on Julia Kristeva's model of the abject. The corollary of women's performative self-abjection is ex-gratia spiritual authority, public recognition, and independence, emphasized in the English corpus of fifteenth-century women’s hagiography. …

Sacred And Profane Loves: The Renaissance Influence In C.S. Lewis' Till We Have Faces, Kevin Corr

College of Graduate Studies: Theses & Dissertations

C.S. Lewis’ last novel, Till We Have Faces: A Myth Retold, has often been regarded as his greatest work, but just as often as his most enigmatic work. The purpose of this thesis is to unveil much of the novel’s mystery by considering the impact Renaissance literature had in shaping the novel, most notably Edmund Spenser’s Faerie Queene. Although it is well-known that Lewis was Professor of Medieval and Renaissance Literature at Cambridge, current scholarship on Lewis has overlooked the Renaissance influence in the author’s work, which particularly plays a vital role in Till We Have Faces. …