Literature in English, British Isles Commons^™

Transforming Leviathan: Job, Hobbes, Zvyagintsev And Philosophical Progression, Graham C. Goff

Journal of Religion & Film

The allegory of Leviathan, the biblical serpent of the seas, has undergone numerous distinct and even antithetical conceptions since its origin in the book of Job. Most prominently, Leviathan was the namesake of Thomas Hobbes’s 1651 political treatise and Andrey Zvyagintsev’s 2014 film of the same name, a damning indictment of Russian corruption. These three iterations underscore the societal transition from the recognition of power as being derived from God to the secularization of power in Hobbes’s philosophy, to the negation of the legitimacy of divine and secular institutional power, in Zvyagintsev’s controversial film. This examination of Leviathan’s three unique …

Sweet Fooling: Ethical Humor In King Lear And Levinas, Kent R. Lehnhof

English Faculty Articles and Research

"In recent years, scholars have increasingly put the works of William Shakespeare (1564-1623) in dialogue with the ethical philosophy of Emmanuel Levinas (1905-1995)... The majority of these Shakespearean references are to Hamlet and Macbeth, but contemporary critics working in the vein of Levinas have tended to favor King Lear. No Shakespearean play has been subjected to Levinasian analysis more fully or more frequently.⁵ This critical proclivity is not unwarranted, for Shakespeare's tragic play and Levinas's ethical writings tell the same basic story: that of the egoist who heedlessly pursues his own interests until he is until he …

British Literature I, Justin Shaw

Syllabus Share

What does it mean to belong? What does it mean to have an identity? This course serves as an entry point to the study of early British literature and its historical contexts. We examine texts written from the 7th to the 17th Centuries that comprise a portion of what we call British literature. This survey engages poetry, prose, and drama that reimagine the complexities of intersectional identity, render the nation as part of a global stage, and challenge conventions of sexuality and gender. It traces early texts written by and about people on the margins of “Britishness” and "Englishness" such …

History, Cognition And Nostromo: Conrad’S Explorations Of Torture, Trauma, And The Human Rage For Order, Richard Ruppel

English Faculty Articles and Research

Focusing on Joseph Conrad’s Nostromo, this essay historicizes the treatment of what we now call post-traumatic stress disorder, demonstrating how Conrad anticipated our current understanding and treatment of the illness. The second part of the essay addresses Nostromo’s treatment of historiography. Part three is concerned with epistemology and the relationship between neurological discoveries concerning the gap between perception and consciousness, relating those discoveries to Conrad’s use of delayed decoding.

Snapshots Of A Fictional Past: Photographic Nostalgia In The Early 20th Century Art Novel., Harry A. Jones Iv

Theses and Dissertations

In this dissertation I argue that the proliferation of a mass codependent relationship with nostalgia in the twentieth century shares a parallel history with the widespread adoption of the reproducible image being used by collective audiences as a supplement for natural memory, or what Proust names “voluntary memory.” This conflict between nostalgia-hungry consumers and artists inspired groups such as Alfred Stieglitz’s Photo-Secessionists and artistically minded authors like Henry James, who employed increasingly complex photographic and literary practices to resist the images’ tendency to debase the aesthetic quality of their own work. Authors such as Marcel Proust and William Faulkner used …

How “Interested” Criticism Fueled The Formulation Of Nineteen Eighty-Four’S Cultural Afterlife, John Cameron Bosch

All Theses

George Orwell’s Nineteen Eighty-Four carries a “cultural afterlife” as a result of “interested” criticism, which has a set political/practical barometer or motive. While everyone agrees that the novel presents a frightening dystopia, many also consider it a prophetic piece that illuminates the possible corruption of executive power of a nation thanks to this cultural afterlife; the modern and popular term “Orwellian” resulted from these sorts of analyses and have only escalated in the years since its inception. As a result, within the past decade, multiple scholars, analysts, and journalists have referenced Orwell’s novel as a factual representation of this executive …

(In)Hospitable Modernity: Hospitality And Its Discontents (1920–1953), Daniel A. Hengel

Dissertations, Theses, and Capstone Projects

This dissertation discusses the tacit forms of political activity operating through the performance and space of hospitality in modern fiction. I read the habitus, praxis, and dissemblages of hospitality in modern fiction as conduits that reveal dialectics of submission and resistance to Victorian and Edwardian markers of normativity. This is ultimately an infrapolitical work. I locate fulcrums of dissent, cloaked in a guise of hospitality, in the domestic sphere and the politicization of formerly private spaces into sites with the potential to reorder legitimated forms of agency. This project attempts to uncover veiled forms of sociopolitical resistance in and through …

Vulnerability: Sensation And Subjectivity In The Late Victorian Novel, Michael Shelichach

Dissertations, Theses, and Capstone Projects

“Vulnerability: Sensation and Subjectivity in the Late Victorian Novel” explores how developments in the science of psychology in the second half of the nineteenth century destabilized the genre of literary realism in Britain. Prominent mid-Victorian psychologists theorized a subject with a highly impressionable brain and nervous system. This new understanding of the mind’s potential vulnerability to external influence impelled contemporary novelists to contemplate the extent to which subjective interiority could be altered by the environment. Through close readings of canonical realist novels like Charles Dickens’s Great Expectations, George Eliot’s The Mill on the Floss and Wilkie Collins’s The Moonstone …

Review Of Writing And Constructing The Self In Great Britain In The Long Eighteenth Century, Edited By John Baker, Marion Leclair, And Allan Ingram, Kelly J. Plante

ABO: Interactive Journal for Women in the Arts, 1640–1830

A review of Writing and Constructing the Self in Great Britain in the Long Eighteenth Century, eds. John Baker, Marion Leclair, and Allan Ingram. Written by Kelly Plante.

Contemporaries & Other Inklings Collection Finding Aid, Taylor University

Finding Aids

The Contemporaries & Other Inklings Collection features a variety of rare books, pamphlets, and articles written by and about members of the Inklings and those who were their friends or inspirations. Please refer to the separate finding aids for these authors: C. S. Lewis, Charles Williams, Dorothy L. Sayers, George MacDonald, and Owen Barfield.
Last Updated: August 29, 2022

C.S. Lewis Collection Finding Aid, Taylor University

Finding Aids

The C. S. Lewis Collection features a variety of books and articles by and about Lewis. It also includes letters and manuscripts written by Lewis, as well as rare and first editions of his books.
Last Updated: August 29, 2022

The Lodge In The Wilderness: Ecologies Of Contemplation In British Romantic Poetry, Sean M. Nolan

Dissertations, Theses, and Capstone Projects

This dissertation argues that contemplation is often overlooked in studies of British Romantic poetry. By the late 1700s, changing commercial and agricultural practices, industrialism, secularization, and utilitarianism emphasizing industriousness coalesced to uproot established discourses of selfhood and leisure, and effected crises of individuation in Romantic poetry and poetics. Closely reading poems and writing about poetry composed between the 1780s and 1830s by William Cowper, George Crabbe, Robert Bloomfield, Charlotte Smith, William Wordsworth, Samuel Taylor Coleridge, and John Stuart Mill, I probe the relationship between aesthetic, ethical, and emotional responses to depictions of toil, idleness, and leisure. I argue that ecologies …

The Seduction Of Pessimism: Eros, Failure, And The Novel, Tom Ribitzky

Dissertations, Theses, and Capstone Projects

In Plato’s Symposium, we get a pessimistic myth not only about love, but about the first experience of loss, in which we were once globular cosmic beings who were split in two by Zeus’s thunderbolts as punishment for not obeying the Olympian gods. Falling down to earth after the split, Zeus introduced eros out of pity for our condition. Our consolation was to find our other halves and hold on to them as a way of remembering what it was like when we were whole. But, as Allan Bloom notes:

…man’s condition soon worsened. In the beginning, their real …

George Macdonald Collection Finding Aid, Taylor University

Finding Aids

The George MacDonald Collection features a variety of rare books, letters, and serialized fiction written by MacDonald, as well as scholarship and articles written about him.
Last Updated: August 29, 2022

Madness And Sanity: Wisdom Of Madmen And The Wise Men Madness In The 19th Century, Norah Roudhan

Undergraduate Research Symposium

This research is based on a careful examination of the concept of insanity and reason. In addition to mentioning some examples from the nineteenth century in the literature to illustrate how each of them used the concept of insanity. Despite the different reason for describing each of the above names and personalities as insane, through analyzes and questions posed it becomes clear that insanity in the end may have a different meaning from what today’s concept represent. The research concludes with the main reason behind the presentation of literature to some famous figures of insanity in a manner that reflects …

Owen Barfield Collection Finding Aid, Taylor University

Finding Aids

The Owen Barfield Collection features a variety of books and articles by and about Barfield. It also includes letters and manuscripts written by Barfield, as well as rare and first editions of his books.
Last Updated: August 29, 2022

Dorothy L. Sayers Collection Finding Aid, Taylor University

Finding Aids

The Dorothy L. Sayers Collection features a variety of rare books, pamphlets, and articles written by and about Sayers. These include multiple first editions of her poetry books, crime novels, and reflection on theology.
Last Updated: August 29, 2022

Charles Williams Collection Finding Aid, Taylor University

Finding Aids

The Charles Williams Collection features a variety of books and articles by and about Williams. It also includes letters and typescripts written by Williams, in addition to rare and first editions of his books.
Last Updated: August 29, 2022

Narcissus And Beauty: A Renaissance Of Paterian Aesthetics, Amir Dagan

Dissertations, Theses, and Capstone Projects

This dissertation is intended as a correction to the almost universal contemporary assumption that beauty is either nonexistent or a tool of oppression, and that the arts should be judged less by their aesthetic value than their social, political, or moral dimensions. This dissertation will propose a fivefold argument. First, I will assert that the experience of beauty is real, pleasurable, and not in any way culturally determined, second, that beauty is the most significant and characteristic feature of art, third, that the rejection of the reality of beauty is motivated more by the fragility of the mass man’s ego …

British Romanticism And The Paradoxes Of Natural Education, Catherine S. Engh

Dissertations, Theses, and Capstone Projects

“British Romanticism and the Paradoxes of Natural Education” offers a distinct perspective on Romantic-era ideas on “natural” education and human development. Though the Romantic retreat into nature has long been understood as a break from the Enlightenment’s programmatic commitment to the progress of reason, I contend that the ideas on natural development of four canonical Romantic authors—Mary Wollstonecraft, William Wordsworth, Samuel Taylor Coleridge and Mary Shelley—actually originate in the ideas of one of the foremost figures of the Enlightenment, Jean-Jacques Rousseau. Natural education is doomed to failure in Rousseau’s thought because “nature” is paradoxically a social construct. I argue that …

Cosmological Models And The Christian Faith In John Milton's Paradise Lost, Jacob R. Taylor

Tenor of Our Times

In this work the author argues that John Milton justifies the intelligibility and priority of Christian faith against modern revolutions of science in his epic poem Paradise Lost. Milton argues against scientists who choose to believe modern astronomy over cosmology. He argues that Christian faithfulness stands firm despite the crumbling of its medieval cosmological basis. This endurance of the faith is the primary scientific theme of the epic English poem.

On Ways Of Studying Tolkien: Notes Toward A Better (Epic) Fantasy Criticism, Dennis Wilson Wise

Journal of Tolkien Research

This article examines major academic approaches used in the study of J.R.R. Tolkien. It argues that certain themes from political philosopher Leo Strauss, by helping us to develop a new theoretical lens, can elucidate several politically salient aspects of Tolkien's work, including thymos and his dialectic between ancient and modern. Four previous (though flawed) Straussian interpretations of Tolkien are highlighted. Finally, by analyzing the tensions that arise when pairing critical theory and its attendant bias against nature with Tolkien and epic fantasy, this article argues for the timeliness of a Straussian lens for studying fantasy and Tolkien alike.

Failures Of Grace: Limits Of Tragedy In The Late Nineteenth-Century Novel, Anick S. Rolland

Dissertations, Theses, and Capstone Projects

Failures of Grace argues that nineteenth-century novelists challenge the hegemonies of literary form and the value of personal suffering through what I call the trans-genre tragic novel. This new form is emblematic of a period in which values hang in the balance and places traditional values at odds with themselves by combining the low form of the novel with the highest mimetic mode in the Western tradition: tragedy. It simultaneously proposes the most vulnerable members of society as tragic heroes in contrast to the noble figures who previously were presumed to define the genre.

Through close readings of works by …

Flower Unfurling: Buddhist Modernism And The Early Writing Of James Joyce, Erin Garrow

Dissertations, Theses, and Capstone Projects

This dissertation traces the history of the references to Buddhism in Stephen Hero, James Joyce’s first and unpublished novel, through the author’s previous writing, his sources, and his context, in order to determine how—if at all—the tradition bore upon his earliest depiction of consciousness. Acknowledging that Joyce habitually revisited and refined earlier ideas and prose, it attends to previous essays, notebooks, book reviews, conversations, letters, epiphanies, poems, and autobiographical prose; to available material, bibliographical, and biographical evidence about the specific volumes and performances to which Joyce had access; to language and paratext—including advertisements, introductions, and appended essays—in those volumes; …

The Conclusion In Which Nothingness Is Concluded, Marissa Rimes

Student Scholar Symposium Abstracts and Posters

Samuel Johnson’s The History of Rasselas, Prince of Abyssinia is ironically most often classified as an “oriental philosophic tale,” but is rarely analyzed from the point of view of oriental philosophy. Although Buddhism’s ambiguities, inwardness, and nothingness, provoke anxiety in Western critique, Johnson’s The History of Rasselas, Prince of Abyssinia does something unique from eighteenth-century British thought in that it disavows this Buddaphobia by actively employing a similar line of thought. Through the lens of a Buddhist framework many of the text’s renownedly gloomy implications, in regard to its circular structure and inconclusiveness, are freed from the great sludge of …

Setting The Stage And Building Homes: Architecture Metaphors And Space In Donne's First Caroline Sermon, Alexander S. Laws

LSU New Orleans Theses and Dissertations

Through his use of "foundation" and "house" metaphors in his "First Sermon Preached to King Charles at St. James, 3 April 1625," John Donne discreetly presents his ideologies and principles before the new king, while simultaneously criticizing his contemporaries' misguided bickering over religio-political factions. This essay seeks to unpack the history surrounding, as well as the casuistical logic found within Donne's first sermon preached during the Caroline period, which both explicitly and implicitly addresses the foremost anxieties of the people of the changing age.

Enclosures And Dichotomies: Coexistence Vs. Distance In The Poems Of John Clare, Jordan P. Finn

Theses and Dissertations

John Clare’s poetry emphasizes an affinity with environment by suspending the distinction between the inside (subject) and the outside (object). Clare’s identification with objects and perception rather than subjects and aesthetics renders his work as a prescient and radical example of ecological poetry in the Romantic period. Raymond Williams’ “green language” and Timothy Morton’s ambient poetics both cite Clare as an ideal figure for their above theories and evoke Clare as a writer who positions the environment as governing thought rather than thought governing the environment. This thesis especially relates Clare to Morton’s Ecology without Nature, a study of …

On The Variations Of 'Occupatio' In "Richard Ii", William Kelly Reeder

Graduate Theses and Dissertations

Recent scholarship of Shakespeare’s Richard II has been interested in or preoccupied with its historical relations. Particularly the plays association with the Essex Rising of 1601, and the censorship of the deposition scene, both of which seem to resonate for history with Elizabeth’s enigmatic comment expressing her identification with Shakespeare’s portrayal of Richard II.

This paper proposes to resolve the question of the play’s censorship by interpreting the deposition scene as a dramatization of transubstantiation, perhaps triggering Elizabethan censors.

Transubstantiation is the doctrine by which the Catholic Church interprets the Eucharist using the distinction between substance and accidens (eternal and …

Enchantment: A Teleology, Nathanael S. Toth

Senior Honors Theses

Despite the highly developed nature of his fictional world, Middle-earth, Tolkien never formally laid out a tabulated magic system for his fantasy creation. Nevertheless, unlike many stories by others in the fantasy genre, the magic he does include is far from just a shallow, world-building mechanism. Instead, it encapsulates the core theme of his fiction and the purposes which Ilúvatar (the God of Middle-earth) has given to the story’s many characters.

This paper will examine the nature and function of this magic from many angles: the identification of good magic with art and evil magic with domination; the delineation between …

“The Healing Balm Of Sympathy Denied”: Moral Sense Philosophy, Patriarchy, And Monstrosity In Mary Shelley’S Frankenstein, Estefania Velez

Theses and Dissertations

Though Mary Shelley’s Frankenstein produces an ideology of sympathy consistent with the literary and philosophical aims of Romanticism, this essay examines Shelley’s critique of patriarchy which posits that though sympathetic companionship in Frankenstein remains an ethical necessity, it is unattainable within a social order marred by misogynist structures of power.