Literature in English, British Isles Commons^™

Welcome And Announcements, The Mythopoeic Society

Online Midwinter Seminar (OMS)

Join us for a screening of the Welcome and Announcements video and have a cup of coffee before we get started!

Beowulf And Théoden: Differing Teaching Methods Of Hrothgar And Gandalf, Ali Mirzabayati

Journal of Tolkien Research

Most studies on the character of Théoden in The Lord of the Rings center on Germanic heroic themes like courage and oath-keeping, often emphasizing his renewal by Gandalf at Meduseld and his death at the Battle of Pelennor Fields. This perspective overlooks Théoden's growth in wisdom and hope between these events. During this period, Théoden learns about the various forces in Middle-earth and contemplates his role in the broader world, leading to a profound sense of humility. Building on Tolkien's inspiration from Beowulf, this paper compares Théoden and Beowulf to explore their learning processes and heroic outcomes. This comparison …

“The Atmosphere That Supports Life On Earth”: An Ecocritical Approach To Tolkien’S Arda, Elizabeth Anne Turello

Seton Hall University Dissertations and Theses (ETDs)

Ecocriticism speaks to the relationship between the environment and literature, a progressively vital topic of discussion. What is often overlooked, however, is the necessity of the theory’s applicability to stories of speculative fiction; that is, ones existing outside the realm of the real world or, as is the case with the father of modern-day fantasy J.R.R. Tolkien, a mythology set in the ancient days of our world (“Arda”). At first, it may seem contradictory to learn about our surroundings through fictionalized ones seemingly irrelevant to Earth’s own; this apparent contradiction is not valid, though, as the relationship between humans and …

Tolkien, Tabletop, And Orcs: The Impact Of Participatory Neomedievalisms On Authority, Tyler Bell

ATU Theses and Dissertations 2021 - Present

Different medieval and fantasy works have utilized race in different ways. Medieval Europe used race as a structural relationship to morally and religiously other certain people groups. J.R.R. Tolkien used race in a similar way, othering the fantasy races like orcs as a way to give the audiences clear antagonists. Direct film and video game adaptations of Tolkien uphold him as the authority on fantasy race, using orcs as antagonists and glorifying violence against them. The table-top role-playing game Dungeons and Dragons initially held up the antagonistic portrayal of orcs, but through different editions, the restrictions placed on orcs have …

He Is The Master Of Wood, Water, And Hill: Is Tom Bombadil The True Key Keeper Of The Old Forest?, Noelia Ramos

Journal of Tolkien Research

Tom Bombadil, with his iconic singing―”Hey! Come merry doll! Derry doll and merry-o!―has captivated scholars worldwide, due to the enigmatic nature Tolkien intentionally left unexplained. This deliberate mystery has fuelled extensive debate, leading many to explore possible mythological and cultural frameworks that might decode Bombadil’s origins. Among these hypotheses, a Celtic interpretation has often been dismissed despite its potential relevance. This paper, thereby, seeks to analyse Bombadil’s function within the Old Forest and his interactions with the hobbits during their forest episode, presenting fresh insights into his role as a Celtic-inspired guide and druidic figure.

To support this analysis, primary …

Antiphons Of Iron And Blood: The Inspirations Of Tolkien's Poetry, Patrick J. Lyon

Journal of Tolkien Research

The new book, The Collected Poems of J.R.R. Tolkien, edited by Christina Scull and Wayne Hammond, is a fascinating new look into a trove of previously unpublished Tolkien poetry. One of these new poems, “Ferrum et Sanguis,” includes an interesting series of addenda and subtitles written by Tolkien that give insight into the origins and inspirations for the poem. Furthermore, the interpretation given by the editors in their commentary on the poem misses the specific reference and applies it to a different source. The real source for the poem is very likely found in the Advent Vespers of the …

Knighthood In The Wilderness: Ecocritical Readings Of Nature And Chivalry In The World Of Sir Gawain And The Green Knight, Dajana Memko

Theses and Dissertations

Many interpretations of the Green Knight portray him as a personification of nature or as nature’s embodiment. Ecocriticism, however, challenges a more anthropocentric approach, calling into question deeply ingrained ideals of chivalry and human dominion over nature. The Green Knight is a hybrid creature whose striking features mark his otherness; yet, through his familiarity, he challenges the knight of Camelot and asks them to consider their chivalric identities as well as the nature of their Trojan ancestry and legacy. Among them, Gawain is forced to confront his identity as he ventures into the wilderness of Wirral, and his interactions with …

The Enduring Enigma Of Tom Bombadil: From Riddlic Styling To Metaphorical Encounter, Derek Simon

Journal of Tolkien Research

Conversationalists and critics alike continue to take delight in Tom Bombadil, yet remain perplexed by his enduring enigma. Interpretive positioning appears to be determined by the semantics of the term enigma deployed and how it intersects with any of the several textual standpoints adopted. The primary contention of this article is that the enigma is intentionally both a riddle (noun) and a riddling (verb). Reading the enigma through literary features of the Old English riddle-song can yield an alternate interpretation of Tom Bombadil that has received scant attention in critical commentary. In support of this contention, I propose to read …

Cultural Memory And The Search For Identity In Victorian Fantasy Fiction, Sadie Boggs

Honors College Theses

Fantasy literature's origins can be traced through myths and folktales, medieval romances, enlightenment fairy tale fantasy, and Romanticism, before finally taking firmer root in the Victorian period and blooming into its own genre in 20th century modern fantasy. Victorian thinkers reacted to the Enlightenment’s realism and technological innovation by “rediscovering” the Middle Ages as a time of beauty, simplicity, and moral virtue. Simultaneously, Psychology developed as a recognized field of study, and theories emerged about the psychological process of memory formation and retrieval, as well as its reliability and relation to identity.

Considering these psychological theories, Victorian fantasy's cultural memory …

Tolkien's 'Beloved' _Pearl_, Jane Beal Phd

Journal of Tolkien Research

Abstract: This essay explores Tolkien’s life-long engagement with the fourteenth-century, Middle English, dream vision poem called Pearl. It examines the inspiration he took from the poem through reading, reciting, copying, editing, translating, and teaching it to undergraduate students at the University of Leeds and Merton College, Oxford University. Milestones in Tolkien’s work on Pearl include his edition of it, produced with E.V. Gordon and Ida Gordon for Oxford University Press (1953), and a metrical translation of it that he worked on from 1920s onwards, which was published with Allen & Unwin in London and Random House in New York …

“‘And Númenor Went Down Into The Sea’: Tolkien, Beowulf, And The Masochistic Jouissance Of Westernesse”, Christopher Vaccaro

Journal of Tolkien Research

In Tolkien, Enchantment and Loss, John Rosegrant avers that Tolkien wrote of the downfall and destruction of Númenor in order to release a personal emotional complex (John Rosegrant, Tolkien, Enchantment, and Loss, 118-20). In this essay, I examine in greater detail the emotional power of this story and relate it to the psychological notion of primary masochism (Freud, Deleuze, Bersani) and the pleasures connected to the dissolution of the self. The Beowulf poem renders conspicuous the dependency of heroic Anglo-Saxon male subjectivity on experiences of masochistic desire and the Death Drive, the desire to be unburdened of great …

Introduction To The Special Issue On "J.R.R. Tolkien And Medieval Poets", Jane Beal Phd

Journal of Tolkien Research

This is an “Introduction” by Dr. Jane Beal to the Special Issue of the Journal of Tolkien Research on the theme of “J.R.R. Tolkien and Medieval Poets” in honor of Richard C. West.

It begins with an overview of previous scholarly work on the intersections of medieval poetry with Tolkien’s literary corpus. It explains the process of creating this special issue, which is a festschrift in West’s honor, and it gives an overview of the contents of each of the seven academic articles included in it by contributors Dr. Anna Smol, Dr. Christopher Vaccaro, Dr. Kristine Larsen, Dr. Deidre Dawson, …

Fallen Kingdoms And Ancient Monoliths: The Influence Of Atlantis And Egypt In Tolkien’S Númenor, Charlotte J. Brockway

Journal of Tolkien Research

In light of the recent publication of The Fall of Númenor, my essay aims to focus on Tolkien’s, somewhat underappreciated, influences on Gondor; particularly Ancient Egypt. This essay looks at Plato's Timaeus and Critias, Ignatius Donnelly's theories, and examines the Atlantean and Egyptian motifs in Tolkien’s version of Westernesse, in particular, the remnants of Atlantean civilization survived by Egyptian colonists which mirror the Realms of Exile (Gondor and Arnor).

Bodies That Traverse: Colonial Fantasies Of Oriental Incorporations In Late Medieval England, Soojung Choe

Dissertations, Theses, and Capstone Projects

“Bodies that Traverse: Colonial Fantasies of Oriental Incorporations in Late Medieval England” shows how a picture of a proto-colonialist England arises from popular romances of the period, particularly those featuring the Crusades and the “Orient,” or the fictional Near East, as its central narrative locus. While the historical Crusades to the Holy Land mainly took place between the eleventh and twelfth centuries, English fictional writing on the Crusades flourished in the “post-crusade” period of 1200–1450. My project argues that the Orient in these writings, especially popular vernacular romances, serves as a colonial ‘contact zone,’ a fetishized site for England to …

Peeking Into Closets: A Review Of Danielle Bobker's The Closet: The Eighteenth-Century Architecture Of Intimacy, Karenza Sutton-Bennett

Criticism

A Review of Danielle Bobker's The Closet: The Eighteenth-Century Architecture of Intimacy

Vengeance As Piety: The Heroic And Elegiac Devil Of Genesis B, Alisa Heskin

Masters Theses

In Christian theology, the fall of Lucifer and his fellow rebel angels details the origins of angelic sin and prefigures the fall of humanity. The narrative had a strong literary tradition in early medieval England, appearing frequently in both poetry and prose. The Junius manuscript, one of four codices preserving the majority of Old English poetry, contains three accounts of the fall of the angels, with the most extensive versions being found in the poems known by scholars as Genesis B and Christ and Satan. Much of the scholarly attention Genesis B receives pertains to its interpolation into the longer …

Iii Middle English, Kate Ash-Irisarri, Laurie Atkinson, Sarah Brazil, Natalie Calder, Darragh Greene, Samira Lindstedt, Rebecca Menmuir, Mark Ronan, Seth Strickland, Mary F. Wheaton

University Libraries Faculty and Staff Publications

This chapter has 12 sections: 1. Early Middle English (c.1050–1350); 2. Manuscript and Technical Studies; 3. Religious Prose and Verse; 4. Secular Prose; 5. Secular Verse; 6. Piers Plowman; 7. Gower; 8. Older Scots; 9. Drama; 10. The Gawain-Poet; 11. Romance. 12. Hoccleve and Lydgate. Section 1 is by Samira Lindstedt; section 2 is by Mary F. Wheaton; section 3 is by Natalie Calder; section 4 is by Mark Ronan; sections 5, 10, and 11 are by Darragh Greene; section 6 is by Seth Strickland; section 7 is by Rebecca Menmuir; section 8 is by Kate …

Chaucer’S Contradictory Representations Of Fourteenth Century Knighthood In The Canterbury Tales, Nicholas Cabrera

Theses and Dissertations

Differences in interpretation have long dominated scholarship regarding knighthood in Geoffrey Chaucer’s The Canterbury Tales. But these differences fail to consider the nuance of the text and the historical realities of the period in which Chaucer wrote. Chaucer’s depiction of knighthood represents the institution as filled with tensions and contradictions.

Recognizing Traps And Frightening Wolves: Foxes And Lions As A Representative Of Machiavellian Political Ideology In Shakespeare’S Comedies, Grace A. Powell

Student Scholar Showcase

While William Shakespeare’s plays and sonnets have been discussed time and time again over the past few centuries, one topic that has been less traversed is the connection between his Comedies and Niccolò Machiavelli’s political ideologies. This project will explore references of lions and foxes in Shakespeare’s Comedies and the leaders and monarchs within them to determine how beliefs about Machiavelli’s political ideology influenced Shakespeare’s literature and became symbols for leadership and power. This project will be important for gaining historical context on Machiavellian political discourse and how it was represented in the contemporary dramatic literature of William Shakespeare. I …

Queering The Family In Zoraida Córdova’S Labyrinth Lost, Rebekah Rendon

Online Midwinter Seminar (OMS)

Labyrinth Lost by Zoraida Córdova focuses on Alex Mortiz, a Mexican-American bruja and her journey to a fantastical otherworld to rescue her family. Alex begins to understand the love and unity that exists in her own blood family, while forging new relationships, thereby creating a found family, or queered family. The topic of this paper addresses queerness and found family dynamics in Labyrinth Lost. While many scholars have written on themes in fantasy and magical realism texts by Latino/a and Hispanic authors, these genres tend to be under-researched in literature for young adults. My argument analyzes Labyrinth Lost as emblematic …

Queen's Pride: A Queer Reading Of Star Wars Character Padmé Amidala, Madeleine Loewen

Online Midwinter Seminar (OMS)

Ever since Luke Skywalker and Han Solo first appeared onscreen together in 1977, LGBTQ+ Star Wars fans have harnessed the power of queer reading to write themselves back into a galaxy far, far away, despite Lucasfilm’s long-term disapproval of such practices. Nonetheless, there exists little scholarly literature on queerness in the franchise, and even less on the potentially sapphic characters. Queen Padmé Amidala, first introduced onscreen in Episode I: The Phantom Menace, proves a surprising—but no less salient—queer figure in Star Wars. From her intimate relationships with her handmaidens, to her experimentation with gender performativity, to her quiet yet intense …

Queerness In Hirohiko Araki's Jojo's Bizarre Adventure, Minna Nizam

Online Midwinter Seminar (OMS)

This paper will explore Queerness in the series Jojo's Bizarre Adventure. The presentation/paper will dive deep into the queer aspects of Jojo's Bizarre Adventure, examining tropes throughout the series and its LGBTQIA+ representation. We will be delving into queer protagonists, queer side characters, and LGBTQIA identities present throughout the anime/manga. We will explore the relationships each main character of the franchise has with side characters, to analyze queerness and queer subtext. Quotes and posts/comments made by the series creator, Hirohiko Araki will be used as evidence to prove that the series is in fact Queer with its LGBTQIA …

Queer Paths Toward Home: Kinship In Speculative Fiction, Audrey Heffers

Online Midwinter Seminar (OMS)

How are we related? Queer(ed) families—typically framed through terms such as Found Family, Chosen Family, or Family of Choice—are more often formed by agency and voluntary participation than they are by legal or genetic connections. For the purposes of this paper, kin will be defined by affect, behavior, and declaration. The three fictional texts—Are You Listening? by Tillie Walden, Life of Melody by Mari Costa, and I Keep My Exoskeletons to Myself by Marisa Crane—will serve as a basis to illustrate how kinship is defined, particularly in queer speculative narratives. Speculative fiction allows for particular metaphors of power. These metaphors …

Introduction To Eleanor Arnason, Works & Reception, David Lenander

Online Midwinter Seminar (OMS)

Eleanor is a guest of honor at next summer’ s Mythcon 53, and I’ve been reading her work for many years. I think her novel, and the associated short stories of Hwarhath Stories, provide a fine set of texts for your purpose. There are also queer aspects to many of Eleanor’s other books and stories, for instance in To the Resurrection Station, and some of her shorter fiction. I would certainly review the existing critical literature, and also present some critical comments and reflections on reception of Arnason’s work, and suggestions for further study.

The Gay Bat Of Gotham: Depictions Of Common Queer Stereotypes And Tropes In The Dc Comics Character Batwoman, Tim Lenz

Online Midwinter Seminar (OMS)

Expansive superhero comic book universes can be thought of as collective, accretional works of Mythopoeia, generating modern mythologies of fantastical characters while also drawing inspiration from ancient myths of the primary world. The DC Comics’ character Batwoman was initially introduced in 1956 as a love interest of Batman/Bruce Wayne, in part to combat scandalous allegations of Batman’s homosexual tendencies towards his young male sidekick Robin. In 2006, writers Greg Rucka, Grant Morrison, Geoff Johns, and Mark Waid reinvented the Batwoman character for modern audiences as the alter ego of ‘Kate Kane,’ Bruce Wayne’s cousin, who was a lesbian of Jewish …

Queering The Problem: Destabilizing Normative Tropes In Jonathan Stroud’S Lockwood And Co. , William Thompson

Online Midwinter Seminar (OMS)

Holly Munro, the office assistant come agent in Jonathan Stroud’s young-adult series Lockwood and Co., is the sole character in the five books to hint at living in a queer relationship. Lockwood and Co. is a small agency in London, fighting against the Problem, the nightly recurrence of ghosts and specters. In The Empty Grave, the final book in the series, Holly and Lucy Carlyle are crouched in the kitchen at 35 Portland Row, waiting for an attack of a group of thugs on the house. Holly and Lucy are nervously exchanging confidences, and Holly makes the point that Antony …

“Foul In Wisdom, Cruel In Strength”: Gendered Evil In Tolkien’S Legendarium, Alicia Fox-Lenz

Online Midwinter Seminar (OMS)

In “The Feminine Principle in Tolkien,” Melanie Rawls creates a framework for reading masculine and feminine drives in the characters of Tolkien’s legendarium. Feminine characteristics are inward-facing, focused on the self and inner life, whereas masculine characteristics are outward-facing, focused on affecting the wider society. Shelob and Sauron are used as two examples of the negative expression of these gendered drives: Shelob being so inwardly focused she only devours, and Sauron being so outwardly focused he cares only for world domination. However, other than his outward focus, Sauron doesn’t neatly align with the other negative masculine traits — he is …

Roundtable: Diversifying Our Mythopoeic Bookshelves, Grace Moone

Online Midwinter Seminar (OMS)

2024 is a year in which we’ve all been encouraged to be intentional about reading diversely, and seeking out stories and authors whose perspective differs from our own. During this roundtable discussion, we’ll touch briefly on why diversifying our reading matters, discuss strategies for finding diverse books in mythopoeic genres, share some of our favorite book recommendations, and ask attendees to share some of theirs. This discussion will also be open during the upcoming meal break.

More To The Hobbit Than Meets The Eye: Locating The Feminine In Tolkien’S World, Pieter Conradie

Online Midwinter Seminar (OMS)

Fantasy is finally learning to embrace its power to create and celebrate queerness. Works such as The Forever Sea by Joshua Philip Johnson and The Priory of the Orange Tree by Samantha Shannon feature queer leads, revealing creative capacities to imagine worlds where queerness is at the centre. But something mighty queer is already present in 1937 at the very dawn of modern fantasy. Following emerging interpretations of The Hobbit, I argue that the hero, Bilbo Baggins, exhibits significantly queer characteristics. In this deconstructive reading, Bilbo’s gender will first be reversed, arguing that his domesticity, intense emotional responses and his …

Keynote With Taylor Driggers - Cruising Faërie: Further Notes On Queering Faith In Fantasy Literature, Taylor Driggers

Online Midwinter Seminar (OMS)

In Queering Faith in Fantasy Literature (2022), I argue that fantasy affords sexually marginalized people the ability to re-vision Christian theology in queer ways, thanks to its fixation on strange bodies, its longing for other worlds, and the ways in which both of these may reflect back on theological narratives of incarnation and salvation. Yet this project raises further questions that remain unresolved: namely, how might the framework of Christian theology constrain, as well as illuminate, queer imaginaries? If fantasy allows us to envision livable lives for ourselves as unruly bodies, just what forms of relating may those lives entail? …