Literature in English, British Isles Commons^™

Woman Or Warrior? How Believable Femininity Shapes Warrior Women, Jessica D. Mccall

UNLV Theses, Dissertations, Professional Papers, and Capstones

My dissertation is an exploration of how femininity is constructed in the characters of warrior women. I define and apply my theory of believable femininity: the notion that in order for characters gendered female to be accepted by an audience, specific textual markers must render them submissive to a dominating male figure. I examine the following warrior women at length: Britomart and Radigund from Spenser's The Faerie Queene; Christine de Pizan's treatment of Amazons in her Book of the City of Ladies and Hippolyta's specific portrayal by de Pizan in comparison to Shakespeare's Midsummer Night's Dream, and the …

Chaucer’S Reading List: Sir Thopas, Auchinleck, And Middle English Romances In Translation, Ken Eckert

UNLV Theses, Dissertations, Professional Papers, and Capstones

Middle English romance has never attained critical respectability, dismissed as ―"vayn carpynge" in its own age and treated as a junk-food form of medieval literature or kidnapped for political or psychoanalytical readings. Chaucer‘s Tale of Sir Thopas has been explained as an acidly sarcastic satire of the romances‘ supposedly clichéd formulas and poetically unskilled authors. Yet such assumptions require investigation of how Chaucer and his ostensible audience might have viewed romance as a genre. Chaucer‘s likely use of the Auchinleck manuscript forms a convenient basis for examination of the romances listed in Thopas. With the aid of a modern translation, …

King Of The Who? The Collective Unconscious And The Crafting Of National Identity In The Medieval Arthurian Tradition, Melissa Ridley-Elmes

Theses & Honors Papers

This thesis examines the ways in which British writers of old have attempted to create a sort of ideal, national, British identity through the archetypal image of King Arthur, the “once and future king.” Drawing from sources such as Malory, Laʒamon, and Geoffrey of Monmouth, this thesis suggests that these authors’ texts, along with the texts of others who have modified the myth throughout history, have helped change and develop the way in which Britons think of themselves and their nation over the course of time.

Alexander In The Himalayas: Competing Imperial Legacies In Medieval Islamic History And Literature, Anna Akasoy

Publications and Research

In 1888, Rudyard Kipling published a collection of stories in a volume with the title The Phantom Rickshaw and Other Tales. The collection includes the short story The Man Who Would be King, in which Kipling's alter ego, a British journalist in India, makes the acquaintance of a pair of adventurers, Daniel Dravot and Peachey Carnehan, who demand his help as a fellow Mason. The two shady characters have set out to take advantage of divisions among the natives and are determined to install themselves as kings in Kafiristan, a remote region inhabited by pagans in the north of the …

Landscapes Of Conversion: Guthlac's Mound And Grendel's Mere As Expressions Of Anglo-Saxon Nation Building, Paul Siewers

Faculty Contributions to Books

An examination of the Old English poem Beowulf as a landscape-text, expressing the Anglo-Saxon project of political hegemony over native peoples and environments.

The Concentration Of Carnivalesque Themes In The Shared Fabliaux Of The Decameron And The Canterbury Tales, Timothy R. Jordan

All-Inclusive List of Electronic Theses and Dissertations

Geoffrey Chaucer's interest in social interactions in The Canterbury Tales is easy to see through his pilgrims' estate-based conflicts with each other. In addition to the frame narrative, the interest in social interaction is also apparent in the characters of the individual tales and as a reflection of the conflict between the individual pilgrims. Most of these social interactions embody what is called the camivalesque: free, open, contact between people due to the suspension of social hierarchies. Mikhail Bakhtin has described the camivalesque as characteristic of medieval thought. In medieval literature, the genre of the fabliau, short bawdy stories that …

"The Play's The Thing": Considering The Morality Play In Morality Play, Heather Kennedy Mcdonald

UNIversitas: Journal of Research, Scholarship, and Creative Activity

The paucity of details about secular theater in the fourteenth century allows Barry Unsworth to imagine what a troupe of players would look like if we could examine them right at the time when "a totally new form of drama was being born" (Unsworth, "Barry Unsworth on Fourteenth Century Life and Theatre"). In his novel Morality Play, he imagines poor, itinerant players competing with the large guilds that put on an entire cycle of plays with the backing of unlimited funds. He conjectures that these players would be an amalgamation of different types of troupes that endeavored …

Famous Infidelity: Geoffrey Chaucer's Criseyde And Robert Henryson's Cresseid, Erin R. Johnson

Honors Capstones

Capstone submitted as a graduation requirement for the BSU Honors program.

Gods, Heroes, & Kings: The Battle For Mythic Britain, Christopher R. Fee, David A. Leeming

Gettysburg College Faculty Books

The islands of Britain have been a crossroads of gods, heroes, and kings-those of flesh as well as those of myth-for thousands of years. Successive waves of invasion brought distinctive legends, rites, and beliefs. The ancient Celts displaced earlier indigenous peoples, only to find themselves displaced in turn by the Romans, who then abandoned the islands to Germanic tribes, a people themselves nearly overcome in time by an influx of Scandinavians. With each wave of invaders came a battle for the mythic mind of the Isles as the newcomer's belief system met with the existing systems of gods, legends, and …

The Early Drama, Art, And Music Project: Publications 1977-2002, Timothy Christiansen, Clifford Davidson

Early Drama, Art, and Music

A bibliography of publications of the Early Drama, Art, and Music project at Western Michigan University, originally compiled by Timothy Christiansen and updated in 2002 by Clifford Davidson. This digital reprint was created in 2014 for ScholarWorks at WMU, with an addendum, an update, and a few corrections to the formatting of the 2002 publication.

Studies In The Harley Manuscript: The Scribes, Contents, And Social Contexts Of British Library Ms Harley 2253, Susanna Fein

TEAMS Varia

Studies in the Harley Manuscript is the first comprehensive examination of a manuscript that is of supreme value to literary scholars of medieval English literature. In an Introduction and fifteen essays a team of scholars considers many aspects of the 140 folios of this trilingual miscellany that preserves 121 items (or 122 depending on how one counts) from which we get a strange and privileged glimpse into the rich literary heritage that existed in England prior to the flourishing of vernacular poetry in the Richardian era. As the Contents indicates, the history and composition of the manuscript are considered, as …

Shut Up Or Drown: Silence And Containment Of The Garrulous Woman In Medieval And Shakespearean Drama, Melissa Margaret Filosa

Seton Hall University Dissertations and Theses (ETDs)

.

The Pitchman In Print: Oral Performance Art In Text And Context, Joseph Ugoretz

Publications and Research

Oral performance art, patterned performative speech for an audience, is perhaps the oldest and most ubiquitous human art form. Specific instances of this art include the performances of griots and guslars, troubadors and shamans, as well as rappers and riddlers, preachers and politicians. While this art form is by definition oral, it is also the case that, frequently, literary art has represented oral performance art. There is written art which depicts oral art, which describes it, appropriates it, criticizes and co‑opts it.

In this dissertation, I define oral performance art as constituting a separate and unique artistic genre, one which …

Delight, Subversion And Truth In The Canterbury Tales: Chaucer's Talking Birds, Terri Benson Blair

Masters Theses

Geoffrey Chaucer mentions birds over 240 times throughout The Canterbury Tales (Tatlock and Kennedy). This frequent allusion to birds is significant, especially since three of his twenty-four tales are actually about birds. What makes these three tales particularly fascinating is that their bird protagonists have the gift of speech. This study examines Chaucer's use of bird imagery in The Canterbury Tales, in particular, his use of talking birds in "The Squire's Tale," "The Nun's Priest's Tale" and "The Manciple's Tale." My theory is that Chaucer uses bird imagery and talking birds to question the sovereign power of the fourteenth-century …

"That Gentil Text Kan I Wel Understonde": Textual Authority In Chaucer’S The Wife Of Bath’S Prologue, Emilie Roy

Masters Theses

It has become a critical commonplace to note that Chaucer created the character of the Wife of Bath out of an anti-feminist textual tradition that condemns just the kind of strong-voiced proto-feminist woman that she is. The anti-feminist tradition is deeply embedded in the western cultural framework. Established and perpetuated by a male clergy, it was an integral part of the institutionalized religious structure that controlled education, literacy, and thus access to texts of all kinds. The tradition assumed that woman—viewed as a collective entity—was portrayed as either a moral ideal or a wicked sinner, with little possibility for nuances …

Geoffrey Chaucer's House Of Fame: From Authority To Experience, Victoria Frantseva

Masters Theses

Geoffrey Chaucer's House of Fame is one of the most provocative dream-vision poems written in the fourteenth century. In many ways, it continues to present a serious problem of interpretation to students of medieval poetry. Many critics have tried to arrive at a singular cohesive theory explaining meaning and defining the genre of the House of Fame. However, these attempts have failed and the poem's enigma endures, probably for all time.

The House of Fame seems to elicit many different responses from its readers. While opinions of the poem may vary, the points of argument generally concern the following areas: …

Chaucer's Use Of The Absalom Archetype In The Knight's Tale And In The Miller's Tale, Sharon Hardin

Masters Theses

Although Chaucer did not write The Canterbury Tales until after the death of Edward III, Chaucer's youth was spent in the company (albeit on the fringes) of the war-like king and his war-like sons. Surely, as the young Chaucer performed his duties and perhaps read stories or listened to the gossip spread by servants and courtiers, such as the account of Edward's having ravished a defenseless woman, impressions formed in Chaucer's mind. Perhaps such rumors as that Edward's son Lancaster had designs on his father's throne added to and solidified those impressions into opinion, and a character type was born, …

An Analysis Of Personal Pronouns In Middle English Literary Texts, Melissa Jill Bennett

Masters Theses

This thesis examines the evolution of personal pronouns from the tenth to the fourteenth centuries, with a particular focus upon the southern literary dialects of that era. The baseline text for this analysis is the Anglo-Saxon poem The Dream of the Rood, although Bright's paradigm of Anglo-Saxon pronouns is also employed. The Owl and the Nightingale (circa 1200), The Fox and the Wolf (circa 1275), Piers Plowman (circa 1375), and Parliament of Fowls (circa 1375) are used to illustrate the changes in the forms of the pronouns over four centuries, Chaucer's Parliament serving to represent the emerging London standard. …

Expectations As Character Development In Chaucer's Clerk's Tale, Kevin Gorham

Masters Theses

The Clerk of Oxenford in Chaucer's Canterbury Tales is often maligned for lacking development as a literary character. Frequently, the Clerk has been dismissed as a stereotype or an ideal rather than a multi-dimensional character. The Clerk's character, much like the meaning of his tale, is concealed from the reader and veiled behind expectations.

Chaucer manipulates readers by exploiting expectations associated with fourteenth century clerks. These expectations derive from historical and literary stereotypes which constitute the General Prologue portrait of the Clerk. Because Chaucer's description of the Clerk is populated with stereotypes, the reader expects the Clerk to tell a …

Chaucer's "Nether Ye": A Study Of Chaucer's Use Of Scatology In The Canterbury Tales, Brook Wilson

Masters Theses

Chaucer's use of scatology throughout the Canterbury Tales offers a new frontier for Chaucerian research. To this date, no book-length work dealing exclusively with the scatological elements found in his works exists. Too often, the serious and artistic effects of scatology become lost in the great comedy the device generates. Furthermore, many readers and scholars seem to find themselves somewhat "squaymous" when confronted with the "nether ye" of Chaucer. While Chaucer employs scatology perhaps less frequently than Swift or Rabelais, his mastery of this device remains unquestionable.

Recognizing that the uses for scatology extend far beyond creating humor, Chaucer instead …

“What Thyng It Is That Wommen Moost Desiren”: Image And Self-Realization In The Wife Of Bath's Prologue And Tale, Thomas W. Köhn

Masters Theses

The Wife of Bath is undoubtedly one of the most fascinating of the Canterbury pilgrims. At the same time she is one of those literary figures whose complex character constantly seems to elude the reader's judgement. Alisoun presents herself as a feminist advocating male subjection and female sovereignty in marriage, but her self-assertive behaviour cannot conceal an equally powerful longing for love and acceptance. Some critics therefore praise the psychological depth of the Wife's portrayal while others label her a stock character and join in the derisive laughter they believe her fellow pilgrims to bestow on her.

This thesis explores …

Instruction And Entertainment: Chaucer's Nun's Priest's Tale, Marco L. Bergandi

Masters Theses

The "Nun's Priest's Tale" is one of the most entertaining stories in Chaucer's Canterbury Tales--it is captivating, witty, and amusing--but it is also one of the most instructive in the entire collection. In fact, the Nun's Priest himself emphasizes the instructional purpose of his tale by telling his listeners "Taketh the moralite, goode men" (NPT 3440), advising them to look for the points he makes in his narration.

Although the Nun's Priest never explicitly states the "moralite" of his tale, many scholars have taken his advice seriously and searched for its instruction on their own. Approaching it from a …

The Acceptance And Rejection Of Courtly Love By The Lovers In Chaucer’S Troilus And Criseyde, Michael Jerome Baldwin

Masters Theses

No abstract provided.

The Suicidal Nature Of Chivalry: A Study Of Malory's Le Morte D'Arthur, Timothy A. Shonk

Masters Theses

No abstract provided.

Chaucer's Poetics And The Evolution Of The Narrator In Troilus And Criseyde, Judith I. Green

Masters Theses

No abstract provided.

Applications Of The Halle-Keyser Theories Of Metrical Stress, Gary Forrester

Masters Theses

No abstract provided.

The "Deor" Legends: Their Dissemination In Germanic Literature, Doris Larraine Mabry

Masters Theses

No abstract provided.

The New England Primer Improved, Unknown

Albert A. Howard Book History Collection

Full title: The New England primer improved, for the more easy attaining the true reading of English. To which is added the Assembly of Divines, and Mr. Cotton's catechism. Boston, Printed by E. Draper and sold by J. Boyle, 1777

Find this item in the library catalog.

The Wonder Of Wonders, Or, The Remarkable Discovery Of An American Hermit; : Who Lived Upwards Of 200 Years, James Buckland, John Fielding

Albert A. Howard Book History Collection

Chapbook description:

The hermit was purportedly discovered by Capt. James Buckland and Mr. John Fielding, who in 1785 "agreed to travel into the western parts of this vast country, to explore the regions which belong to the United States which are yet unknown to us."

Printed in Kennebunk prior to Maine's statehood.

For more information, please refer to the library catalog.

Prieres Ordinaires Des Soldatz De L'Armee Conduite Par Monsieur Le Prince De Condé, Accommodees Selon L'Occurrence Du Temps, Louis Prince De Condé (1530-1569)

Albert A. Howard Book History Collection

Morning and evening prayers for the use of soldiers, according to Calvinist rites.

Full title: Prieres ordinaires des soldatz de l'armee conduite par Monsieur le Prince de Condé, accommodees selon l'occurrence du temps = Zwey schone Gebet welche die Soldaten die unter dem herrn Printzen von Conde ligen beide Abends vnd Morgens wenn sie auf vnd von der Wacht zihen sprechen

Find this item in the library catalog.