Literature in English, British Isles Commons^™

Back Matter, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Oswald Review Of Undergraduate Research And Criticism In The Discipline Of English: Volume 24, 2022, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Front Matter, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Contents, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Desperate, Exploited, And Abandoned: Laborers In "Life In The Iron-Mills" And Today, Danielle Durning

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Beasts And Bestiality, Deities And Deification: Boethius’ The Consolation Of Philosophy In Milton's Comus, Bret Van Den Brink

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Milton’S Cardinal Directions Symbolism In Paradise Lost, Micah Gill

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Toward An Archaeology Of Manuscripts, Mark A. Mattes

Faculty and Staff Scholarship

The title of Rachael Scarborough King’s edited collection of essays, After Print, refers at once to Peter Stallybrass’s insight that printing is a provocation of manuscript, as well as to what the study of manuscripts looks like when we move away from stadial and supersessionist print culture paradigms of authorship and publication and instead embrace archival methods and interpretive approaches that center on concepts of media interrelation in early modern manuscript cultures, such as Margaret Ezell’s concept of social authorship.The essays in King’s collection, including an epilogue by Ezell herself, bear the fruits of such intermedial and transmedial approaches, bringing …

Murder She Sang: How Contemporary Country Murder Ballads Alleviate Blame, Alyssa Hubbard

Honors College Theses

Murder ballads, or narrative songs centered on a murder and/or its aftermath, were historically used as a tool to emphasize a criminal’s guilt, cruelty, and inhumanity. Ballads centered on women in particular underlined the idea that women are naturally inclined to sin and easily corrupted, and because they were often written by men in an imitation of the woman’s voice, any regret or repentance within them is falsified or exaggerated, intended to warn other women away from committing similar transgressions.

In contrast, contemporary murder ballads, such as those sung by country music artists like Miranda Lambert, Carrie Underwood, and The …

Unthinkable Conditions: Affect And Environment In Romanticism And Speculative Fiction, Amelia Z. Greene

Dissertations, Theses, and Capstone Projects

Unthinkable Conditions bridges two literary periods and two theoretical modes in order to illustrate important parallels between historical periods and the writers who attempted to approach the changing environmental conditions of their respective eras. Each chapter names and theorizes a unique form of feeling which then serves as a framework for eco-affective analysis, drawing from existing studies in the environmental humanities and in studies of affect in order to construct a hybrid theoretical model which more fully accounts for the work of the writer treated in each chapter. The central claim of this dissertation is that vital affective innovations accompany …

"A Mind Of Metal And Wheels": Agrarian Ruralism In Joss Whedon's Firefly And J.R.R Tolkien's The Lord Of The Rings, Christopher Hines

English (MA) Theses

Both Joss Whedon's Firefly and J.R.R Tolkien's The Lord of The Rings present settings that are just as much influenced by the environments in which they occur as they are by the characters who act within those environments. For J.R.R. Tolkien, it was his lived experience of having grown up in a changing England that influenced his depiction of the world, while Joss Whedon's Firefly revisits and readapts the American mythos of the Western and the cowboy and re-appropriates it to science fiction, placing the action in the far future and in space where humanity is once again exploring and …

Fan Fiction And The Trojan War: Contemporary Euripidean Perspective On The Treatment Of Enslaved Women In The Silence Of The Girls, A Thousand Ships, And For The Most Beautiful, Richard K. Sheldon

LSU Master's Theses

This study examines three contemporary novels of fan fiction, authored by women, that retell the Trojan War: Emily Hauser’s For the Most Beautiful (2016), Pat Barker’s The Silence of the Girls (2018), and Nathalie Haynes’ A Thousand Ships (2019). This study offers a reading of contemporary Homeric reception by analyzing the conversations that the novels initiate between each other, Homer’s Iliad, and Euripides’ tragedies, Hecuba (424 BCE) and Trojan Women (415 BCE). The study establishes a connection between the three authors and Euripides by treating the novels as works of fan fiction. In so doing, the study identifies …

Satire In The Cold War Era: Graham Greene's Our Man In Havana And Kurt Vonnegut's Breakfast Of Champions, Sara Eslami

Seton Hall University Dissertations and Theses (ETDs)

Both Graham Greene and Kurt Vonnegut use satire to interrogate the social uneasiness during the Cold War; however, each author uses satire in different ways. Greene’s novel Our Man in Havana demonstrates this unease, as almost every character is paranoid besides the vacuum salesman and inept “spy” Wormold, who uses fiction to fabricate the reports he sends to the Secret Intelligence Service. Kurt Vonnegut’s Breakfast of Champions also has a protagonist who is strongly impacted by fiction, as Dwayne Hoover is so affected by Kilgore Trout’s literature that it drives him insane. Both authors use different satiric techniques as a …

From Byronic To Gothic Blood Sucker: Subversion Toward A Non-Gendered Identity, Hannah Hoover

Electronic Theses and Dissertations

Analyzing Emily Bronte’s Wuthering Heights and linking trends of the Byronic hero that have merged into a variety of genres reveal that the hero is a mode of subversive gender expression, which has evolved within the Gothic through feminine desire. Delving into Bram Stoker’s Dracula will provide unique insight into the audience’s desires/expressions of gender. Finding the transition point from the monster vampire of Dracula to Stephanie Meyer’s desirous, sparkling boy-next-door in Twilight will track the trajectory of gender and sexual norms through time. From the foundational adaptation of the Byronic hero in Wuthering Heights to the repressed vampiric desire …

The Ungovernable Novel: Towards A New Political Imaginary, Joseph Turner

Department of English: Dissertations, Theses, and Student Research

The primary objective of my thesis is to provide an initial definition of what we could call the “ungovernable novel.” I borrow the concept of the “ungovernable” from the field of political theory, and I apply it to the theory of the novel by way of an engagement of Mikhail Bakhtin’s and Georg Lukács’ theories of the novel. Building on this theoretical foundation, I argue that our contemporary political imagination has reached a historical juncture: we must abandon the dystopian framework that we have inherited from the Cold War, and we must move in the direction of the ungovernable novel. …

A Brief And True Report Of The Newfoundland Of Virginia, Thomas Hariot

English 144 Class Projects

No abstract provided.

The Seduction Of Pessimism: Eros, Failure, And The Novel, Tom Ribitzky

Dissertations, Theses, and Capstone Projects

In Plato’s Symposium, we get a pessimistic myth not only about love, but about the first experience of loss, in which we were once globular cosmic beings who were split in two by Zeus’s thunderbolts as punishment for not obeying the Olympian gods. Falling down to earth after the split, Zeus introduced eros out of pity for our condition. Our consolation was to find our other halves and hold on to them as a way of remembering what it was like when we were whole. But, as Allan Bloom notes:

…man’s condition soon worsened. In the beginning, their real …

The Creature In The Looking Glass: Miltonic Marriage And The Female Self In Breaking Dawn, Jay Wright

Undergraduate Research Awards

Near the close of Breaking Dawn, the final installment of Stephenie Meyer's Twilight saga, Edward asks his new wife Bella a question. “When will you ever see yourself clearly?” (Dawn 744). Bella has no answer for him. Edward's question and, more importantly, Bella's apparent inability to answer is symptomatic of a broader issue throughout Breaking Dawn, in which, even as Bella obtains all that she has desired, her sense of self begins to fracture. Breaking Dawn formalizes Bella’s union with Edward through a series of increasingly binding steps: first through legal marriage, then sexual intimacy and pregnancy, then through vampiric …

‘I Have Had My Vision:’ Visions And The Escape From Expectations In The House Of Mirth And To The Lighthouse, Madison Yardumian

Scripps Senior Theses

“I have had my vision,” Lily Briscoe declares in the triumphant culminating line of To the Lighthouse, indicating the fulfillment of her artistic vision on a project over ten years in the making. In her success, Lily Briscoe disproves those who have told her “women can’t write, women can’t paint” and actualizes her ability to create, all the while rejecting gendered and heteronormative expectations which prioritize heterosexual marriage over her artistic pursuits (Woolf, TL 86). Strikingly, this language of vision also recurs throughout The House of Mirth by Edith Wharton, a text published 22 years after To the Lighthouse, …

‘I Have Had My Vision:’ Visions And The Escape From Expectations In The House Of Mirth And To The Lighthouse, Madison Yardumian

Scripps Senior Theses

“I have had my vision,” Lily Briscoe declares in the triumphant culminating line of To the Lighthouse, indicating the fulfillment of her artistic vision on a project over ten years in the making. In her success, Lily Briscoe disproves those who have told her “women can’t write, women can’t paint” and actualizes her ability to create, all the while rejecting gendered and heteronormative expectations which prioritize heterosexual marriage over her artistic pursuits (Woolf, TL 86). Strikingly, this language of vision also recurs throughout The House of Mirth by Edith Wharton, a text published 22 years after To the Lighthouse, …

Margaret Atwood’S The Testaments As A Dystopian Fairy Tale, Karla-Claudia Csürös

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Back Matter, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Oswald Review Of Undergraduate Research And Criticism In The Discipline Of English: Volume 23, 2021, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Contents, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Peace, Love And War: Venus As A Pacifist, Warmonger, And Powerful Woman In Venus And Adonis And The Faerie Queene, Maia J. Janssen

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Andersen’S Fairy Tales And The Bildungsroman, Joseph Torres

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Path To Piety In Anne Bradstreet’S “Here Follows Some Verses Upon The Burning Of Our House July 10, 1666”, Preston Thompson

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Front Matter, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Seduction Novel’S Awakening, Julia Francis

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Fracturing The Mirror: Girls Made Of Snow And Glass, Abigael Good

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.