Literature in English, British Isles Commons^™

The Quick And The Dead (And The Transported), Manushag N. Powell

ABO: Interactive Journal for Women in the Arts, 1640–1830

In most nations that still execute prisoners—including the U.S.—it is illegal to execute a pregnant person. In English common law, women have been permitted to “plead the belly” in one form or another since the 14^th century, and this fact is sometimes misconstrued by anti-choice and forced-birth advocates as evidence of a long legal tradition of protection for the lives of fetuses. In fact, it is merely evidence of a long history of legal inconsistencies in the ways laws were applied and sentences carried out against women, for whom there were fewer options for clemency than for men. This …

Introduction: Conversations On Abortion Rights And Bodily Autonomy In The Eighteenth Century And Today, Vicki Barnett Woods, Manushag N. Powell

ABO: Interactive Journal for Women in the Arts, 1640–1830

This piece serves as an introduction to the discussions of bodily autonomy and reproductive rights, revised from roundtable presentations held at ASECS 2023. This collection of essays contributes to the resounding responses of frustration and anger toward the overturning of Roe v. Wade. The collection was written and presented by eighteenth-century scholars who have a comprehensive knowledge of the eighteenth-century legal, social, and medical histories that center around reproductive rights and bodily autonomy.

Æthelflæd, Lady Of The Mercians, And Women In Tenth-Century England, Rebecca Hardie

Richard Rawlinson Center Series

Æthelflæd (ca. 870–918), political leader, military strategist, and administrator of law, is one of the most important ruling women in English history. Despite her multifaceted roles and family legacy, however, her reign and relationship with other women in tenth-century England have never been the subject of a book-length study. This interdisciplinary collection of essays redresses a notable hiatus in scholarship of early medieval England. Æthelflæd, Lady of the Mercians, and Women in Tenth-Century England argues for a reassessment of women’s political, military, literary, and domestic agency. It invites deeper reflection on the female kinships, networks, and communities that give meaning …

I Was Crazy Once: An Examination Of Elizabethan Insanity In Shakespeare’S Work, Hope L. Kobus

[Archive] Belmont University Research Symposium (BURS)

William Shakespeare wrote numerous works, diving into the common motifs of love, revenge, power, but most importantly, madness. While Elizabethan audiences were more accustomed to seeing madness as a ploy for comedy, Shakespeare changed the appeal through shows such as King Lear, Hamlet, and Macbeth. He presents the power and ambition of women, as well as the failings of the upper-class, but he disguised them through the idea of insanity. At a time when the public had little understanding of mental health, it was easy to blame madness on gender, social status, and even the supernatural. Through …

Colonial Investments: The Global Coordinates Of The English Political Imaginary, 1628–1668, Nathan D. Nikolic

Dissertations, Theses, and Capstone Projects

The main question my dissertation attempts to address is: what role did the expansion of English colonial trades play in the transformation of English society and government between the Petition of Right and the early years of the Restoration (1628-1668)? My thesis is that during this period, colonial expansion rose to the level of a general national interest and that many early seventeenth-century texts index the complexities and tensions of this development. As a small but very organized group of merchants, peers, and MPs mobilized the military and financial technologies of colonization to support Parliament’s war against Charles I, their …

The Confounding Body: Female Corporeality, Androgyny, And Disgust In The Work Of Virginia Woolf And Zinaida Gippius, Yelizaveta Shapiro

Dissertations, Theses, and Capstone Projects

The Confounding Body: Female Corporeality, Androgyny, and Disgust in the Work of Virginia Woolf and Zinaida Gippius examines how the discourses of degeneration, eugenics, and sexology shaped representations of women’s bodies in British and Russian modernist literature. Focusing on the writing of Zinaida Gippius (1869-1945) and Virginia Woolf (1882-1941), I challenge the longstanding argument that both authors attempted to escape the material body by resorting to androgynous tropes. I argue that the material female body takes center stage in both Gippius’s and Woolf’s work and functions as a powerfully paradoxical entity: one that generates disgust and enables oppression while housing …

Marriage Stories: Legal Reform And The Novel In France And Britain, 1780–1860, Tatiana Nunez-Bright

Dissertations, Theses, and Capstone Projects

“Marriage Stories” analyzes connections between novelistic form, marriage law reform, and portrayals of virtue in texts by, among others, Stéphanie de Genlis, Mary Wollstonecraft, Sophie Cottin, Claire de Duras, Jane Austen, Honoré de Balzac, Sophie Doin, George Sand, Anne Brontë, and Gustave Flaubert. I argue that the novel was less concerned with abolishing or even critiquing marriage than it was with delineating “good” from “bad” unions, which in turn reflects contemporary discussions about marriage’s role in response to burgeoning social movements. My first chapter considers the epistolary novel in relation to the idea of spouses existing as “one body” culturally …

Remix The Manuscript: Transcription Tools Dataset 2.0, Michelle Warren, Arielle Feuerstein

Other Faculty Materials

The document posted here is an annotated dataset of digital tools for transcribing handwritten manuscripts. Release 2.0 was created in 2022-23 by Arielle Feuerstein as part of the ongoing project "Remix the Manuscript: A Chronicle of Digital Experiments.” The file attached here contains the dataset as completed on June 28, 2023 along with credits for prior contributors.

(Special Section) The Hymn As Protest Song In England And Its Empire, 1819–1919, Oskar Cox Jensen

Yale Journal of Music & Religion

Hymns played a role in envoicing the politics of protest in England long before their integration in the established Church – and do so to this day. Yet it was nineteenth-century radical movements that embraced the hymn as in many ways the ideal musical form. From the bloody field of Peterloo to the secularising South Place Society, from the mass meetings of Chartists to the top-down productions of the Fabian socialists, the century resounded with this increasingly familiar music.

Many writers laid claim to the rhetoric of the hymn to advance causes from abolitionism to solidarity with Poles exiled to …

“Before I Am Quite Forgot": Women’S Critical Literary Biography And The Future, Susan Carlile

ABO: Interactive Journal for Women in the Arts, 1640–1830

“‘Before I am Quite Forgot’: Women’s Critical Literary Biography and the Future” extends the conversation about literary “worth” in the twenty-first century as it still judges and ignores women authors of the past. Specifically, this essay explores the role of women’s literary historical biography as a primary marker of worth and as a means of shaping legacy. I also discuss my (perhaps more non-traditional) experience—both my personal circumstances and particular material conditions—writing the critical biography Charlotte Lennox: An Independent Mind. Without a substantial biography that shows the scope of Lennox’s mind, her significant corpus, and her interventions in literary history …

Acts Of Disruption In The Eighteenth-Century Archives: Cooperative Critical Bibliography And The Ballitore Project, Danielle Spratt, Deena Al-Halabieh, Stephen Martinez, Quill Sang, Joseph Sweetnam, Stephanie Guerrero, Rachael Scarborough King

Criticism

This essay outlines a method of intersectional feminist book history that we call “cooperative critical bibliography,” a practice of engaging faculty and students at different ranks and at different institutions in the act of collaboratively transcribing and digitizing historical archives of understudied communities, often those that comprise the quotidian and domestic daily lives of everyday people. Cooperative critical bibliography’s non-hierarchical method centers the shared expertise and scholarship of students as they participate in broadening the accessibility of historical knowledge and revising standards of the historical literary canon through transcription, digitization, and shared reflection. By creating a pedagogical space that resituates …

Craftivism And Cottonian Bindings: “The Handiwork Of Greta Hall”, Helen Williams

Criticism

Edith Southey, Edith May Southey, and Sara Coleridge Jr. covered Robert Southey’s books in vibrantly printed dress fabrics, creating a collection that came to be called “the Cottonian Library.” This article is a manifesto for Cottonian bookbinding to be studied as feminist literary activism. It argues for the importance of looking beyond the book trades to the domestic and unremunerated ways in which women contributed to Romantic period book design, suggesting that the new feminist Craftivism can prompt us to historicize and to acknowledge the significance of Cottonian bookbinding as a practice that cannot be omitted from any history of …

"A Shadow Of A Magnitude": The Parthenon Marbles Through The Eyes Of Keats And Byron, Annie Griffin

Honors Projects

In 1817, The British Museum put on display a collection of sculptures taken by Lord Elgin from the Parthenon in Greece, and the controversy of the so-called “Elgin Marbles” began. The event of the marbles’ removal from Greece and display in Britain inspired poets such as John Keats and Lord Byron, who wrote of the beauty of the sculptures and the loss for Greece. The subject of the Marbles and the poets have been critically discussed at length—one need only type “Elgin Marbles” into a search bar to be met with countless recent articles about them. On the other hand, …

Selecting Authority: The Compiler And Female Mystical Sources In Speculum Devotorum, Caitlin J. Branumthrash

Medieval Feminist Forum: A Journal of Gender and Sexuality

The fifteenth-century Speculum devotorum, or Mirror to Devout People, is best known for incorporating the texts of mystical women into its narrative of the life of Christ, likely because it has an explicitly stated female audience—a nun of Syon. Rather than considering how the female audience may have perceived the female sources in Speculum devotorum, this article investigates the compiler’s views of his female sources based on how he incorporates them into his work. I argue that the compiler treats his female sources as full auctores, but he only includes their works when he addresses what he considers female …

Holy Matter Making Holy Meaning: Fashioning Memory, Community And Dissimilar Similitude In Middle Dutch Sister-Books And The Book Of Margery Kempe, Godelinde G. Perk

Medieval Feminist Forum: A Journal of Gender and Sexuality

The Middle Dutch sister-books and The Book of Margery Kempe are fifteenth-century vernacular texts by women chronicling their female subjects’ conversion and arduous attempts at a holy life. They share an (auto)hagiographic enterprise and formal and thematic features, including a display of rags and riches by the vitae’s subjects and a desire for mnemonic engagement on the part of the readers with the text. This article is the first to present the Diepenveen and Deventer sister-books and the Book as conversation partners. I draw on two main conceptual tools: 1) medieval memoria and 2) the notion of “dissimilar similitude” …

Legends Of Light: Crafting Middle Grade Fantasy In The Tradition Of Catholic Philosophy And Medieval Visual Culture, Bernadette Lamb

MFA in Illustration & Visual Culture

This essay promotes the writing and illustrating of middle grade literature that mirrors the wonder-inducing experiences of leafing through an illuminated manuscript and stepping into a Gothic cathedral. An examination of Catholic medieval visual culture moves into a discussion on its underlying philosophy and theology, which are profoundly centered on relational healing and the dignity of the human person. Christian writers including St. Pope John Paul II, C.S. Lewis, J.R.R. Tolkien, Josef Pieper, Madeline L’Engle, Dr. Bob Schuchts, Makoto Fujimura, and Andrew Peterson inform an exploration of mercy, forgiveness, and love as self-gift in the context of illustration and storytelling …

C. S. Lewis And The Occult Temptation, Thomas Garrett Isham

Sehnsucht: The C. S. Lewis Journal

Twice in his life C. S. Lewis encountered—and greatly admired—authors involved in occult theory and practice.1 The first such figure was William Butler Yeats, the second, more than two decades later, Charles Williams. Lewis reacted to their occult preoccupations in quite different ways, even while acknowledging his continuing fascination with the subject.

Review Of A Hobbit, A Wardrobe, And A Great War: How J.R.R. Tolkien And C. S. Lewis Rediscovered Faith, Friendship, And Heroism In The Cataclysm Of 1914-18, James Prothero

Sehnsucht: The C. S. Lewis Journal

Review of Joseph Loconte, A Hobbit, A Wardrobe, and a Great War: How J.R.R. Tolkien and C. S. Lewis Rediscovered Faith, Friendship, and Heroism in the Cataclysm of 1914-18 (Nashville, 2015). 256 pages. $14.90. ISBN: 9780718021764.

Review Of The Pilgrim’S Regress, Wade Annotated Edition, Arend Smilde

Sehnsucht: The C. S. Lewis Journal

Review of C. S. Lewis, The Pilgrim’s Regress, Wade Annotated Edition, ed. and introduced by David C. Downing; illustrated by Michael Hague (Grand Rapids, Michigan, 2014). xxiv + 239 pages. $25.00. ISBN 9780802872081.

In Memory: Walter Hooper (1931-2020), Steven A. Beebe

Sehnsucht: The C. S. Lewis Journal

No abstract provided.

"A Dreadful Thing": C.S. Lewis And The Experinces Of War, Timothy J. Demy

Sehnsucht: The C. S. Lewis Journal

From a Christian perspective, war entails the death and killing of people who are all created in the image of God and therefore have inherent dignity and incalculable worth. And yet, even after experiencing war at firsthand, C. S. Lewis believed that war is sometimes justifiable and necessary.

Like others of his generation, Lewis was deeply affected by the experience of war. He lived through the First and Second World Wars, serving as an officer on the Western Front between November 1917 and April 1918. His brother Warren (“Warnie”) was a career officer serving in the British army in both …

A Friend's Death: C.S. Lewis' Disagreement With St. Augustine, Jason Lepojärvi

Sehnsucht: The C. S. Lewis Journal

Lewis did nothing to conceal his admiration of—and theological pedigree to—Augustine: as he wrote, Augustine “is a great saint and a great thinker to whom my old glad debts are incalculable.”3 This is why the only time he explicitly disagrees with Augustine on an important point concerning love, he does so “with trembling.”4 Lewis’ sentiments in having to disagree with Augustine may be comparable to Stanley Hauerwas disagreeing with Lewis. It is difficult, Hauerwas wrote, “to criticize a writer who has done so much good as C. S. Lewis.”5 The purpose of the present article is to evaluate the gentlemanly …

C.S. Lewis, Public Intellectual, Samuel Joeckel

Sehnsucht: The C. S. Lewis Journal

Despite such hints and evocations, it appears that no one has attempted a systematic analysis of Lewis as a public intellectual. That is, no one has methodically employed extant theories on the concept of the public intellectual to assess how (or even whether) he fits the bill. No one has used these theories as an interpretive lens for analyzing Lewis’ writings. No one has analyzed the historical conditions during Lewis’ lifetime that pushed him into the role of public intellectual. No one has explored how Lewis adheres to the conventions of public discourse, the language of the public intellectual. And …

Back Matter (Volume 2, Issue 1), Grayson Carter

Sehnsucht: The C. S. Lewis Journal

No abstract provided.

Front Matter (Volume 2, Issue 1), Grayson Carter

Sehnsucht: The C. S. Lewis Journal

No abstract provided.

Backmatter (Volume 1, Issue 1), Grayson Carter

Sehnsucht: The C. S. Lewis Journal

No abstract provided.

Review Essay: Lewis Agonistes: How C. S. Lewis Can Train Us To Wrestle With The Modern And Postmodern World, William Gentrup

Sehnsucht: The C. S. Lewis Journal

A lengthy review of Lewis Agonistes: How C. S. Lewis Can Train Us to Wrestle with the Modern and Postmodern World. By Louis Markos. Nashville: Broadman & Holman Publishers, 2003.

ISBN 0-8054-2778-3. Pp. xv + 174. $19.99 [paper].

A Time For Joy: The Ancestry And Apologetic Force Of C.S. Lewis' Sehnsucht, James P. Helfers

Sehnsucht: The C. S. Lewis Journal

Excerpt: "In sum, it is clear that Lewis owes a great debt to Wordsworth’s idea of Joy, a debt he acknowledges explicitly through the title of his autobiography. Their views of the experience have much in common: for both it is an intense long- ing, for both it undergirds their sense of the reality of an eternal realm, as well as guiding them toward either virtue (in Wordsworth’s case) or a contemplation of and belief in the eternal (in Lewis’ case). Both of their experiences connect, ei- ther explicitly or implicitly, with the philosophical notion of the sublime. There are …

To Be Necessary: The Remarkable Life Of Mary Wollstonecraft, Elisabeth Phillips

Bound Away: The Liberty Journal of History

Although overshadowed by her daughter, Mary Shelley, in the public imagination, Mary Wollstonecraft (1759-1797) stands as a significant figure in her time who left a significant legacy. Her writings advocating for women’s education, equal rights, and career opportunities established her as the progenitor of the modern women’s rights movement. Wollstonecraft’s ideas resonated in the era of the Atlantic world revolutions and laid the foundation for later advances of women in the Western world; therefore, it is important to study her contributions in the present.

Slides On Thomas More's Warning To Readers, Travis Curtright

Printing and the Book During the Reformation: 1450-1650, an NEH Summer Seminar for College and University Teachers

Slides on Thomas More's Warning to Readers, from A Treatise on the Passion (1534)