English Language and Literature Commons^™

Shakespeare On Zoom, Fandom, And The Uncanny Humor Of Imperfections And Plurality: A Comparative Study Of The Show Must Go Online And Zoom Shakespeare Productions, Hyemin Kim

Dissertations, Theses, and Capstone Projects

This thesis surveys the phenomena of Shakespeare performance on Zoom (‘Shakespeare on Zoom’) that have emerged during the current Covid pandemic in order to illuminate a complex intersection of lockdown culture, fandom, and new media’s techno-social archive, including its affective resonances. As case studies, this study pays attention to The Show Must Go Online (TSMGO) and Zoom Shakespeare Productions (ZSP) to examine countercultural fandom, vernacular creativity, and technologically imperfect aesthetics (or anti-aesthetics) in ‘Shakespeare on Zoom’ performed by underfunded artists or amateur fans. In analyzing TSMGO’s and ZSP’s endeavors of production and dramaturgy, I bring in Sigmund Freud’s …

Personal Touches: Translation Poetics In Chinese Translations Of Shakespeare Plays, Gabriella Smith

Masters Theses

Translation, rather than a process of equivalency, requires linguistic and cultural mediation on behalf of the translator. Thought of in this way, the translation process becomes a process of rewriting to fit the sociolinguistic context, and the translator becomes the most important factor in determining how well a translation can fill in gaps present in the knowledge of the target audience. To provide a better understanding of how those with no training in translation seek to fit a translation to the linguistic audience they are provided, I conducted a study of two native bilingual Chinese students on the Wadsworth version …

Contagious Animality: Species, Disease, And Metaphor In Early Modern Literature And Culture, Jeremy Cornelius

LSU Doctoral Dissertations

In my dissertation, Contagious Animality: Species, Disease, and Metaphor in Early Modern Literature and Culture, I close read examples of Renaissance drama alongside their contemporary cultural texts to examine anxieties around social differences as constructed and mediated through what I call “contagious animality” in early modern English culture. Animal metaphors circulated anxieties around social differences on the early modern cultural stage in English drama where animality elicits uncertainties about identitarian constructions of difference. In this vein, I close read formal elements and their interactions with early modern culture to argue that animal metaphors transmit modes of speciating difference in …

Shakespeare's Hamlet And Chekhov's Ivanov And The Type Of The Russian Intellectual Of The Late 19th Century Russia, Fuad Abdul Muttaleb

Association of Arab Universities Journal for Arts مجلة اتحاد الجامعات العربية للآداب

Shakespeare’s Hamlet influenced Chekhov's plays, from Ivanov to The Cherry Orchard. Ivanov was the first genuine literary figure to be created by Chekhov and his version of the character of the Russian Hamlet. This study is not only concerned with the Hamletian elements in Ivanov, but it also tries to stress the fact that Chekhov was casting an eye on Hamlet while creating the character of his protagonist. The personality of the hero of this play still provokes critical arguments. However, the work here looks at Ivanov as a tragic character, the Russian Hamlet of the 1880s, and views the …

Matter, Nature, Cosmos: The Scientific Art Of The Early Modern English Stage, Jean Feerick

2023 Faculty Bibliography

How does our understanding of early modern performance, culture and identity change when we decentre Shakespeare? And how might a more inclusive approach to early modern drama help enable students to discuss a range of issues, including race and gender, in more productive ways?
Underpinned by these questions, this collection offers a wide-ranging, authoritative guide to research on drama in Shakespeare's England, mapping the variety of approaches to the context and work of Shakespeare and his contemporaries. By paying attention to repertory, performance in and beyond playhouses, modes of performance, and lost and less-studied plays, the handbook reshapes our critical …

Don't Say Gay: Love Language In Coriolanus, Patrick Lynch

Dissertations and Theses

Coriolanus is one of Shakespeare's Roman plays, a sub-genre which also includes Titus Andronicus, Julius Caesar, and Antony and Cleopatra. The one element these plays have in common is the ideal Roman hero, the civis romanus, who meets a tragic end. These heroes are not generally considered queer as no free Roman male could allow himself, per social indoctrination instilled since youth, to take on a submissive role. However, Caius Martius and the relationship he maintains with Tullus Aufidius could arguably be seen as homoerotic or even, possibly, homosexual. This paper takes a closer look at …

Othello As A Political Commentary On "The Myth Of Venice", Alejandro Tamayo

Graduate Research Theses & Dissertations

The premise of this essay is that the ascension of James VI of Scotland to the throne of England in 1603 motivated Shakespeare to give Othello -- performed for the king in 1604-- a setting, topicality, and an embedded political commentary that suited the political ideas and personal interests of the new monarch. After an overview of the possible sources of the play, this essay also reviews some of James's political writings, where he expresses his absolutist philosophy. Although some commentators believe there is a pro-republican subtext in Othello, this essay argues the opposite. It posits that by adding the …

Shakespeare And The Supreme Court: How The Justices Reveal Their Ideologies By Referencing His Works, Rachel Anderson

Honors Projects

The works of William Shakespeare have been referenced many times throughout history, even by Supreme Court justices. Building off of an observation of a mock trial by James Shapiro, this project puts the utilization of Shakespeare from three Court opinions in relation to its context within the play and the opinion to examine what the reference reveals about the authoring justices' ideology. In doing so, this project concludes that the justices utilize Shakespeare's works in their opinions for various reasons, including to infuse their beliefs into their argument. This implies that Supreme Court justices do not base their opinions on …

An Analysis Of Shylock In The Merchant Of Venice, Mark Muhich

Augsburg Honors Review

Because he is Jewish and a shrewd businessman, the Venetians consider him to be an outsider in their cofiununity, but his isolation from the community mav be his way of protecting his Jewishneis. In other words, Shylock fears that non-business interactions with Christians will damage the pride he has in his religion because all the Christians ridicule him. Because he mocks the Christians in Venice, most literary critics believe that Shylock is a literary villain. H. B. Charlton says that Shylock is often interpreted as "an inhuman scoundrel whose diabolical cunning is bent on gratifying a satanic lust for Christian …

Maneuvering Mestizaje In Shakespeare's Tragicomedies, Andrea Phiana Borunda

English Language and Literature ETDs

This project explores and wades through the implications of mestizaje in the murky depths of Shakespeare’s oceans. Disguises and mistakes in identities and in gender and “race” draw on the hybridity and indeterminacy of the early modern stage and its fluidity and lack of order to reflect an unhomed and unmediated formation of nationhood, diaspora, and (trans)global identities. Drawing on ecocritical and critical race theories, I contend the tragicomic works of Shakespeare expose and dismantle ecoracial fantasies of white male supremacy to curate a space of mestizaje for a new generation of BIPOC scholars.

The Bond Of Empathy In Medieval And Early Modern Literature, David Strong

Research in Medieval and Early Modern Culture

This study examines the various means of becoming empathetic and using this knowledge to explain the epistemic import of the characters’ interaction in the works written by Chaucer, Shakespeare, and their contemporaries. By attuning oneself to another’s expressive phenomena, the empathizer acquires an inter- and intrapersonal knowledge that exposes the limitations of hyperbole, custom, or unbridled passion to explain the profundity of their bond. Understanding the substantive meaning of the characters’ discourse and narrative context discloses their motivations and how they view themselves. The aim of this book is to explore the place of empathy in select late medieval and …

William Shakespeare’S All Is True, Lord Chamberlain’S “Truth,” And Civil Religion, Paul A. Olson

Department of English: Faculty Publications

The first title for Shakespeare’s Henry VIII—All Is True—may reflect standard early modern usage signifying that all is an aspect of ‘troth’ or loyalty, all is common understanding, or all is received from a divine source. In the play, the Lord Chamberlain, Shakespeare’s only character so named, serves the Henrician monarchy’s “truth” by serving Henry’s religious and monarchic goals as the Jacobean Lord Chamberlain similarly served James I’s goals, assuring audiences of the integrity, truth, and legitimacy of the monarchy and its faith. The play shows the Lord Chamberlain working to strengthen the loyalty of Henry’s realm …

The Eye’S Construction Of Power In Richard Ii, Julius Caesar And Macbeth, John O’Brien

Theses, Dissertations and Culminating Projects

This study seeks to analyze the optical performance of power in three of Shakespeare’s plays: Richard II, Julius Caesar, and Macbeth. Using a political framework via Kantorowicz’s King’s Two Bodies and Maus’s Inwardness and Theater in the English Renaissance, this paper explores the interior and exterior personas as they pertain and interact with public and private spaces. This paper will track Shakespeare’s contribution to this developing “modern” shift in the understanding of appearance and its role in the presentations of power in these three plays. In each of these plays, I argue, Shakespeare provides us with a series of presentational …

Hell's Black Intelligencers: Representing Clandestine Labor On The Early Modern Stage, Evan Alexander Hixon

Dissertations - ALL

This dissertation, "Hell's Black Intelligencers: Representing Clandestine Labor on the Early Modern Stage," builds upon critical scholarship pertaining to early modern service and political theory to interrogate the imagined economic and social functions of clandestine service in the plays of Shakespeare, Jonson, and Webster. Drawing heavily on the works of András Kiséry, David Schalkwyk, Elizabeth Rivlin, and Michael Neill, I look at the exchange of service between spy and spymaster as an accumulation of social and cultural capital. Thinking through spying in this light, this dissertation explores how playwrights represent these service relationships which fall outside of systems of patronage-driven …

The Ideal Elizabethan Marriage (Or Naught): How Fletcher’S Comedy, The Tamer Tamed Serves As A Sequel, Homage And Riposte To Shakespeare’S The Taming Of The Shrew, Katherine Brillante

Student Theses

In this thesis, I take my cue from Emma Smith, who observes that John Fletcher’s The Woman’s Prize, or The Tamer Tamed is “a sequel, an homage, and a riposte to Shakespeare’s own Taming of the Shrew” (xii). While demonstrating Smith’s point, I also explore the ideology of marriage in Renaissance England, considering what it means to be a rebellious woman with respect to that institution. While, as Ann Jennalie Cook observes, “a play is not an exact replica of the customs of the time” (83), these two plays nevertheless illuminate the ways in which marriage customs during this …

“Strumpet,” “Huswife,” “Whore”: Centering Othello’S Bianca, Phoebe Merten

English (MA) Theses

Is Bianca a sex worker? What meanings change if she is or isn’t? Not enough artistic or critical attention has been paid the character. It seems likely that the initial lack of attention stemmed from Bianca’s status as a purported sex worker, as though this makes her somehow categorically different from the other women in the play, or inherently less interesting. There has in the past decade or so been a marked increase in scholarship on sex work, but this too largely skims over Bianca, likely because of the ambiguity surrounding her profession.

In my introduction I go over some …

Love And Romance In Early Modern British Literature, Sophia Szeneitas

Senior Honors Projects

This paper seeks to describe and analyze the way in which themes of love and romance were presented in literature in early modern Britain, and how those may differ from or be similar to romantic themes in the media of today. The works being analyzed include plays by William Shakespeare and Christopher Marlowe, as well as some of Shakespeare’s sonnets. A few different lenses will be explored, including the interaction that love could have with the societal power structure and hierarchy present within the literature (such as the ways in which someone being the lover of a powerful person might …

Caliban The Savage : Shakespeare’S Critique Of Colonialist Misappropriation Of Indigenous Identities, Leonard Aquil Hughes

Theses, Dissertations and Culminating Projects

This thesis engages with Shakespeare’s The Tempest, analyzing the character Caliban as a critique of British colonialism. I argue that Caliban is not intended simply as a begrudged antagonist, but as a figure intended to represent New World natives. Shakespeare’s “savage” also acts as an on-stage embodiment of Africans and other victims of British imperial exploits that suffered subjugation and hegemony. With this character, Shakespeare provides a demonstration of the relationship between Europeans and the colonized, while challenging the very institution of colonialism. Such a work provides valuable post-Shakespearean insights as well. Caliban contributes directly to the dialogue surrounding the …

What The World Needs Now: Love, Humor And The Shakespeare Connection, Kelly Capers

English MA Theses

What the World Needs Now: Love, Humor and the Shakespeare Connection discusses how the modern romantic comedy (rom com) genre depicts gender roles in adaptations of William Shakespeare’s A Midsummer Night’s Dream and The Taming of the Shrew. This paper looks at Shakespeare’s contributions to the themes of romantic comedy and how 21^st Century filmmakers interpret his concepts. Because rom com typically lacks value among scholars, much of this genre’s impact on audiences is overlooked, yet its popularity makes it an undeniable presence deserving a closer examination. The 2020 pandemic brought into specific relief, not only the popularity …

A Man Not A Monster : Reimagining Disability In Hollow Crown's Richard Iii, Taylor E. Uphus

Honors Theses

Traditional portrayals of William Shakespeare’s Richard III (1592) in film interpret Richard’s physical disability as an outward reflection of his evil. In recent years, disabilities studies scholars have reconsidered the historic association of Richard’s physical deformity with immorality. Unlike previous Richard III films, the BBC’s Hollow Crown: Richard III (Dominic Cooke, 2016) highlights Richard’s mental abuse and trauma. While the film does not shy away from Richard’s villainy, its more empathic depiction of Richard contests the one-dimensional stage and film representation of him as a conniving monster. Ultimately, this film presents Richard III to critique society’s treatment of disabled individuals.

To Put Her In Her Place: An Interrogation Of Death And Gender In Shakespearean Tragedy, Isabella A. Zentner

Criterion: A Journal of Literary Criticism

This analysis investigates the gendered implications of Shakespearean heroines' deaths. Using Macbeth, Antony and Cleopatra, and Titus Andronicus as case studies, evidence is drawn from the text. This evidence is then supported by extensive historical research and reference to external critical studies of these tragedies. By identifying the gendered aspects of these heroines’ deaths, one can gain a greater understanding of Shakespeare’s view of female autonomy and power. The deaths Shakespeare inflicts often act as a punishment for the heroines' betrayal of traditional gender roles and forcibly return the heroines to the feminine sphere.

The Consolation Of Exempla: Gower’S Sources Of Hope And “Textual Healing” In The Confessio Amantis, Curtis Runstedler

Accessus

This article examines the role of exempla as the root cause of hope and healing in John Gower's Confessio Amantis. I argue that these exempla provide remedial action in the text. The exempla are sources of metaphorical healing in the text, functioning as what I have termed “textual healing,” that is the medicinal aspects of the text that helps remedy Amans (and the reader, to a certain extent) back to full health. This article also draws upon reading the Confessio Amantis as a consolatio poem, linking it to Boethius' Consolation of Philosophy in particular. I also discuss the role …

Remixing The Canon: Shakespeare, Popular Culture, And The Undergraduate Editor, Andie Silva

Publications and Research

This essay explores the benefits and challenges of using digital editing as a platform for social knowledge production. First, I discuss the underlying impetus for the project, my choice of Scalar as a digital platform, and a number of specific assignments designed to develop skills toward the final edition. Next, I analyze examples from student work, considering the larger implications of students’ annotation choices and the thematic focus each of them chose for their acts. Finally, I outline some of the potential pitfalls of this course. My aim is to privilege students’ discovery, negotiation, and ownership of ideas. As a …

On Cleopatra Vii: From Horace And Shakespeare To Self-Representation, Silja M. Hilton

Honors Theses

This thesis explores and analyzes Horace’s Ode 1.37 and Shakespeare’s Antony and Cleopatra in context of their poetic and theatrical narratives, word choice, and grammatical structures in an effort to form a clearer image of Cleopatra VII. While each work is placed within its historical settings, I do not pursue their historical ‘truths.’ Rather, I draw from the authors’ literary conceptions about the Ruler, from Horace’s inpotens (“a woman lacking in self-control”) to fierce agency in deciding death (“deliberata morte ferocior”), to Shakespeare’s ‘othering’ of Cleopatra as tawny, gypsy, and whore, to his portrayals of her as Goddess …

“What We Ought To Say”: Debating The Morality Of Dishonesty And Equivocation In King Lear, Markelle Jensen

Criterion: A Journal of Literary Criticism

King Lear does not reveal the nature of honesty but provides a stage on which the morality of honesty can be debated. The play questions whether honesty is inherently moral at all, or if there are ways in which honesty can be considered harmful and even immoral. Other scholars have noted this as well in characters such as Edgar and Kent, but missing from the critical conversation are the ways in which Cordelia is the pillar of moral goodness in the play, and how her own paradoxical honesty and dishonesty were what enabled Lear to “see better” and ultimately, to …

The Tragedy Of Gregory And Sampson: Teaching Romeo And Juliet’S Opening Scene, Heather G.S. Johnson

Feminist Pedagogy

Romeo and Juliet is as much about hate as it is about love. The tragedy focuses on a kind of toxic masculinity that thrives on aggression and anger and that turns communities into battlefields, men into adversaries, and women into prizes or prey. This short critical commentary zooms in on the conversation between Gregory and Sampson at the beginning of Act I.

A Seventeenth-Century Air History In Conversation With Antony And Cleopatra, Laura S. Deluca

Binghamton University Undergraduate Journal

This article works to unpack the recurrences of air-related language utilized in Shakespeare’s Antony and Cleopatra. Throughout this play, the notions of breath, wind, air, and vapor are consistently referenced, demonstrating the way in which atmospheric intangibility was a key point of exploration for contemporary scientists and philosophers. Through this analysis, it is clear that Shakespeare employs breath in three ways: the breath of (public) life, a lack of breath, and, most importantly, breath as a symbol of power and autonomy, which at times overlaps with the breath of life in ways that demonstrate contemporary conceptualizations of living beings. The …

Feminine Agency In Shakespeare's The Merchant Of Venice And Antony And Cleopatra, Grace Gronowski

Conspectus Borealis

No abstract provided.

"You Taught Me Language:" Using Shakespeare To Teach English To Speakers Of Other Languages, Sarah Blake

Honors Projects

This thesis explores how to use Shakespeare effectively in English language education. By considering cultural backgrounds and different translations, ESOL educators can assess what areas students need more guidance in, and how Shakespearean texts can help scaffold those areas. These texts can be used to teach grammar and mechanics as well as literary devices. The most effective teaching methods are also explored: examples of appropriate visuals, classroom activities, and discussion topics are given.

Egyptian Stasis And Imperial Quick-Time: Recursive Xenophobia Cloaked In Mysticism, Laura S. Deluca

Undergraduate Honors Theses

I will be examining temporality in British texts about Egypt across time. In order to achieve this, I analyze the play Antony and Cleopatra (1606) by William Shakespeare, and put it in conversation with Pharos, the Egyptian (1899) by Guy Newell Boothby. I will also be discussing Alexandria (2009) by Lindsey Davis, as a demonstration that the pattern in my findings is enduring. I will be dissecting the portrayal of Egyptian temporality, which I have found to be conveyed as a stasis, as contrasted by the quick-time of dominating imperial powers. These sources will allow me to compare depictions of …