English Language and Literature Commons^™

“Young In Deed”: Feminine Affect And Agency In Young Adult Shakespeare Adaptations, Juliana Hall

English

Approaching the cultural behemoth that is Shakespeare can be daunting, especially for young audiences; the language is antiquated and can be difficult to understand, and, due in part to the age of these works, the content is often rooted in bigoted ideologies. Young adult (YA) novel adaptations have begun reintroducing readers to Shakespeare, not only significantly enhancing the narratives, but encouraging readers to play with Shakespeare’s language in new, accessible, and exciting ways. By looking at two twenty-first century YA novel adaptations of Shakespeare’s original plays alongside the accompanying source material, I analyze how female protagonists engage with their emotions …

‘Faults To Make Us Men’: Shakespeare In The Prison System, Hannah Boyle

Honors Projects

This paper provides a comprehensive analysis of the positive impact of Shakespeare in prison programs on incarcerated individuals, utilizing empirical data, anecdotal evidence, and scholarly insights. It underscores the educational benefits of engaging with literature and performance arts within prison settings, as well as the various social-emotional learning opportunities, especially the ability to reduce recidivism rates and enhance incarcerated individuals' quality of life.

Drawing on the experience and narrative of many practitioners of theatre in prison and Shakespeare in prisons programs, this paper works to show Shakespeare's unique capacity to connect incarcerated populations with those who have gone through the …

Recognizing Traps And Frightening Wolves: Foxes And Lions As A Representative Of Machiavellian Political Ideology In Shakespeare’S Comedies, Grace A. Powell

Student Scholar Showcase

While William Shakespeare’s plays and sonnets have been discussed time and time again over the past few centuries, one topic that has been less traversed is the connection between his Comedies and Niccolò Machiavelli’s political ideologies. This project will explore references of lions and foxes in Shakespeare’s Comedies and the leaders and monarchs within them to determine how beliefs about Machiavelli’s political ideology influenced Shakespeare’s literature and became symbols for leadership and power. This project will be important for gaining historical context on Machiavellian political discourse and how it was represented in the contemporary dramatic literature of William Shakespeare. I …

“Manne, For Thy Loue Wolde I Not Lette”: Eucharistic Portrayals Of Caritas In Medieval And Early Modern English Literature And Drama 1350-1650, Rachel Tanski

USF Tampa Graduate Theses and Dissertations

The religious Reformation in England heralded significant changes in Christian theology, clerical and lay practices, and textual interpretation. These sweeping changes encompassed nearly all avenues of intellectual thought, and debates ranged from whether or not religious texts should be written in the traditional latin or the vernacular, thereby determining whether interpretive authority remained within the clergy or became available to laypersons, to arguments over very specific aspects of theological doctrine, such as the substantive nature of the Eucharist. These debates were not confined among Church officials; politicians, monarchs, commoners, and literary authors engaged in these discussions and had been doing …

Richard Iii, The Tudor Myth, And The Transition From Feudalism To Capitalism, Thomas E. Lambert

Faculty and Staff Scholarship

Over the last 10 years or so there has been a resurgence of interest in the English king Richard III, especially after his remains are found in 2012 after being lost or missing for centuries. Prior to this, there are many publications, reports, and documentaries alluding to a “smear” campaign being conducted against the king by either the Tudor monarchs who succeeded him and/or by their confederates and surrogates. It is alleged that this is done in order to promote and make the Tudor dynasty of the 16^th Century (Henry VII, Henry VIII, Mary I, and Elizabeth I) appear …

Stomach And Womb: Early Modern Recipes For The Perinatal Woman, Grace E. Beacham

English Theses - Archive

Stomach and Womb examines the recipes from early modern obstetrical treatises and midwifery manuals, revealing an ontology of parturiency that winds through the concurrent Shakespearean plays, Twelfth Night and The Winter’s Tale. Gynecological and obstetrical texts from the era detail how pregnant women were to order themselves after conception with utmost concern for their diet, governing the outputs of their bodies by managing the inputs, the foods they ingested before, during, and after pregnancy and childbirth. Further, the associated images of the stomach and the womb during this time present an essential link between foodways and a construct of …

"Lord, What Fools These Mortals Be:" Ambiguity In Shakespeare's Romeo And Juliet And A Midsummer Night's Dream, Hannah Murphy

Scripps Senior Theses

My thesis is focused on how and why ambiguity/double meanings within the language of Shakespeare plays occurs, and how this can be adapted into a ballet format as there is no verbal component. As well as why this aspect of the plays is so vital to the portrayal of the characters that to remove it would be to severely reduce the impact of the story. It focuses specifically on the plays and ballets of A Midsummer Night's Dream and Romeo and Juliet, with the NYC Ballet versions of both as a reference.

To Be A Woman Is To Perform: How Gender And Womanhood Are Discussed Through Shakespeare’S Use Of Mythology, Haley Kerner

Scripps Senior Theses

In an essay called ‘Shakespeare’s Ovid’, scholar Johnathan Bate wrote that “the first encounter between the English dramatist and the Roman poet probably occurred in the classroom of the grammar school at Stratford-upon-Avon” (Ovid, Golding, Bate, xli). Of course, the two would continue to meet many times in the concluding years. Shakespeare would have long conversations with Ovid’s Metamorphoses, especially through the voice of his characters as they jumped back and forth from his mind to the page. Shakespeare would invoke Ovid in most of his plays and many of his sonnets, guiding his readers and audience through the Roman …

Utopia And Dystopia In Shakespeare’S Plays, Wenhui Duan

Dissertations and Theses

Writers and literary scholars’ interest in utopian fiction has increased in the recent decades, although the term originates from Sir Thomas More’s 1516 Utopia. Many Shakespeare scholars show interest in studying Utopia in Shakespeare’s comedy The Tempest, but not many scholars study Utopia in other Shakespeare’s plays. The contrary to Utopia is Dystopia, which appears as a term in 1952, however, More has set out elements of Dystopia in his 1516 Utopia. Few scholars study Dystopia in Shakespeare’s plays. In three chapters, this thesis compares Utopia in two of Shakespeare’s comedies and Dystopia in two of Shakespeare’s tragedies from the …

"A Special Cause Of Corrupting Their Youth": The Long History Of Censorship, Hysteria, And The Representation Of Queer Desire In Literature, Kenia Torres

Student Theses and Dissertations

This thesis will focus on queer representation in literature, going all the way back to the works of Milton and Shakespeare and include an exploration of contemporary text Gender Queer by Maia Kobabe. I will trace queer representation back to these authors from the canon to show that queer representation in literature and societies’ hysterical reaction to it are neither new nor emergent. Chapter 1 addresses the trending outrage towards books that include LGBTQ+ representation, framing it as a “new” and “emergent” occurrence. Chapter 2 refutes the claims that LGBTQ+ representation is either of those things by introducing Milton’s angels— …

How Early Modern English Pedagogy Shaped The Gendered And Racialized Use Of Magic In William Shakespeare’S The Tempest, Erin Lindsay Faya

Graduate Thesis Collection

Magical usage plays a significant role in William Shakespeare’s play The Tempest. However, who gets to use magic and in what ways? Why is Prospero painted the protagonist while Sycorax gets labeled a witch though both use magic? This thesis looks at how early modern English pedagogy shapes the use of magic in The Tempest. When magic is read as knowledge, then the pedagogy influencing early modern education dictates whose knowledge counts and is seen as correct and whose is erased and vilified. The epistemological formation happening in early modern England is apparent in The Tempest as Prospero uses magic …

Laughter In The Shadows: Navigating Comedy And Tragedy In Much Ado About Nothing, Mary Kelly

Conspectus Borealis

No abstract provided.

“My All The World”: Constance, Motherhood, And Petrarchanism In Shakespeare’S King John, Anne Mcilhaney

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

“She Never Yet Was Foolish That Was Fair”: Whiteness As Erasure In William Shakespeare’S Othello, Kathryn Croft

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

Shakespeare’S Prince Of Denmark: Political Pandering In Hamlet, Moriah Theriault

Criterion: A Journal of Literary Criticism

Shakespeare's Hamlet contains frequent cultural ties and insights into Danish tradition that depict intentional effort to represent Danish culture. These accuracies can be seen in the description of the castle in Elsinore, the deep-seated conflicts between Christian forgiveness and revenge, and the traditional cannon salutes featured in Hamlet. Shakespeare created these connections to Danish culture for a political maneuver to win the favor of King James and his wife, the Royal Queen Anne of Denmark.

“That Danger Shall Seem Sport”: Shakespearean Romantic Comedy For A Postfeminist Era, Katherine P. Schultz

Legacy Theses & Dissertations (2009 - 2024)

In the era of the filmic romantic comedy, film adaptations of William Shakespeare’s comedies provide a unique avenue to explore the precedence Shakespeare has set for social challenge. Not only do these films attempt to integrate Shakespeare’s gendered themes into the current culture, but the filmmakers craft narratives based on elements they see as worthy of preserving. Utilizing postfeminist theory, I explore how these films discuss and challenge predominant notions of gender and sexuality and the role of romance in the lives of women. In looking at film adaptations of Twelfth Night and The Taming of the Shrew, I find …

Shakespearean Constellations, Sarah Bradshaw

University Scholar Projects

Sarah Bradshaw’s thesis argues that Shakespeare's legacy is a fundamentally collaborative product. Rather than viewing Shakespeare’s legacy as the product of a single individual, what "Shakespeare" has come to mean over the past 400 years is altered by those who read, depict, and adapt these texts. Bradshaw presents Shakespeare, Romantic critics, and film adaptors as artists collaborating with their pasts and presents to adapt texts into new environments. By adopting Walter Benjamin’s metaphor of the constellation, Bradshaw theorizes Shakespeare’s legacy as a larger image in which each source, reading, and adaptation operates as a discrete object of study that together …

The Framing Of The Shrew: Induction, Gender, And Agency In William Shakespeare’S The Taming Of The Shrew, Samantha Stringham

Undergraduate Honors Capstone Projects

Shrews abound, not only in Shakespeare’s works but in our modern world. Katherine, Shakespeare’s titular shrew, is in the good company of Beatrice, Adriana, and even, some argue, her seemingly virtuous sister Bianca. These women, all of whom push against the confines posed by the social conventions of Renaissance womanhood, have become increasingly relevant as women, now more than ever, demand that their voices be heard and continue to rally against the assertion that railing, scolding, turbulent behavior makes one a shrew (or perhaps, that being a shrew is an inherently bad thing). The increasingly feminist leanings of modern audiences …

"Cabined, Cribbed, Confined": Tyrannical Anxiety And Maternal Power In Shakespeare, Elle J. Nieuwsma

Masters Theses

The tyrannical king, a common trope in Shakespearean plays, is on the surface a powerful and confident character. He is motivated, though, by overwhelming anxiety and fear about losing his power and the freedom he experiences through it. In other words, he suffers from a metaphorical claustrophobia and is terrified of being confined to physical, social, and sexual inadequacy. In order to protect himself and maintain his freedom, the tyrant must project his anxiety onto someone else, and interestingly, the Shakespearean tyrants choose a shared target: mothers.

Through a series of close-readings and analysis, this article explores how several different …

Anti-Woman Invective On The Early Modern Stage: Abuse, Degradation, And Resistance, Savannah Xaver

Dissertations

On the early modern stage, gendered epithets like “strumpet,” “mermaid,” “minx,” “hobby horse,” “courtesan,” “drab,” and “whore” are not just markers of misogyny. Instead, these insults harm the male user as well as their female target. My cross-playwright and cross-genre connections show the complex, wide use and impact of anti-woman terms. A wide-ranging study of the plays of Shakespeare and his contemporaries reveals that gendered insults signify masculine mental decline in tragedies as well as comedies and tragicomedies. In tragedy, the increasingly violent language of male slur users – like, for example, the frustrated Othello, who declares, of his wife, …

Psychological Criticism And Shakespearean Allusions In J.M. Barrie’S Dear Brutus: A Neverland For Adults, Kathryn Alley

Senior Honors Theses

In Peter Pan, Sir James Barrie welcomes readers into Neverland, the realm of eternal youth. Barrie’s lesser-known play, Dear Brutus, ushers audiences into a supernatural garden free of responsibility, reality, and permanence. Referring to Cassius’ words in Shakespeare’s Julius Caesar, the 1917 tragedy explores the consequences of romantic escapism and the seductive power of second chances. Through the lens of Freud’s and Lacan’s psychological criticism, and Barrie’s connection to his might-have-been daughter, Margaret, Dear Brutus unveils the plight of eight mysterious strangers by illustrating that all adults are lost children. Dear Brutus feels in many ways like …

Queer Mary: Queer Temporalities In Late Medieval And Early Modern Drama, Bradley James Peppers

Theses and Dissertations

This dissertation explores how the Virgin Mary’s presence in late medieval and early modern drama stages biblical events that distort temporal strictures, disrupting how a viewer would experience the past, present, and future. In this way, past events occur nonlinearly, foreign concepts become implicit, and eternal life no longer exists outside of time. Using queer theories of temporality and history, I explore how the Virgin Mary represents a figure of change, ambivalence, and ambiguity—an evolving symbol and image having no clearly defined referent—one who, at once, inhabits a queer temporality, history, subjectivity, and sexuality. I chart these ideas by closely …

Shakespeare On Zoom, Fandom, And The Uncanny Humor Of Imperfections And Plurality: A Comparative Study Of The Show Must Go Online And Zoom Shakespeare Productions, Hyemin Kim

Dissertations, Theses, and Capstone Projects

This thesis surveys the phenomena of Shakespeare performance on Zoom (‘Shakespeare on Zoom’) that have emerged during the current Covid pandemic in order to illuminate a complex intersection of lockdown culture, fandom, and new media’s techno-social archive, including its affective resonances. As case studies, this study pays attention to The Show Must Go Online (TSMGO) and Zoom Shakespeare Productions (ZSP) to examine countercultural fandom, vernacular creativity, and technologically imperfect aesthetics (or anti-aesthetics) in ‘Shakespeare on Zoom’ performed by underfunded artists or amateur fans. In analyzing TSMGO’s and ZSP’s endeavors of production and dramaturgy, I bring in Sigmund Freud’s …

Personal Touches: Translation Poetics In Chinese Translations Of Shakespeare Plays, Gabriella Smith

Masters Theses

Translation, rather than a process of equivalency, requires linguistic and cultural mediation on behalf of the translator. Thought of in this way, the translation process becomes a process of rewriting to fit the sociolinguistic context, and the translator becomes the most important factor in determining how well a translation can fill in gaps present in the knowledge of the target audience. To provide a better understanding of how those with no training in translation seek to fit a translation to the linguistic audience they are provided, I conducted a study of two native bilingual Chinese students on the Wadsworth version …

Contagious Animality: Species, Disease, And Metaphor In Early Modern Literature And Culture, Jeremy Cornelius

LSU Doctoral Dissertations

In my dissertation, Contagious Animality: Species, Disease, and Metaphor in Early Modern Literature and Culture, I close read examples of Renaissance drama alongside their contemporary cultural texts to examine anxieties around social differences as constructed and mediated through what I call “contagious animality” in early modern English culture. Animal metaphors circulated anxieties around social differences on the early modern cultural stage in English drama where animality elicits uncertainties about identitarian constructions of difference. In this vein, I close read formal elements and their interactions with early modern culture to argue that animal metaphors transmit modes of speciating difference in …

Shakespeare's Hamlet And Chekhov's Ivanov And The Type Of The Russian Intellectual Of The Late 19th Century Russia, Fuad Abdul Muttaleb

Association of Arab Universities Journal for Arts مجلة اتحاد الجامعات العربية للآداب

Shakespeare’s Hamlet influenced Chekhov's plays, from Ivanov to The Cherry Orchard. Ivanov was the first genuine literary figure to be created by Chekhov and his version of the character of the Russian Hamlet. This study is not only concerned with the Hamletian elements in Ivanov, but it also tries to stress the fact that Chekhov was casting an eye on Hamlet while creating the character of his protagonist. The personality of the hero of this play still provokes critical arguments. However, the work here looks at Ivanov as a tragic character, the Russian Hamlet of the 1880s, and views the …

Matter, Nature, Cosmos: The Scientific Art Of The Early Modern English Stage, Jean Feerick

2023 Faculty Bibliography

How does our understanding of early modern performance, culture and identity change when we decentre Shakespeare? And how might a more inclusive approach to early modern drama help enable students to discuss a range of issues, including race and gender, in more productive ways?
Underpinned by these questions, this collection offers a wide-ranging, authoritative guide to research on drama in Shakespeare's England, mapping the variety of approaches to the context and work of Shakespeare and his contemporaries. By paying attention to repertory, performance in and beyond playhouses, modes of performance, and lost and less-studied plays, the handbook reshapes our critical …

Don't Say Gay: Love Language In Coriolanus, Patrick Lynch

Dissertations and Theses

Coriolanus is one of Shakespeare's Roman plays, a sub-genre which also includes Titus Andronicus, Julius Caesar, and Antony and Cleopatra. The one element these plays have in common is the ideal Roman hero, the civis romanus, who meets a tragic end. These heroes are not generally considered queer as no free Roman male could allow himself, per social indoctrination instilled since youth, to take on a submissive role. However, Caius Martius and the relationship he maintains with Tullus Aufidius could arguably be seen as homoerotic or even, possibly, homosexual. This paper takes a closer look at …

Othello As A Political Commentary On "The Myth Of Venice", Alejandro Tamayo

Graduate Research Theses & Dissertations

The premise of this essay is that the ascension of James VI of Scotland to the throne of England in 1603 motivated Shakespeare to give Othello -- performed for the king in 1604-- a setting, topicality, and an embedded political commentary that suited the political ideas and personal interests of the new monarch. After an overview of the possible sources of the play, this essay also reviews some of James's political writings, where he expresses his absolutist philosophy. Although some commentators believe there is a pro-republican subtext in Othello, this essay argues the opposite. It posits that by adding the …

Shakespeare And The Supreme Court: How The Justices Reveal Their Ideologies By Referencing His Works, Rachel Anderson

Honors Projects

The works of William Shakespeare have been referenced many times throughout history, even by Supreme Court justices. Building off of an observation of a mock trial by James Shapiro, this project puts the utilization of Shakespeare from three Court opinions in relation to its context within the play and the opinion to examine what the reference reveals about the authoring justices' ideology. In doing so, this project concludes that the justices utilize Shakespeare's works in their opinions for various reasons, including to infuse their beliefs into their argument. This implies that Supreme Court justices do not base their opinions on …