English Language and Literature Commons^™

Hamlet In Narnia: The Prince And The Poem In Lewis’S Chronicles Of Narnia, Sarah R. A. Waters

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

C.S. Lewis is little-known for his Shakespeare scholarship except perhaps for his lecture “Hamlet: The Prince or the Poem” for the British Academy (1942). This essay begins by discussing Lewis’s approach to the play and his desire to reenchant his audience with the play he had loved as a child, before character-criticism got in the way. It then explores how Lewis takes the Prince and the aspects he found most affective in Hamlet out of the play and explores them, imaginatively, in another world: recasting them “for children” in Narnia. The essay considers Hamlet in The Silver Chair in …

Sappho And Shakespeare: Aristotelian Views On Relationships, Catherine Corinne Reisinger

Theses and Dissertations

In Aristotle’s Nicomachean Ethics, he defines different relationships that people experience; youthful, incidental, and pure. Youthful relationships focus on strong emotions and intense passionate feelings between two individuals. Incidental relationships involve two individuals of drastically different ages, most notably mortals and deities. Pure relationships involve two individuals who are morally good and want nothing but the best for one another, showing their pure goodness. Though they lived several centuries apart, Sappho and Shakespeare display all three relationship types in their writings. Sappho showcases each type of relationship in her poetry, while Shakespeare most notably portrays all three relationships in …

Withholding In Shakespeare: An Analysis Of King Lear And As You Like It, Nylene R. Ward

Criterion: A Journal of Literary Criticism

Shakespeare is a name familiar to most people who have had the opportunity to study beyond the third grade. Withholding is a practice that isn’t as well known to us until we reach teenage and young adult years. This essay examines both of these topics, exploring the causes and effects of withholding in King Lear and As You Like It while comparing them to real-world definitions and findings. No concrete resolution is formed, instead leaving the outcome to readers as they consider the ethical, relational, and logical implications of the adult hide-and-seek that is withholding.

Sacrifice And Emotional Communities In Early Modern Literature, Kathryn C. Patton

English Theses

The early modern period in England was a time of intense political, religious, and cultural upheaval. Between the Protestant Reformation and urbanization, England experienced significant ideological changes as well as the growing pains of overpopulation and plague in its major cities. The literature of the time illustrates the emotional complexity that many of the authors and citizens experienced firsthand as a result of the tumult in England. This thesis focuses specifically on the period during the reigns of Queen Elizabeth I and James I, using the works of Sir Philip Sidney and John Donne as structural buoys for the paper, …

Sacrificial Lambs: The Perils Of Childhood In Shakespeare, Benjamin Sidney Reed

Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–

“Sacrificial Lambs: The Perils of Childhood in Shakespeare” utilizes childhood studies to read five Shakespearean plays and how they portray child characters in perilous situations such as kidnapping, banishment, and murder. It argues these dangers emulate real circumstances young people faced in the early modern period, including the boy actors playing these roles. The dissertation’s key research questions include how children in these plays exhibit agency in the face of danger, how they resist adult systems of power, and how audiences in the sixteenth and seventeenth centuries may have responded to these portrayals of imperiled and rebellious youths. The Introduction …

Subversion Of Traditional Gender Roles In Macbeth, Olivia Eubanks

Merge

No abstract provided.

“Young In Deed”: Feminine Affect And Agency In Young Adult Shakespeare Adaptations, Juliana Hall

English

Approaching the cultural behemoth that is Shakespeare can be daunting, especially for young audiences; the language is antiquated and can be difficult to understand, and, due in part to the age of these works, the content is often rooted in bigoted ideologies. Young adult (YA) novel adaptations have begun reintroducing readers to Shakespeare, not only significantly enhancing the narratives, but encouraging readers to play with Shakespeare’s language in new, accessible, and exciting ways. By looking at two twenty-first century YA novel adaptations of Shakespeare’s original plays alongside the accompanying source material, I analyze how female protagonists engage with their emotions …

‘Faults To Make Us Men’: Shakespeare In The Prison System, Hannah Boyle

Honors Projects

This paper provides a comprehensive analysis of the positive impact of Shakespeare in prison programs on incarcerated individuals, utilizing empirical data, anecdotal evidence, and scholarly insights. It underscores the educational benefits of engaging with literature and performance arts within prison settings, as well as the various social-emotional learning opportunities, especially the ability to reduce recidivism rates and enhance incarcerated individuals' quality of life.

Drawing on the experience and narrative of many practitioners of theatre in prison and Shakespeare in prisons programs, this paper works to show Shakespeare's unique capacity to connect incarcerated populations with those who have gone through the …

Recognizing Traps And Frightening Wolves: Foxes And Lions As A Representative Of Machiavellian Political Ideology In Shakespeare’S Comedies, Grace A. Powell

Student Scholar Showcase

While William Shakespeare’s plays and sonnets have been discussed time and time again over the past few centuries, one topic that has been less traversed is the connection between his Comedies and Niccolò Machiavelli’s political ideologies. This project will explore references of lions and foxes in Shakespeare’s Comedies and the leaders and monarchs within them to determine how beliefs about Machiavelli’s political ideology influenced Shakespeare’s literature and became symbols for leadership and power. This project will be important for gaining historical context on Machiavellian political discourse and how it was represented in the contemporary dramatic literature of William Shakespeare. I …

“Manne, For Thy Loue Wolde I Not Lette”: Eucharistic Portrayals Of Caritas In Medieval And Early Modern English Literature And Drama 1350-1650, Rachel Tanski

USF Tampa Graduate Theses and Dissertations

The religious Reformation in England heralded significant changes in Christian theology, clerical and lay practices, and textual interpretation. These sweeping changes encompassed nearly all avenues of intellectual thought, and debates ranged from whether or not religious texts should be written in the traditional latin or the vernacular, thereby determining whether interpretive authority remained within the clergy or became available to laypersons, to arguments over very specific aspects of theological doctrine, such as the substantive nature of the Eucharist. These debates were not confined among Church officials; politicians, monarchs, commoners, and literary authors engaged in these discussions and had been doing …

Richard Iii, The Tudor Myth, And The Transition From Feudalism To Capitalism, Thomas E. Lambert

Faculty and Staff Scholarship

Over the last 10 years or so there has been a resurgence of interest in the English king Richard III, especially after his remains are found in 2012 after being lost or missing for centuries. Prior to this, there are many publications, reports, and documentaries alluding to a “smear” campaign being conducted against the king by either the Tudor monarchs who succeeded him and/or by their confederates and surrogates. It is alleged that this is done in order to promote and make the Tudor dynasty of the 16^th Century (Henry VII, Henry VIII, Mary I, and Elizabeth I) appear …

Stomach And Womb: Early Modern Recipes For The Perinatal Woman, Grace E. Beacham

English Theses - Archive

Stomach and Womb examines the recipes from early modern obstetrical treatises and midwifery manuals, revealing an ontology of parturiency that winds through the concurrent Shakespearean plays, Twelfth Night and The Winter’s Tale. Gynecological and obstetrical texts from the era detail how pregnant women were to order themselves after conception with utmost concern for their diet, governing the outputs of their bodies by managing the inputs, the foods they ingested before, during, and after pregnancy and childbirth. Further, the associated images of the stomach and the womb during this time present an essential link between foodways and a construct of …

Utopia And Dystopia In Shakespeare’S Plays, Wenhui Duan

Dissertations and Theses

Writers and literary scholars’ interest in utopian fiction has increased in the recent decades, although the term originates from Sir Thomas More’s 1516 Utopia. Many Shakespeare scholars show interest in studying Utopia in Shakespeare’s comedy The Tempest, but not many scholars study Utopia in other Shakespeare’s plays. The contrary to Utopia is Dystopia, which appears as a term in 1952, however, More has set out elements of Dystopia in his 1516 Utopia. Few scholars study Dystopia in Shakespeare’s plays. In three chapters, this thesis compares Utopia in two of Shakespeare’s comedies and Dystopia in two of Shakespeare’s tragedies from the …

"Lord, What Fools These Mortals Be:" Ambiguity In Shakespeare's Romeo And Juliet And A Midsummer Night's Dream, Hannah Murphy

Scripps Senior Theses

My thesis is focused on how and why ambiguity/double meanings within the language of Shakespeare plays occurs, and how this can be adapted into a ballet format as there is no verbal component. As well as why this aspect of the plays is so vital to the portrayal of the characters that to remove it would be to severely reduce the impact of the story. It focuses specifically on the plays and ballets of A Midsummer Night's Dream and Romeo and Juliet, with the NYC Ballet versions of both as a reference.

To Be A Woman Is To Perform: How Gender And Womanhood Are Discussed Through Shakespeare’S Use Of Mythology, Haley Kerner

Scripps Senior Theses

In an essay called ‘Shakespeare’s Ovid’, scholar Johnathan Bate wrote that “the first encounter between the English dramatist and the Roman poet probably occurred in the classroom of the grammar school at Stratford-upon-Avon” (Ovid, Golding, Bate, xli). Of course, the two would continue to meet many times in the concluding years. Shakespeare would have long conversations with Ovid’s Metamorphoses, especially through the voice of his characters as they jumped back and forth from his mind to the page. Shakespeare would invoke Ovid in most of his plays and many of his sonnets, guiding his readers and audience through the Roman …

"A Special Cause Of Corrupting Their Youth": The Long History Of Censorship, Hysteria, And The Representation Of Queer Desire In Literature, Kenia Torres

Student Theses and Dissertations

This thesis will focus on queer representation in literature, going all the way back to the works of Milton and Shakespeare and include an exploration of contemporary text Gender Queer by Maia Kobabe. I will trace queer representation back to these authors from the canon to show that queer representation in literature and societies’ hysterical reaction to it are neither new nor emergent. Chapter 1 addresses the trending outrage towards books that include LGBTQ+ representation, framing it as a “new” and “emergent” occurrence. Chapter 2 refutes the claims that LGBTQ+ representation is either of those things by introducing Milton’s angels— …

How Early Modern English Pedagogy Shaped The Gendered And Racialized Use Of Magic In William Shakespeare’S The Tempest, Erin Lindsay Faya

Graduate Thesis Collection

Magical usage plays a significant role in William Shakespeare’s play The Tempest. However, who gets to use magic and in what ways? Why is Prospero painted the protagonist while Sycorax gets labeled a witch though both use magic? This thesis looks at how early modern English pedagogy shapes the use of magic in The Tempest. When magic is read as knowledge, then the pedagogy influencing early modern education dictates whose knowledge counts and is seen as correct and whose is erased and vilified. The epistemological formation happening in early modern England is apparent in The Tempest as Prospero uses magic …

Laughter In The Shadows: Navigating Comedy And Tragedy In Much Ado About Nothing, Mary Kelly

Conspectus Borealis

No abstract provided.

“My All The World”: Constance, Motherhood, And Petrarchanism In Shakespeare’S King John, Anne Mcilhaney

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

“She Never Yet Was Foolish That Was Fair”: Whiteness As Erasure In William Shakespeare’S Othello, Kathryn Croft

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

The Virtue Of Humour In King Lear, Kent R. Lehnhof

English Faculty Books and Book Chapters

"As the essays in this volume by Carolyn Sale and Katie Adkison clearly demonstrate, King Lear is centrally concerned with virtue. France makes it a priority when choosing Cordelia for his wife, telling her ‘Thee and thy virtues here I seize upon’ (1.1.250).1 Similarly, Cornwall cites Edmund’s ‘virtue and obedience’ when deciding to ‘seize on’ Edmund as his own (2.1.115, 118). The fact that characters as opposite as Cordelia and Edmund are alike ‘seized’ upon on account of their virtue underscores how difficult it can be to determine who and what is truly virtuous. Lear highlights this very problem when …

Shakespeare’S Prince Of Denmark: Political Pandering In Hamlet, Moriah Theriault

Criterion: A Journal of Literary Criticism

Shakespeare's Hamlet contains frequent cultural ties and insights into Danish tradition that depict intentional effort to represent Danish culture. These accuracies can be seen in the description of the castle in Elsinore, the deep-seated conflicts between Christian forgiveness and revenge, and the traditional cannon salutes featured in Hamlet. Shakespeare created these connections to Danish culture for a political maneuver to win the favor of King James and his wife, the Royal Queen Anne of Denmark.

“That Danger Shall Seem Sport”: Shakespearean Romantic Comedy For A Postfeminist Era, Katherine P. Schultz

Legacy Theses & Dissertations (2009 - 2024)

In the era of the filmic romantic comedy, film adaptations of William Shakespeare’s comedies provide a unique avenue to explore the precedence Shakespeare has set for social challenge. Not only do these films attempt to integrate Shakespeare’s gendered themes into the current culture, but the filmmakers craft narratives based on elements they see as worthy of preserving. Utilizing postfeminist theory, I explore how these films discuss and challenge predominant notions of gender and sexuality and the role of romance in the lives of women. In looking at film adaptations of Twelfth Night and The Taming of the Shrew, I find …

The Way Of The Bodhisattva: A Buddhist Understanding Of King Lear, Marquerite Tassi

Publications: English

What can Buddhism offer contemporary religious understandings of King Lear? Shakespeare’s great wisdom play has been viewed, more often than not, as pessimistic, even nihilistic, in its tragic rendering of the human condition. A Buddhist perspective challenges the premises of such a bleak reading by offering profound insight into how suffering gives rise to compassion, empathy, and wisdom, rather than despair. Focusing particularly on the enigmatic spirituality and moral function of Edgar, this article illuminates his character through the revered teachings of a classic Indian text of Mahāyāna Buddhism, Shāntideva’s Way of the Bodhisattva. Edgar appears in the …

Shakespearean Constellations, Sarah Bradshaw

University Scholar Projects

Sarah Bradshaw’s thesis argues that Shakespeare's legacy is a fundamentally collaborative product. Rather than viewing Shakespeare’s legacy as the product of a single individual, what "Shakespeare" has come to mean over the past 400 years is altered by those who read, depict, and adapt these texts. Bradshaw presents Shakespeare, Romantic critics, and film adaptors as artists collaborating with their pasts and presents to adapt texts into new environments. By adopting Walter Benjamin’s metaphor of the constellation, Bradshaw theorizes Shakespeare’s legacy as a larger image in which each source, reading, and adaptation operates as a discrete object of study that together …

The Framing Of The Shrew: Induction, Gender, And Agency In William Shakespeare’S The Taming Of The Shrew, Samantha Stringham

Undergraduate Honors Capstone Projects

Shrews abound, not only in Shakespeare’s works but in our modern world. Katherine, Shakespeare’s titular shrew, is in the good company of Beatrice, Adriana, and even, some argue, her seemingly virtuous sister Bianca. These women, all of whom push against the confines posed by the social conventions of Renaissance womanhood, have become increasingly relevant as women, now more than ever, demand that their voices be heard and continue to rally against the assertion that railing, scolding, turbulent behavior makes one a shrew (or perhaps, that being a shrew is an inherently bad thing). The increasingly feminist leanings of modern audiences …

"Cabined, Cribbed, Confined": Tyrannical Anxiety And Maternal Power In Shakespeare, Elle J. Nieuwsma

Masters Theses

The tyrannical king, a common trope in Shakespearean plays, is on the surface a powerful and confident character. He is motivated, though, by overwhelming anxiety and fear about losing his power and the freedom he experiences through it. In other words, he suffers from a metaphorical claustrophobia and is terrified of being confined to physical, social, and sexual inadequacy. In order to protect himself and maintain his freedom, the tyrant must project his anxiety onto someone else, and interestingly, the Shakespearean tyrants choose a shared target: mothers.

Through a series of close-readings and analysis, this article explores how several different …

Anti-Woman Invective On The Early Modern Stage: Abuse, Degradation, And Resistance, Savannah Xaver

Dissertations

On the early modern stage, gendered epithets like “strumpet,” “mermaid,” “minx,” “hobby horse,” “courtesan,” “drab,” and “whore” are not just markers of misogyny. Instead, these insults harm the male user as well as their female target. My cross-playwright and cross-genre connections show the complex, wide use and impact of anti-woman terms. A wide-ranging study of the plays of Shakespeare and his contemporaries reveals that gendered insults signify masculine mental decline in tragedies as well as comedies and tragicomedies. In tragedy, the increasingly violent language of male slur users – like, for example, the frustrated Othello, who declares, of his wife, …

Psychological Criticism And Shakespearean Allusions In J.M. Barrie’S Dear Brutus: A Neverland For Adults, Kathryn Alley

Senior Honors Theses

In Peter Pan, Sir James Barrie welcomes readers into Neverland, the realm of eternal youth. Barrie’s lesser-known play, Dear Brutus, ushers audiences into a supernatural garden free of responsibility, reality, and permanence. Referring to Cassius’ words in Shakespeare’s Julius Caesar, the 1917 tragedy explores the consequences of romantic escapism and the seductive power of second chances. Through the lens of Freud’s and Lacan’s psychological criticism, and Barrie’s connection to his might-have-been daughter, Margaret, Dear Brutus unveils the plight of eight mysterious strangers by illustrating that all adults are lost children. Dear Brutus feels in many ways like …

Queer Mary: Queer Temporalities In Late Medieval And Early Modern Drama, Bradley James Peppers

Theses and Dissertations

This dissertation explores how the Virgin Mary’s presence in late medieval and early modern drama stages biblical events that distort temporal strictures, disrupting how a viewer would experience the past, present, and future. In this way, past events occur nonlinearly, foreign concepts become implicit, and eternal life no longer exists outside of time. Using queer theories of temporality and history, I explore how the Virgin Mary represents a figure of change, ambivalence, and ambiguity—an evolving symbol and image having no clearly defined referent—one who, at once, inhabits a queer temporality, history, subjectivity, and sexuality. I chart these ideas by closely …