English Language and Literature Commons^™

Phillis Wheatley Peters’S British Publicity Campaign, Susan Carlile

ABO: Interactive Journal for Women in the Arts, 1640–1830

Scholarship has tended to place its focus on Phillis Wheatley Peters’ unsuccessful efforts in America, followed by an account of one British figure, the Countess of Huntingdon, who patronized the publication of Poems on Various Subjects in London in 1773. However, the chronology of the British campaign, the modes of print publication, and the locations in which Phillis Wheatley Peters’ words were published deserve closer attention. This essay highlights previously unknown or unremarked upon British publications outside London, the Drewry Derby Mercury, the Ipswich Journal, the Hibernian, and John Gillies’s Memoirs of the Life of the Reverend George Whitefield, …

Indigenous Language Guidelines And Resources, Shelby Johnson, Katarina O'Briain, Willow White

ABO: Interactive Journal for Women in the Arts, 1640–1830

These collaboratively written guidelines offer suggestions and resources for writing about Indigenous Peoples, knowledge, and histories ethically and respectfully. With an awareness that this work is ongoing, that terms and language are subject to change, and that no set of guidelines or essays can fully account for diverse Native histories, these guidelines and resources offer suggestions for best practices for eighteenth-century scholars who are considering engaging in this work. The authors and contributors of this document understand that language is always evolving and that these guidelines may not be relevant indefinitely and in all circumstances. At some point, we imagine …

Monstrosity In Mary Shelley’S Frankenstein And Leigh Bardugo’S Six Of Crows, Jordyn Fortuna

Lux et Fides: A Journal for Undergraduate Christian Scholars

The main characters in Mary Shelley’s Frankenstein and Leigh Bardugo’s Six of Crows reveal the potential within everyone for Monstrosity. This disregard for humanity can stem from many things, but it can also be prevented through community and sympathy. Monstrosity is often misconstrued due to a false perception guided by a sighted bias. In reality, however, characters’ humanity can be shown to the reader through a greater insight into their traumas and intentions. This paper highlights the idea that reputation cannot be trusted, but instead must be further examined to reveal the Monster within.

Visual Images As A Gateway To Scholarly Inquiry In Information Literacy Instruction, Carolyn White Gamtso, Susanne F. Paterson

Faculty Publications

In this interactive session, participants will engage in activities that use student-generated questions about visual images as entry points to research literary criticism of Shakespeare’s play Hamlet. The presenters collaborated on a student-centered, inquiry-based information literacy lesson (IL) focused on visual literacy, critical thinking, and research question design in an introductory literary analysis course. The co-instructors decentralized the classroom by empowering students to ask probing questions about illustrations from an early 20th-Century edition of Hamlet. Workshop participants will experience the presenters’ lesson firsthand by using the Right Question Institute’s Question Formulation Technique (QFT) as a springboard to research question development, …

Ford Madox Ford’S Unusual War: Ongoing Worry And Modernity, Nur Karatas

English: Faculty Publications and Other Works

In Parade’s End, Ford Madox Ford approaches the experience of trauma in an unusual way—it is no longer just past experiences, but the expectancy of dismal events that become as traumatic. Ford chooses worry for such rendering. In order to make the correlation between suffering and sensibility, he places worry in the lives of his characters, which reflects on Ford’s own life. This discussion will introduce the idea that worry is going to be a major component of Ford’s psychologising of war. I explore this worry-driven sensibility and the ways it is reflected, especially in the characters’ obsession with the …

Theology And Tolkien: Practical Theology (2023), Edited By Douglas Estes, Lisa Coutras

Journal of Tolkien Research

Book review, by Lisa Coutras, of Theology and Tolkien: Practical Theology (2023), edited by Douglas Estes

Poem No. 131, June 2024, Huntsville Literary Association (Huntsvile, Ala.)

POEM

The Huntsville Literary Association was founded in 1967 to provide a community for writers, readers, and artists through workshops, readings, and educational programs. One of their key contributions is the literary magazine titled POEM which showcases original writings from both established and emerging writers. This issue features poems from various writers.

The Best Children's Books Of 2024: Summer Reading Guide, Bank Street College Of Education. Children's Book Committee.

Children's Book Committee

Notable titles that have captured the attention of our members as well as experts in the field of children’s literature, such as librarians, authors, teachers, psychologists, and editors. This is the perfect place to find a book that will delight young readers during the long days of summer.

Memoriam, Mira Helena Darham

Dartmouth College Master’s Theses

The chasm between past and present is a constant reminder of the perilous journey one takes through the fissures of memory. While on this expedition the forms surrounding you, the memories themselves, are a constantly changing landscape that make navigation a difficult and dangerous task. Is a memory a recall or a remembrance, truth, or construction? Are all memories as they happened or are we the “rememberer,” the architect of their composition? This dilemma has been the impetus of my academic pursuits and creative endeavors. For Memoriam I have chosen an event in my past, a wildfire, as the catalyst …

Shake Ya Ass, But Watch Yourself: An Intersectional And Decolonial Approach To Exploring The Sexualization Of Female Recording Artists And The Empowerment Of Women In The United States, H.B. Rebeka

Dissertations

This dissertation, titled Shake Ya Ass, But Watch Yourself: An Intersectional and Decolonial Approach to Exploring the Sexualization of Female Recording Artists and the Empowerment of Women in the United States, critically examines the phenomenon of sexualization of women in the music industry and its impact on female empowerment. Through an intersectional and decolonial feminist lens, the study delves into the historical and socio-cultural contexts that shape the portrayal and perception of female recording artists in the United States.

The research traces the roots of feminism and the commodification of racial stereotypes through music, exploring how female empowerment has been …

The Construct Of English Native Speaker In Hong Kong, Ka Long Roy Chan

Journal of English and Applied Linguistics

The paper provides a discussion of the construct of English native speakers among Hongkongers. Beginning with a review of the linguistic landscapes of Hong Kong, including English language education and English usage, followed by an introduction of a debate on the construct of English native speakers, this paper demonstrates the potential inclusion of Hongkongers as native speakers of English, with the use of their English variety, Hong Kong English. Additionally, the paper argues for a revision of the traditional geographically bounded definition of native speaker, drawing upon discussions by Rampton (1990), Kachru (1998), and Hansen Edwards (2017a, 2017b) regarding the …

Queer Impersonality: Compulsory Visibility And The Politics Of Form In Modernist Women's Life Writing, Margot Kotler

Dissertations, Theses, and Capstone Projects

Modernist impersonality is an aesthetic practice typically associated with Anglo-European formalism and the doctrine of artistic autonomy. Although central to the modernist canon, impersonality has not been taken up by queer and feminist studies because critics have considered its implied evacuation of emotion and personal identity to be apolitical, and even dangerous. At its worst, impersonality reproduces an unmarked, white, and masculine subjectivity, yet it also questions the parameters of selfhood, posing a radical challenge to liberal-humanist conceptions of identity. Queer Impersonality moves beyond this critical impasse by tracing impersonality’s queer and feminist histories among modernist women writers whose engagement …

Bad Becomings: Autobiographical Writing, Queer/Trans Theory, Melancholia, Jacob Elias Aplaca

Dissertations, Theses, and Capstone Projects

Bad Becomings surveys queer autobiographical works published over the last 30+ years to better understand the animosities and complicities of the queer and the so-called normative. While the limited scholarship on queer autobiographical writing has characterized this corpus of texts based on an edginess, a radicality, and a rejection of the liberal individual that both flies in the face of “traditional autobiography” and indulges queer theory’s persistent idealization of queer culture as radical and antinormative, this dissertation asks that we suspend our desire for so absolute a differentiation. Rather than assume that “queer” automatically makes “autobiography” radical and antinormative, I …

Defying Normativity: Reclaiming A Narrative Of Queer Resistance In Young Adult Literature, Christopher Morabito

Dissertations, Theses, and Capstone Projects

At the heart of this dissertation lies a single question: how Queer is Queer Young Adult Literature? As many scholars have argued, Queerness is, in many ways, a literacy, and literature is one of the greatest sponsors of Queer Literacy. While there is certainly no one comprehensive definition of what it means to be queer, it is also true that the general understanding of queerness has changed quite drastically in the last few decades. What was once used as a term to describe someone who is outside of social conventions has slowly begun to lose its sense of “otherness,” and …

Beyond Me: Class, Sexuality, And The Work Of The Autobiographical Fragments Of Audre Lorde, Dorothy Allison, And Eileen Myles, Erin E. Heiser

Dissertations, Theses, and Capstone Projects

This dissertation looks at what I am calling the “autobiographical fragments” of three working-class, lesbian (or queer) authors: Audre Lorde, Dorothy Allison, and Eileen Myles whose writing is stylistically quite different from one another’s, but who nonetheless have all produced bodies of work that represent bits of their lives over and over and in different ways, sometimes overlapping in time and narrative detail. While there are certainly other writers whose work shares many of the same characteristics, I argue that the autobiographical fragment has special significance for marginalized subjects. Woven throughout the dissertation are many of my own autobiographical fragments …

Project Maplemon: Peeling Back The Secrets Of Queer Writing Through Stylometric Demographic Identification, Theodore D. Manning

Dissertations, Theses, and Capstone Projects

Project MapLemon is a corpus for stylometric demographic identification of 54,000+ words across 345 participants, originally created to obtain a baseline corpus for linguistic variation among North American English speakers. The corpus contains responses from 30 linguistic backgrounds, and 40 US states and 6+ Canadian provinces. Project MapLemon has innovated a new method for data collection for linguistic variants in the natural, digital written word. Project MapLemon utilizes a hand-drawn map and asks the participant to give directions via this map, as well as asking participants for a recipe for lemonade. In addition to its novel collection methods, MapLemon contains …

When Critics Are Artists: Ekphrasis In Erotic Art Criticism, Joanna A. Ligon

Dissertations, Theses, and Capstone Projects

In “Against Interpretation,” Susan Sontag argues for an erotics of art in art criticism in place of hermeneutics. In this thesis, I examine erotics of art, a focus on form and experiencing art instead of exclusively on content, in practice. Drawing on other essays by Sontag, specifically the essay “Godard” in comparison with the filmmaker Jean-Luc Godard’s own filmic criticism in Breathless, criticism according to an erotics of art becomes a new artwork itself. Subsequently, I present a definition of erotic through Anne Carson and Roland Barthes and juxtapose the term with Hans-Georg Gadamer’s hermeneutics. The comparison ultimately undoes …

Time Ripens On The Counter: A Literary History Of The Americas, Judah Rubin

Dissertations, Theses, and Capstone Projects

The tumultuous years of the 1970s and 1980s are generally seen as marking the ends of the New Left in the United States and the Americas at large. With shifts afoot in US policy that would see the drawdown and close of the Vietnam War, increased subversion and infiltration of Left-wing movements, these decades are often remembered as a holding pattern and, later, nadir in progressive, not to mention revolutionary, gains. The same was true, if not amplified, across the Americas where, tens of thousands were murdered, imprisoned and disappeared across the Southern Cone and into the Andes, and where …

The Redemption Of History: Poetics And Politics In The Modern Epic, Giacomo R. Bianchino

Dissertations, Theses, and Capstone Projects

This dissertation, “The Redemption of History: Poetics and Politics in the Modern Epic.” provides a materialist theory of the modern epic, focusing on the way that the poets deployed this form towards political ends. Building on theories of the epic going back to the German Romantics, it argues that the modern form is predicated on the idea that it has departed from the conditions that made the ancient form possible. It examines the way that writers in the late nineteenth and early twentieth century developed the idea that the immediacy of the social “totality” expressed by the ancient epopee was …

Ekphrasis: An Exploration Of Poetry Inspired By Art, Caitlin Cacciatore

Dissertations, Theses, and Capstone Projects

“Ekphrasis: An Exploration of Poetry Inspired by Art” is an Open Educational Resource (OER) that occupies the underdeveloped niche of freely available teaching and learning materials about the interdisciplinary poetic medium of ekphrasis. Ekphrastic poetry is a form dating back to Book XVIII of the Iliad, experiencing a revitalization in the latter half of the 18^th century, when demand for written descriptions of paintings was in high demand, and again taking on a new, modern meaning in the early 19^th century, with poems like John Keats’ 1819 “Ode on a Grecian Urn.” Ekphrasis is …

Towards More Inclusive Practices In Applied Linguistics: A Study Of Journal Editors’ Views On Using ‘Who’ With Nonhuman Animals With Implications For Language Education, Denise Dillon, George M. Jacobs, Meng Huat Chau

Journal of English and Applied Linguistics

Like racism or sexism, speciesism highlights how people fail to give due respect to nonhuman animals. After more than 20 years since the publication of Dunayer’s (2001) seminal work, Animal Equality: Language and Liberation, speciesism appears to remain a controversial issue. In this article, we explore the issue of speciesist language by considering the views of journal editors on one point raised in the seventh edition of the Publication Manual of the American Psychological Association (2020): that the relative pronoun who should only be used with humans and not with other animals. The results of this study suggest that while …

Literary Lepidopterology: Nabokov And The Book That Was A Butterfly, Dave Patterson

Anthós

In this paper I examine Vladimir Nabokov's Lolita, arguing that contrary to many interpretations, the book does not assert a moral lesson, and is instead a work of art for art’s sake. I examine its formal structures to demonstrate this claim. First I look at a Doppelgänger motif between the characters of Humbert Humbert and Clare Quilty. Since this motif is independent of Humbert’s character arc, it is narratively insignificant and becomes merely one of many themes related to doubles, twins, and mirror images. I also explain how Nabokov was a lifelong scientist studying butterflies and moths, and saw …

Once, I Was Very Very Scared And More: An Exploration Into Depictions Of Interpersonal Trauma In Children's Literature, Emma K. Siepmann

University Honors Theses

This thesis examines the ways in which experiences of interpersonal trauma are depicted in English-language contemporary literature for elementary-aged children (6-11 years). A review of academic literature suggests that interpersonal trauma can have devastating and ongoing repercussions for individuals and their communities, although establishing a sense of relational safety can help mitigate these effects and facilitate healing after a traumatic experience. This research explores age-appropriate literature as a therapeutic tool for developing relational safety and providing critical skills to children at risk for and recovering from interpersonal trauma. This study analyzes the depictions of interpersonal trauma found in 11 picture …

“The Hero Of My Own Life”: The Purpose Of The Fictional Self In The Life Writings Of Mary Wollstonecraft And Charles Dickens, Jessica M. Day

Honors Projects

This paper looks at Letters written in Sweden, Norway, and Denmark by Mary Wollstonecraft and David Copperfield by Charles Dickens as significant texts that combine fiction and life writing. Looking at fictional and autobiographical elements within each text, this paper argues that these authors manipulate genre to make significant claims about feminism and child activism. They participate in self-crafting—taking the self, something that is personal, and making it public and political. This paper argues that fiction allows the life writer to expand past the limitations of a single lifetime and speak to truths larger than the self. Letters written …

Eliot’S Raid On The Ineffable, Louie Alexandris

The Criterion

In the poem Four Quartets, T.S Eliot employs a fragmentary form to dramatize the disjointed continuity of time. Within the poem though, the fluctuation or fragmentation of the form is also in service to the whole by showing the unending exploration of man to reach the “still point” of divine contemplation. For Eliot, the fragmentary nature of the form in Four Quartets is in service to the whole, because the continual fluctuation of musicality embodies a journey or exploration for the “still point” of the world to achieve true contemplation. In that sense, Eliot’s poem is an artistic success, …

Downfall To Friendliness?: Analyzing Common Tropes In The Boy Who Loved Too Much, Heather Paglia

The Criterion

One of the most commonly held misconceptions regarding the disabled population is that living with any disability automatically decreases the quality of life. It is assumed that any deviation from society’s established norm for the perfect brain and body must be a burden. Both the physical and social implications associated with disability have forged in the minds of many the idea that a disabled life could not possibly be a good life. This overarching negativity, however, is turned on its head when considering Williams Syndrome, a rare genetic disorder more accurately described as happy syndrome. This so-called disability is not …

The Criterion (2024)

The Criterion

No abstract provided.

“No Friend Like A Sister”: Christina Rossetti’S Fantastic Departure From Pre-Raphaelite Poetics And Art In “Goblin Market”, Anna M. Lee

The Criterion

Christina Rossetti’s poetics and artistic vision in her seminal poem, “Goblin Market,” have yielded a range of critical theories, from positions on sisterhood to the ambiguous position of capitalist markets. While considering the socioeconomic and cultural context behind the poem’s development and resonance among contemporary feminist movements, readers also ought to consider the actual “goblin brotherhood” — the Pre-Raphaelite Brotherhood (PRB) — behind Rossetti’s authorial ventures. This paper argues that Rossetti’s fantastical methods draw influence from and participate in the PRB’s poetics and artistic traditions, while subverting the same conventions within a feminist paradigm. Rossetti not only envisions a homosocial …

Moving “Passed” Life For Death, Gwyneth Morrissey

The Criterion

The paper Moving “Passed” Life for Death explores Emily Dickinson's poem #479, "Because I could not stop for Death," focusing on the theme of movement expressed through the word "passed." It analyzes the contradictory qualities of movement and stopping and how they interplay. At the same time, it looks into how the poem's periodic stopping points highlight the natural cycle of life and death, challenging the conventional and fearful understanding of dying. Dickinson's use of "passed" ultimately alludes to the persistence of life after death, altering readers' perceptions of mortality. The essay presents an intriguing interpretation of life, death, and …

The Configuration Of Society In "The Dispossessed" And "Blindness", Patrick Ryan

The Criterion

In both Ursula K. Le Guin's The Dispossessed and José Saramago’s Blindness, character’s are posited into scenarios where the structure of society is either foreign, dilapidated, or outright missing. This essay aims to rationalize why the authors arranged their respective worlds this way, and illuminate points of comparison and contrast between the two works. To achieve this goal, this essay specifically analyzes the types of societies seen within the two novels, and what role individual characters have in shaping them. Additionally, through a supplementary examination of related secondary sources, this essay hopes to answer fundamental questions about the portrayal …