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Articles 1591 - 1593 of 1593
Full-Text Articles in English Language and Literature
Nonhuman Animals And Hope: Kazuo Ishiguro’S Never Let Me Go And Philip K. Dick’S Do Androids Dream Of Electric Sheep?, David P. Rando
Nonhuman Animals And Hope: Kazuo Ishiguro’S Never Let Me Go And Philip K. Dick’S Do Androids Dream Of Electric Sheep?, David P. Rando
English Faculty Research
What can critical animal studies learn by temporarily directing attention away from representations of nonhuman animals in literature? Kazuo Ishiguro's Never Let Me Go and Philip K. Dick's Do Androids Dream of Electric Sheep? allow readers to experience the hopes of engineered or artificial nonhuman creatures. Without presuming to know the unknowable or to make the animal speak, these novels help to further animal liberation discourses by democratizing the ostensibly human concept of hope, opening new paths of empathy between nonhuman and human animals while making it harder to accept the instrumentalization of nonhuman animals under anthropocentric capitalism.
Rural Black Masculinity And The Blues In Not Without Laughter, Andy Oler
Rural Black Masculinity And The Blues In Not Without Laughter, Andy Oler
Publications
In the 1930 novel Not without Laughter, Langston Hughes represents a wide range of Black experience in the Midwest – the “picturesque” alongside the horrific, the old-fashioned, as well as the modern.Hughes uses the novel’s setting, the small town of Stanton, Kansas, to determine some of the limits placed on protagonist Sandy Rodgers and his family, and their attempts to work through them.
Art, Propaganda, And Truth, Melissa Dinsman
Art, Propaganda, And Truth, Melissa Dinsman
Publications and Research
This essay explores how British and American writers and theorists in the first half of the twentieth century thought about art, propaganda, and truth. Focusing largely on literature written during the First and the Second World Wars, this essay shows that very few authors defined their art as propaganda or truth and instead used words like “political,” “resistance,” “information,” and “anti-fascist” to describe their wartime writing. However, while authors might have eschewed the term propaganda, that does not mean that they avoided producing it. As this essay illustrates, what many authors wrote would now be considered “propaganda.” Moreover, even if …