English Language and Literature Commons^™

Women With Short Hair, Amanda Layne Stephens

Theses, Dissertations and Capstones

Women with Short Hair is a short-fiction collection that centers on the lives of four women who live in West Virginia. Each story depicts a female character during a different developmental stage: childhood in ―In Casino Daycare,‖ young adulthood in ―Felis domestica,‖ adulthood in ―Date Night at the Beach,‖ and middle-age in ―Women with Short Hair.‖ Short-fiction collections that influenced Women with Short Hair include Flannery O‘Connor‘s A Good Man Is Hard to Find, James Joyce‘s Dubliners, and Ernest Hemingway‘s In Our Time. Symbolism, repetition, the objective correlative, and free indirect discourse constitute reoccurring literary devices while reappearing themes include …

(De)Constructing Jane: Converting Austen In Film Responses, Karen Gevirtz

Department of English Publications

No abstract provided.

" Lu-Li-Lunacy And Sorrow:" The Grotesque In John Irving's The World According To Garp, Nicole J. Homer

Theses

No abstract provided.

Miller's "The Magician's Book: A Skeptic's Adventures In Narnia" - Book Review, Gary L. Tandy

Faculty Publications - Department of English

No abstract provided.

Real Artificial: Tissue-Cultured Meat, Genetically Modified Farm Animals, And Fictions, Susan Mchugh

English Faculty Publications

Although touted by promoters as the cutting edge of food science, meat produced in vitro (rather than from a whole animal) is emerging more directly from developments in fine art—more specifically, from the aesthetic experiments of Australian-based artists Oron Catts and Ionat Zurr, who ask: What language do we have to describe the agency of tissue-cultured life? This essay begins to answer this question by tracing a tradition whereby bioengineered meat mediates complex environmental critiques in literary fiction over the past century, including Margaret Atwood’s exemplary novel Oryx and Crake (2003), which depicts biotech industries producing three distinct kinds of …

Words & Images 2010, University Of Southern Maine

Words and Images

Publishing Director: Jesse Leighton

Fiction Editors: Renee Decamilis, Brian Spigel, Mark Rowland

Art Director: Aubin Thomas

Poetry Editors: Tamarah Smith, Jonathan Wilson, Todd Perry

Going Public: What Writing Programs Learn From Engagement, Shirley K. Rose, Irwin Weiser

All USU Press Publications

An important new resource for WPA preparation courses. In Going Public, Rose and Weiser moderate a discussion of the role of the writing program vis-a-vis the engagement movement, the service learning movement, and the current interest in public discourse/civic rhetoric among scholars of rhetoric and composition. While there have been a number of publications describing service-learning and community leadership programs, most of these focus on curricular elements and address administrative issues primarily from a curricular perspective. The emphasis of Going Public is on the ways that engagement-focused programs change conceptions of WPA identity. Writing programs are typically situated at points …

Parnassus 2010

Parnassus

The 2010 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.

A Philology Of Liberation: Dr. Martin Luther King, Jr. As A Reader Of The Classics, Thomas Strunk Ph.D.

Verbum Incarnatum: An Academic Journal of Social Justice

This paper explores the intellectual relationship between Dr. Martin Luther King, Jr. and the classics, particularly the works of Plato, Sophocles, and Aeschylus. Recognizing Dr. King as a reader of the classics is significant for two reasons: the classics played a formative role in Dr. King’s development into a political activist and an intellectual of the first order; moreover, Dr. King shows us the way to read the classics. Dr. King did not read the classics in a pedantic or even academic manner, but for the purpose of liberation. Dr. King’s legacy, thus, is not merely his political accomplishments but …

A Review Of "Labor And Writing In Early Modern England, 1567-1667" By Laurie Ellinghausen, Julie Campbell

Faculty Research & Creative Activity

No abstract provided.

Writing Renaissance Emblems: Flaming And Tortured Hearts In The First Part Of The Countess Of Montgomery's Urania, Julie Campbell

Faculty Research & Creative Activity

No abstract provided.

Volume 42 (2010), C. V. Davis

The Broad River Review

The 2010 edition of The Broad River Review was edited by C. V. Davis. The publication contains fiction, non-fiction, art, poetry, and photography. The cover was photographed by Justin Roper. The winner of the J. Calvin Koontz Poetry Award, given annually for a portfolio of poetry to a senior English major, is Nicholas Laughridge. The Broad River Review Editor's Prizes in Fiction and Poetry are chosen among all submissions from Gardner-Webb University students. The prize in poetry was awarded to Jennifer Hart for her work titled, "In August." The prize in fiction was awarded to Sarah Steadman for her work …

Acting His Age?: The Resurrection Of The 80s Action Heroes And Their Aging Stars, Philippa Gates

English and Film Studies Faculty Publications

No abstract provided.

“A Young Voice, A Statue, And Marvell's 'The Nymph Complaining', Matthew Harkins

English Faculty Publications

The allegorical flexibility of Marvell's ‘The Nymph Complaining for the Death of Her Fawn’ is consonant both with shifting ideas of youth in early modern England and with Marvell's complicated fascination with the young. A companion poem by Marvell's contemporary, Thomas Philipott, also describes how a young nymph in a garden turns into a weeping statue: the differences between these two poems underscore how Marvell's young narrator, rather than satisfying familiar interpretive practices, prompts investigation into the cultural implications of these practices. Ultimately, the poem reconsiders the nature of pastoral and the consequences of circumscribing the voices of the young.

Divergent Worldviews In Ron Rash's "Serena", Brenda Dye Stephens

MA in English Theses

Ron Rash, through Serena, captures the often misunderstood complex nature of the Appalachian people in the early twentieth century and the effects of human centered environmental changes on this culture and natural landscape. The focus of this analysis involves viewing Serena through the lens of ecofeminism and introducing Rash's vision of the important interrelationship between landscape and culture, particularly in light of the historical outsider vision and its impact upon the people of Appalachia.

The culture and natural environment of the Appalachian people are revealed through the gazes of the characters. Through the fictional viewpoints in Serena,Rash creates a …

Between The Way To The Cross And Emmaus: Deconstructing Identity In The 325 Ce Council Of Nicaea And "The Shack", Trevar Simmons

MA in English Theses

This paper argues that when Christians acknowledge the deconstruction of their identity surrounding orthodoxy/heresy, Christians can embody the imitatio Christi and imago Dei. The argument begins by analyzing how Christians construct their identity along the orthodoxy/heresy lines by investigating a 2009 Bible burning by Amazing Grace Baptist Church in Canton, NC. Reaching into the past and present, deconstruction is found in a prototypical orthodoxy/heresy debate at the 325 CE Council of Nicaea and the modern hubbub in and surrounding William Paul Young's novel The Shack.

“He Is Com Of Full Noble Bloode”: The Brotherly Love Of Gareth And Gawain In Thomas Malory's Morte Darthur, Kristin Bovaird-Abbo

English Faculty Publications

Towards the end of Sir Thomas Malory’s fifteenth-century tale of Sir Gareth of Orkney, Gareth makes a damning comment regarding Gawain: “he wythdrewe hymself fro his brother sir Gawaynes felyshyp, for he was evir vengeable, and where he hated he wolde be avenged with murther: and that hated sir Gareth” (1: 360). This statement has puzzled critics, for as Bonnie Wheeler notes, “the text of this tale provides no proof of Sir Gawain’s deviancy or vengeful character” (129). After all, Gawain, ignorant of his relationship to Gareth, behaves nobly toward the young newcomer, offering him food, drink, and money, …

Mirren's Autobiography: The Life And Poetry Of Marion Bernstein (1846-1906), Edward Cohen, Linda Fleming

Faculty Publications

No abstract provided.

Carlo Flunks The Seventh Grade, Greg Alan Brownderville

Birmingham Poetry Review

p. 11

Boy In The Forest, Joanna Pearson

Birmingham Poetry Review

pp. 78-79

A Painting Of Us, Okla Elliott

Birmingham Poetry Review

p. 21

The Porch, Claudia Emerson

Birmingham Poetry Review

p. 23

The Body's Refrain, Anna Evans

Birmingham Poetry Review

p. 26

In Situ, E Laura Golberg

Birmingham Poetry Review

pp. 29-32

Exoricsm, Jason Gray

Birmingham Poetry Review

p. 34

Hackberry, Linda Parsons Marion

Birmingham Poetry Review

p. 61

A Wish For My Children, Jill Mccorkle

Birmingham Poetry Review

p. 64

Raccoon, Casey Ward

Birmingham Poetry Review

p. 83

Is Gothic Dead?:Tthe Evolution Of The Vampire Novel, Janis Haigwood Hudson

Theses Digitization Project

Critic Fred Botting claims that the gothic genre is dead due to reader's assimilation of horror in their everyday lives. He cites violence on the news and graphic documentaries as ways in which people can be desensitized to gothic books and movies. This, according to Botting, results in a lack of expected reader/viewer reaction and is the basis of his assertion. This thesis examines three vampire novels: Dracula (1897), I Am Legend (1954), and Carrion Comfort (1984). These three novels were written over a span of one hundred years and published almost fifty years apart. When examined from a male …

The Prologue (To Everything That Came Before), Hope Jennings

English Language and Literatures Faculty Publications

No abstract provided.