English Language and Literature Commons^™

A Woman Alone And Writing: Anti-Ideology And Artistic Irony In Writings Of Mary Shelley, Delores Archaimbault

Masters Theses

This study focuses upon the letters, journals and selected fiction of Mary Shelley and reveals that Shelley engages in the processes of anti-ideology and artistic irony to help her explore gender identity. To show her consistent use of these processes, I juxtapose excerpts from her letters and journals with excerpts from her fiction. The fiction selections are narrowed to three: Frankenstein, Mathilda and The Last Man. In addition, I examine her writing and her use of anti-ideology and artistic irony relative to the influences of her significant others: her mother Mary Wollstonecraft, her father William Godwin and her …

Edgar In Wonderland: Elements Of Nonsense In Lewis Carroll And Edgar Allan Poe, Martha Taussig

Masters Theses

The names of Lewis Carroll and Edgar Allan Poe would seldom appear together as literary "kindred spirits." While Carroll's imaginative tales have delighted generations of children and continue to provide vivid bedtime story memories, Poe's tales produce equally vivid nightmares. A comparison of the two writers' works, however, leads to the startling realization that despite their apparent differences, Carroll and Poe used the same tools and techniques to explore the same epistemological and existential questions. Like artists dipping into the same colors and simultaneously painting the same psychic landscape, they created eerily similar literary canvasses.

Carroll has long been recognized …

Toward A Theory Of Gendered Reading, Larry Edward Schoenholtz

Masters Theses

Sociolinguistic studies have long acknowledged that men and women sometimes read, write, speak, and view differently. This is often recognized as a cultural phenomenon, but there are increasing reasons to suppose that biology may play a larger role in these differences than was suspected two or three decades ago. Over the last fifteen to twenty years, in particular, evidence has continued to mount in that direction from studies in neurophysiology, endocrinology, and infant behavior. In addition, sociobiological perspectives first proposed in the 1970s seem to have met with large success in being confirmed by cross-cultural studies done in the 1980s. …

A New Sense Of Time In Female Development: Linearity And Cyclicity In Atwood's Surfacing And Cat's Eye, Diana L. Unes

Masters Theses

No abstract provided.

A Genetic Model Of Duality In Latin American Magical Realism, Keith Spear

Masters Theses

No abstract provided.

An Analysis Of Personal Pronouns In Middle English Literary Texts, Melissa Jill Bennett

Masters Theses

This thesis examines the evolution of personal pronouns from the tenth to the fourteenth centuries, with a particular focus upon the southern literary dialects of that era. The baseline text for this analysis is the Anglo-Saxon poem The Dream of the Rood, although Bright's paradigm of Anglo-Saxon pronouns is also employed. The Owl and the Nightingale (circa 1200), The Fox and the Wolf (circa 1275), Piers Plowman (circa 1375), and Parliament of Fowls (circa 1375) are used to illustrate the changes in the forms of the pronouns over four centuries, Chaucer's Parliament serving to represent the emerging London standard. …

Rethinking Space And Time: Pueblo Oral Tradition And The Written Word In Leslie Marmon Silko's Ceremony, Lynn K. Galbreath

Masters Theses

No abstract provided.

Shirley Jackson--Escaping The Patriarchy Through Insanity, Jennifer Noack

Masters Theses

No abstract provided.

Jonathan Swift: A Study Of Personae And Satire, Susan J. Uhlarik

Masters Theses

No abstract provided.

From Tragedy To Hope: A Study Of The Parallels In The Thought Of Samuel Johnson And T.S. Eliot, Thomas Daniel Mcgrath

Masters Theses

In this paper, the similarities between Samuel Johnson and T.S. Eliot are explored. Both men opposed the optimism with which their contemporary intellectuals had begun to regard humanity and its possibility for fulfillment on earth. While Johnson was from the 18th century, and Eliot from the 20th, the intellectual movements of their day bore a similar tone. The reaction of these two men was also similar.

Johnson and Eliot presented in their writing a similar view of the emptiness of human experience. This is most apparent in Johnson's The History of Rasselas and Eliot's The Waste Land, and the …

The Transformation Of Immanence: From The Augustinian Faith Of Henry Vaughan To The Rationalist Faith Of S.T. Coleridge, Tristum M. Ryan

Masters Theses

The present study focuses on the conception of immanence and the manner in which it evolved from the seventeenth century, as represented in Henry Vaughan's Silex Scintillans, to the nineteenth century, as represented in Samuel Taylor Coleridge's nature poetry and his collection of letters, Confessions of an Inquiring Spirit. Vaughan's conception of a basic immanence of reflected divinity in nature evolved, over the course of two hundred years, into Coleridge's version of an immanence based on reason. These two different conceptions of immanence in part formed the basis of the respective faiths of Vaughan and Coleridge. Vaughan's traditional Augustinian faith …

From Innocence To Experience In William Blake's The Book Of Thel And The Visions Of The Daughters Of Albion, Ann B. Moutray

Masters Theses

My thesis focuses on William Blake's challenge of the conventional Christianity of his time and his questioning of what he perceived as the hypocritical moral codes of the Church of England. Blake blames these codes for dominating and imprisoning humanity by preventing individuals from acting through their use of the imagination. For Blake, the imagination does not simply imply a creation of the imaginative faculty; instead, it refers to an imagination that is transforming and that becomes a measure of salvation and deliverance from the man-made codes that imprison humanity. These codes, while originating from and propagated by the Church …

Anne Rice's Vampire Aesthetic: Redefining The Vampire Tradition, Kurt Alan Kemp

Masters Theses

No abstract provided.

The Feminine Other: A Study Of The Women In Shakespeare's Major Tragedies, Kurt E. Wilamowski

Masters Theses

The central examination of this thesis concentrates on the essential contributions of the female characters in Shakespeare's major tragedies--Hamlet, Othello, King Lear, and Macbeth. Without the women's conflict with the patriarchal order, the males would be unable to recognize and combat the corrupt elements in their society. The awareness of the female characters allows them to perceive the tainted patriarchal atmosphere they dwell in and operate within it as best as they can.

In short, each woman's individual field of awareness allows her to act as the executor of the dénoucement in the tragedy. Even …

Exposing Bluebeard! Angela Carter Gets Delirious In The Magic Toyshop, Heroes And Villains, "The Bloody Chamber," And "The Fall River Axe Murders", John Waite

Masters Theses

No abstract provided.

The Allegorical And Symbolic Modes Of Representation In W. Wordsworth's Poems Of The Fancy And Poems Of The Imagination, Irena Nikolova Nikolova

Masters Theses

The present study focuses on the controversial issue concerning the differentiation of Fancy and Imagination in the context of S. T. Coleridge's and W. Wordsworth's Romantic aesthetics. Wordsworth's theoretical and poetic discourses lead to an indeterminacy in the attempts to distinguish between the "lower" poetic faculty of Fancy and the "higher" poetic faculty of the Imagination. The present investigation proceeds from the assumption that the two poetic modes can only be defined accurately as complementary rather than distinct. They engender an unstable perspective upon the external world which allows for transmutations of the visible into the visionary, of the act …

"And The Woman Is A Stranger": The Double-Voiced Discourse In Jean Rhys's Wide Sargasso Sea And Voyage In The Dark, Hsiao-Chien Lee

Masters Theses

As the daughter of an English father, Jean Rhys inherited from her father and his sister the assertion that England was her motherland. On the other hand, growing up in Dominica which is inhabited mostly by African-Caribbean people, and surrounded by black servants--some of whom were her childhood playmates, Rhys naturally identifies herself with blacks. In her unfinished autobiography (Smile Please 1979), Rhys points out that she used to envy black people, feeling that they laugh a lot and seem to have a better time than whites do. Nevertheless, the problematic tensions of colonial and postcolonial society obstructed the …

Imagination And Intuition In The Narrative Of Charlotte Brontë, Norma Henning

Masters Theses

In this paper, I will examine the four novels of Charlotte Brontë: The Professor, Jane Eyre Shirley and Villette. I will examine the reason/passion conflict within the characters of William Crimsworth, Jane Eyre, Caroline Helstone and Lucy Snowe. I will show that there exists a basic duality within each of these characters: the pull of duty and the desire to escape into passion and the imagination. Jane Eyre and Lucy Snowe resolve the conflict by recognizing the divided nature of their souls and emerge as complete and whole individuals. William Crimsworth and Caroline Helstone refuse to acknowledge the …

Like He Would Jump Me With A Book: Black Humor In Sanctuary And Oliver Twist, Deborah Leclaire

Masters Theses

Although many critics have compared William Faulkner and Charles Dickens, no one has fully developed the resemblance between their uses of black humor. Using several critics' definitions of black humor, I examine several aspects of black humor in Faulkner's Sanctuary and Dickens' Oliver Twist: the presence of the wasteland in society, the irreverent treatment of death and religion, the presence of grotesques and perverse sexuality.

Like the humour noir of the French surrealist movement, black humor in both of these books is very much involved in these authors' indictment of society. Both Faulkner and Dickens use black humor to …

A New Reading Of Ruth Suckow, Judith Pierson

Masters Theses

By 1950, after three decades of writing, Ruth Suckow (1892-1960) was a well-respected writer whose work seemed headed for a permanent position in the canon of American literature. Instead, Suckow's fiction steadily became less known through the following decades. The question of why her work came to be ignored and why such a position is unwarranted is addressed in A New Reading of Ruth Suckow. The conclusion is that a regionalist categorization and a related gender bias in the literary canon have adversely affected Suckow's works.

Gender bias is reflected in the critical assumptions which ascribe an inferior position to …

A Woman's Quest For Happiness: O'Neill's "Private Myth", Andrea Ximena CampañA Garcia

Masters Theses

Following the approach used by James Hurt in his book Catiline's Dream to determine Henrik Ibsen's "private myth" which he retold in play after play, I have delineated O'Neill's "private myth" in a narrower way concentrating on his female characters. Examining parallel motifs in the lives of the dominant women in Desire Under the Elms, Strange Interlude, and Mourning Becomes Electra, I have detected this mythic pattern involving the O'Neillian woman: She goes through an early innocent and submissive state guided by an initial vision of happiness which can be regarded as fairly conventional. But when her …

Narrative Perspective In Willa Cather's O Pioneers!, My Antonia And A Lost Lady, Debra L. Will

Masters Theses

No abstract provided.

Expectations As Character Development In Chaucer's Clerk's Tale, Kevin Gorham

Masters Theses

The Clerk of Oxenford in Chaucer's Canterbury Tales is often maligned for lacking development as a literary character. Frequently, the Clerk has been dismissed as a stereotype or an ideal rather than a multi-dimensional character. The Clerk's character, much like the meaning of his tale, is concealed from the reader and veiled behind expectations.

Chaucer manipulates readers by exploiting expectations associated with fourteenth century clerks. These expectations derive from historical and literary stereotypes which constitute the General Prologue portrait of the Clerk. Because Chaucer's description of the Clerk is populated with stereotypes, the reader expects the Clerk to tell a …

Chaucer's "Nether Ye": A Study Of Chaucer's Use Of Scatology In The Canterbury Tales, Brook Wilson

Masters Theses

Chaucer's use of scatology throughout the Canterbury Tales offers a new frontier for Chaucerian research. To this date, no book-length work dealing exclusively with the scatological elements found in his works exists. Too often, the serious and artistic effects of scatology become lost in the great comedy the device generates. Furthermore, many readers and scholars seem to find themselves somewhat "squaymous" when confronted with the "nether ye" of Chaucer. While Chaucer employs scatology perhaps less frequently than Swift or Rabelais, his mastery of this device remains unquestionable.

Recognizing that the uses for scatology extend far beyond creating humor, Chaucer instead …

Tolkien's Unnamed Deity Orchestrating The Lord Of The Rings, Lisa Hillis

Masters Theses

The epic world created by J.R.R. Tolkien in the Lord of the Rings trilogy is one in which secular and religious elements are intertwined and the relationship between the two is intentionally kept vague. Within this created world, known as Middle Earth, good and evil are apparent, but the standard by which they are determined remains undefined. The free creatures living in Tolkien's world appear to have an intuitive ability to discern between good and evil, and each being generally exercises its free will in pursuit of one or the other though some personalities do combine the qualities. This innate …

Rhetoric In Fiction: A Fantasy-Theme Analysis Of Conrad’S Heart Of Darkness, Thomas S. Caldwell

Masters Theses

This study meets three primary objectives.

First, it demonstrates how rhetorical theory and Iiterary criticism are compatible fields of study and explains how Ernest Bormann's rhetorical theory based on "fantasy-theme analysis" can be used as an appropriate method for the analysis of literary works.

Secondly, this study identifies a trend in late Nineteenth Century "adventure stories" in which travel to foreign lands and European influence on the cultures of those lands is portrayed as "good" and "philanthropic."

Finally, this study concludes with a fantasy-theme analysis of Joseph Conrad's Heart of Darkness which reveals that Conrad's adventure fiction breaks away from …

The "Double Sorwe" Of Troylus And Criseyde: An Analysis Of Chaucer's Dramatic Tragedy, Suzanne Renae Mclaughlin

Masters Theses

No abstract provided.

Female Fantasists: Re-Visioning The Archetypal Warrior, Tammy M. Bear-Tibbs

Masters Theses

This thesis discusses female archetypal warriors in several fantasy novels written for children and adolescents. The novels examined include A Wrinkle in Time, A Wind in the Door, and A Swiftly Tilting Planet by Madeleine L'Engle; The Mists of Avalon by Marion Zimmer Bradley; Dragonflight, Dragonguest, The White Dragon, Dragonsong, and Dragonsinger by Anne McCaffrey; and The Tombs of Atuan and Tehanu by Ursula K. Le Guin. The thesis argues that, by expanding gender roles and portraying their female characters as strong archetypal warriors, these authors force a rethinking of existing archetypal criticism. Using …

An "Avowed Contradiction": Gender And Historical Instability In Clarissa, Jennifer C. Berkshire

Masters Theses

As one of the first novels written, Samuel Richardson's Clarissa serves as an important social text with which to examine the eighteenth century. Most theoretical studies of the emergence of novelistic discourse have interpreted the rise of the new genre as a reflection of other broader socio-economic changes. This study focuses on the role of the novel in bringing about such changes--in articulating particular attitudes, beliefs, and opinions that have come to be associated with the middle class. The study involves an examination of Clarissa, Lovelace, and the Harlowe family as representatives of particular ideologies, or understandings of history, with …

The Small Crimes Of Arthur Payne, Franklin T. Young

Masters Theses

Prologue

People ask how I could love a man with Arthur Payne. They say he was cruel, he sold out, he never loved me, that he thought no more of killing a man than a housefly. They're right. All Arthur cared about was the message he was created to deliver. Our shared days--the September afternoons we walked alone the shore at Cape Ann with our pants rolled up, and the fringe of the Atlantic foamed between our bare toes, or the city hours when Arthur followed me as I took pictures of black kids in scuffed British Knights trying to …