English Language and Literature Commons^™

Straight Record And The Paper Trail: From Depression Reporters To Foreign Correspondents, Magdalena Bogacka-Rode

Dissertations, Theses, and Capstone Projects

Straight Record and the Paper Trail: From Depression Reporters to Foreign Correspondents engages with Martha Gellhorn's The Face of War (1959), Virginia Cowles' Looking for Trouble (1941) and Josephine Herbst's The Starched Blue Sky of Spain and Other Memoirs (1991) as documentaries of struggle. Documentary as a mode of writing and image making reveals dissonance, contradictions and varied perspectives which undermine the official historical record. The three writers, I argue, by republishing their Spanish Civil War (SCW) journalism in book form intended to set their record straight. This was motivated by their commitment to the 1930s struggle and the need …

Reclaiming Space: Buildings In Modernist Literature And Film, Sreenjaya Ria Banerjee

Dissertations, Theses, and Capstone Projects

This dissertation argues that modernists like Virginia Woolf, T. S. Eliot, and Alain Resnais construct literary and filmic works that rely on interruptions and elliptical narration to gesture towards an aesthetics of modernity that counters the interest in monoliths concurrently shown by architectural modernism. This is particularly evident in the context of the war memorial, where regimented public memory is countered by the artistic works discussed through their emphasis on private memorials that are changeable, contingent, and mutable. This is a fundamentally altered vision of twentieth century modernity than that embraced by the architectural mode.

The Vastness Of Small Spaces: Self-Portraits Of The Artist As A Child Enclosed, Matthew John Burgess

Dissertations, Theses, and Capstone Projects

A tent of bed sheets, a furniture fort, a corner of the closet surrounded by chosen objects--the child finds or fashions these spaces and within them daydreaming begins. What do small spaces signify for the child, and why do scenes of enclosure emerge in autobiographical self-portraits of the artist? Sigmund Freud's theory that the literary vocation can be traced to childhood experiences is at the heart of this project, especially his observation that "the child at play behaves like a writer, in that he creates a world of his own, or rather, re-arranges the things of this world in a …

Rendering The Unthinkable: (Un)Knowable Animality, Compulsory Recovery, And Heterosexualized Trauma In The Hunger Games, Jennifer Polish

Dissertations, Theses, and Capstone Projects

Dystopian fiction is expected to reflect deeply on the interactions between identities, bodies, and state control. Suzanne Collins's The Hunger Games Trilogy is no exception. The disturbing trilogy situated animality, disability, and trauma (both of non-humans and of humans) as being firmly controlled by the power of the state (the Capitol). Through its portrayal of hunting and genetic manipulation, the trilogy constructed a state-created animality which refused definitive labeling and insisted upon facing animal subjectivity while simultaneously disregarding the needs and desires of those considered to be non-human. Similarly, the state held sway over both the creation and elimination of …

"She Said Plain, Burned Things": A Feminist Poetics Of The Unsayable In Twentieth Century Literary & Visual Culture, Leah Souffrant

Dissertations, Theses, and Capstone Projects

This dissertation examines the way silence, blank space, and other forms of creative withholding attempt to translate the unsayable, or to convey the unsayability of language in artistic form. Through a study of the works of Sylvia Plath, Jean Rhys, Rachel Zucker, Marguerite Duras, Anne Carson, and visual images, this work observes the connection between women's writing in the 20th century and the communication of painful subject matter through attention to absence. This study attends explicitly to how formal qualities in artistic works attend to ontological concerns through an examination of the intersection of concerns with phenomenology, feminism, and formal …

The Advance Of The Mobile Woman: Representations Of British Women's Physical Mobility, 1660-1820, Amanda Booth Springs

Dissertations, Theses, and Capstone Projects

Britain's long eighteenth century (1660-1820) underwent an infrastructure and transportation revolution. Over the same period of time, scholars argue, the ideology of "the domestic woman" grew increasingly prevalent. This dissertation explores the improvements to roadways and representations of the various ways in which British women of the period increasingly utilized transportation, equestrianism, and pedestrianism to traverse the nation, which was also reflected in the development of traveling clothing for women. It argues that these literary and pictorial representations depict the tensions around women's increasing capacity for physical movement, contending that the ideology of the domestic woman was largely reactionary rhetoric …

Committing To The Waves: Emerson's Moving Assignments, Karinne Keithley Syers

Dissertations, Theses, and Capstone Projects

Committing to the Waves: Emerson's Moving Assignments reads Ralph Waldo Emerson as a writer of assignments for living and working whose senses can be taken up across a wide array of creative and exploratory fields. Shifting between an interdisciplinary array of contexts ranging from philosophy and poetics to dance, performance, and somatic movement experiments, I join the practical sense of creative inquiry embodied in these fields to the abstract images of Emerson's assignments. I argue that Emerson's descriptions of intelligence and power, and so his approaches to navigating skepticism and loss, as well as the non-possessive sense of what "self" …

"For The Voices": The Letters Of John Wieners, Michael Seth Stewart

Dissertations, Theses, and Capstone Projects

American poet John Wieners is thoroughly disenfranchised from the modern poetic establishments because he is, to those institutions, practically illegible. He was a queer self-styled poete maudit in the fifties; a protege of political-historical poet Charles Olson who wrote audaciously personal verse; a lyric poet who eschewed the egoism of the confessional mode in order to pursue the Olsonian project of Projective (outward-looking) poetics; a Boston poet who was institutionalized at state hospitals. Wieners lived on the "other side" of Beacon Hill, not the Brahmin south slope, but the north side with its working-class apartments and underground gay bars. Though …

Reading Cruft: A Cognitive Approach To The Mega-Novel, David J. Letzler

Dissertations, Theses, and Capstone Projects

Reading Cruft offers a new critical model in which to examine a genre vital to modern literature, the mega-novel. Building on theoretical work in both cognitive narratology and cognitive poetics, it argues that the mega-novel is primarily characterized by its inclusion of a substantial amount of pointless text ("cruft"), which it uses to challenge its readers' abilities to modulate their attention and rapidly shift their modes of text processing. Structured into five chapters respectively devoted to subgenres in which mega-novels have been grouped--the dictionary novel, the encyclopedic novel, the Menippean satire, the picaresque and frame-tale, and the epic and allegory--it …

Musical Landscapes: Theophile Gautier And The Evolution Of Nineteenth Century French Poetry, Dana Milstein

Dissertations, Theses, and Capstone Projects

Theophile Gautier's first edition of Emaux et camees (1852) marks the juncture at which Romantic, Neoclassical, and nascent Symbolist poetic theories converged under the umbrella ideology of "Parnassianism." Emaux et camees synthesizes the aesthetics promoted by these diverse groups, primarily by 1) using "musical" and "painterly" language, 2) emphasizing correspondences among arts, and 3) paradoxically demanding an attention to form and the artist's labor while also emphasizing art's inutility during a century characterized by Progress. Gautier's Emaux et camees bridges painterly and musical poetics to create a new model for poetry.

While the vocabulary of painting captivated many nineteenth century …

The Grammar Of Choice: Charles Dickens's Existential Idea Of Religion, Hai Na

Dissertations, Theses, and Capstone Projects

This dissertation challenges the received opinion that Charles Dickens's religious thinking is merely sentimental and philanthropic. Instead, I argue that there is in his works a very consistent "existential" sense of religion, especially in his mature novels. To be religious for him does not lie in the adherence to dogma or the study of theological arguments, but in the crucial choices people make every day. In order to illustrate this "existential" sense of religion, I analyze, in the first chapter, relevant works by Kierkegaard, Carlyle, George Eliot, and Dostoevsky, in order to establish the context in which Dickens's religious views …

Paris And Havana: A Century Of Mutual Influence, Laila Pedro

Dissertations, Theses, and Capstone Projects

This dissertation employs an interdisciplinary approach to trace the history of exchange and influence between Cuban, French, and Francophone Caribbean artists in the twentieth century. I argue, first, that there is a unique and largely unexplored tradition of dialogue, collaboration, and mutual admiration between Cuban, French and Francophone artists; second, that a recurring and essential theme in these artworks is the representation of the human body; and third, that this relationship ought not to be understood within the confines of a single genre, but must be read as a series of dialogues that are both ekphrastic (that is, they rely …

Provisional Fictions: Discontinuous Selves And The Making Of Meaning, Tara Roeder

Dissertations, Theses, and Capstone Projects

My project is an exploration of trauma-based meaning-making practices and reader response across a variety of sites. By teasing out some of the complex connections among trauma, narrative, and audience that may occur in spaces ranging from non-linear memoir to courtroom testimony to the writing classroom, I engage with the inherently dialogic nature of making meaning from trauma, and examine some of the ways in which women who engage in recursive, embodied rhetorical practices can productively disrupt conventional expectations of the function of trauma narratives. Chapter One examines the formal, linguistic, and philosophical choices made by women memoirists who challenge …

How Silently Sheela-Na-Gig Speaks: Memory, Mythos, And The Female Body, Amber C. Snider

Dissertations, Theses, and Capstone Projects

How and why do we destroy female agency, still today? Focusing on some of the mythical foundations and formations found in ancient Celtic and Greek imaginings, the "bodily" aspects in particular, this thesis traces the ways in which some of the modern women intellectuals receive or reject the typical feminist or female elements found in mythologies; the elided nature of the female trinity and the life giver-destroyer circularity inherent in goddesses and archetypes, for instance, appears to mirror our cultural impulse to destroy the female body. It is then not enough to create a new mythology by and for women--we …

Wordsworth, Ruins, And The Dialectics Of Melancholia, Colin Dekeersgieter

Dissertations, Theses, and Capstone Projects

The concept of melancholia as it pertains to Romantic poets is often relegated to its simpler meaning of gloomy or depressed. This work provides an analysis of the motifs of melancholia in the work William Wordsworth as an allegory of the artist's relationship to their art. I am interested in melancholia as the tension between the melancholic's acute awareness of his temporal actuality and the grave desire for transcendence as a poet. Operating within this dialectic fractures Wordsworth's interiority as he struggles to ground himself in both realms. This dialectic is most often reconciled when the poet finds a …

The Over-Education Of The Negro: Academic Novels, Higher Education And The Black Intellectual, Archie Lavelle Porter

Dissertations, Theses, and Capstone Projects

This dissertation focuses on the academic novel - a literary genre which fictionalizes the lives of students and professors in institutions of higher education. In particular this project focuses on academic novels written by black writers and which address issues in black higher education. This dissertation has two concurrent objectives: 1) to examine the academic novel as a particular genre of literature, and to highlight some specific novels on black American identity within this genre, and 2) to illustrate the pedagogical value of academic fiction. Through the ancient practice of storytelling, academic novels link the travails of the individual student …

A Chant Of Dilation: Walt Whitman, Phrenology, And The Language Of The Mind, Anton Borst

Dissertations, Theses, and Capstone Projects

A Chant of Dilation analyzes Walt Whitman's poetic engagement with two very modern ideas: the materiality of the mind and the discursive nature of science. During the antebellum period these ideas found expression in the popular science of phrenology, the theory that the mind was divided into various faculties physically located in different parts of the brain. This theory would find a ready audience in Whitman, a poet preoccupied with the body, the soul, and their connection. The writings and publications of premier American phrenologists Orson and Lorenzo Fowler, surveyed in this project, rhetorically mediated emerging conceptions of the brain-embodied …

Battles With Words: Literate And Linguistic Resistance In Multi-Ethnic U.S. Literature And Everyday Life, Melissa A. Dennihy

Dissertations, Theses, and Capstone Projects

Battles with Words analyzes the role of multi-ethnic U.S. literature as an alternative form of cultural production which critiques and challenges U.S. linguistic and literate hegemony and homogeneity. The texts comprising this field continually emphasize the ways in which words, through language and literacy, become tools of power and action used by the ethnically marginalized to negotiate everyday advantages for themselves and challenge the linguistic and cultural domination of Anglo America. Through their critiques of the culture of English-only monolingualism that has continued to dominate the national landscape of the U.S. throughout the twentieth and twenty-first centuries, these authors indicate …

Space & Distance As I Require: The Journals And Prose Fragments Of Philip Whalen 1950-1966, Brian Unger

Dissertations, Theses, and Capstone Projects

Space & Distance As I Require: The Journals & Prose Fragments of Philip Whalen 1950 - 1966 presents the early journals, prose fragments, and a few unpublished poems and essays by San Francisco Renaissance and Beat Generation poet Philip Whalen (1923-2002). This work includes a scholarly apparatus with both general literary and textual introductions, a critical bibliography that reflects my literary-historical concerns, brief section introductions, annotations, and an informal concordance with Whalen's poetry utilizing The Collected Poems of Philip Whalen (ed. Rothenberg, 2007) as a reference work.

Philip Whalen was an Irish-American writer with roots in small town Oregon, a …

El Oficio De La Escritura Y La Estetica En La Obra De Roberto Bolano, Ainoa Inigo

Dissertations, Theses, and Capstone Projects

This dissertation aims at attaining a general understanding of the aesthetics and philosophy on the practice of writing of Roberto Bolaño (1953-2003), the Chilean poet and writer, through interpretive devices developed by him and by extrinsic means. Bolaño claimed that his works stemmed from a pre-extant poetic universe, so that each work is interrelated thematically with the rest of the oeuvre and individually representative of the totality.

Throughout the works analyzed, our two primary questions--the aesthetical and ethical--intercept while we examine his understanding of the role of the writer and literature itself. Estrella distante (1996), Los detectives salvajes (1998) and …

The Transnational Latin American Regionalism Of Mario Vargas Llosa And Milton Hatoum, Michele C. Kettner

Dissertations, Theses, and Capstone Projects

The present dissertation analyzes the novels The Green House (1966) and The Storyteller (1987), by Peruvian writer Mario Vargas Llosa, and Two Brothers (2000), by Brazilian novelist Milton Hatoum and reinterpret literary regionalism in the Amazon region. I claim that the new variety of regionalist literature represented by both authors challenges hegemonic national representations of Peru and Brazil and conceptualizes Amazonian ecology in the context of global capitalism. In the first chapter, I evaluate the critical apparatus of the older tradition of Latin American regionalism proposing the concept of the "region" as an "invention" (Albuquerque Jr.). My reading reveals how …

Common Knowledge: The Epistemology Of American Realism, Mark Sussman

Dissertations, Theses, and Capstone Projects

My dissertation, Common Knowledge: The Epistemology of American Realism, focuses on realist fiction (primarily the novel) at the end of the nineteenth century. Its motivating claim is that the central descriptive and thematic imperative of realism--to depict life "as it is" rather than in some idealized form--emerged in response to crises in the status of knowledge that resulted from an attempt by writers and readers to come to a common understanding of the relationship between private experience and an increasingly fragmented social world. While William Dean Howells's definition of realism as a form of writing that displays "fidelity to experience …

Clue, Code, Conjure: The Epistemology Of American Detective Fiction, 1841-1914, Jennifer Weiss

Dissertations, Theses, and Capstone Projects

This dissertation posits American detective fiction between 1841 and 1914 as a meaningful category and interrogates forms of knowledge used in this genre. The conventional wisdom on detective fiction creates a dichotomy of British and American production, with British detective fiction in a rational style dominating in importance into the 1920s, and American detective fiction dominating in importance with the "hard-boiled" style of the 1930s and '40s (as described by Raymond Chandler). This dissertation argues that American detective fiction is a meaningful category before and beyond the hard-boiled style.

Abductive reasoning, a form of logic based on observation, hypothesis, and …

The Wild Child: Children Are Freaks In Antebellum Novels, Heathe Bernadette Heim

Dissertations, Theses, and Capstone Projects

This dissertation investigates the spectacle of antebellum freak shows and focuses on how Phineas Taylor Barnum's influence permeates five antebellum novels. The study concerns itself with wild children staged as freaks in Margaret by Sylvester Judd, City Crimes by George Thompson, The Scarlet Letter by Nathaniel Hawthorne, Uncle Tom's Cabin by Harriet Beecher Stowe and Our Nig by Harriet Wilson. Barnum's influence was pervasive. The novels I investigate span a period of fourteen years before the Civil War, and offer a view of the kid show presented by the freaks in each text. Touching into spectacle, authors construct narratives …

Reading Through Prayer: Lectio Divina And "Liturgical Reading" In Some Medieval Texts, Marie Schilling Grogan

Dissertations, Theses, and Capstone Projects

Prayer texts found in a variety of medieval genres merit more careful scrutiny from literary critical perspectives. Such attention to the verbal artifacts, prayers, that memorialize an activity of central importance in medieval culture, praying, deepens our understanding not only of the prayers and the works in which they are found, but also of the milieu that produced them. This study seeks to model such a critical turn by reading three particular works "through" the prayers that constitute, punctuate and frame them -- privileging the prayers as the starting points for the investigation of their literary and devotional settings. This …

Recollecting Turbulence: Catastrophe And Sacrifice In The "History Of My Life" By Henry Darger, Carl Watson

Dissertations, Theses, and Capstone Projects

This study of "The History of My Life" the 5,086 page autobiographical text by the outsider artist/author Henry Darger, uses non-linear modes of analysis, such as chaos and complexity theory, to explore the meaning of Darger's epic narrative. Beginning with the idea that turbulence, seemingly chaotic, actually comes about as a compensatory restructuring of inadequate or unstable system dynamics, this study goes on to show that, as both influence and effect, turbulence is found at every level of Darger's life and art, both in theme and structure. "My Life" is a prime example: an extended narrative describing a cataclysmic tornado, …

Divided Men: The Masculinity/Marriage Dilemma In The Novels Of George Eliot, Danny Sexton

Dissertations, Theses, and Capstone Projects

Studies of Victorian masculinities have been primarily concerned with how men defined and were defined within the public sphere. This limited focus has ignored their private and domestic lives, itself an exemplification of the separate sphere theory. This dissertation explores what I called the masculinity/ marriage dilemma, a situation in which men feel that they must choose between a public life and a private one. George Eliot's male characters are divided, feeling themselves pulled in what they perceived as two different routes towards manhood. Related to this predicament are issues of power, particularly between men and women, men and other …

The Paradoxes Of Intimacy In Early Modern Drama, Brenda Marina Henry-Offor

Dissertations, Theses, and Capstone Projects

During the early modern period intimacy was neither well-defined nor discussed in the drama in the way that we do today. My dissertation is an examination of the paradoxical nature of intimacy in Renaissance drama and the impact of space on this intimacy. I am looking at the behavior of married couples and same-sex couples within the home during the early modern period. To elucidate my theory of intimacy I have chosen the plays: Christopher Marlowe's Edward II, Thomas Heywood's A Woman Killed With Kindness, William Shakespeare's Cymbeline, Othello, Antony and Cleopatra, and John Webster's …

Engaging The Eighties: Ethics, Objects, Periods, Kevin L. Ferguson

Dissertations, Theses, and Capstone Projects

This dissertation examines a recent decade in American history whose unique notion of self-periodization generated important questions of ethical engagement and withdrawal. Situated during a time of an increasingly complex relationship between literature and theory, thinkers in the 80s self-consciously shifted towards making claims about their present moment which were based on the logic of rupture, and which thus created an either-or logic of pessimism or optimism in response to this rupture. These kinds of self-periodizing notions generally are collected under the rubric "postmodernism" and the first chapter deals with a transatlantic movement between theorists such as Fredric Jameson and …

Visible Effects: Narrative Spectacle And Affective Response In The Late Eighteenth-Century Novel, Tanya Radford

Dissertations, Theses, and Capstone Projects

Eighteenth-century visual culture and literature reflect a struggle between two models of vision and understanding: on one side, an Enlightenment vision dedicated to disembodied objectivity and technical precision; on the other, a sentimental or expressive vision that produces irrational or emotional insight. If the disembodied eye can be seen as an emblem of reason and the goal of the Enlightenment approach to scientific knowledge, the spectatorial and incarnate eye represents an alternative and equally significant emblem of the period's visuality. This dissertation focuses on novels from the late Eighteenth century in which the spectatorial and incarnate eye is the dominant …