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Articles 181 - 210 of 388
Full-Text Articles in English Language and Literature
Review Of Jason Farr's Novel Bodies: Disability And Sexuality In Eighteenth-Century British Literature, Nowell Marshall
Review Of Jason Farr's Novel Bodies: Disability And Sexuality In Eighteenth-Century British Literature, Nowell Marshall
ABO: Interactive Journal for Women in the Arts, 1640–1830
Review of Jason Farr's Novel Bodies: Disability and Sexuality in Eighteenth-Century British Literature
Review Of Memoirs Of A Woman Of Pleasure By John Cleland, Edited By Richard Terry And Helen Williams, Bethany E. Qualls
Review Of Memoirs Of A Woman Of Pleasure By John Cleland, Edited By Richard Terry And Helen Williams, Bethany E. Qualls
ABO: Interactive Journal for Women in the Arts, 1640–1830
A review of Memoirs of a Woman of Pleasure by John Cleland, edited by Richard Terry and Helen Williams, by Bethany E. Qualls.
Beyond Victims & Villains: Teaching Cleland With Haywood & Behn, Christopher Nagle
Beyond Victims & Villains: Teaching Cleland With Haywood & Behn, Christopher Nagle
ABO: Interactive Journal for Women in the Arts, 1640–1830
This essay explores strategies for teaching Cleland's Memoirs of a Woman of Pleasure (Fanny Hill) in the introductory literature classroom, and why it might be especially valuable to do so at a time when issues surrounding sexual violence, rape culture, and the politics of consent continue to be prominent inside and outside the college classroom.
“Yield It Up Cheerfully”: Teaching Consent, Violence, And Coercion In Samuel Richardson’S Pamela, Leah Grisham
“Yield It Up Cheerfully”: Teaching Consent, Violence, And Coercion In Samuel Richardson’S Pamela, Leah Grisham
ABO: Interactive Journal for Women in the Arts, 1640–1830
Drawn from the author’s experience teaching Samuel Richardson’s novel Pamela during the #Metoo movement, this essay argues that bringing current discourses of consent and gender-based violence into conversation with the novel deepens students’ engagement with and interest in the eighteenth century. While students identify specters of Pamela and Mr. B’s relationship in their own worlds, the novel is also a helpful tool in revealing the many ways in which consent can be coerced.
#Metoo Or "Me Too"?: Defining Our Terms, Caitlin L. Kelly
#Metoo Or "Me Too"?: Defining Our Terms, Caitlin L. Kelly
ABO: Interactive Journal for Women in the Arts, 1640–1830
How we talk about misogyny and sexual violence in literary texts matters—to our students, to our colleagues, and to the future of the humanities and of higher education—and the “Me Too” movement has revived with new urgency debates about how to do that. In this essay, I explore the ethical implications of invoking the “Me Too” movement in the classroom, and I offer a model for designing a course that does not simply present women’s narratives as objects of study but rather uses those narratives to give students opportunities and tools to participate in the “Me Too” movement themselves. To …
Review Of The London Stage Database, Fiona Ritchie
Review Of The London Stage Database, Fiona Ritchie
ABO: Interactive Journal for Women in the Arts, 1640–1830
The London Stage Database is an open-access and open-source website that digitises the performance records contained in the print volumes of the London Stage, published in the 1960s. The database's flexible search function and intuitive interface open up new directions in research and will change the way we think about eighteenth-century theatre.
A Travel Writer Reconsidered: Recovering Mary Morgan’S Mary, The Osier-Peeler, Emily D. Spunaugle
A Travel Writer Reconsidered: Recovering Mary Morgan’S Mary, The Osier-Peeler, Emily D. Spunaugle
ABO: Interactive Journal for Women in the Arts, 1640–1830
Recently discovered is the singly-extant 1798 quarto chapbook, Mary, the Osier-Peeler, a Simple but True Story, written by Mary Morgan, best known for her 1795 travel narrative, A Tour to Milford Haven, in the Year 1791. The inaccessibility of the osier poem has shaped the scholarly understanding of Morgan as solely a travel writer, disregarding the intertextuality of her published oeuvre and its post-publication circulation. This essay revisits the historiography of Mary Morgan and demonstrates her embeddedness in local networks, coterie relationships with notables such as Bluestocking Elizabeth Montagu, and introduces evidence of a broader, international audience to better …
A Novel Moment For #Writewithaphra, Laura Runge, Tonya Howe
A Novel Moment For #Writewithaphra, Laura Runge, Tonya Howe
ABO: Interactive Journal for Women in the Arts, 1640–1830
Introduction to the Fall 2020 issue that describes our summer 2020 writing camp #WriteWithAphra.
Denying The Animosity: Understanding Narratives Of Harmony From The Nellie Massacre, 1983, Jabeen Yasmeen
Denying The Animosity: Understanding Narratives Of Harmony From The Nellie Massacre, 1983, Jabeen Yasmeen
Genocide Studies and Prevention: An International Journal
This article tries to understand through oral narratives from the Nellie Massacre of 1983 to reflect on how societies in India adhere to a narrative of harmony between different communities and a familial structure before a conflict breaks out, denying the existence of any palpable enmity amongst the communities. It will see how and why the assertions of peaceful co-existence may differ in case of the majority and minority in India. While there may be genuine assertions of harmony, such assertions may also be based on different factors such as majority strength, fear of retaliation and the compulsions of co-existence.
Glamour In Contemporary American Cinema, Shauna A. Maragh
Glamour In Contemporary American Cinema, Shauna A. Maragh
USF Tampa Graduate Theses and Dissertations
American cinematic glamour shapes hegemonic notions of femininity, beauty, performativity, sensuality, and sexuality for both female actresses and viewers. In addition, glamour has an economic component in encouraging women to buy products, such as clothing and makeup, to help them emulate their idols from cinema. Glamour is more than beauty and notoriety: it is achieved through careful stylization of tangible aspects—hair, clothes, makeup—and intangible, cinematic elements—performance, dialog, lighting, and camera techniques. In Classical Hollywood, traditionally white standards of beauty were often exalted as glamorous, and many leading roles were played by racialized white actresses; however, actresses of color were frequently …
A Review Of Joanna Wharton, Material Enlightenment: Women Writers And The Science Of The Mind, 1770–1830, Kandice Sharren
A Review Of Joanna Wharton, Material Enlightenment: Women Writers And The Science Of The Mind, 1770–1830, Kandice Sharren
ABO: Interactive Journal for Women in the Arts, 1640–1830
A Review of Joanna Wharton, Material Enlightenment: Women Writers and the Science of the Mind, 1770–1830, by Kandice Sharren
Review Of Women’S Periodicals And Print Culture In Britain, 1690–1820s: The Long Eighteenth Century, Lisa Maruca
Review Of Women’S Periodicals And Print Culture In Britain, 1690–1820s: The Long Eighteenth Century, Lisa Maruca
ABO: Interactive Journal for Women in the Arts, 1640–1830
Review of Women’s Periodicals and Print Culture in Britain
Review Of Deborah Boyle, The Well-Ordered Universe The Philosophy Of Margaret Cavendish, Dustin D. Stewart
Review Of Deborah Boyle, The Well-Ordered Universe The Philosophy Of Margaret Cavendish, Dustin D. Stewart
ABO: Interactive Journal for Women in the Arts, 1640–1830
A review of Deborah Boyle's book The Well-Ordered Universe (2018), by Dustin D. Stewart.
Entering The Lady’S Dressing Room: Using Feminist Game Design To Look At And Beyond The Male Gaze In Swift’S The Lady’S Dressing Room., Melanie D. Holm
Entering The Lady’S Dressing Room: Using Feminist Game Design To Look At And Beyond The Male Gaze In Swift’S The Lady’S Dressing Room., Melanie D. Holm
ABO: Interactive Journal for Women in the Arts, 1640–1830
In 2017, I developed “Entering the Lady’s Dressing Room,” an Interactive Fiction game based on Jonathan Swift’s satiric poem “The Lady’s Dressing Room” (1734) to help my students become better readers of Restoration satire, and poetry generally. I did this for two reasons: to test whether the digital mediation of game-playing could help my undergraduate students more fruitfully engage with the poem, and 2) to theorize the similarities between poetic interpretation, the multiple narrative-making experience of game-playing. This article takes seriously the idea that poetry is play. It describes the circumstances that led to the development of the game and …
Cutting Edge Courtship In Eighteenth-Century London, Margaret E. France
Cutting Edge Courtship In Eighteenth-Century London, Margaret E. France
ABO: Interactive Journal for Women in the Arts, 1640–1830
In 1759, an anonymous twenty-two year-old woman placed an advertisement for a husband in the London Daily Advertiser that inspired an unusual sequel: a pamphlet purporting to collect her responses. Exploring the context of this woman's actions and the letters themselves reveals attitudes regarding matrimony and the dangers of virtual social networks that feel surprisingly contemporary.
Kinesthetically Speaking: Human And Animal Communication In British Literature Of The Long Eighteenth Century, Dana Jolene Laitinen
Kinesthetically Speaking: Human And Animal Communication In British Literature Of The Long Eighteenth Century, Dana Jolene Laitinen
USF Tampa Graduate Theses and Dissertations
While scholars have studied talking animals in British children’s literature of the long eighteenth century, little attention has been given to cross-species conversations. Thus, my research starts with the following questions: what does it mean when humans talk to animals in literary texts? What do representations of interspecific communication in eighteenth-century British literature accomplish? Interspecific communication in the literary works of this study may be understood in the context of the philosophy of sensibility’s debt to French Renaissance humanist Michel de Montaigne, particularly his arguments about animal semiosis in An Apology for Raymond Sebond. I argue that interspecific conversations challenge …
Review Of 'The Penelope Project: An Arts-Based Odyssey To Change Elder Care, Valerie Barnes Lipscomb
Review Of 'The Penelope Project: An Arts-Based Odyssey To Change Elder Care, Valerie Barnes Lipscomb
English Sarasota Manatee Campus Faculty Publications
No abstract provided.
A Review Of Annika Mann, Reading Contagion, By Michael Edson, Michael Edson
A Review Of Annika Mann, Reading Contagion, By Michael Edson, Michael Edson
ABO: Interactive Journal for Women in the Arts, 1640–1830
A review of Annika Mann, Reading Contagion, by Michael Edson
Review Of Novel Ventures: Fiction And Print Culture In England, 1690-1730 By Leah Orr, Susannah Sanford
Review Of Novel Ventures: Fiction And Print Culture In England, 1690-1730 By Leah Orr, Susannah Sanford
ABO: Interactive Journal for Women in the Arts, 1640–1830
A review of Novel Ventures: Fiction and Print Culture in England, 1690-1730 by Leah Orr by Susannah Sanford
Review Of Margaret Cavendish’S Poems And Fancies, James Fitzmaurice
Review Of Margaret Cavendish’S Poems And Fancies, James Fitzmaurice
ABO: Interactive Journal for Women in the Arts, 1640–1830
Liza Blake’s free website is sure to become the first stop for anyone beginning work with Poems and Fancies. Most importantly for those who want to explore Cavendish's poetry in depth is that fact that Blake’s website provides an easy means of comparison of versions of poems printed in the 1653, 1664, and 1668 editions.
The Strength Of Weak Ties: Eliza Haywood’S Social Network In The Dunciad In Four Books (1743), Ileana Baird Dr.
The Strength Of Weak Ties: Eliza Haywood’S Social Network In The Dunciad In Four Books (1743), Ileana Baird Dr.
ABO: Interactive Journal for Women in the Arts, 1640–1830
This article uses visualizations of Eliza Haywood’s social networks, as described in The Dunciad in Four Books (1743), to make visible her relations with the other characters in the poem, and the nature of these affiliations. The tools used to generate these visualizations are GraphViz, an open source visualization software that creates topological graphs from sets of dyadic relations, and SHIVA Graph, an application used to visualize large sets of networks and navigate through them as through a map. In Eliza Haywood’s case, this model of social network analysis sheds new light on the nature of Pope’s attack on women …
Societal Polyphony In Burney And Austen: Using Digital Tools To Invite Students Into The Conversation, Bethany Williamson
Societal Polyphony In Burney And Austen: Using Digital Tools To Invite Students Into The Conversation, Bethany Williamson
ABO: Interactive Journal for Women in the Arts, 1640–1830
How can we invite our students to experience the social wit and wisdom of the eighteenth-century novel, on an interactive level? Addressing challenges faced by those who teach eighteenth-century novels in General Education surveys or seminar classes, this essay offers two lesson plans--easily adapted for different texts and courses--that use digital technology to engage students' imaginations and cultivate skills of reading comprehension and interpretation. The first, "Evelina Tweet Fest," invites students to participate in a collaborative conversation on a simulated Twitter platform, translating the literary polyphony of Frances Burney's epistolary novel into the language of our own, status-conscious milieu. …
Knowledge Networks: Contested Geographies In The History Of Mary Prince, Leah M. Thomas
Knowledge Networks: Contested Geographies In The History Of Mary Prince, Leah M. Thomas
ABO: Interactive Journal for Women in the Arts, 1640–1830
The History of Mary Prince, a West-Indian Slave, Related by Herself (1831) is the first published woman’s slave narrative. In her History, Prince describes horrendous physical violence to which she and other enslaved peoples of African descent are subjected as well as the corresponding psychological and sexual abuse they endure. While Prince “speaks” the sexual abuse to some extent, how she knows what she knows goes unspoken. She expresses her knowledge of reading and writing and, at times, of the law, but she does not explain how she obtains this knowledge or knows what she knows. Her optimism to …
“The Tranquility Of A Society Of Females”: Mary Morgan’S A Tour To Milford Haven, Elizabeth Montagu, And The Transformative Politics Of Female Governance, Linda J. Van Netten Blimke
“The Tranquility Of A Society Of Females”: Mary Morgan’S A Tour To Milford Haven, Elizabeth Montagu, And The Transformative Politics Of Female Governance, Linda J. Van Netten Blimke
ABO: Interactive Journal for Women in the Arts, 1640–1830
This paper explores the political function of Elizabeth Montagu’s Berkshire estate in travel writer Mary Morgan’s 1795 publication A Tour to Milford Haven, in the Year 1791. The travelogue is politically invested both in problematizing radical ideologies and the British government’s wartime policies and in providing an alternative model of governance based on the relational leadership found within Montagu’s Sandleford community. Of central importance to Morgan’s political argument is the contrast she creates between the socioeconomic philosophies manifest in Montagu’s perfectly ordered estate in Berkshire and in the Duke of Marlborough’s imposing palace in Oxfordshire. Whereas Montagu’s relational approach …
Mansfield Park By Kate Hamill (And Jane Austen), Christopher Nagle
Mansfield Park By Kate Hamill (And Jane Austen), Christopher Nagle
ABO: Interactive Journal for Women in the Arts, 1640–1830
This article reviews the world premiere of Kate Hamill's Mansfield Park directed by Stuart Carden and produced for the Northlight Theatre in Chicago in November and December 2018. Hamill’s bold new adaptation is notable for foregrounding the contexts of empire and the slave trade undergirding the novel, and in ultimately offering a feminist fairy-tale of radical self-assertion and self-determination for its heroine.
Review Of Abigail Williams's The Social Life Of Books: Reading Together In The Eighteenth-Century Home, Andrea L. Coldwell
Review Of Abigail Williams's The Social Life Of Books: Reading Together In The Eighteenth-Century Home, Andrea L. Coldwell
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
Jane Austen Camp, Devoney Looser
Jane Austen Camp, Devoney Looser
ABO: Interactive Journal for Women in the Arts, 1640–1830
Austen camp has become prevalent, even omnipresent, today, in visions and versions of her and her fiction, using them as a canvas for zombies, porn, or roller derby. Some of it may be kitsch, but it’s arguably camp. Investigating Austen as camp is a valuable way to understand her humor and her social criticism, as we now understand camp as a positive literary and social practice. But rather than asking if and when camp is “there,” for Austen or for her past readers, we might instead investigate what aspects or elements of her reputation or her writing we notice differently …
Neoclassicism And Camp In Sir William Hamilton’S Naples, Ersy Contogouris
Neoclassicism And Camp In Sir William Hamilton’S Naples, Ersy Contogouris
ABO: Interactive Journal for Women in the Arts, 1640–1830
Susan Sontag, in her now-classic “Notes on Camp” (1964), traces the origins of camp to the eighteenth century (13, 14, 33). And although it is precisely the baroque and rococo art movements against which Winckelmann rebelled that Sontag identifies as camp, it is worth reflecting on whether the notion of imitation that is central to both movements – imitation of ancient works in the case of neoclassicism, and imitation as parody in the case of camp (Meyer 7) – might not bring the two closer. Once the conceptual chasm separating neoclassicism and camp has begun to be bridged, we can …
Sterne’S Sentimental Temptations: Sex, Sensibility, And The Uses Of Camp, Julie Beaulieu
Sterne’S Sentimental Temptations: Sex, Sensibility, And The Uses Of Camp, Julie Beaulieu
ABO: Interactive Journal for Women in the Arts, 1640–1830
Laurence Sterne’s lack of commitment to the tenets of sentimentality in A Sentimental Journey—present in his ability to mock and praise the individual capacity to feel, and more precisely, in his satirical reading of the “cult of sensibility,” the new ideological imperative to have and to showcase deep, sentimental feelings—remains as one of the central challenges for readings of the novel. To explore Sterne’s portrayal of sensibility in A Sentimental Journey, I turn to camp sensibility, and the discussions that followed Susan Sontag’s “Notes on Camp.” Sterne’s novel could be read as camp, perhaps most notably in his …
Eighteenth-Century Camp Introduction, Ula Lukszo Klein, Emily Mn Kugler
Eighteenth-Century Camp Introduction, Ula Lukszo Klein, Emily Mn Kugler
ABO: Interactive Journal for Women in the Arts, 1640–1830
A blend of the silly and the extravagant that puts the serious into conversation with the ridiculous, camp today is often signified by elements of eighteenth-century Europe with its elaborate hairstyles, exaggerated silhouettes, affected courtiers, and a rise in the consumption of exotic goods, candelabras, masks, and other markers of elite excess (often with a nod to the era’s demise in the form of either the French Revolution or subsequent Victorian strictures). Camp’s relation to queer modes of performance and its prioritization of style over (or in conjunction with) substance offers a queer aesthetic lens to re-evaluate the eighteenth century …