English Language and Literature Commons^™

A Taste For Things: Sensory Rhetoric Beyond The Human, Justine Beatrice Wells

Theses and Dissertations

Amidst rising agricultural pollution, poor conditions for livestock animals, and disparity between “high” and “low” food cultures, gustatory taste has entered contemporary public rhetoric as a significant modality of intervention. This dissertation considers the environmentalist and social potential of this public embrace of sensory rhetoric. To do so, I build a rhetorical theory of sensation through a sensory re-engagement of the rhetorical tradition. Scottish Enlightenment thinkers, I argue, embraced aesthetic taste as a site where rhetoric and ethics mingle, and yet in promoting its cultivation, they fell into elitism. The subsequent, Marxist discourse on sensory emancipation developed rhetoric’s sensory and …

The King’S Cabinet Splintered: The Impact Of Digital Mediation On The Kings Cabinet Opened, Travis A. Mullen

Theses and Dissertations

In June of 1645, the Parliamentarian New Model Army seized a packet of King Charles I’s private correspondence at the battle of Naseby. This seizure was a crucial propagandistic victory that enabled the Parliamentarians to do irreparable damage to Charles’ public image and, in contrast, to ingratiate themselves to the public. The Parliamentarians carefully selected, decoded, and arranged the letters in an effort to reveal Charles as a duplicitous ruler that cared more for his wife, Henrietta Maria, than his people. The collection is increasingly seen by critics as a case study in mediation through print—not just of private correspondence, …

Tropes Of Blood, Body And The Ground Of The Law: Becoming, Being And Beyond Wife On The Early Modern Stage, Emily Faye Murray

Theses and Dissertations

This project focuses on the representation of women on the early modern stage in three exemplary texts: the anonymous domestic tragedy Arden of Faversham, and two city comedies, Thomas Dekker’s The Shoemaker’s Holiday and Dekker and Thomas Middleton’s The Roaring Girl. Whether playing the role of adulterous wife, performing the role socially striving wife, or resisting the role of laboring wife, these female characters were on stage not only for entertainment, but also for examination and scrutiny by an early modern audience. Playwrights used characterizations of women and wives and their relationships to the economy as vehicles through …

Tactical Encounters:Material Rhetoric And The Politics Of Tactical Media, Anthony Michael Stagliano

Theses and Dissertations

Tactical Encounters: Material Rhetoric and the Politics of Tactical Media articulates the concept of material rhetorical tactics, discrete rhetorical moves effecting political and social change, however ephemeral. I argue that material rhetorical tactics do not necessarily originate or conclude with a human subject, and that to understand this, we must reorient our conceptions of rhetorical action, agency, and, ultimately, its relationship to the demos, to include actions, actors, agents, and events that are not, in themselves, human. I build on recent work in rhetorical theory that has conceptualized the function and nature of rhetoric as involving agents human and nonhuman, …

Creating The Self: Women Artists In Twentieth-Century Fiction, Bethany Dailey Tisdale

Theses and Dissertations

In novels of artistic development (or künstlerromane) by women in the early twentieth-century, becoming an artist is intimately tied to becoming recognized as an individual. It would appear that an era of rapid change and expanding opportunities for women would result in affirmative narratives of women’s artistry, but studying texts by Edith Wharton, Anzia Yezierska, Zelda Fitzgerald, and Dawn Powell shows that stringent gender roles can still keep women from realizing artist success.

In Wharton’s The House of Mirth, Lily Bart ruins her prospects on the marriage market by striving for freedom and aesthetic pleasure. Those desires cannot be reconciled …

'Precious Objects': Strange 'Things' In James And Wharton, John Kinard

Theses and Dissertations

In this work, I attempt to examine the importance of things, the strange agency of objects, which emerges in the literature of the late nineteenth century. To this end, I examine the economy of things in both Henry James and Edith Wharton. I attempt to connect this object agency with the emergent discourses and technologies of the time, and to link these both with media and queer theory.

Revising For Genre: Mary Robinson's Poetry From Newspaper Verse To Lyrical Tales, Shelley Aj Jones

Theses and Dissertations

This dissertation focuses on Mary Robinson’s Lyrical Tales, not as the culminating point to which her writing inevitably led, as is frequently imagined in accounts of her life and work, but, instead, as the product of an intricate process of revision that highlights her investment in genre. Versions of many of the poems that Robinson included in Lyrical Tales originally were published in newspapers and periodicals. Rather than seeing the changes as a move toward a best or most mature or inspired version, I argue that Robinson revised to meet the requirements of her new genre, the lyrical tale. I …

Living On The Moon: Women, Home Making, And The House After World War Ii In Shirley Jackson’S We Have Always Lived In The Castle, Leslie Dennis

Theses and Dissertations

In my thesis, I concentrate on Shirley Jackson, her novel We Have Always Lived in the Castle, and women’s place in post-World War II American society. To start, I introduce Jackson and her role in literary history, the housewife writer in the 1950s and 60s, and magazine culture. Then I move to a historical perspective of the 1950s and propaganda during the atomic war era. I focus my attention on how government literature worked to contain women in the home and control sexuality and gender roles. Following my discussion of domesticity, I concentrate on the history of the Gothic novel …

The Poetic Works Of Charlotte Smith: Philosophy, Sympathy, And Forging Community, Jessica Danielle Castillo

Theses and Dissertations

This work will focus on Charlotte Smith’s poetic works and how, over the course of her entire poetic career (the late eighteenth century/early nineteenth century), she exhibits a concrete sense of a poetic ethos regarding sympathy in her writing. I seek to account for the overwhelming focus on suffering subjects by illuminating her view of the relation between poetry and sympathy for others. I will also place her within a history of writers and philosophers who examined the epistemological and practical nature of feeling, sympathy, and emotional connection among human beings. Smith feels that poetry renders suffering visible to others, …

Looking Again At James Currie's Inventory: The Other Side Of The Burns Correspondence, Patrick G. Scott, Joseph C. Durant

Faculty Publications

This article, based on editorial work in progress for the forthcoming Letters Addressed to Robert Burns, 1779-1796, briefly describes the larger project and then explores one of the major project sources, James Currie's inventory of the letters in Burns's possession at the time of his death, to show the range of his correspondence and how some of the brief inventory letter-summaries can be expanded by research. The article is based on a videorecorded presentation for Project Symposium no. 3: "Textual Landmarks," for the AHRC-funded project Editing Robert Burns for the 21st Century, Center for Robert Burns Studies, University of …

Prelims, Preface To Ssl 40, Patrick G. Scott, Anthony Jarrells

Studies in Scottish Literature

No abstract provided.

The Ssl Symposium, 2014: Creative Writing, The Academy, And The Scottish Literary Canon: Introduction, Patrick G. Scott

Studies in Scottish Literature

Reviews the parallel growth of creative writing courses and Scottish literary studies since the 1960s, with reference to the changing influence of Scottish writers in the definition of the field and the reputation of earlier literary works.

'They Gang In Stirks And Come Out Asses': Creative Writing And Scottish Studies, Liam Mcilvanney

Studies in Scottish Literature

Recounts the experience as a student of the New Zealand poet James K. Baxter and discusses the interrelation of creative writing and literary scholarship, in Scottish universities and in New Zealand.

After Macdiarmid: Creative Writers, The Canon, And The Academy, Alan Riach

Studies in Scottish Literature

Discusses the changed situation of writers within Scottish universities since the 1960s, the role of creative writers in introducing American poets into the Scottish teaching canon, and the value of creative writing in stimulating critical reading.

Hobsbaum And His Legacy, Adrian Hunter

Studies in Scottish Literature

Recounts and assesses the impact of the poet and critic Philip Hobsbaum (1932-2005) on the development and role of creative writing within university English departments, both at Queern's University, Belfast, but more especially after he moved to the University of Glasgow.

Doing And Teaching, Roderick Watson

Studies in Scottish Literature

Discusses the decision at the University of Stirling, Scotland, in the late 1960s, to appoint a Scottish poet, Norman MacCaig, to the permanent faculty, and to include creative writing options within the English studies degree program. Assesses subsequent developments and argues for the value of such integration for all literature undergraduates.

The Popular Voice In Sir David Lyndsay's Satire Of The Thrie Estaitis, Greg Walker

Studies in Scottish Literature

Analyzes the representation of the Scottish people in the 16th century Scottish drama A Satire of the Thrie Estaitis by Sir David Lyndsay [or Lindsay] (1490-1555), through the figure of the Pauper or Poor Man in the first version (the 1540 interlude performed at Linlithgow), and the character of John of the Commonwealth in the two fuller versions (at Cupar in 1552 and Edinburgh in 1554). Distinguishes Lyndsay's Pauper from equivalent figures in plays by John Bale and Nicholas Udall, and argues (by contrast with Tyrone Guthrie's famous 1948 Edinburgh festival production) that John of the Commonwealth is less a …

How Scottish Is The Scottish Psalter? William Mure Of Rowallan, Zachary Boyd, And The Metrical Psalter Of 1650, Peter Auger

Studies in Scottish Literature

Reassesses the origin and sources for the Scottish metrical psalter of 1650, in particular the contributions and influence of Sir William Mure of Rowallan and Zachary Boyd, questioning the statistical analysis of specific phrases by William Rorison on which most previous discussions have relied, and focusing instead on circumstances of the revision, the complex interrelation of multiple available versions, and the significance of Mure's version as a model of what Scottish psalmody could be, rather than as a source for particular verses or lines.

The First Publication Of Burns's 'Tam O' Shanter', Bill Dawson

Studies in Scottish Literature

Examines the early publication history of Robert Burns's poem "Alloway Kirk" or "Tam o' Shanter," which Burns wrote for Francis Grose's illustrated Antiquities of Scotl;and (1789-1791), describing Grose's method of publication in parts, restoring the priority of Grose's publication of the poem, and refuting assertions that the poem has appeared slightly earlier in two Edinburgh periodicals.

Authorial Disguise And Intertextuality: Scott’S The Lay Of The Last Minstrel, Coleridge, And Keats, Beth Lau

Studies in Scottish Literature

Discusses Walter Scott's first published poem The Lay of the Last Minstrel (1805), exploring the relation between Scott's use of disguise and distancing devices with his use of anonymity in his fiction, and explores the intertextual relationships between his poem and other poems of the romantic era.

David Masson And Thomas Carlyle, Ian M. Campbell

Studies in Scottish Literature

Discusses the forty-year friendship between the Scottish historian and essayist Thomas Carlyle (1795-1881) and the critic and literary scholar David Masson (1822-1907), regius professor of rhetoric and English literature at the University of Edinburgh, and explores their correspondence, their interactions (especially Masson's first visit to the Carlyle household, as reported by Jane Welsh Carlyle, and Carlyle's visit to Edinburgh to give his inaugural address at Rector of the University), and the influence of Carlyle on Masson's writing, especially his monumental Life of John Milton.

George Mackay Brown’S “Celia”: The Creative Conversion Of A Catholic Heroine, Linden Bicket

Studies in Scottish Literature

Compares the early manuscript and published text of a short story "Celia," by the Scottish Orcadian writer, poet, and Catholic convert George Mackay Brown (1921-1996), to examine the depiction of alcoholism in the story, the influence of Graham Greene, and Brown's softening or repression of his original explicit Catholic themes and imagery when revising the story for publication.

“The Future Of The Planet”− Scottish Cosmopolitanism/ Cosmofeminism And Environmentalism In Theresa Breslin’S Saskia’S Journey, Fiona Mcculloch

Studies in Scottish Literature

Discusses major themes and concerns in the young adult novel Saskia's Journey, by Theresa Breslin, with special attention to the relation between Breslin's environmental themes (and Scottish setting) with her portrayal of the novel's central character and multigenerational family relationships.

An Autograph Manuscript Of Robert Burns’S “Afton Braes”, Patrick G. Scott

Studies in Scottish Literature

Describes and illustrates the autograph manuscript of the song "Afton Braes" ("Flow gently, sweet Afton"), by the Scottish poet Robert Burns (1759-1796), recently acquired by the G. Ross Roy Collection, University of South Carolina Libraries, giving a collation of variants against the other major sources, examining the paper's watermark and excise stamping, and exploring both the provenance of the manuscript itself and its significance for the University of South Carolina.

Hamish Henderson And Nelson Mandela: Notes For “Rivonia”, Patrick G. Scott

Studies in Scottish Literature

Describes and reproduces manuscript notesin the G. Ross Roy Collection University of South Carolina Libraries, for the protest song "Rivonia" ("Free Mandela"), written by the Scottish poet, folklorist and folksinger Hamish Henderson (1919-2002) in 1963-64 in response to the trial of Nelson Mandela and other leaders of the African National Congress who had been arrested at Rivonia, South Africa and sentenced to life imprisonment on Robben Island; assesses the influence of Henderson's song, which was recorded in 1964 by the Corries Trio, and sung at the anti-apartheid protests at Murrayfield, Edinburgh, against the visit of the Springboks rugby team in …

Archibald Pitcairne’S The Phanaticks, Ed. John Macqueen, Murray Pittock

Studies in Scottish Literature

Review of the first scholarly edition of a satirical play The Phanaticks (1691) [previously titled "The Assembly"] by the Scottish Jacobite poet and physician Dr. Archibald Pitcairne (1652-1713).

Three Books On The Scottish Sixties, Greg Thomas

Studies in Scottish Literature

Discusses three recent books about Scottish culture in the 1960s: a collection of documents and interviews, The International Writers' Conference Revisited, ed. Bartie and Bell; a collection of essays, The Scottish Sixties, ed. Bell and Gunn; and a monograph, The Edinburgh Festivals, by Angela Bartie.

Books Noted And Received, Patrick G. Scott, John T. Knox

Studies in Scottish Literature

Brief reviews of twenty-four recent books in Scottish literary and cultural studies.

Notes On Contributors To Ssl 40

Studies in Scottish Literature

No abstract provided.

Tollerators And Con-Tollerators (1703) And Archibald Pitcairne: Text, Background And Authorship, John Macqueen

Studies in Scottish Literature

Discusses the historical background and theatrical characteristics of a short satirical play set in Edinburgh in 1703, giving the background to the Scottish Parliament's divisions over (and presbyterian hostility to) an act to give religious toleration to Episcopalian ministers; argues that the most probable author is the Jacobite poet and playwright Dr. Archibald Pitcairne (1652-1713); and presents the first modern annotated text of the play.