English Language and Literature Commons^™

John Byrne's The Slab Boys: Technicolored Hell-Hole In A Town Called Malice, William Donaldson

Studies in Scottish Literature

Presents a detailed discussion and appreciation of the Slab Boys tetralogy, a sequence of four plays by the Scottish playwright and painter John Byrne, beginning with The Slab Boys (1978), focused on a group of apprentices in the color-mixing room of a Paisley carpet-factory in the 1950s, and then tracing the divergence of their lives through three later plays, The Loveliest Night of the Year (1979, later titled Cuttin' A Rug), Still Life (1982), and Nova Scotia (2008); examines Byrne's characterization, "excoriatingly destructive wit," and "rambunctiously demotic language"; analyzes the tetralogy's continuing major themes of the relation between art …

Back To The Future: Remembering The 1707 Act Of Union In The 2014 Referendum Campaign, Leith Davis

Studies in Scottish Literature

Discusses the political rhetoric , imagery, and arguments, used in the debates over the 1707 Act of Union between Scotland and England, and traces their reuse in the debates that preceded the Scottish Referendum on independence in September 2014, depicting the 1707 act, not as an historical inevitability, but as "an anomalous success" after a century of earlier attempts at an incorporating union and as "a site of contestation long after its ratification."

'I Am Not Writing Anything Just Now': A Letter From Walter Scott To Sarah Smith, February 13, 1814, John T. Knox

Studies in Scottish Literature

Describes and reproduces a letter written by Sir Walter Scott to the actress Sarah Smith (later Mrs Bartley), in February 1814, in which he tells her shortly before the anonymous publication of his novel Waverley that "I am not writing anything just now"; discusses Scott's interest in Smith's career, his brief comments on the dramatist Joanna Baillie, and the extent to which Smith was in his confidence about his writing.

Notes On Contributors To Vol. 41

Studies in Scottish Literature

Brief biographical entries on the 25 scholars who have contributed to this volume.

The View From Elsewhere: A Response, Andrew Hook

Studies in Scottish Literature

Reviews and responds to the symposium contributors, recounting briefly growing up as a Scot in England and Scotland, and doing National Service, and drawing on 60 years experience studying, researching, and teaching in both Scotland and the United States, commenting that while Scottish studies in the 1960s was primarily concerned with traditional culture and reclaiming a folk tradition, its future probably lies in interdisciplinary study focused on contemporary Scotland and modern Scottish writing.

'Epitaph' On Grizzel Grim: A Newly-Discovered Manuscript In The Hand Of Robert Burns, Jonathan Henderson, Pauline Mackay, Pamela Mcintyre

Studies in Scottish Literature

Describes and reproduces a newly-discovered Burns manuscript, with notes and numerical calculations relating to his work as an Excise Officer, and the four-line 'Epitaph' on Grizzel Grim (Kinsley II:926); discusses its publication history, attribution to Burns, and relation to Burns's ballad of similar title; gives a collation of variant readings; and transcribes related notes about the manuscript from the Craufurdland Castle papers.

Invective Drag: Talking Dirty In Catullus, Cicero, Horace, And Ovid, Casey Catherine Moore

Theses and Dissertations

Invective Drag: Talking Dirty in Catullus, Cicero, Horace, and Ovid, studies the relationship between invective texts and masculine self-fashioning. Using gender theory, rhetorical theory, and philology, I examine how invective speech in these authors operates outside the normative social parameters of Roman masculinity.. I examine the invectives of Catullus, Cicero, Horace, and Ovid to argue that in the speaker’s aggressive articulation of masculinity, he often ends up effeminizing or queering himself as he attempts to make his opponents radically other. I show that the hypermasculine speaker of the invective genre utilizes a strategy I term “invective drag,” the adoption of …

"At Whigham's Inn": Mrs. Provost Whigham's Lost Kilmarnock, The Allan Young Census, And An Unexpected Discovery, Patrick G. Scott

Faculty Publications

Reports the recent acquisition by Princeton University Library of a long-lost copy of Robert Burns's first book Poems Chiefly in the Scottish Dialect (1986), formerly owned by Burns's friend Edward Whigham; describes the later transcript it contains of the short poem "At Whigham's Inn," long attributed to Burns; and reassesses the sources and authorship of the poem.

The Prayer Of Holy Willie: A Canting, Hypocritical, Kirk Elder, Patrick G. Scott

Faculty Publications

Robert Burns wrote this famous satire on religious hypocrisy in 1785, but he did not include it in his first book Poems, Chiefly in the Scottish Dialect (1786) or in any edition published in his life-time. This edition makes accessible for the first time the locally-produced chapbook in which the poem was first printed, in 1789. The introduction discusses why the poem was written, the controversial background to the poem's first printed version, and the reasons for thinking the 1789 chapbook version was printed by John Wilson of Kilmarnock, who had printed Burns's first book three years before. An appendix …

A Bard Unkend: Selected Poems In The Scottish Dialect By Gavin Turnbull, Patrick G. Scott

Faculty Publications

The Scottish-born poet and actor Gavin Turnbull (1765-1816), a younger contemporary of Robert Burns, published two volumes of poetry in Scotland before emigrating in 1795 to the United States, where he settled in Charleston, South Carolina. This selection draws attention to a neglected aspect of Turnbull's work, his writing in Scots. Drawing on advance research for the first collected edition of Turnbull's poetry, the selection includes verse in Scots from all phases of his career, including poetry in Scots published in America, together with a biographical introduction and background notes.

Absolving The Sin: Redemptive Feminine Figures In Geoffrey Chaucer's "The Wife Of Bath's Prologue" And John Milton's Paradise Lost, Rory Griffiths

Theses and Dissertations

Geoffrey Chaucer and John Milton have been ceaselessly studied in isolation to one another, but undergraduate students must begin to study them in conjunction. Chaucer’s “The Wife of Bath’s Prologue” serves as social critique of medieval misogynist practices that allows students to study social practices as they study his language. Milton’s Eve in Paradise Lost reflects the religious and social instability that marked the Interregnum of the English Civil War, allowing Eve to embody the culture’s desire to return to a virtuous Church. Students will learn to examine the space of the authorial paradox, primarily the questions of authority that …

A Lost Collection Of Robert Burns Manuscripts: Sir Alfred Law, Davidson Cook, And The Honresfield Collection, Patrick G. Scott

Faculty Publications

This essay traces the formation by William Law of Littlesborough, Lancashire, of a major collection of literary manuscripts and books, including works by Robert Burns, the Brontes, and Walter Scott; recounts the unlikely role in the 1920s of Davidson Cook, a cooperative society manager from Barnsley, in encouraging the then-owner Sir Alfred Law, M.P., of Honresfield House, to make the collections available for scholarly use; summarizes available information on the partial dispersal of the collection in the late 20s and early 1930s, and the disappearance after Sir Alfred's death in 1939 of much of the collection, including major items; and …

Counterfeiting And Power In Invisible Man And Do Androids Dream Of Electric Sheep, Matthew Gassan

Theses and Dissertations

With the rise of modern reproduction, anxiety over the difference between the authentic and counterfeit has risen. This has led to copious investigations into the nature of authenticity by such theorists as Derrida and Baudrillard, but this approach overlooks pertinent social questions. By looking into Do Androids Dream of Electric Sheep? and Invisible Man, I hope to foster a conversation about who counterfeits and what they get out of it. What rises from my approach is an understanding of counterfeiting as a manifestation of Foucauldian power. By dictating the terms of what is real and what is fake, certain groups …

Revival Of The Fittest: A Return To Writer Subjectivity In Composition, Ashley Mcclary

Theses and Dissertations

Writing can be unpleasant. And most examples of good writing start from early attempts to identify a partial understanding of complex, complicated concepts that emanated from a willingness to be honest and open and smart about the surrounding world. The inception of a good text—especially when paired with the strength to fulfill an incessant, ridiculous desire to tell a truth—can produce an affected writing sample, one of purpose and presence. In the field of Composition, when instructors ask students to write and suggest they do it well, it is easy to overlook the demand that students take new risks in …

Mourning, Melancholia, And The Need For Grace In Sherwood Anderson's "Godliness", Victoria Chandler

Theses and Dissertations

Published in 1919, Sherwood Anderson’s Winesburg, Ohio engages in the modernist project of collective grieving for social losses. This thesis looks specifically to Seth Moglen’s Mourning Modernity, in which he articulates the various grieving strategies, mourning and melancholia, employed by modernists in order to process their rapidly changing world. I explore the various ways that “Godliness,” one of Anderson’s stories in Winesburg, engages in both mourning and melancholia, and I draw on Ruth Levitas’ notion of secular grace, from her book Utopia as Method, in order to suggest that modernist subjects need a form of secular grace in …

Of Wilderness, Forest, And Garden: An Eco-Theory Of Genre In Middle English Literature, Barbara L. Bolt

Theses and Dissertations

“Of Wilderness, Forest, and Garden: An Eco-Theory of Genre in Middle English Literature” proposes a new theory of genre that considers the material elements of the natural environment in Middle English literature composed between 1300-1450 CE. Instead of treating the setting as just a backdrop for human activity, I posit that the components of the environment play a role in the deployment of the narrative by shaping the characters and influencing the action. More than an acknowledgement of the particular natural features, this study explores the role that these components play and how they give us a deeper understanding of …

Anarchic Wills: De Factoism And Its Discontents In Shakespeare And Milton, William Dean Clement

Theses and Dissertations

My dissertation explores the literary origins of de factoism – the political philosophy which considers any “right” to rule inconsequential to political legitimacy. My work introduces the concept of the “anarchic will,” my term for a literary character that recognizes the growing distance between an authority’s claim to power and the material fact of that power. I locate these figures in early modern drama and epic to demonstrate how their existence threatens the traditional power structures, both on the stage and in the streets of London. I argue that anarchic wills jeopardize political order at the most basic level, in …

Historical Violence And Modernist Form In Zoe Wicomb's David's Story, Kaelie Rianne Giffel

Theses and Dissertations

The essay brings together Zoe Wicomb’s David’s Story with Walter Benjamin’s “Theses on the Philosophy of History” and (less centrally) Julia Kristeva’s work on “Women’s Time.” I argue that, while Derek Attridge claims that the novel’s modernism emerges from its interrogation of historical crisis, David’s Story is modernist because of its experimentation with nonlinear narrative and an engagement with modern intertexts such as Heart of Darkness and Ulysses. Benjamin’s “Theses on the Philosophy of History” illuminates the structure of Wicomb’s novel, which creates what Benjamin calls a “constellation” of stories that are non-causally yet historically related to each other. …

And Have Not Mercy, I Am Waiting: Conscious Inaction As Postcolonial Resistance In Patrick Kavanagh's "The Great Hunger" And Derek Walcott's "The Fortunate Traveller", Christopher Lowell Stuck

Theses and Dissertations

This project examines Patrick Kavanagh’s “The Great Hunger” and Derek Walcott’s “The Fortunate Traveller” as sites of postcolonial resistance. As presented in these poems, the main characters are caught between the memories of the colonial and anti-colonial pasts and the faltering promises of postcolonial independence. Instead of choosing between being defined solely by the past or accepting an independence under contrived terms, or attempting to reconcile the two, Walcott’s and Kavanagh’s poems propose conscious inaction in order to resist the apparent inevitability of the choice. Written at similar moments in their respective postcolonial regions, placing these two poems together for …

Eugene Debs And The Politics Of Parrhesia, James P. Flynn

Theses and Dissertations

The general public often views the practice of politics to be incompatible with truth telling. Despite this perspective, I argue these two concepts coexisted in the 1912 campaign of Eugene V. Debs. Using Michel Foucault‟s unfinished work on parrhesia, or frank speaking, I argue that Debs functioned as a parrhesiast. To make this argument, I analyze Debs‟s discourse against what Foucault‟s work suggests are the three essential elements of parrhesia: compulsion, risk, and authenticity. Because Debs‟s parrhesiastic sensibilities become more obvious when compared with his opponents in the 1912 election, I analyze Debs‟s discourse in relation to William Howard Taft, …

In Defense Of Marianne Dashwood: A Categorization Of Language Into Principles Of Sense And Sensibility, Ashley Bonin

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Woman Warrior: The Silent Creation Of A Third Space, Hayley Struzik

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Intergenerational Trauma: A Look At Sherman Alexie's Child Characters, Kiersten Sargent

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Back Matter, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Contents, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Git Vs Ge: The Importance Of The Dual Pronoun In Beowulf, Kenneth R. Sikora Iii

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Front Matter, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Feminism And The Force Of Institutions In Twenty-First Century Dystopian Novels, Stephanie Roman

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Oswald Review Undergraduate Research And Criticism In The Discipline Of English: Volume 17 Fall 2015

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Collected Poems Of Gavin Turnbull Online, Patrick G. Scott, John Knox, Rachel Mann

Digital Projects

The Collected Poems of Gavin Turnbull contains 89 individual poems and songs, organized according to the date of their first publication. The poems are grouped into one of four sections, following the sequence of the books, manuscript, or periodicals in which they are first found. Turnbull's two prose prefaces (1788, 1794) and his short play The Recruit (also 1794) are included, but placed last, after the poems, as Appendices.

A list of the individual poems and songs in each section and links to the texts are available in the gray drop-down menu on the left-hand side of the screen. With …