English Language and Literature Commons^™

'Few Return To The Sunlit Lands': Lewis's Classical Underworld In The Silver Chair, Benita Huffman Muth

Inklings Forever: Published Colloquium Proceedings 1997-2016

As his early interest in Greek mythology and his Aeneid translation testify, classical motifs resonated with Lewis. In The Silver Chair, his characters, like Orpheus and Herakles, travel to a Greco-Roman inspired Underworld on a mission to retrieve an inhabitant. Besides lending mythic dimension to the journey, these classical echoes and Lewis' original additions create an Underworld markedly different from a popular idea of Hell. Through doing so, he underscores that this fictional place, though frightening and dangerous, is not Hell and therefore makes a theological point about the fallen condition.

By emphasizing classical references and reforming Miltonic ones (fiery …

Full Issue 2012 (Volume Viii)

Inklings Forever: Published Colloquium Proceedings 1997-2016

No abstract provided.

2012 Printed Program, Taylor University

Colloquium Schedules

No abstract provided.

"Between Two Strange Hearts": Spiritual Desolation In The Later Poetry Of Gerard Manley Hopkins & Charles Williams, Sørina Higgins, Rebecca Tirrell Talbot

Inklings Forever: Published Colloquium Proceedings 1997-2016

Spiritual desolation, while a perennial human experience, is expressed in historically-determined diction. Gerard Manley Hopkins (1844-1889) and Charles Williams (1886-1945) are an interesting case study, especially as Hopkins shaped Williams' later prosody. "My Own Heart" (Hopkins) shares desolation with Ignatius' Spiritual Exercises, and reading "My Own Heart" through Williams theory of spiritual "schism" as literary analysis reveals a cleft self similar to the split kingdom in "Prayers of the Pope" (Williams). Neither writer excludes hope: Hopkins' Ignatian language frames "My Own Heart" as a hopeful surrender, while Williams offers hope via occult vocabulary.

A Meaningful Hierarchy: How C.S. Lewis Perceives Humanity's Significance, Zachary A. Rhone

Inklings Forever: Published Colloquium Proceedings 1997-2016

"Humans are amphibians -- half spirit and half animal," writes Screwtape. In Mere Christianity, C.S. Lewis would clarify these halves as the Bios and the Zoe -- the biological and the spiritual, respectively. Humans are, as Dr. Ransom admits in That Hideous Strength, "More. But not less" than animals, yet humanity's Fall resulted from "the idea that they could 'be like gods' -- could set up on their own as if they had created themselves -- be their own masters -- invent some sort of happiness for themselves outside God, apart from God" (MC). Humans are …

C.S. Lewis: An Overlooked 1963 Monograph By Roger Lancelyn Green, William O'Flaherty

Inklings Forever: Published Colloquium Proceedings 1997-2016

The first full-length (and authorized) biography of Lewis was published in 1974. One of its authors was Roger Lancelyn Green. Few are aware of (or have even seen) a monograph he wrote before Lewis's death about Jack's life and writings. While Jack saw and approved of the manuscript in 1960 it wasn't released until the same year he died. The purpose of this talk is to reveal what information and insights this trusted friend presented in this rare monograph about Jack at the end of his career.

Whimsy And Wisdom: Fairyland As A Window To Reality In The Fiction Of Chesterton And Macdonald, Jessica D. Dooley

Inklings Forever: Published Colloquium Proceedings 1997-2016

A comparison of how fairyland is employed in the fiction of G.K. Chesterton and George MacDonald, and the role fairyland plays in the personal development of their fictional characters, reveals parallels and important divergences between the two writers' philosophies. Their treatments of fairyland share the context of fixed moral standards that are clearly understood by fairyland's habitants and visitors, but disclose the authors' differing definitions of the relationship between personal responsibility and consequences. Fairyland, with its mysterious, imperative rules, and glorious generosity of rewards, provides a framework for explicating with startling clarity the dangerous immediacy of the consequences of moral …

The Pedagogical Value Of The Screwtape Letters For A New Generation, Brenton Dickieson

Inklings Forever: Published Colloquium Proceedings 1997-2016

C.S. Lewis' The Screwtape Letters launched a genre of demonic epistolary fiction. Intriguingly, we have seen Screwtape-style letters about psychotherapy, (anti-) creativity, pedagogy, and scientific research. Evidently, Screwtape continues to be relevant among contemporary writers, but is it relevant to students? From the results of a spiritual perspective survey and various teaching methods in a secular undergraduate class, and including the analysis of ninety-five student-created Screwtape letters of cultural critique, we see that the genre of demonic epistolary fiction gives space for creative cultural critique and the contentprovides inspiration for that critique -- even for generically spiritual, nonreligious, or …

Hidden Heroes In Tolkien's Lord Of The Rings, Jan Prewitt

Inklings Forever: Published Colloquium Proceedings 1997-2016

Joseph Campbell in his seminal book The Hero with a Thousand Faces says in the final chapter, "The Hero Today," that unlike the classical hero, the modern hero faces a world that does not embrace a single mythology. "Then all meaning was in the group, in the great anonymous forms, none in the self-expressive individual; today no meaning is in the group -- none in the world: all is in the individual" (334). That does not mean, however, that there are no heroes in the modern world or that the modern world requires no heroic figure -- quite the contrary. …

"Take Away The Supernatural And What Remains Is The Unnatural": Power, Secularization, And G.K. Chesterton's Villains, J. Cameron Moore

Inklings Forever: Published Colloquium Proceedings 1997-2016

Chesterton claims in Heretics that denial of the supernatural leads ultimately to the unnatural, and much of his work explores the consequences of suppressing or ignoring the fundamental religious dimensions of the human person. Indeed many of Chesterton's villains spurn religion altogether in their pursuit of social progress. In this paper, I examine the antagonists in The Ball and the Cross, Manalive, and The Flying Inn in light of their rejection of the supernatural.

In their attempts to recreate themselves and their societies, Chesterton's villains demonstrate a clear link between secularization, the loss of human freedom, and the deathly disfiguring …

Casting Truth In An Imaginary World: The Intertwining Of Reason And Imagination, Sharon Kotapish

Inklings Forever: Published Colloquium Proceedings 1997-2016

When writing The Chronicles of Narnia, did C.S. Lewis deliberately turn from the world of reason and abandon logical argument? Or did he gravitate toward imaginative fiction because story may be the best way to communicate certain kinds of truth? Just as the Narnia tales reflect major themes in Lewis' overtly Christian nonfiction works, many of the truths taught by Jesus through parable are paralleled in the Apostle Paul's expository letters. By reading a passage from Lewis'' nonfiction writing along with a reflected passage from the Chronicles, our understanding and appreciation of both are deepened.

The Necessity Of The Terrible Good In The Works Of C.S. Lewis And Charles Williams, Kimberly Moore-Jumonville

Inklings Forever: Published Colloquium Proceedings 1997-2016

Through characters like Eustace, Psyche, and Orual, and others, Lewis reminds us that transformation from what we now are is a necessity if we wish to know God. We must relinquish the lies we blindly wear and be stripped to the bone; ironically, we have to go under the water so that we don't drown or die of thirst. Pauline, of Charles Williams's Descent into Hell, "was not yet prepared to accept the terror of good" (107), but she learns that "the Lord does things in the midst of a fire" (93). Pauline's salvation lies in relinquishing her fear to …

Nothing Can Come Between God And You: Uncle Tom's Cabin, George Macdonald And Shusaku Endo, Miho Yamaguchi

Inklings Forever: Published Colloquium Proceedings 1997-2016

Uncle Tom's Cabin by Harriet Beecher Stowe depicts the ways that God reveals Himself when evil seems triumphant and God appears to be silent. George MacDonald and Shusaku Endo apparently read this novel and deeply sympathized with its theology -- and subsequently developed its ideas and episodes in their own writings. In their views, nothing can come between God and each person; therefore, even apparent enemies can never victimize anyone -- they can only help us ultimately to be more closely united with God. They also illuminate that God never deserts people who feel weakest in faith.

Gandalf And Merlin, Aragorn And Arthur: Tolkien's Transmogrification Of The Arthurian Tradition And Its Use As A Palimpsest For The Lord Of The Rings, Mark R. Hall

Inklings Forever: Published Colloquium Proceedings 1997-2016

Certainly J.R.R. Tolkien was very much aware of the Arthurian tradition that existed during the medieval period and even earlier, especially as depicted by Thomas Mallory in Le Morte d'Arthur. The affinities of the characters of Aragorn and Gandalf with Arthur and Merlin are too obvious not to notice, yet transformed in such a way by Tolkien that they are infused with new meaning and purpose. It is this transmogrification that connects Tolkien's work with the past and provides the palimpsest for the world he creates in his epic adventure depicted in The Hobbit and The Lord of the …

Facts And Meanings: From Word To Myth, David Rozema

Inklings Forever: Published Colloquium Proceedings 1997-2016

The 1948 Anscombe-Lewis Debate is often cited as an example of how two of England's finest minds of the twentieth century -- C.S. Lewis and Ludwig Wittgenstein -- would have debated had they ever had the chance. Anscombe was a student of Wittgenstein's, and their debate is a case in point for showing the distinction between investigating a proposition's truth and investigating its sense, its meaning. Using remarks from the works of both men, I will show that their understanding of the meaning of language -- from single words to complete stories, including myths -- is remarkably similar; and immensely …

Further Responses To Lewis's 'Lost Aeneid', Richard James

Inklings Forever: Published Colloquium Proceedings 1997-2016

For almost fifty years, since his death in 1963, C.S. Lewis, Lazarus-like, has continued through his literary executors to come forth from his literary grave, providing an almost unending, vast landscape of multimedia productions from multi-volume collections of personal letters and anthologies of essays to four major Hollywood film productions; from miscellaneous small action figures and early reader literacy booklets connected to the Narnian movies to highly technical on-stage renditions of the demonic Screwtape and the verbally combative, but highly successful off-Broadway drama, Freud's Last Session.

But beyond all of these highly visible projects, this paper will provide some reflections …

Feminine Leadership: Spenser's Britomart And Lewis's Reason, Jonathan Himes

Inklings Forever: Published Colloquium Proceedings 1997-2016

Scholars have debated the apparent sexism in many of Lewis's statements and in his views on female clergy. Without addressing these particular issues of importance in Lewisian studies, this paper will analyze Lewis's choice of a female virgin in the role of Reason who topples the giant Spirit of the Age in his early allegory, The Pilgrim's Regress. Besides the obvious influence of Bunyan's Pilgrim's Progress on this work and the feminine figures of the divine in George MacDonald's fiction as another influence, Edmund Spenser's female knight Britomart may have provided Lewis with the idea of a strong feminine …

The Pleasures Of Prayer, Luke Mancuso Osb

Headwaters

No abstract provided.

The Action Of Grace In Territory Held By The Devil: Flannery O’Connor And Cormac Mccarthy, Scott A. Singleton

The Kennesaw Journal of Undergraduate Research

This paper compares the lives and work of Flannery O’Connor and Cormac McCarthy. The two authors share similarities in their backgrounds, careers, and work. The paper begins with an examination of biographical information of both authors to contextualize their work and note commonalities in their lives and careers. The central idea is that Flannery O’Connor and Cormac McCarthy both create grotesque characters to reveal the depraved condition of humanity in order to highlight the need for redemption and the possibility of divine grace. To prove this, examples are discussed from multiple pieces of work by O’Connor and McCarthy including The …

The Sacred Role Of Animal Beings In Iroquois Lore, Melissa J. Martinelli

English Theses

The act of storytelling provides a connection between the spiritual and physical spheres, and the Haudenosaunee people (more commonly recognized as Iroquois) utilize the oral narrative to convey the most sacred truths of their culture. In focusing primarily upon animals and animal beings, one can recognize the deep reverence traditional tribal members feel toward animals as certain legends seek to unite individuals with the spirits, personalities, and bodies of such creatures in narrative form. Too often animals are overlooked as “lesser” beings, yet in legends of the Iroquois they possess potent orenda (great power) that can help one achieve success …

Don't Take Orpheus Without The Lyre: The Intricacies Of Using Pagan Myths For Christian Purposes In The Divine Comedy And Paradise Lost, Rebekah J. Waltmann

Masters Theses

Because of their universal and artistic nature, the classical myths lend themselves well to use in literature, especially poetry. When used properly, as by Dante and Milton, the myths have the ability to enhance the work; when used poorly, they become gaudy ornamentation. It was, and is, this ability to enhance both the artistry and function of literature that pulled so many poets to the myths, despite the difficulties that could arise when the pagan myths did not quite match the Christian setting. My purpose in this thesis is not to explicate every use of myth within The Divine Comedy …

An Examination Of Newbery Medal Books From The 1920s Through The 2000s: Biblical Perspective, Kimberly Fleming

Doctoral Dissertations and Projects

Content analysis was conducted to determine the frequency of the presence of positive Biblical virtues and paired opposite traits across 18 Newbery Medal books from the 1920s through the 2000s because the Newbery Award is a prestigious honor bestowed upon children's literature, and the criteria for selection among books specifically precludes the necessity of good character. The fruit of the spirit listed in Galatians 5:22 served as the rubric by which the characters' thoughts, dialogue, and actions were measured. Consensus data was recorded, and chi-square tests of independence were conducted after three readers examined the presence and frequency of each …

A Hierarchy Of Love: Myth In C.S. Lewis's Perelandra, Joseph Walls

Masters Theses

In C.S. Lewis's Perelandra, the transposed creature is drawn up into its "kindly stede" as a sacramental symbol of Christ through that fictional planet's unbroken relationship between meaning and form. Although Perelandra's "wheels-within-wheels" hierarchy may at first seem reminiscent of Catholicism's teachings on symbol, as a Protestant, Lewis believes that human beings cannot be truly sacramental symbols until the return of Christ. Lewis's optimistic depiction of a cosmic hierarchy is one of perfect love: superiors rule their subordinates with agape, and creatures who discover their submissive roles reciprocate with eros or adoring love. Every created being in Perelandra is part …

And Then, He Folds His Patterned Rug: Repressive Reality And The Eternal Soul In Vladimir Nabokov, Elizabeth Cook

Masters Theses

While Vladimir Nabokov has deservedly earned fame as a stylist of the strange, most critics who study his novels approach his absurd and beautiful characters as little more than fractured victims of a wholly subjective reality. Compounding the misunderstanding is the tired debate over whether or not Lolita is literary, pornographic, or some cruel game of cat-and-mouse in which Nabokov seizes control of his readers' sense of morality. However, critics who read Nabokov as nothing more than a manipulative stylist neglect to realize that his characters suffer such absurd distortions of spirit and mind because their environment--the "average" reality of …

The Self, Its Ideal, And God: The Implications Of Non-Objective Self-Experience, Jeremy H. Smith

English Faculty Scholarship

This article explicates the unified argument of James G. Hart's 1200 page work Who One Is. Hart begins with an exploration of the non-objective self as propertyless ipseity; then relates that sheer ipseity to the concrete development a self; and then, that self to the ideal self which guides its development; and finally, the ideal self to God as its origin. Hart also shows the relevance of Jaspers' notion of Existenz at each of these stages. The uniqueness and “mineness” of any “I” cannot be a matter of properties. Each “I” is a unique “haecceity” for which multiple instantiation …

William Gibson And Geordan Hammond, Editors Wesley And Methodist Studies, Vol. 2: Book Review, Kathryn Stasio

Religion in the Age of Enlightenment

Wesley and Methodist Studies is a joint venture of the Manchester Wesley Research Centre and the Oxford Centre for Methodism and Church History, Oxford Brookes University. The annual publishes works on John and Charles Wesley, Methodism, and the Evangelical Revival, primarily covering the eighteenth century through the present, though it also considers essays dealing with historical precedents for the Wesleys and their religious movement. Volume 2 contains five articles on the topics of Charles Wesley, the early Methodist use of verbal proclamation, the relationship between Hugh Bourne and William Clowes in Primitive Methodism, and Irish Methodist membership between 1855 and …

Jonathan Swift And The Afterlife: Heaven, Hell, Or Maybe Not, James L. Thomas

Religion in the Age of Enlightenment

Jonathan Swift (1667-17 45) was unequivocally a priest of the Church of Ireland for fifty years but also was, more famously, a great satirist. The apparent contrast between the two conflicting functions (priest and writer of satires) of the late dean of Saint Patrick's Cathedral of Dublin has stimulated a great deal of critical discussion during the centuries since his death. Perhaps most prominent among recent contributions to the critical dialogue is Todd Parker's edited volume Swift as Priest and Satirist. Brean Hammond has also devoted quite a bit of space (at least two full chapters) to this internal conflict …

Emptied And Filled: Catherine Livingston Garrettson's Quest For Sanctification, Rachel Cope

Religion in the Age of Enlightenment

In October 1837, Catherine Livingston Garrettson, a devout Methodist and a prolific writer, made note of a personal jubilee in her diary: "This blessed month is near its end and I have been honored to see my 85 years, and the 50 years of my spiritual birth:' Just as 14 October 1752 dated her entrance into mortal life, for Catherine, 13 October 1787 marked an even more meaningful "birthday" -the anniversary of the day she experienced justification and came to desire personal sanctification ( the point in which a believer is transformed and purified through the grace of Christ and …

''A Prodigious Execution": The Confessional Politics Of Robert Paltock's The Life And Adventures Of Peter Wilkins, Patrick Mello

Religion in the Age of Enlightenment

The only extant eighteenth-century review of Robert Paltock's The Life and Adventures of Peter Wilkins, a Cornish Man (1750) compares the novel to both Gulliver's Travels (1726) and Robinson Crusoe (1719), claiming that Paltock attempts to blend qualities of those two books but fails because there is "no very natural conjunction" between them. The reviewer's judgment, however, seems excessively harsh-in fact, positioning Peter Wilkins between these two novels makes a great deal of sense. Like Crusoe, Peter Wilkinsfeatures a reasonable, Whiggish male protagonist who, through labor and solitude, undergoes a spiritual transformation while stranded on a deserted island. What …

Phillip C. Almond Heaven And Hell In Enlightenment England: Book Review, Ryan K. France

Religion in the Age of Enlightenment

P hilip C. Almond examines the changing concepts of heaven and hell, and the nature of the human soul, as interpreted in England between the second half of the seventeenth century and the early eighteenth century. This book, originally published in 1994, was greatly influenced by two magisterial studies: Daniel P. Walker's The Decline of Hell (Chicago, 1964) and Keith Thomas's Religion and the Decline of Magic (Oxford, 1997), though unfortunately Almond's primary points of departure and contributions are not especially clear. The final product will appeal to a more narrow audience than the title would suggest, but Almond presents …