English Language and Literature Commons^™

The Ethics Of Representation: Woolf Writing Working Women, Aili Pettersson Peeker

Virginia Woolf: Selected Papers

No abstract provided.

Translation As Reading: Jacob’S Room, Maria Rita Drumond Viana

Virginia Woolf: Selected Papers

No abstract provided.

The Ethics Of Woolf-Centric Biofiction: Diverging Perspectives, Monica Latham

Virginia Woolf: Selected Papers

No abstract provided.

How The World Turns: Two Case Studies: The Dreadnought Hoax And Julian Bell, Peter Stansky

Virginia Woolf: Selected Papers

No abstract provided.

“Same World,” “Different Eyes”: Photography And Visual Narrative In Three Guineas, M. Giulia Laddago

Virginia Woolf: Selected Papers

No abstract provided.

Finding Shakespeare’S “Mind Of Winter”: Roses And Mulberries In Virginia Woolf’S Attitude Toward The Bard Of Avon, Elisa Kay Sparks

Virginia Woolf: Selected Papers

No abstract provided.

“‘Daddy’S Girl’: Fathers, Daughters, And Female Resistance In Virginia Woolf’S Three Guineas And Valerie Solanas’S Scum Manifesto”, Kimberly Coates

Virginia Woolf: Selected Papers

No abstract provided.

Working With Virginia Woolf’S Ethics: Reparative Psychoanalytic Literary Criticism, Marie Allègre

Virginia Woolf: Selected Papers

No abstract provided.

“The World Of The Infinitely Small”: Microbic Networks In Mrs. Dalloway, Caylee Weintraub

Virginia Woolf: Selected Papers

No abstract provided.

“Thinking Peace Into Existence”: Teaching The World War Ii–Era Work Of Virginia Woolf, Jessica Dismorr, And Elizabeth Bowen, Emily M. Hinnov

Virginia Woolf: Selected Papers

No abstract provided.

Introduction, Amy C. Smith

Virginia Woolf: Selected Papers

No abstract provided.

Volume 31, Table Of Contents

Virginia Woolf: Selected Papers

No abstract provided.

The Appalachian Nostos: Pastoralism And Returning Home In Appalachian Poetry, Henry David Thoreau Kilbourne

Student Scholarship

No abstract provided.

Claiming Ownership Of One’S Body Through Language: The Disability Memoir, Sarah Elizabeth Kaufman

Theses and Dissertations

This paper examines the ways in which the disability memoir creates pathways that generate new ways of thinking. Focusing primarily on the disability memoirs of Simi Linton, Ellen Forney, and Kenny Fries, this analysis will personalize the disability experience as these authors live it and redefine its social stereotypes.

A Claiming Of Kin: A Linguistic Analysis Of Southern Appalachian English In Melissa Range's Scriptorium: Poems, Jolee White

Undergraduate Honors Theses

The research studies the Southern Appalachian dialect present in five poems in Melissa Range’s Scriptorium: Poems. The linguistic phenomena characteristic of Southern Appalachian English observed and analyzed in the poems include lexicon, grammatical features, and phonological aspects. The research seeks to bring attention to this Appalachian woman writer as well as to bring understanding of her reasoning behind incorporating the dialect in her poetry. It establishes that the five poems by Range contain the lexicon, grammatical features, and phonological aspects of the SAE dialect. It holds meaning both grammatically and pragmatically within the context of the poem and Appalachia.

Traumas And Recovery In Takaya Natsuki's Fruits Basket, Vesper North

English (MA) Theses

This thesis examines the various traumas within Takaya Natsuki’s anime series Fruits Basket and how the act of transformation triggers the beginnings of recovery for numerous characters. Fruits Basket bears striking similarities to the French fairy tale Beauty and the Beast (as well as later adaptations) originated by Gabrielle-Suzanne de Villeneuve. Throughout, I draw parallels between the “Beauty and the Beast”-genre with Fruits Basket and how the anime expands upon shared themes, specifically trauma. Additionally, I analyse the birth of and recovery from traumas (caused by bullying, loss, abuse, and feelings of otherness) for “Beauty and the Beast” archetypes within …

Poetry And Thought's Revealing, Evan Reardon

Legacy Theses & Dissertations (2009 - 2024)

Thinking has long been a topic of interest in both philosophy and poetry but the experience of it, the phenomenological reality of thinking, has remained understudied. Utilizing Martin Heidegger’s writings on thinking and poetry, as well as various literary scholars, this thesis argues that poetry may be read as revealing the phenomenality of thought, the what-is-it-like of thinking. Through an application of Heidegger’s concept of a thinker’s “fundamental experience” and close readings of the poetry and prose writings of George Oppen, Wallace Stevens, and John Ashbery, I argue that each poet uses different lenses in his work to reveal different …

Personhood And Objecthood: Examining The Speaker’S Interiority And Double Consciousness In Citizen: An American Lyric, Winnie Chak

English (MA) Theses

The interpersonal use of the “you” (the second person) in Citizen: An American Lyric commands the reader to not look away and bear witness to the interiority Black Americans’ consciousness. The essay examines the transformation of Rankine’s works that expands how double consciousness, found in Citizen, influences the creative writing space (the racial imaginary) and exposes the ongoing discrimination against Black Americans due to white privilege. Rankine’s other works Just US: An American Conversation and The Racial Imaginary compile viewpoints of both Black and white communities that remember moments that either they witnessed racist discrimination or experienced it in …

A Lesson In Mourning: The Evolution Of The English Anti-Elegy, K. Matthew Bennett

Electronic Theses and Dissertations

This thesis analyzes the evolution of the anti-elegy originating with Thomas Hardy’s elegiac sequence in memory of his wife Emma; Poems of 1912-1913. Using French post-structuralist Georges Bataille’s The Accursed Share as a theoretical lens, Hardy’s anti-elegies are analyzed and rhetorically connected to English war poet Siegfried Sassoon’s anti-elegies. Hardy’s anti-sentimentality, fatalistic outlook on death, and rejection of the Christian afterlife seeps into the language of Sassoon’s war poems which serve as a protest to the dehumanizing effects of late capitalism witnessed during the First World War. Hardy and Sassoon’s anti-elegies, with their hyper-focus on the elegized body, are …

First Person Narration In Postwar British Women’S Fiction, Julia Mccoy

English Student Scholarship

Julia McCoy ’22
Majors: English and Political Science
Faculty Mentor: Dr. William Hogan, English

A study of postwar English novelists Margaret Drabble and Jeannette Winterson, looking particularly at the way these writers use first person narration in their works. Both writers explore how women’s identity can be ‘written into being’ against external pressures and authorities that seek to define women’s ‘proper’ role.

Ghosts’ Stories: Addictive Behaviors And Complicated Grief In George Saunders’ Lincoln In The Bardo, Jc Leishman

Criterion: A Journal of Literary Criticism

When experiencing the natural motions of the grieving process, some individuals encounter an inability to pass this process by a phenomenon known as complicated grief. To deal with the cyclical trauma this causes, the human mind seeks to engage in addictive behaviors (both substantive and behavioral) that work to artificially and momentarily circumvent grief. This process, as it appears in George Saunders' experimental novel, Lincoln in the Bardo, reveals a depth of commentary on human attachments and grieving processes through the lives and narratives of ghosts found in the bardo.

Entropic Interactionist Theory: Reading Social Constructionism Through Thermodynamics And Samuel Beckett, Brie Barron

Criterion: A Journal of Literary Criticism

This essay aims to explain the breakdown of social constructs through the concept of Entropic Interactionist Theory. EIT argues that it is the nature of creations to be vulnerable to the same forces as their creator, and that social constructions (like identity, for example) are subject to the very same physical forces that give rise to humanity’s creative impulse. At its core, EIT is informed by social constructionism and Nietzschean sociological theory, but it names the second law of thermodynamics and the concept of entropy as the driving force behind societal disintegration. The complication with this theory is that it …

Círdan The Shipwright: Tolkien’S Bodhisattva Who Brings Us To The Other Shore, Douglas Charles Kane

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Tolkien wrote that Círdan the Shipwright “saw further and deeper than any other in Middle-earth” despite being a minor, incidental character in both The Silmarillion and The Lord of the Rings. The important role that Círdan plays in Tolkien’s secondary universe can be understood by looking at him as a bodhisattva in a Buddhist tradition. Círdan’s role throughout the Three Ages of Middle-earth chronicled by Tolkien was to come to the aid of others, to reduce their suffering, and particularly to help facilitate their sailing to the “Blessed Lands” in the West (which can be seen as a metaphor for …

Language And Betrayal: Posthuman Ethics In Kazuo Ishiguro’S Never Let Me Go, Netty Mattar

CLCWeb: Comparative Literature and Culture

Netty Mattar discusses in her article “Language and Betrayal: Posthuman Ethics in Kazuo Ishiguro’s Never Let Me Go” the complexities of ethical compassion in this biotechnological age. Mattar highlights how genetic technology creates new forms of life that dissolve the line between ‘human’ and ‘technology.’ In spite of this, contemporary ethical discussions do not take into account changing conceptions of human subjectivity and instead reinstate older assumptions about what ‘human’ is. Mattar argues that speculative fiction (SF), as a self-conscious play on signs and signification, can draw attention to how ethical responses are determined by the language we use. …

Tolkien, Cline, And The Quest For A Silmaril, Tom Ue, James Munday

Online Midwinter Seminar (OMS)

J. R. R. Tolkien has had a significant influence on American writer Ernest Cline. In Ready Player One (2011), the character Ogden Morrow invites Wade and his friends to his mansion, which is modelled after Rivendell from Peter Jackson’s The Lord of the Rings films (2001- 03). Cline goes further in his sequel Ready Player Two (2021) by staging a part of Wade’s virtual quest on Arda I, the First Age of Middle Earth. In this paper, we focus on this episode and, in so doing, argue for Cline’s insights into how we approach fantasy. First, we attend to the …

Who’S His Daddy? Approaches To Merlin’S Father In Children’S And Ya Media, Michael Torregosa

Online Midwinter Seminar (OMS)

In the 1130s, Geoffrey of Monmouth originated the character of Merlin, setting him upon the world stage as a wonder-working youth fathered (in the tradition of Greek and Latin authors of the past) by a daemon. However, later writers of the Middle Ages, beginning with Robert de Boron, reconceived Merlin within a more Christianized world, altering his heritage and transforming his sire into a demon from Hell. This shift from benign daemon to malevolent demon has impacted the representation of the wizard of Camelot for centuries. Contemporary fiction for the page as well as for the screen has adopted and …

"Shivering Trees": Horror Monstrosity In Selected Stories From Tolkien’S The Silmarillion, Elise Mckenna

Online Midwinter Seminar (OMS)

In The Silmarillion, Tolkien used conventions of horror within the setting of Arda. To begin with, the entire world, which is monstrous, is in upheaval with mountains being raised and valley being delved, lanterns of light created, and huge beings walking the land. Then, these landscapes are torn down, the lights are smashed and go out, and new creatures of horror prowl the world. The differences between the portrayals of monstrosity on a grand scale border the grotesque and the sublime. Monstrous beings, Valar and Maiar, command the elements of earth, air, fire, water. They have pre-ordained roles that …

The Story, The Narrator And The Reader: Mediated Horror In C.S. Lewis’S Narniad, William Thompson

Online Midwinter Seminar (OMS)

In her introduction to Reading in the Dark: Horror in Children’s Literature and Culture, Jessica R. McCort defines horror for children and young adults as a hybrid genre, one having its roots in both the gothic and the nineteenth-century fairy tale. She explains that the exploration of dark forces in children’s books is often not limited to those tropes traditionally associated with the horror genre for adults: “Think of the books that are considered children’s classics. The best of them contain dark forces of one kind or another, as well as internal battles between the light and the dark: …

Environmental Horror And Restoration: Tolkien And Today, Jessica Dickinson Goodman, Caitlin Rottler

Online Midwinter Seminar (OMS)

J.R.R. Tolkien never forgot the felling of a willow tree that had overlooked the mill-pool in Sarehole, nor how his former climbing companion had been left to rot in the grass. His horror at that small environmental violence bleeds through his works, from poems like “From the many-willow’d margin of the immemorial Thames” (1913) to the Party Tree in The Hobbit (1937) to a letter to The Daily Telegraph in 1972 when he decried the modern “torture and murder of trees.” This presentation will draw on the excellent foundations laid by Dinah Hazell, as well as the father-son pair of …

Nature And Horror In Tolkien’S Legendarium, Julia Bowers

Online Midwinter Seminar (OMS)

Tolkien incorporates horror in his legendarium through the twisting of the natural world in order to signal upcoming dangers to his characters. This creates a dichotomy between the idyllic natural world that represents good in his works and the twisted natural world that has been tampered with by evil. Most of the focus on Tolkien’s portrayal of nature looks at the conflict between nature and technology; the natural world of Middle-earth is portrayed as more complex than merely all nature being good. His natural settings take on an eerie tone to convey a sense of horror to the reader as …