English Language and Literature Commons^™

Denis Saurat’S ‘The Scottish Renaissance Group’ / ‘Le Groupe De “La Renaissance Écossaise”’: An English Translation, Paul Malgrati

Studies in Scottish Literature

Presents an annotated translation of Denis Saurat's 'Le Groupe de la Renaissance Écossaise' (1924), a seminal piece in the history of Scottish modernism, hitherto inaccessible in English, that introduced the works of both Christopher Murray Grieve and Hugh MacDiarmid (considered as two different entities) to the international literary scene.

Notes On Contributors

Studies in Scottish Literature

Brief biographical notes on contributors to Hugh MacDiarmid at 100 (SSL 49.1)

Richard Iii, The Tudor Myth, And The Transition From Feudalism To Capitalism, Thomas E. Lambert

Faculty and Staff Scholarship

Over the last 10 years or so there has been a resurgence of interest in the English king Richard III, especially after his remains are found in 2012 after being lost or missing for centuries. Prior to this, there are many publications, reports, and documentaries alluding to a “smear” campaign being conducted against the king by either the Tudor monarchs who succeeded him and/or by their confederates and surrogates. It is alleged that this is done in order to promote and make the Tudor dynasty of the 16^th Century (Henry VII, Henry VIII, Mary I, and Elizabeth I) appear …

Macdiarmid The Spaceman: Extraterrestrial Space In Hugh Macdiarmid’S Poetry From Sangschaw To A Drunk Man Looks At The Thistle, Michael H. Whitworth

Studies in Scottish Literature

Looking at Hugh MacDiarmid’s Sangschaw (1925), Penny Wheep (1926), and A Drunk Man Looks at the Thistle (1926), this article considers MacDiarmid’s use of science, particularly astronomy, in the 1920s. It traces known and possible sources for his scientific knowledge in books and periodicals, especially The New Age. It examines the image of light travelling through space, found in popular astronomy works by Felix Eberty and Camille Flammarion. It also compares his conception of the earth as a moving object in space with that found in poems by Thomas Hardy.

Ghostlight, Christopher R. Deacy

Journal of Religion & Film

This is a film review of Ghostlight (2024), directed by Kelly O'Sullivan.

“This Wonderful Machine”: How Should We Teach Humanities Texts Like Gulliver’S Travels In The Time Of Chatgpt?, Richard J. Haslam

Critical Humanities

The quoted phrase in the essay title comes from a passage in Jonathan Swift's Gulliver’s Travels in which a Grand Academy of Lagado professor demonstrates a “wonderful Machine” that can generate scores of books “without the least Assistance from Genius or Study.” The essay explore the challenge for teaching classic humanities texts like Gulliver that the (perhaps not so) “wonderful Machine” called ChatGPT poses. Student Owen Terry’s Chronicle essay (May 12, 2023) identifies two crucial aspects of that challenge: “We don’t fully lean into AI and teach how to best use it, and we don’t fully prohibit it to keep …

Pedro Mexía And The Politics Of Translation In The Early Modern World, Erin Fairweather, Robert Fritz

Posters-at-the-Capitol

Spanish humanist Pedro Mexía (1497-1551) wrote two highly influential texts in the sixteenth century, the Silva de varia lección (1540) and the Historia imperial y cesárea (1545), which were, notably, written in Spanish, a vernacular language, as opposed to Latin, the academic language of the age. As these books presented previously inaccessible scientific and historical knowledge to the common person, they were soon translated into several languages, achieving widespread fame and influence. However, the texts have been mostly forgotten and have seen little study in recent times. Nevertheless, the Silva and the Historia can help us better understand the politics …

The Ring Cycle: Journeying Through The Language Of Tolkien’S Third Age With Corpus Linguistics, Michael Livesey

Journal of Tolkien Research

This article explores the journey taken by the One Ring across J.R.R. Tolkien’s Third Age writings. It employs a digital humanities approach to analyse linguistic patterns in Tolkien’s use of the word ring, across The Hobbit and The Lord of the Rings. Specifically, the article employs corpus linguistic methods to track shifts in the quantities and qualities of the Ring’s appearance across these texts. It uses techniques of keyness and collocation analysis to trace transformations in these quantities/qualities, including: a) the Ring’s transition from a central to a peripheral place in the Third Age’s narrative arc; and b) …

What Does It Mean To Talk About Tolkien And Diversity? A Look Within And Without The Legendarium, Yvette Kisor

Journal of Tolkien Research

“What Does It Mean to Talk about Tolkien and Diversity? A Look within and without the Legendarium” considers racial diversity by focusing on the structure of Tolkien’s universe, both how it is modelled on ancient and medieval concepts like the Great Chain of Being and the Declining Ages of Man, but also remakes those models. In addition, it considers responses to racial structures perceived in Tolkien’s work.

The Literary Gestalt Of The Restaurant Review, Anke Klitzing

European Journal of Food Drink and Society

The restaurant review is a quintessential form of gastronomic writing, but it has rarely been studied in terms of its literary form. This paper investigates the literary gestalt of restaurant reviews through a gastrocritical reading of two reviews by the Irish restaurant critic Helen Lucy Burke. It concludes that restaurant reviews typically include mimesis and evocative descriptions, a meal plot, inherent tension due to the performance character of the restaurant meal and incorporation anxiety, and a combination of phenomenological and ethnographic reporting. These literary features serve to make reviews an accurate and reliable account of the reviewer’s immersive experience, to …

Stomach And Womb: Early Modern Recipes For The Perinatal Woman, Grace E. Beacham

English Theses - Archive

Stomach and Womb examines the recipes from early modern obstetrical treatises and midwifery manuals, revealing an ontology of parturiency that winds through the concurrent Shakespearean plays, Twelfth Night and The Winter’s Tale. Gynecological and obstetrical texts from the era detail how pregnant women were to order themselves after conception with utmost concern for their diet, governing the outputs of their bodies by managing the inputs, the foods they ingested before, during, and after pregnancy and childbirth. Further, the associated images of the stomach and the womb during this time present an essential link between foodways and a construct of …

The Mystification Of Gender Affirmation: Galathea, Gender, And Fantasy, Jubilee W. Finnegan

International Journal of Undergraduate Research and Creative Activities

John Lyly's Galatea centers the role that gender expression plays in both communal interactions and interpersonal relationships. I argue that the way in which Galatea and Phillida present themselves within the play parallels the modern interpretation of transgender theory as outlined by Judith Butler. The actions that the two take are in service of manufacturing the kind of gender expression that breaks from conventional norms. While still rooted within fundamentalist dynamics, Lyly breaks free of bioessentialist understandings of gender in favor of a more liberating approach.

“To Happily Lay The Foundation Of Patriotism In One Single Englishman”: Women, History Texts, And The Construction Of English National Identity, 1820-1870, Katrina Denman

CGU Theses & Dissertations

Existing historiography on nationalist pedagogy in nineteenth century England has not focused on women as major contributors to this process through their authorship of historical texts. This dissertation argues that school history texts authored by women in Romantic and Victorian England imbued an intentional brand of English national identity based on Protestant moralism in their readers. It specifically focuses on conversational histories, or texts structured around historical description followed by prescribed “conversations” between teacher and listener, which both anticipated potential questions from young readers and provided a scripted narrative for answering them in a way that fit the larger didactic …

“The Direful Spectacle Of The Wrack”: Teaching Against Colonialism Through Shipwrecks And Shakespeare, Sara A. Rich

Journal of the National Collegiate Honors Council Online Archive

It has become increasingly apparent that anti-colonial and anti-racist pedagogies are necessary in higher education classrooms, and honors education as an experimental zone is an ideal place to test ideas that can be taken into the wider university community. Honors professors epitomize the teacher-scholar model, and this paper presents a six-year trajectory of anti-colonial pedagogy coupled with original interdisciplinary research in the social sciences, arts, and humanities. Bringing canonical Shakespeare into conversation with historical shipwrecks and their aftermath, students learn how The Tempest was written at a pivotal point in history, coincidentally situated in the same year as the earliest …

"Lord, What Fools These Mortals Be:" Ambiguity In Shakespeare's Romeo And Juliet And A Midsummer Night's Dream, Hannah Murphy

Scripps Senior Theses

My thesis is focused on how and why ambiguity/double meanings within the language of Shakespeare plays occurs, and how this can be adapted into a ballet format as there is no verbal component. As well as why this aspect of the plays is so vital to the portrayal of the characters that to remove it would be to severely reduce the impact of the story. It focuses specifically on the plays and ballets of A Midsummer Night's Dream and Romeo and Juliet, with the NYC Ballet versions of both as a reference.

Madness As Response To Inherent Cultural Conflicts In Anglophone Fiction From 1700 To 2020, Anna Klambauer

Comparative Woman

Madness in literature has a long and colourful history. While its representation varies significantly in different literary periods, madness is nonetheless a consistent theme responding to inherent conflicts of civilisation. Thus, in the eighteenth-century novel, madness is subdued and forced to express itself in the language of rationality, while in the nineteenth century the theme becomes increasingly subversive. In the form of the madwoman trope (Gilbert and Gubar 1979), madness is simultaneously a reaction to restrictive patriarchal norms, and a frame in which the gender conflicts of the time can be safely and effectively played out. In the twentieth century, …

Fetishized Portraits In Victorian Literature, Rachel Smith

Theses

No abstract provided.

Gender Wobbles But It Don’T Fall Down: Feste And The Instability Of Gender In Twelfth Night, Evangeline Thurston Wilder

International Journal of Undergraduate Research and Creative Activities

Shakespeare’s Twelfth Night appears to some readers as a conservative story of gender-bending, in which all is made “right” in the end. The central character, Viola, disguises herself as Cesario in order to survive. In the final scenes of the play, this character reveals herself to have been a woman all along, and immediately enters a cis-heterosexual marriage with the Duke Orsino. To other readers, the play appears to be an early depiction of what we might now call transmasculinity. In this view, the central character is not just dressing up as a man to survive; he really is Cesario. …

Front Matter, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Contents, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Editor's Preface, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Self-Consciousness And Alienation In Pirandello's One, No One, And One Hundred Thousand, Francesco Satta

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Swashbuckling Politicians, Silas Fier

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Wilfred Owen And Shell Shock: The Initial Sympathetic Understanding Of Ptsd, Rachel Eubanks

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Submission Guidelines, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Oswald Review Of Undergraduate Research And Criticism In The Discipline Of English: Volume 26, 2024, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Colonial Body-Logic In George Orwell's Burnese Days: A Contrapuntal Critique, Riley Mays

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Madwomen In Attics, Madwomen In Tombs Feminist Counterparts In Jane Eyre And Dracula, Bethany Howard

Theses

Charlotte Brontë’s early Victorian novel Jane Eyre (1847) enjoys a steady history of feminist interpretations. Sandra Gilbert and Susan Gubar’s The Madwoman in the Attic (1979) is perhaps the best-known. Andrew Weiler sees Jane Eyre as a feminist Christian bildungsroman, and Micael Clarke finds the “feminist ethic” in the Grimms’ “Cinderella” tale in Jane Eyre (708).

However, Bram Stoker’s late Victorian novel Dracula (1897) has generated more varied responses, ranging from ambivalence, as noted by Carol Senf, to highly feminist, to highly anti-feminist. Feminist readings include that of Stephanie Demetrakopoulos, who remarks, “Stoker’s attempt at feminism in this novel is …

The Nebulous Binaries Of C.S. Lewis' Till We Have Faces, Amantia Menalla

Honors Undergraduate Theses

Much of C.S. Lewis’ novel Till We Have Faces can be examined through one of two binaries. The tension between rationality, or reason, and spirituality, or religion, is one of the core facets of both the text and its main character, Orual. Orual feels the pull of both ideas and thus spends most of the novel in a nebulous space between them. This tension is further complicated by the space between the feminine and the masculine which she also inhabits. By covering her face and body, Orual de-emphasizes her feminine identity and takes on a masculine role, dressing as a …

Troubling Waters: Anthropocene Marine Gothic In The 19th-Century Anglo-American Fiction, Phoenix Guqing Wang

Comparative Literature M.A. Essays

The 19th century witnessed intensifying marine ecological disruptions by colonial, industrial, and imperial activities. Meanwhile, current scholarship acknowledges the significance of the 19th century in tracing the emergence of the “Anthropocene” – a loose shorthand for ecological damages that are planetary in scale. This thesis aims to analyze how gothic imagination of the marine space unravels the linkages between the two temporally intersecting phenomena. Drawing on ocean studies, ecocriticism, new materialism, and gothic studies, I theorize what I call “Anthropocene marine Gothic discourse” to understand how 19th-century Anglo-American writers attend to the marine space to grapple with planetary ecological concerns …