English Language and Literature Commons^™

In Memoriam Of Andrew Brown, Joanne Shattock

The George Eliot Review Online, ISSN: 2831-5375

Andrew Missak: Cleverley Brown died peacefully at home on 21 January 2014, days short of his sixty-fourth birthday, and only months after his retirement from the position of Development Director for Academic Publishing at Cambridge University Press. He joined the Press as a Graduate Trainee in 1976, and over subsequent decades was influential in developing first the literary studies list, then Humanities and Social Science more broadly, and finality the whole of Academic and Professional Publishing. While he had an extraordinary range of interests, his scholarly heartland was Victorian fiction: his Cambridge doctorate was on 'The Metaphysical Novels of Edward …

Japanese Branch Report- 2013, Ayako Tani

The George Eliot Review Online, ISSN: 2831-5375

On Saturday 7 December 2013, the Seventeenth Annual Convention of The George Eliot Fellowship of Japan was held at Keio University.

The morning session started with an opening address by Maiko Otake (Obirin University). Three papers were presented in the morning session. The first two were commented on by Toyotsugu Matsui (Daido University) and the third by Hideo Takano (Komazawa University).

The first speaker was Nanae Hama (Seinan Gakuin University), whose subject was 'The Hero Worship and the Imperial Consciousness: How George Eliot Described Heroes among Children'. In her presentation on The Mill on the Floss (1860), Hama argued that …

Romola's Religious Experience, Alain Jumeau

The George Eliot Review Online, ISSN: 2831-5375

Romola can be seen as a landmark in George Eliot's career, when we bear in mind her striking confession to her second husband, John Cross: 'I began it a young woman -, I finished it an old woman' (Haight [1968] 362). Many of her readers, indeed, felt it represented a new departure, far from the world of Adam Bede, Mrs Poyser and Silas Mamer. It was a more ambitious novel, with more refined and educated characters, set in a foreign country, in a distant past. Her first works of fiction were also set in the past, but only one or …

Review Of After Darwin: Animals, Emotions, And The Mind, Angelique Richardson

The George Eliot Review Online, ISSN: 2831-5375

This extremely interesting and well organized collection of 11 original essays and an 'Afterword' is not greatly concerned with George Eliot, although it would seem every major Victorian concern somehow ends by involving her. As a study that aims at what its title indicates, it includes George Eliot and G. H. Lewes as direct subjects, hut only in one essay, Angelique Richardson's 'George Eliot, G. H. Lewes, and Darwin: Animals, Emotions, and Morals'. Although, she concedes, both 'maintained human distinction in their writing' (p. 137), George Eliot felt and expressed through anthropomorphism, a real kinship with animals. With Lewes (whose …

George Eliot Birthday Luncheon, 24 November 2013- The Toast To The Immortal Memory, Sheila Woolf

The George Eliot Review Online, ISSN: 2831-5375

First of all, may I say what an enormous honour it is to be asked to speak on this very special occasion. When John asked me in January what I was doing on 24 November, I was obviously not quick enough to think of a reason to duck out of the responsibility! In fact, I wondered he had asked several others more agile with their excuses before he got round to me.

John asked me to speak about 'What George Eliot means to me'. In consequence, my speech will not be an academic one - those who went to the …

Politics And Pastoral In Silas Marner, Barbara Hardy

The George Eliot Review Online, ISSN: 2831-5375

When eighteen-year-old sumameless Eppie stands by Silas Mamer and against Godfrey Cass she joins a line of subversive children in Victorian fiction. Charlotte Bronte's Jane Eyre speaks out against her aunt; Dickens's Oliver Twist asks for more gruel; his Paul Dombey asks the capitalist father, 'What is money after all?' One child rebels against adult power; one against institutional power; one against the cash nexus. The children are all economic dependants but there is no emphasis on class. Oliver behaves like a little gentleman; Paul is a little gentleman; Jane tells Brocklehurst she would not like to be poor, and …

Review Of Oscar Browing's Life Of George Eliot, Tapan Kumar Mukherjee

The George Eliot Review Online, ISSN: 2831-5375

I would like to draw the attention of interested readers and George Eliot scholars to one of the earliest biographies of George Eliot, that written by Oscar Browning. It is a book which, apart from many interesting anecdotes of her life, might still be valuable to them for the exhaustive annotated bibliography, compiled by John Parker Anderson of the British Museum, appended to the end of the volume. The extent and range of the bibliographical details collected there are the result of very thorough, painstaking research which may provide further new insights and give clues to unexplored areas in the …

George Eliot And Psychosomatic Illness: A Footnote To The Biographies, Brenda Mckay

The George Eliot Review Online, ISSN: 2831-5375

A reader of George Eliot's novels, with their luminous intelligence and authoritative command of a fictional world, might be surprised to learn that this author was actually frequently tormented by crises of confidence, exhaustion and bodily pain. Her illnesses were often exacerbated by her novel-writing; but certainly not always. '[M]y life’, as she wrote, 'has always been much broken by physical malaise'.' She later commented that, despite extensive medical tests, the doctors could find nothing wrong with her. The word 'malaise' suggests extreme somatic discomfort, not necessarily associated with disease, but also depression. Eliot herself was aware, as she acknowledged …

Obituary Of Andrew Brown, Joanne Shattock

The George Eliot Review Online, ISSN: 2831-5375

I first met Andrew Brown on the conference circuit in the early 1980s. As the recently appointed senior editor for literature at Cambridge University Press he was a regular presence at Victorian Studies conferences, wearing his Press hat, but unlike many other publishers, attending as a productive scholar in his own right. He got in touch with me in 1989 asking if he could come to Leicester to talk about a project he was contemplating, a new edition of the Cambridge Bibliography of English Literature, the nineteenth-century volume of which had been last updated under George Watson's editorship in 1969. …

Review Of George Eliot In Context, Margaret Harris

The George Eliot Review Online, ISSN: 2831-5375

This collection offers a wide range of individual and rigorous criticism, with essays by the most informed specialists: amongst others, Margaret Harris on 'Biographies’, John Rignall on 'Landscape' and 'Metropolitanism’, Melissa Raines on 'Language', Leonee Ormond on 'The Visual Arts', Ruth Livesey on 'Class' and 'Transport', Joanne Shattock on 'Editions ' and 'Publishing and Publishers’, Richard Menke on 'Industry and technology'. Texts in context include journalism as well as fiction and poetry.

I have a few reservations. Most of the essays are remarkably condensed but one or two have more breadth than depth. In 'Travel and Tourism' Judith 10hnston touches …

'In Isolation Human Power Is Limited, In Combination It Is Infinite': Tracing Ludwig Feuerbach's Essence Of Christianity Through Daniel Deronda, Milena Schwab-Graham

The George Eliot Review Online, ISSN: 2831-5375

Written between January 1873 and June 1876, Daniel Deronda was George Eliot's final and most ambitious novel. The Jewish-born, later excommunicated Dutch philosopher Baruch Spinoza, whose Ethics Eliot translated in 1856, would perhaps seem the more obvious choice of philosophical context for our analysis of Deronda, owing to his religious affinity with the eponymous protagonist. However, Ludwig Feuerbach's Essence of Christianity, translated by Eliot in 1854, provides a more thorough basis for drawing out the ethical complexities of her final novel. Feuerbach's philosophy, the influence of which is integral to all her novels, hinges upon 'the moral [ ...] qualitative, …

Chairman's Annual Report For 2013, John Burton

The George Eliot Review Online, ISSN: 2831-5375

We can be pleased with the Fellowship's year in 2013. For some time now we have tried to add extra events to the well-established series of meetings built up over the years. In 2013 we looked towards Coventry to provide a theme for the year, and were delighted with the results, much helped, it has to be said, by the enthusiasm and new ideas brought to the Fellowship by Vanessa Oakes, whose writing skills have much enhanced our programme. The other major event for the year was our emergence, blinking and floundering, into the world of websites and Facebook (Twitter …

Casaubon's Impotence: A Literary Libel?, Marianne Burton

The George Eliot Review Online, ISSN: 2831-5375

There are some literary hypotheses which so suit readers' impressions of a text that they become accepted almost as literary fact, as if they were stated in the text itself or had been confirmed by the author in an interview, letter or notebook. This seems to have become the case with Edward Casaubon's sexual impotence in Middlemarch. Gordon Haight complained that undergraduates 'despite a generation of sex-education' never failed to describe Casaubon as impotent simply by virtue of his age. Casaubon was around forty-eight. Haight was seventy-three when he wrote this essay, and indignantly listed the famous men who had …

Relation And Responsibility: A Levinasian Reading Of King Lear, Kent Lehnhof

English Faculty Articles and Research

Emmanuel Levinas’s ideas about intersubjectivity can change our reading of Shakespeare by putting philosophical pressure on Shakespeare’s dramatization of human relatedness in The Tragedy of King Lear (1607–8). Even though Levinas does not discuss Lear at length in any of his published work, this difficult philosopher and this difficult play have much to say to one another. Levinas can be fruitfully brought to bear on Shakespeare’s great tragedy, generating fresh and productive ideas about its most pivotal moments, its most perplexing questions, and its most popular interpretations. In addition, Levinas can provide a useful frame for discussing the nature of …

"Every Child In Our World Will Know His Name!": Malcolm Gladwell's Theories As An Explanation For The Cultural Phenomenon Of Harry Potter, Alicia Morgan

Masters Theses

When Harry Potter and the Sorcerer's Stone hit stores in the United States in 1998, children and adults alike went wild. Not only had Rowling's first book made huge waves in the UK, but Americans were talking about the struggling, single-parent who had penned a children's classic before the book even reached American stores. American audiences accepted Rowling's first novel with open arms, making it one of the first children's books to reach and occupy The New York Times best-seller list for so long. While certain marketing techniques and the rise of the Internet did contribute to Harry Potter's initial …

Ordinary Magic: D.W. Winnicott And The E. Nesbit Tradition In Children’S Literature, Sarah Pincus

English Honors Papers

In this thesis, I look closely at four particular children’s books as representative of a genre within children’s literature, one that I call “ordinary magic.” Whereas most children’s literature can be categorized either as realistic fiction or as fantasy, I examine a group of books that resists such classification. Drawing on the psychoanalyst D.W. Winnicott’s theory of transitional phenomena, I discuss the ways in which the novels within this genre navigate the boundaries between fantasy and realism, exploring related oppositions such as home and away, childhood and adulthood, reading and real life, and rebellion and compliance. I argue that a …

Man Pain In The Man Booker Prize: A Quantitative Approach To Contemporary Canon Formation, Caitlin E. Powell

Scripps Senior Theses

This project examines the corpus of novels that have been nominated for the Man Booker Prize and, using the prize as a creator of a contemporary literary canon, attempts to develop a model of a contemporary best text. Using the distant reading techniques proposed by digital humanities scholar Franco Moretti to track and graph a variety of formal and structural variables across the corpus of nominees, it becomes apparent that the kind of novel that typically wins the Booker Prize and thus the kind of novel that qualifies as a contemporary best text fits a distinct mold. These novels are …

Cold War Pulp: Gender And Fiction In The Age Of Liberation, James Lewis Hood

Electronic Theses and Dissertations

The early decades of the twentieth century saw incredible changes in both literacy and general publishing. Once literature had been the domain of the elite, but now it was the daily pleasure of compeople. The changes in American culture in the middle of the century, combined with this revolution in publishing and literacy, combined to produce texts frequently referred to as pulp-fiction, works easily and cheaply produced for a mass-market. This market actively catered to diverse interests, perhaps most significantly the sexually alienated. Works of gay and feminist pulp fiction served to show alienated gay men and women, as well …

Women Readers In The Novels Of Virginia Woolf, Jill Monroe

Undergraduate Honors Theses

No abstract provided.

Samuel Beckett And Testimony [Book Review], Marc A. Ouellette

English Faculty Publications

No abstract provided.

Katherine Mansfield Among The Moderns: Her Impact On Virginia Woolf, D. H. Lawrence, And Aldous Huxley, Nicola Anne Tarrant-Hoskins

Theses and Dissertations--English

Katherine Mansfield among the Moderns examines Katherine Mansfield’s relationship with three fellow writers: Virginia Woolf, D. H. Lawrence, and Aldous Huxley, and appraises her impact on their writing. Drawing on the literary and the personal relationships between the aforementioned, and on letters, diaries, and journals, this project traces Mansfield’s interactions with her contemporaries, providing a richer and more dynamic portrait of Mansfield’s place within modernism than usually recognized.

Hitherto, critical work has not scrutinized Mansfield in the manner I suggest: attending to representations of her as a character in other’s work, while analyzing the degree to which her influence on …

Giving Power To The Powerless: Elizabeth Gaskell's Presentation Of Women In An Age Of Change, Charis Tobias

Honors Projects

Elizabeth Gaskell takes advantage of the aura of change and ascribes a new vocabulary to Victorian womanhood, one that allows women to be active members of society as well as mothers. The topsy-turvy nature of Victorian society allowed for such changes to be instituted, and Gaskell challenges the female stereotypes of the day. Gaskell’s heroines must struggle with their preconceived, powerless notions of womanhood and the expectations placed upon them by society. This struggle often begins when patriarchal structures fail them and they are left to their own devices. Unlike in other Victorian novels, when women do become powerful, they …

Adding To Blake Set To Music: A Bibliography, Ashanka Kumari

Department of English: Dissertations, Theses, and Student Research

William Blake, like other Romantic-era poets, was inspired by and wrote about the world around him. The hundreds of poems he wrote later inspired other genres such as music. In 1990 the University of California Press published Blake Set to Music: A Bibliography of Musical Settings of the Poems and Prose of William Blake written by Donald Fitch. This bibliography lists 1,412 pieces up to 1988. The following bibliography consists of pieces of music written after Fitch’s bibliography was published or, in a few cases, a composition written before Fitch’s bibliography was published, but not mentioned in that bibliography. This …

Front Matter, Tom Mack Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Blithedale Romance: Sympathy, Industry, And The Poet, Matthew Chelf

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Understanding Death In Brown And Poe: Backgrounds And Continuities, Anthony Cunder

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Back Matter, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Oswald Review Undergraduate Research And Criticism In The Discipline Of English: Volume 16 Fall 2014

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Dryden And Baroque Chamber Music, Dan Sperrin

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Sublime Experience: Individual Versus Collective Morality In William Faulkner’S Absalom, Absalom!, Erika Guynn

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.