English Language and Literature Commons^™

Tempering Romance, Katherine R. Larson

Criticism

The Fabulous Dark Cloister: Romance in England after the Reformation by Tiffany Jo Werth. Baltimore, MD: Johns Hopkins University Press, 2011. Pp. 248, 8 illustrations. $65.00 cloth.

Fresh Shakespeare From The Oregon Shakespeare Festival, Daniel Pollack-Pelzner

Faculty Publications

Some critics have argued against the Oregon Shakespeare Festival's contemporary English translation project, but Daniel Pollack-Pelzner argues it's part of the process of keeping Shakespeare alive.

The Hall Of Mirrors: Multi-Biographical Transfigurations Of British Women Writers During The Long Nineteenth Century, Brenda Ayres

Honorable Mention

Assistant Director of Honors, Dr. Brenda Ayres, presents on her upcoming book, A Hall of Mirrors: Multi-biographical Transfigurations of British Women Writers During the Long Nineteenth Century, to be published in the summer of 2016 by Palgrave Macmillan. The presentation is a part of the English Faculty Research Lecture Series. The lecture will be DH 3397, October 16, 2015 from 10:30-11:35.

On Writing Neo-Victorian Fiction: James Miranda Barry (1999) And Sophie And The And The Sibyl: A Victorian Romance (2015), Patricia Duncker

The George Eliot Review Online, ISSN: 2831-5375

This is the text of the Forty-Fourth George Eliot Memorial Lecture delivered at the Chilvers Coton Heritage Centre on 10 October, 2015. An extended version of this article will appear in late 2016 or early 2017 as an interview/essay in the series 'anglistik & englischunterricht': Christina Flotmann and Anna Lienen (eds.), Victorian Ideologies in Contemporary British Culture, Heidelberg: Winter Verlag.

My first historical novel - lames Miranda Barry (1999) was not born a Neo-Victorian novel, but became one. And it had a very personal link to my own life. Barry was a nineteenth-century colonial doctor and medical reformer, who had …

A Companion To J.R.R. Tolkien, Ed. Stuart D. Lee, Reviewed By Andrew Higgins, Andrew Higgins

Journal of Tolkien Research

Book review of A Companion to J.R.R. Tolkien (2014), edited by Stuart D. Lee

Tolkien's Middle-Earth: Race Personified Through Orcs, Colleen Fessler

4610 English: Individual Authors: J.R.R. Tolkien

From the time of Middle-earth’s creation, a complex society of hierarchies has existed both within and among the different races and creatures in Tolkien’s world. The race-constructed hierarchies speak to the way in which the different races understand themselves and those around them, just as people do in today’s modern society. While embarking on the journeys of this world with Bilbo Baggins in The Hobbit, with Frodo and the fellowship’s journey across Middle-earth to destroy the ring and Sauron in Mordor in The Lord of the Rings trilogy, and from the creation of Arda and Middle-earth until the Third …

In A World With No Religion, How Did It Become So Christian? Christianity Within The Lord Of The Rings, Rhiley O'Rourke

4610 English: Individual Authors: J.R.R. Tolkien

No abstract provided.

Goblins, Greed, And Goodness: The Symbolic And Narrative Degradation Of Goblins Within The Hobbit, Katelyn Stine

4610 English: Individual Authors: J.R.R. Tolkien

Throughout The Hobbit, J.R.R Tolkien establishes a variety of races that range on a diverse scale of good and evil. Within this spectrum, Goblins are portrayed as being the most evil in comparison to every other race on Middle Earth. Tolkien utilizes a variety of literary devices -from a repeated symbolic association with fire to their physical intolerance to environmental elements such as sunlight- to establish the complete disconnection between the Goblins and the natural world. This detachment allows their race as an entirety to become the embodiment of evil, which functions as a plot device throughout the narrative. Goblins …

"Fire And Water Imagery" In Jane Eyre 2015, Shannon O'Loughlin

Master's Theses

Charlotte Bronte’s Jane Eyre is a study in contrasts. Critics have argued the implausibility of the novel, that an orphaned governess who marries her dashing employer is too far-fetched to be believed. However, a proper understanding of Jane Eyre must be based not on a sequence of events, but on the thematic form of the novel in which the signifiers relate to each other and shift throughout. Ferdinand de Saussure explains in his "Course in General Linguistics," that the mental concept one has of a word is its "signifier" (62). Charlotte Bronte relies not simply upon a sequence of events …

The Beast Inside: Trauma Theory And William Golding's Lord Of The Flies 2015, Emily Paccia

Master's Theses

Following World War II and the horrible devastation in Europe, especially in London, Britain began to rebuild. The country was attempting to come back from war, and the culture reflected a bleak, disheartening feeling. Literature written during this time period, which so often reflects the culture directly, showed that very same bleakness. British novelist, and one who lived through that time, William Golding, writing in the 1960's, recreated the dystopia brought into European countries from living through the destruction of the war. Creating a vision of the future -- one of dysfunction and chaos -- Golding’s characters from Lord of …

J.R.R. Tolkien And His Influence On Modern Fantasy Writer Tamora Pierce, Alexandria Curry

4610 English: Individual Authors: J.R.R. Tolkien

Tolkien’s writing of female and racial minority characters has been criticized as misogynistic and racist by many critics of Tolkien. However, these critics come to these conclusions due to the limited quantity of these characters overall, especially those of the female sex, and their involvement in the overall story’s plot. Tolkien uses women sparingly and because of this, each one has important characteristics and roles that they play. Therefore, if not invalidating the critics position on his supposed misogynistic views, then, at least, dissolving some of their support platforms. However, the roles that the women play are important in understanding …

Tolkien, Fandom, And Priorities, Melissa Conroy

4610 English: Individual Authors: J.R.R. Tolkien

No abstract provided.

Songs In Middle-Earth, Ellory Busch

4610 English: Individual Authors: J.R.R. Tolkien

No abstract provided.

Eowyn As Queen, Brian Scheidt

4610 English: Individual Authors: J.R.R. Tolkien

No abstract provided.

The Inherent Goodness Of Gardens And Their Stewards, Dj Castillo

4610 English: Individual Authors: J.R.R. Tolkien

No abstract provided.

The Role Of Realism And Idealism In Decision-Making: A Case Study Of Tolkien’S And Jackson’S Ents And Elves, Max Bertelotti

4610 English: Individual Authors: J.R.R. Tolkien

Attempting to fight Sauron without the Ring of Power is, of course, fruitless. Nearly all the characters in the Lord of the Rings understand this. While many readers debate the reasoning and logic behind sending Frodo and Sam alone into Mordor, few debate the reasoning for each specific race of Middle Earth to become involved in the fight against Sauron. Given Sauron’s impeccability and resilience, any non-destruction-of-the-Ring attempt at defeating Sauron must categorically be deemed infeasible. It fails logic then that, with a few exceptions, each race that the reader encounters in the Lord of the Rings finds it necessary …

The Prominence Of Pippin, Jasmine Sunderlage

4610 English: Individual Authors: J.R.R. Tolkien

When building a fictional world as involved and vast as that of J.R.R. Tolkien’s multiple drafts are a must in order to work out the exact details and to make sure that all the possible loose ends are tied up and addressed. Characters can come and go, change in temperaments and in how involved they are when it comes to the story itself. Whereas some characters may start of as highly involved in the plot, they may become nothing other than a supporting character after going through multiple drafting processes. For other characters, however, they may start as a walk-on/walk-off …

The Anti-War Adoption Of Lord Of The Rings, Kayla Spencer

4610 English: Individual Authors: J.R.R. Tolkien

Ten years after Tolkien’s Lord of the Rings trilogy was first published in 1954, an unexpected party discovered Middle-earth. America’s counterculture adopted the series, despite its largely conservative, patriarchal, and militant ideologies. Tolkien himself was not fond of the hippie movement, calling them his “deplorable cultus” (Helms 7). Although always adamant that his books were not allegory, the hippies found it anyway and applied his art to their own agendas. Second-wave feminists understood Eowyn’s refusal to let her romantic interest and her father determine her fate, as well as her fear of being kept in a cage and unable to …

Dominion: Examining The Subject Of Power In Tolkien, Kieran Moriarty

4610 English: Individual Authors: J.R.R. Tolkien

The discussion of power and one’s use of it in literature is far from a novel one. This is especially so regarding how one uses power to rule others. Two notable and conflicting ways to rule are using one’s power over the ruled, to keep control of them, and using one’s power for the ruled, by helping and supporting them. The clash between these two can be seen as early as the first book of the Jewish and Christian bibles, wherein God gives humans “dominion over…all the earth, and over every creeping thing that creepeth upon the earth,” asking them …

The Heir And The Treasure: The Grammatical Construction Of Aragorn And Arwen, Rachel Landsem

4610 English: Individual Authors: J.R.R. Tolkien

No abstract provided.

Recovering The Beauty Of Medusa, Alexander M. Schlutz

Publications and Research

This essay presents a close analysis of P.B. Shelley’s fragmentary ekphrastic poem “On the Medusa of Leonardo da Vinci in the Florentine Gallery.” It places Shelley’s text in its aesthetic, mythological and historico-political contexts to demonstrate how Shelley aims to undo the ideological and representational structures of power that inform human language, art, and history, and which turn Medusa into the monstrous Other as which she appears. In Shelley’s text by contrast, Medusa becomes a figure for a revelatory beauty that cannot become visible in the distorting parameters of a discourse of power that informs our very perception of what …

Brotherly Love In Twelfth Night, Sara Heist

The Kabod

Shakespeare’s Twelfth Night draws an intriguing contrast between brotherly love and romantic love. Through the relationships of Sebastian-Antonio and Viola-Orsino, the playwright illustrates these two types of love in the lives these characters, showing that the two distinct types of love may conflict or harmonize, depending on the situation. An analysis of these two relationships provides insight into the tension between the two types of love in the play. The comparison of the motives, characteristics, expectations, and transience of the four characters’ amicable relationships illustrates the benefits and shortcomings of amity.

'We Are All Greeks:' Sympathy And Proximity In Shelley‘S Hellas, Kyle J. Klausing

Scholarly Horizons: University of Minnesota, Morris Undergraduate Journal

The outbreak of the Greek Revolution of 1821 against the Ottoman Empire animated the radical European intelligentsia in a way unseen since the French Revolution 30 years before. The British Romantic poet Percy Bysshe Shelley joined the chorus of philhellenes (meaning one who loves Greece) by extolling the Greek cause in his epic poem, Hellas. Scholarship has traditionally seen Shelley’s representation of the revolution either as an overly classicized literary indulgence or as a purely polemical defense of a political event. By identifying ways in which Shelley uses the classical past to engage the reader with the subject, I will …

Eco-Joyce: The Environmental Imagination Of James Joyce Edited By Robert Brazeau And Derek Gladwin, Rebekah A. Taylor

The Goose

Rebekah A. Taylor reviews Eco-Joyce: The Environmental Imagination of James Joyce edited by Robert Brazeau and Derek Gladwin.

The Oxford Handbook Of Ecocriticism Edited By Greg Garrard, Camilla Nelson Dr

The Goose

Camilla Nelson reviews The Oxford Handbook of Ecocriticism, edited by Greg Garrard

Perfecting Pamela: Samuel Richardson's Final Revisions To His Earliest Novel, Jennifer S. Elliott

Theses & Honors Papers

This author details Richardson’s revision process as he edits his first novel Pamela as the last thing he does before dying. There are three chapters detailing Richardson’s motives behind revising his first novel and his actual revision process, which included three main techniques—substitution, addition, and deletion. Motives considered and argued were: moral purpose and criticism received from others—especially analyzing Shamela, a satire of Pamela—which undermines the morality that Richardson had hoped Pamela accomplished. At the end of the essay, there is an extensive chart complied by the author, spanning a total of 55 pages, of all of Richardson’s …

The Prayer Of Holy Willie: A Canting, Hypocritical, Kirk Elder, Patrick G. Scott

Faculty Publications

Robert Burns wrote this famous satire on religious hypocrisy in 1785, but he did not include it in his first book Poems, Chiefly in the Scottish Dialect (1786) or in any edition published in his life-time. This edition makes accessible for the first time the locally-produced chapbook in which the poem was first printed, in 1789. The introduction discusses why the poem was written, the controversial background to the poem's first printed version, and the reasons for thinking the 1789 chapbook version was printed by John Wilson of Kilmarnock, who had printed Burns's first book three years before. An appendix …

Cronstadt Castle [Supplemental Material], Sarah Crompton, Wendy Fall

Gothic Archive Supplemental Materials for Chapbooks

No abstract provided.

The Literary Unconscious: Ideology And Utopia In The Nineteenth-Century Realist Novel In England And Russia, Isra Ahmed Daraiseh

Graduate Theses and Dissertations

In this volume, I have examined a number of works of nineteenth-century realist fiction from England and Russia, using the double interpretive method recommended by Fredric Jameson in The Political Unconscious. In particular, I have employed the dialectical double hermeneutic suggested by Jameson, who argues that the most productive approach to literary texts is to consider them from the double perspective of ideology and utopia. That is, critics should approach literary texts by seeking out the ideological roots that lie beneath the textual surface and from which the texts grow, while at the same time keeping a careful eye out …

Touching Brains, Jason Tougaw

Publications and Research

No abstract provided.