English Language and Literature Commons^™

“Less Of The Heroine Than The Woman”: Parsing Gender In The British Novel, Susan Carlile

ABO: Interactive Journal for Women in the Arts, 1640–1830

This essay offers two methods that will help students resist the temptation to judge eighteenth-century novels by twenty-first-century standards. These methods prompt students to parse the question of whether female protagonists in novels—in this case, Daniel Defoe’s Roxana (1724), Samuel Johnson’s Rasselas (1759), and Charlotte Lennox’s Sophia (1762)—are portrayed as perfect models or as complex humans. The first method asks them to engage with definitions of the term “heroine,” and the second method uses word clouds to extend their thinking about the complexity of embodying a mid-eighteenth-century female identity.

Arabella’S Valentines And Literary Connections [Dot] Com: Playing With Eighteenth-Century Gender Online, Melanie D. Holm

ABO: Interactive Journal for Women in the Arts, 1640–1830

This article describes two digital assignments that ask students to imaginatively embody characters from eighteenth-century texts written by women in order to cultivate a greater awareness of the critical role of gender and gender critique in these works. The first of these assignments, “Arabella’s Valentines,” asks students to translate dialogue from Charlotte Lennox’s The Female Quixote as humorous Internet memes. The second assignment, “Literary Connections [dot] com,” asks students to imagine how characters from the course archive might represent themselves on an internet dating site. Through creative role-play facilitated by these digital genres, students engage with the texts in stimulating …

Review Of Ill Composed: Sickness, Gender, And Belief In Early Modern England, Amy Mallory-Kani

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Review Of Teresa Barnard, Ed. British Women And The Intellectual World In The Long Eighteenth Century., Judith Dorn

ABO: Interactive Journal for Women in the Arts, 1640–1830

Review of Teresa Barnard, ed. British Women and the Intellectual World in the Long Eighteenth Century.

Charlotte Charke’S Gun: Queering Material Culture And Gender Performance, Jade Higa

ABO: Interactive Journal for Women in the Arts, 1640–1830

This essay juxtaposes readings of material culture and gender performance in Charlotte Charke’s Narrative of the Life of Mrs. Charlotte Charke (1755). It argues that the transient relationship Charke has to the objects in her life mirrors the fluidity of her gender. The essay ultimately uses Charke’s narrative as a case study in a questioning of a binarized gender matrix. The thesis suggest that, though we lack language to fully describe it, characters and historical figures like Charke move beyond and explode gender binaries.

General Editor's Note, Laura Runge

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Restoration Raillery: The Use Of Witty Repartee To Gain Power Within Gendered Spaces Of Restoration London, Bonnie Soper

Madison Historical Review

“Restoration Raillery: The Use of Witty Repartee to Gain Power within Gendered Spaces in Restoration London,” examines the creation of gendered spaces to gain political and social power through the use of satire and wit in poetry, theater, and the court of Charles II in Restoration London. During the Restoration period, mentions of wit and incivility in print and theatre increased over previous eras due to the heightened importance placed on wit as a tool to gain popularity within the court of Charles II. At the same time, witty repartee and well-executed satire provided political power to men within Parliament, …

The Art Of Cognition: British Empiricism And Victorian Aesthetics, Rachel Kravetz

Dissertations, Theses, and Capstone Projects

The British are credited—or charged—with establishing empiricism, the view that all knowledge is embedded in sense experience. My project argues for and describes an undercurrent of idealism within British empiricism: the writers of my study investigated modes of thinking that transform sensory experience. To see their idealism at work, it is necessary to look closely at how they conceived of ideas in the mind as pictures. Given that the term “picture” was used to refer to both inner ideas and actual paintings, it is not surprising (though rarely noticed) that when empiricists wanted to consider how the mind shapes ideas, …

Lyrical Mysticism: The Writing And Reception Of Catherine Of Siena, Lisa Tagliaferri

Dissertations, Theses, and Capstone Projects

Lyrical Mysticism: The Writing and Reception of Catherine of Siena (https://caterina.io) affirms the 14th-century mystic Catherine of Siena as a writer through contextualizing her texts among the corpus of contemporary Italian literature, and studying her reception in the Renaissance period of Italy and England. Joining an increasing body of recent meaningful scholarship that has been making significant progress to recover many overlooked and peripheral female voices of the Middle Ages and the Renaissance, this work serves to fully assert Catherine as a writer of work that is literarily significant and worthy of textual analysis alongside contemporary male Italian …

Knowing Others, Or Not: Performing, Caring, Foreboding, And Acknowledging In Nineteenth-Century British Fiction, Meechal Hoffman

Dissertations, Theses, and Capstone Projects

Knowing Others, Or Not makes two overarching claims about the nineteenth-century novel’s depictions of relations. First, they are overwhelmingly concerned with epistemological questions about knowing others, and second, more often than not, the problem of other minds is portrayed as productive of both pleasure and valuable negative affects. While much scholarship on the relational nineteenth century focuses on either sympathy or social responsibility within the framework of liberal individualism, I show instead that the authors in this study—Jane Austen, Charlotte Brontë, Wilkie Collins, and George Eliot—repeatedly register doubt about the usefulness or possibility of authenticity, and posit the pleasure that …

Mechanized Identity: The Blood-Mill Of Richard Coer De Lyon, Andrew S. Thomas

The Hilltop Review

The seven-thousand-line Middle English romance, Richard Coer de Lyon, is not often read as a text fascinated with machinery. The semi-historical, superlative, titular character and his various marvelous and deeply disturbing deeds usually claim most attention, and not without reason. There is much to examine in the heroically cannibalistic Richard, who presents a complex and often troubling vision of the ways both Englishness and the Saracen Other can be constructed within romance. Alongside these well-studied qualities, however, is a strange attention within the text to sieges and siege engines. Richard’s army is accompanied by a large, named siege tower …

Glorious And Execrable: The Dead And Their Bodies In World War I Poetry, Rebecca E. Straple

The Hilltop Review

While many scholars of World War I poetry have identified aspects of soldier poets’ work that embody the change from enthusiastic support of the war to disillusioned criticism of it, in this paper I argue for an additional, and highly meaningful marker of this significant change: the use of the dead and their bodies in this poetry. The commonly held critical view of World War I poetry is that there is a clear divide between poetry of the early and late years of the war, usually located after the Battle of the Somme in 1916, where poetry moves from odes …

Review Of Conrad And Language, Richard Ruppel

English Faculty Articles and Research

A review of Conrad and Language, edited by Katherine Isobel Baxter and Robert Hampson.

Shifting Focus: The Role Of Visual Literacy In The Twenty-First Century English Classroom, Bryanna Tester

Masters Theses

Ultimately, the English language arts classroom seeks to help make students “literate” members of society. Due to the dominance of images in twenty-first century communication, the term “literate” has also slowly shifted to include an individual’s ability to effectively and accurately communicate with verbal text as well as with visual images and symbols. Although students are native image-viewers, they are not able to be image-readers without instruction and training on how to critically “read” images. Therefore, an English teacher’s literary curriculum is not strictly bound to the written and spoken word. Instruction in reading and writing written texts are vital …

Literary Theories Of Circumcision, A. W. Strouse

Dissertations, Theses, and Capstone Projects

“Literary Theories of Circumcision” investigates a school of thought in which the prepuce, as a conceptual metaphor, organizes literary experience. In every period of English literature, major authors have employed the penis’s hood as a figure for thinking about reading and writing. These authors belong to a tradition that defines textuality as a foreskin and interpretation as circumcision. In “Literary Theories of Circumcision,” I investigate the origins of this literary-theoretical formulation in the writings of Saint Paul, and then I trace this formulation’s formal applications among medieval, early modern, and modernist writers. My study lays the groundwork for an ambitious …

Invisible Injuries: The Salvific And Sacramental Roles Of Christina Mirabilis, Sarah Macmillan

Medieval Feminist Forum: A Journal of Gender and Sexuality

The Life of Christina Mirabilis depicts a series of self-inflicted torments which are seemingly unique in medieval devotional literature in that they leave no outward evidence on her body. This essay examines the self-healing nature of Christina's wounds and the importance of their invisibility in a culture which typically emphasises the visibility of the broken body. It considers the ways in Christina’s resurrected body (in both the Latin (c. 1232) and English (c. 1420) versions of her Life) contributes to thirteenth and fifteenth-century purgatorial and Eucharistic theologies, and suggests a correlation between the bodies of Christina and Christ which …

"The Engine Of Free Expression": The Political Economy Of Copyright In The Colonial British Atlantic And Early National United States, Nora Slonimsky

Dissertations, Theses, and Capstone Projects

In 1985, the Supreme Court of the United States concluded that copyright was included in the Constitution in order to serve as the “engine of free expression.” By providing economic incentive to drive artistic and scientific innovation, the nation received essential information and other tools of learning necessary to make sound political decisions. However, transnational copyright disputes, then and now, frequently resulted in complex and often contradictory understandings of free expression. The formation of copyright in America was thus a far more complex story, and it is that story that forms the basis of this project.

Amidst the many moving …

Building Imaginary Worlds (2012) By Mark J.P. Wolf And Revisiting Imaginary World (2016) Edited By Mark J.P. Wolf, Andrew Higgins

Journal of Tolkien Research

Book review of Building Imaginary Worlds (2012) by Mark J.P. Wolf and Revisiting Imaginary Worlds (2016), edited by Mark J.P. Wolf, reviewed by Andrew Higgins

The Second Pen, Nicholas D. Brennan

Theses and Dissertations

"The Second Pen" evaluates the historical relevancy of prevalent monikers for William Shakespeare-- namely, "The Bard," "Swan of Avon," and "Upstart Crow." While Brennan finds the general concept of the moniker to encapsulate Shakespeare's current historical legacy, he equally finds the aforementioned monikers to misrepresent this. Brennan offers "The Second Pen" as a moniker for Shakespeare that redresses the distortions of the others. He concentrates his defense of its relevancy around a defense of William Shakespeare as the "second pen" which Ben Jonson's 1605 Sejanus quarto names as a collaborator in the writing of a preceding stage version of the …

Lesbian Love Sonnets: Adrienne Rich And Carol Ann Duffy, Robin Seiler-Garman

Senior Theses

Our conceptualization of sexuality is rooted in gender. Modern, western society defines sexuality as which genders one is and is not attracted to—often appearing as a binary between homosexuality and heterosexuality. Recently, however, queer theorists have begun to push against the idea of binary sexuality altogether.

The interplay between gender and sexuality additionally manifests in the history of literature. Because the two are so intimately intertwined, writing about sexuality necessitates writing about gender. Twenty-One Love Poems by Adrienne Rich and Rapture by Carol Ann Duffy are two poetry collections where, as lesbian poets, gender and sexuality play an important role. …

Selected Readings On Augmented Reality, Ekphrasis, And Michael Field, Robert P. Fletcher

Sight and Song Augmented: Painting and Poetry in Mixed Reality

No abstract provided.

Rebels With A Cause: How Christopher Marlowe And William Shakespeare Subversively Challenge The Monarchy's Source Of Power And Other Societal Norms Of Early Modern England, Maggie E. Roussell

LSU New Orleans Theses and Dissertations

This thesis examines the ways that Christopher Marlowe and William Shakespeare use their history plays to subvert the ideals of early modern England. Writing plays about historical events gave the playwrights freedom to depict certain things on stage that would have otherwise been unacceptable, and because they had history as their source, they could show events that were parallel to the current happenings in England and make commentary on those events.

Perceptive Power: Shelley, The Cenci, And The Question Of Reality, Adele Baugues

LSU New Orleans Theses and Dissertations

On the heels of an older generation of Romantic poets concerned with the individual’s role in creating reality, Percy Shelley defines perception as a mandatory building block for countering an external physical world that is hostile to the individual. Consequently, the question of perception, both how it is defined and how it can be influenced, plays an important role in Shelley’s works that focus on political and social change. The question of perception, as it relates to the individual and as it relates to social change, is brought to the forefront in Prometheus Unbound and his drama, The Cenci.

Review Of Mansfield Park: An Annotated Edition, Lynda A. Hall

English Faculty Articles and Research

A review of Mansfield Park: An Annotated Edition, edited by Deidre Shauna Lynch.

Becoming Pamela: The Fight For Maternal Authority In Pamela Ii, Danielle Pollaro

Seton Hall University Dissertations and Theses (ETDs)

In Pamela, Volume II, Pamela and her husband, Mr. B, clash over breastfeeding their child. The conflict over breastfeeding represents a contest for control over the maternal body and with it control over woman’s authority. The eighteenth-century created the concept of motherhood in order to maintain and perpetuate the patriarchy’s social, economic and sexual hierarchies. Pamela, Volume II propagates eighteenth-century domestic discourse by instructing and constructing the idea of the good wife and mother. Pamela’s failure to resist domesticity reveals patriarchy’s role in establishing gender identity. The novel functions to reinforce, strengthen and sustain eighteenth-century domestic discourse to stabilize …

Organic Morality: A Poetic Garden Rhetoric Originating In The 18th Century, Heather Robinson

Seton Hall University Dissertations and Theses (ETDs)

Many literary critics have researched and conjectured on the 18 th century poets’ connections to the developing landscape gardens of the time. For example, Francesca Orestano, in “Bust Story: Pope at Stowe, or the Politics and Myths of Landscape Gardening,” discusses at length the presence and creation of Pope’s development of aesthetics at the Stowe landscape gardens. However, most critics have focused solely on the idea of the aesthetic that gardens create and their relationship to the human experience of nature. Markus Poetzsch, in “From Eco­Politics to Apocalypse: The Contentious Rhetoric of Eighteenth­Century Landscape Gardening,” describes the heated political world …

Poetry Of Body And Soul: Personhood In John Donne, Madison Forbes

Honors Program Theses and Projects

No abstract provided.

William Hazlitt: On The Silencing Effect Of Public Opinion In Nineteenth-Century England, J M Tessa Freeman

Theses and Dissertations

“William Hazlitt: On the Silencing Effect of Public Opinion in Nineteenth-Century England” investigates the social interactions that fostered the circulation of misinformation. Hazlitt depicts how silencing portions of the population benefited those in power and how many within society were unknowingly compliant and in fact facilitating this manipulation of information.

Gender In Eliot's The Mill On The Floss And Hardy's Far From The Madding Crowd, Rachel C. Nelson

Senior Honors Projects, 2010-2019

This text explores the characters of Maggie and Tom Tulliver from George Eliot’s 1860 novel The Mill on the Floss and the characters of Bathsheba Everdene and Gabriel Oak from Thomas Hardy’s 1874 novel Far from the Madding Crowd. It connects the two novels by way of the relationships between these main characters. In both cases, the female character struggles with the confines of Victorian societal limits for women based on their gender. In The Mill, Maggie constantly struggles against the wishes of her older brother, and while Tom is arguably an antagonistic force in the novel, this …

Dogs, Cats, And A Lambkin: Speechlessness And The Animal In Ulysses, Pierce R. Watson

Theses and Dissertations

This essay explores the status of the animal and the consequences of animal speechlessness in Ulysses, mainly focusing on encounters with dogs and cats. Through these animal encounters, Joyce provides a foundation for understanding the complications faced by the Bloom family in grieving their deceased infant son.