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Articles 2161 - 2190 of 5489
Full-Text Articles in English Language and Literature
Writing Indigenous Identity In Herman Melville And Joseph Conrad's Polynesian And Malay Archipelago Novels, Catherine L. Black
Writing Indigenous Identity In Herman Melville And Joseph Conrad's Polynesian And Malay Archipelago Novels, Catherine L. Black
Dissertations and Theses
The thesis of this paper is that cross-cultural writing can be done with the right methods of communication, such as engaging narrator and education—or simply sensitive, imaginative writing. Herman Melville and Joseph Conrad’s five books set in the Polynesian and Malay Archipelagos—Typee and Omoo and the Malay Trilogy (Almayer’s Folly, An Outcast of the Islands, and The Rescue)— are used as master models of how to write indigenous characters with rich characterization in pivotal roles, even circa 1846 and 1896. The unique perspective and technique by which they did this is explored, a technique and perspective not …
Whispering Together In The Dark: Rereading Samuel Beckett's Homosociality Through Harold Pinter, Aaron Botwick
Whispering Together In The Dark: Rereading Samuel Beckett's Homosociality Through Harold Pinter, Aaron Botwick
Publications and Research
In a 1960 letter to a friend, Harold Pinter wrote of Samuel Beckett, “I’ll buy his goods hook, line, and sinker, because he leaves no stone unturned and no maggot lonely. He brings forth a body of beauty; his work is beautiful.” What do we learn if we take the word “beautiful” seriously? Rereading Waiting for Godot backward through Betrayal, this article argues that Beckett’s landscape, typically read as a realization of postwar angst, is in fact one released of the pressures of contemporary living and for Pinter a homosocial Eden. Jerry’s joke upon discovering the adultery—“Maybe I should …
"To Conceive With Child Is The Earnest Desire If Not Of All, Yet Of Most Women": The Advancement Of Prenatal Care And Childbirth In Early Modern England: 1500-1770, Victoria E.C. Glover
"To Conceive With Child Is The Earnest Desire If Not Of All, Yet Of Most Women": The Advancement Of Prenatal Care And Childbirth In Early Modern England: 1500-1770, Victoria E.C. Glover
Theses and Dissertations
This thesis analyzes medical manuals published in England between 1500 and 1770 to trace developing medical understandings and prescriptive approaches to conception, pregnancy, and childbirth. While there have been plenty of books written regarding social and religious changes in the reproductive process during the early modern era, there is a dearth of scholarly work focusing on the medical changes which took place in obstetrics over this period. Early modern England was a time of great change in the field of obstetrics as physicians incorporated newly-discovered knowledge about the male and female body, new fields and tools, and new or revived …
Medical Celebrity In Eighteenth-Century Britain, Katherine Richards
Medical Celebrity In Eighteenth-Century Britain, Katherine Richards
Graduate Theses, Dissertations, and Problem Reports (ETD)
Medical Celebrity in Eighteenth-Century Britain argues that the cultural mechanisms responsible for creating and sustaining celebrity culture helped create and sustain commercialized medicine in eighteenth-century Britain. I identify the process by which celebrity and medical culture impact one another as a sociocultural phenomenon that I term medical celebrity. The following chapters present four case studies of how medical celebrity impacted the development of the medical profession, the medical market, cultural representations and perceptions of health and illness, and the patient experience. I engage with the work done by scholars in contemporary and early celebrity studies to shed light on the …
Quoting Shakespeare In The British Novel From Dickens To Wodehouse, Daniel Pollack-Pelzner
Quoting Shakespeare In The British Novel From Dickens To Wodehouse, Daniel Pollack-Pelzner
Faculty Publications
Novelists heralded as Victorian Shakespeares frequently navigated the varied nineteenth-century practices of Shakespeare quotation (in the classroom in compilation books, in stage spoofs) to construct the relationship between narrator and character, and to negotiate the dialogue between Shakespeare's voice and the voice of the novel. This chapter looks at three novelists whose practices intersect and contrast: George Eliot, who resists the Bardolatrous imputation of a Shakespearean character's wisdom to its author by distinguishing her own characters' inept Shakespeare quotations from her narrative voice; Thomas Hardy, who claims the authority of Shakespearean pastoral, regional language against the glib quotations of his …
Chaucer's Divided "I": Narrative Voice And Performance Dynamics In Late Fourteenth-Century English Literature, Isaac Mcduffie
Chaucer's Divided "I": Narrative Voice And Performance Dynamics In Late Fourteenth-Century English Literature, Isaac Mcduffie
LSU Doctoral Dissertations
Throughout the twentieth century, various Chaucer scholars have worked to achieve the now-consensus opinion that Chaucer wrote his works expecting them to be both listened to within a group setting and read privately in an individual setting. These scholars have either assumed or expressly stated that the experience of listening to and reading Chaucer’s works would have been the same. This dissertation argues otherwise. I show that in the late fourteenth century, English vernacular was only starting to be understood as a written language, and this peculiar circumstance created tensions between both listening and reading modes of reception. Such tensions …
Preface To Ssl 43:2, Patrick G. Scott, Anthony Jarrells
Preface To Ssl 43:2, Patrick G. Scott, Anthony Jarrells
Studies in Scottish Literature
Introduces the two special sections in this issue, on Scottish fiction and Burns bibliography, and briefly describes the range of other contributions, noting the wide international range of contributors.
The Crème De La Crème: Old Favourites, New-Fangled Works, And Other Fictions, Willy Maley
The Crème De La Crème: Old Favourites, New-Fangled Works, And Other Fictions, Willy Maley
Studies in Scottish Literature
Introduces the SSL Debate, in which 18 contributors react to and add to the BBC Scotland poll on Scotland's Favourite Novel, discussing the purposes and limitations of various lists that have ranked recent Scottish fiction, and commenting briefly on the differences between this debate and the deliberations of a selection panel.
Thomas Carlyle, Sartor Resartus (1834), Kathryn Chittick
Thomas Carlyle, Sartor Resartus (1834), Kathryn Chittick
Studies in Scottish Literature
Argues that Thomas Carlyle's fictional autobiography from the 1830s deserves recognition as one of the most experimental of Scottish novels and suggests some ways in which it anticipates a fictive self-consciousness often thought of as post-modern.
Venturing A Little Further: Margaret Elphinstone, The Sea Road (2000), Matthew Wickman
Venturing A Little Further: Margaret Elphinstone, The Sea Road (2000), Matthew Wickman
Studies in Scottish Literature
Proposes that Margaret Elphinstone’s historical novel about Gudrid of Iceland, an eleventh-century female explorer of Greenland and North America, is "a novel for many seasons: the eleventh century, the early and late twentieth, and far into the twenty-first," judging it "one of the great Scottish novels about the unknown," and "perhaps the nation’s greatest contribution to the modern zeitgeist."
Fresh Air: Michel Faber, Under The Skin (2000) With A Comment On Trainspotting, Tony Jarrells
Fresh Air: Michel Faber, Under The Skin (2000) With A Comment On Trainspotting, Tony Jarrells
Studies in Scottish Literature
Comparing Faber's treatment of the Scottish Highlands (his only novel set in Scotland) with a Highland incident in Welsh's Trainspotting, arguing that in Faber the Highlands are "not merely some representation of a romanticized past," but also "represent this present moment,... marked by the class conflicts and near political hopelessness" seen in Welsh, but also "a strong sense of beauty and an appreciation for the environment."
Matthew Fitt, But N Ben A-Go-Go (2000), Caroline Mccracken-Flesher
Matthew Fitt, But N Ben A-Go-Go (2000), Caroline Mccracken-Flesher
Studies in Scottish Literature
Puts forward Fitt's "challenging, haunting novel," "a dystopian, coming of age, scientific-detective-police procedural-medical romance," written in "lyrical/acerbic Scots," as "thrawn, readable, un-put-down-able," and a "darkly plotted challenge to family dynamics."
Scotland’S Top Ten & The Inadequacy Of A National Canon: Alasdair Gray’S Lanark (1981), Scott Lyall
Scotland’S Top Ten & The Inadequacy Of A National Canon: Alasdair Gray’S Lanark (1981), Scott Lyall
Studies in Scottish Literature
Discusses the healthy overlap in the recent BBC Scotland poll on Scotland's Favourite Novel between popular appeal and critical recognition; judges Gray's Lanark as "Scotland's greatest modern novel," which "deserves to be much better known internationally," as "the outstanding postmodern challenge to the global conformism of capitalist hyper-individualism," laments that, despite their usefulness, such curated polls and lists are self-perpetuating, to the neglect of many distinctive Scottish novels, and concludes by asking "what would a truly uncurated top 30 look like?"
Robin Jenkins, The Thistle And The Grail (1954) With A Comment On Sunset Song, David E. Latane
Robin Jenkins, The Thistle And The Grail (1954) With A Comment On Sunset Song, David E. Latane
Studies in Scottish Literature
Recommends Robin Jenkins's story of a Scottish football (soccer) team, Drumsagart Thistle, and its quest to win the Scottish Junior Cup, as "a marvelous compendium of Roy of the Rovers improbabilities, Our Town ethnography, critiques of gender relations, subtle and broad satire, and laugh outloud comedy."
Eric Linklater, Private Angelo (1946), Gill Plain
Eric Linklater, Private Angelo (1946), Gill Plain
Studies in Scottish Literature
Recommends Linklater's novel about World War II in Italy as "a book that cherishes national difference while utterly condemning nationalism," "as much a book for 2017 as it was for 1946," and "a sharply observant satire dissecting the male vanity, national hubris and hypocrisy behind the 'logic' of war."
Willa Muir, Imagined Corners (1931), Timothy C. Baker
Willa Muir, Imagined Corners (1931), Timothy C. Baker
Studies in Scottish Literature
Recommends Muir's novel (which came in 30th in the BBC poll), set in a small Scottish town and concerned with "'the ideology of Scotland,' and questions of class, religion, sexuality, politics, and education," as "indisputably a great novel, perhaps equalled in British fiction only by To the Lighthouse, and utterly unique in the Scottish canon,"
James Robertson, The Fanatic (2000), Silvia Mergenthal
James Robertson, The Fanatic (2000), Silvia Mergenthal
Studies in Scottish Literature
Suggests that Robertson's first novel, chiefly concerned with 17th century Scotland, already shows the complex intertextual relationships with earlier Scottish works by Scott, Hogg, and Stevenson that marks his subsequent writing, and comments particularly on its question "What happens later?," in relation to the Scottish vote for political devolution in May 1997.
James Robertson, Joseph Knight (2003), Ilka Schwittlinsky
James Robertson, Joseph Knight (2003), Ilka Schwittlinsky
Studies in Scottish Literature
Recommends Robertson's novel, based on the true story of the Jamaican slave who in 1778 successfully asserted his freedom in the Scottish Court of Session, and the intertwined story of John Wedderburn, the Scottish plantation owner whose slave he had been, as "an eminently enjoyable historical novel which tackles a difficult subject matter [Scotland’s complicity in slavery and the slave trade] with astonishing humanity."
Nan Shepherd, The Quarry Wood (1928), Carole Jones
Nan Shepherd, The Quarry Wood (1928), Carole Jones
Studies in Scottish Literature
Recommends Shepherd's novel about an independent woman in north-east Scotland as "vivid in delineating its female central character, its local language, and what is undoubtedly a radical engagement with sexual politics," that "examines closely issues of sexual identity and gender relations, and ... comes to its own thoughtful conclusions on women's place in the world."
Muriel Spark, The Prime Of Miss Jean Brodie (1961), Katrin Berndt
Muriel Spark, The Prime Of Miss Jean Brodie (1961), Katrin Berndt
Studies in Scottish Literature
Discusses Spark's well-known novel, recognizing its "curious amalgamation of acerbic humour, elegance of style, Calvinist spirit, and careful poignancy of plot development," but pointing also to "the pleasurable challenge" offered by its "charismatic" protagonist, Jean Brodie, "glamorous and romantic," "with a proud self-assurance rarely bestowed on female characters," which nonetheless "eludes everyone’s emotional grasp."
Writing On The Margins: Luke Sutherland, Venus As A Boy (2004), Manfred Malzahn
Writing On The Margins: Luke Sutherland, Venus As A Boy (2004), Manfred Malzahn
Studies in Scottish Literature
Recommends Sutherland's "epiphanic" short novel, which received rave reviews on publication, as a novel that should have been "an almost mandatory selection" for the BBC poll ballot, suggesting that it was excluded, not only because of length, explicit language, and violence, but because its island setting and depiction of "the fuzzy margins of sexual and racial identity" made it wrongly seem peripheral to the Scottish "mainland and mainstream."
Gavin Douglas's Aeneados: Caxton's English And 'Our Scottis Langage', Jacquelyn Hendricks
Gavin Douglas's Aeneados: Caxton's English And 'Our Scottis Langage', Jacquelyn Hendricks
Studies in Scottish Literature
Discusses the Scots poet Gavin Douglas's translation of Virgil's Aeneid into Scots, and Douglas's treatment of his predecessor William Caxton's translation of Virgil into English, arguing that Douglas associates Caxton's English with a barbaric world of monsters and beasts, in contrast to Scots which is seen as expressing civilized classical values, and that Douglas's translation, by enhancing and showcasing the literary power of Scots for a wider audience, successfully resisted for at least forty years the linguistic standardization initiated by the burgeoning print industry.
Beattie's The Minstrel: A Missing Link In Scottish Poetry, Ian C. Robertson
Beattie's The Minstrel: A Missing Link In Scottish Poetry, Ian C. Robertson
Studies in Scottish Literature
Discusses the Scottish poet James Beattie's poetry, especially his major work The Minstrel, and his shorter poem in Scots, "To Mr Alexander Ross," in terms of his connections, role and influence within the Scottish poetry and culture of the mid- to late 18th century, arguing that without taking into account Beattie's complex relationship to Scottish, and specifically Aberdonian, culture, the development of 18th century Scottish poetry between Ramsay and Burns cannot be adequately understood.
The Scotch Bard And 'The Planting Line': New Documents On Burns And Jamaica, Clark Mcginn
The Scotch Bard And 'The Planting Line': New Documents On Burns And Jamaica, Clark Mcginn
Studies in Scottish Literature
Based on newly-identified documents, reexamines Burns's plan in 1786 to emigrate to Jamaica to take a job on a Scottish-owned slave plantation, and the timing and circumstances of his eventual decision to stay in Scotland, concluding that Burns "kept his options open to the last moment," and that the new documents might mean Burns "sought to prosper from chattel slavery," and "only dropped the opportunity because a better offer came along, not because of any moral scruples."
Immigrant Communities, Cultural Conflicts, And Intermarriage In Ann Marie Di Mambro's Tally's Blood, Ian Brown
Immigrant Communities, Cultural Conflicts, And Intermarriage In Ann Marie Di Mambro's Tally's Blood, Ian Brown
Studies in Scottish Literature
Discusses the stage history, structure and themes of Anne Marie Di Mambro’s play Tally’s Blood (1990), especially in terms of the cultural stresses on Italian immigrant families in Scotland in the 1930s and the impact on them of the Second World War.
An Ssl Research Symposium: Introduction: New Developments In Robert Burns Bibliography, Gerard Carruthers
An Ssl Research Symposium: Introduction: New Developments In Robert Burns Bibliography, Gerard Carruthers
Studies in Scottish Literature
Introduces four talks given at the National Library of Scotland on March 16, 2017, at a workshop on New Developments in Robert Burns Bibliography, jointly convened by Robert Betteridge of the National Library and by Prof. Carruthers, as general editor of the AHRC-funded project Editing Robert Burns for the 21st Century, arguing that "every bit as much as literary criticism or textual editing, bibliographical studies need generational renewal."
Towards A New Bibliography Of Robert Burns, Craig Lamont
Towards A New Bibliography Of Robert Burns, Craig Lamont
Studies in Scottish Literature
Introduces and describes the first phase of a new, free on-line resource from the University of Glasgow, A Bibliography of Robert Burns for the 21st Century: 1786-1802, based on fresh examination of multiple copies in several Scottish libraries, as well as in collections in the US and Canada, providing significantly-expanded entries for the early book-publication of Burns's poetry, and so allowing textual editors a more complete record of the textual history of Burns's work.
'Not In Egerer'? (Some Of) What We Still Don't Know About Burns Bibliography, Patrick Scott
'Not In Egerer'? (Some Of) What We Still Don't Know About Burns Bibliography, Patrick Scott
Studies in Scottish Literature
Briefly reviews developments in Burns bibliography since J.W. Egerer's Bibliography of Robert Burns (1964), examines the kinds of material that Egerer aimed to include and exclude, and presents a series of brief case-studies illustrating the desirability of additional research, especially on early publication in non-book formats, for obtaining a fuller picture of Burns's textual history and readership.
Burns And Chapbooks: A Bibliographer's Twilight Zone, Iain Beavan
Burns And Chapbooks: A Bibliographer's Twilight Zone, Iain Beavan
Studies in Scottish Literature
Based on records for 358 chapbooks containing material by Robert Burns, published in Scotland, England and Ireland, between the 1780s and the 1880s, provides statistical information on their distribution by date and place of publication, and discusses some of the special research issues raised by this publication format, especially relating to the attribution (and misattribution) of authorship.
Robert Burns In Print At The National Library Of Scotland, Robert Betteridge
Robert Burns In Print At The National Library Of Scotland, Robert Betteridge
Studies in Scottish Literature
Discusses the early Burns editions now in the National Library of Scotland, compares the NLS holdings to those of other major UK research libraries, examines the limited role of the deposit privilege in bring early Burns editions to the Advocates' Library before the founding of the NLS, and provides examples of significant early editions that were subsequently acquired for the library by purchase and donation.