English Language and Literature Commons^™

Living With George Eliot: A Tribute To My Parents, Will Adams

The George Eliot Review Online, ISSN: 2831-5375

It was a strange but much-appreciated honour to be asked to address the annual George Eliot Fellowship lunch in 2016. It was strange because I'd attended many such events long ago - fewer more recently - and had always sat with the 'rank and file' on the lower tables while Mum and Dad, officers and distinguished guests occupied the top table. So, when on Sunday 20 November, I rose to speak, I was quite miffed to find that there was no top table! All very egalitarian, but it left me wandering up and down the floor as I imparted my …

Radical Politics In The 1860s: The Writing Of Felix Holt, David Paterson

The George Eliot Review Online, ISSN: 2831-5375

While Felix Halt the Radical was being written there was a transformation in the atmosphere surrounding further parliamentary reform in Britain. In March 1865, when George Eliot began the novel, the Liberal Prime Minister Palmerston remained cautious about an extension of the franchise. Yet Felix Holt was finished on 31 May 1866 amidst great political excitement: a Reform Bill was being debated and the outcome uncertain. This change in emphasis in the political mood had its effect on Eliot 's writing, since the 'reform campaign had not gained enough momentum' I to explain Eliot's initial choice of subject. To say …

Chairman's Annual Report For 2016, John Burton

The George Eliot Review Online, ISSN: 2831-5375

The most noteworthy events of 2016 were the deaths of Bill and Kathleen Adams, a couple whose extraordinary dedication and hard work from 1968 until 2008 enabled the Fellowship to prosper and become a genuinely influential literary society. Bill was the first to die, just a couple of days after laying the wreath for us in June in Nuneaton, an event he loved, and where he met and chatted to so many old friends.

The AGM in March saw the existing team of Council members renewing their positions, with a request from Hon. Treasurer Jill Bridgewater that we should find …

When Howard Met George: A Play In Two Acts, Susan Ryley Hoyle

The George Eliot Review Online, ISSN: 2831-5375

Dramatis Personae (in order of appearance)

Marian Evans (Mrs. Lewes) (George Eliot) (left) was born near Nuneaton in 1819 to a prosperous land agent and his (second) wife. She has lost whatever regional accent she may have had, and has often been complimented on her melodious voice. She speaks quite slowly, rarely with emphasis, nearly always with a shy earnestness and a dry sense of humour. At the time of this play, only her husband and (very recently) her publisher know that she is 'George Eliot', the author of the huge best-seller Adam Bede (1859), and of the only …

Yet More Cather-Knopf Correspondence, Melissa J. Homestead

Department of English: Faculty Publications

Some years ago many of us were excited by the discovery of a cache of Willa Cather’s correspondence with publisher Alfred A. Knopf that had been in the hands of Peter Prescott, one of the succession of would-be biographers of Knopf. He died before he completed it. These letters are now held in the Barbara Dobkin Collection in New York City. Before these materials came to light, researchers, including the editors of the Willa Cather Scholarly Edition, had relied on a strange and fragmentary “memoir” Knopf wrote of his relationship with Cather based on his correspondence files with her, and …

George Eliot In Romantic Biofiction, Beverley Rilett

Department of English: Faculty Publications

Dinitia Smith’s The Honeymoon is the first complete biofiction of the woman enduringly known by her masculine pen name, George Eliot. It tells the story of a precocious provincial English girl who challenges the conventions of her middleclass upbringing as she pursues a writing career in Victorian London, moves in with an alreadymarried man, becomes one of the greatest living British novelists, and then marries John Cross, a man twenty years her junior whom she’d long called “nephew.” Whether or not Eliot’s brief marriage to Cross constituted a “happy ending” depends on how you interpret the harrowing incident that took …

Voice And Agency In William Shakespeare's The Tempest And Aimé Césaire's Une Tempête, Sophie Fahey

Scripps Senior Theses

This thesis explores how Prospero’s power is conveyed through voice in The Tempest, as well as how Shakespeare frames the relationship between Prospero, Ariel, and Caliban, primarily in Act 1, Scene 2 of the play. Then, it examines how in Une Tempête Césaire gives a more active role to Ariel and Caliban in and how giving these characters more space to speak gives them more agency and power.

Satirical Perspectives: A Cross-Cultural Comparison, Mariah Johnson

Undergraduate Theses, Professional Papers, and Capstone Artifacts

This paper proposes a cross-cultural examination of the societal satire of the countries of America and Soviet Russia by way of comparison of two satiric novels. Sinclair Lewis’s Babbitt satirizes the business values of capitalist America and the materialism perceived in an economic system based on the mass production and mass consumption of goods. Yurii Olesha’s Envy uses Babbitt in intertextual conversation to perform a similar critique of the Soviet Russian society and values of the same time period. Satiric theory provides a framework for understanding and relaying how each novel performs its parody of the respective society, while historical …

Course Syllabus (W17 Online) Coli 211m: "Superhero Film And Contemporary Culture", Christopher Southward

Comparative Literature Faculty and Student Scholarship

Course Description:

What might the current popularity and ubiquity of superhero film say about contemporary culture? This course will explore three possible implications of this question: (1) that the superhero genre reflects a moment in our species’ history of reconciling the human being-technology relation, which we shall view as a complex system constituted by our productive relations to material and ideological tools and their ensembles, the needs and aspirations that determine how we conceptualize and activate these relations, and the technically rationalized social reality that is their result, (2) that this ongoing process of reconciliation evinces, at once, the …

Strangers With Cameras: The Consequences Of Appalachian Representation In Pop Culture, Chelsea L. Brislin

Theses and Dissertations--English

Representations of the Appalachia region in literature, art and pop culture have historically shifted between hyperbolic, colorful caricatures to grotesque, sensationalized, black and white photography. This wide spectrum of depictions continually resonates within the North American psyche due to its shared commonality of Appalachia as the cultural “other.” This othering frequently leaves audiences with a kind of relief that this warped representation of backwards, rural poverty is not their own progressive, present-day reality. Countless artists have exploited the region in order to show the impoverished side of rural Appalachia and spin a failed capitalistic way of life into a romanticized, …

Violence And Edification In 19th Century Fiction: An Analysis Of The Novels Of Charles Dickens And Leo Tolstoy, Caroline Fassett

Honors Theses

This Thesis argues that violence is essential to the structures and plots of Charles Dickens’s Barnaby Rudge and A Tale of Two Cities and of Leo Tolstoy’s War and Peace and Anna Karenina, and is particularly essential to the edification, or the moral and intellectual improvement, of principal characters in these four novels. Additionally, this Thesis contends that this edification is both anticipated and reinforced by the novelists’ incorporation of counterparts whose demeanor and/or narrative overtly mirror that of the principal characters.

To support this argument, I bring the theory of Thomas Carlyle into conversation with the novels of Dickens …

The Hemispheric Muse. A Conversation With Antonio Barrenechea, Giorgio Mariani, Antonio Barrenechea

English & Linguistics Articles

Antonio Barrenechea is an Associate Professor at the University of Mary Washington, in Fredericksburg, Virginia, where he was hired to design a teaching curriculum in the Literatures of the Americas in 2005. He holds a PhD in comparative literature from Yale University and is the author of various essays on both North and South American literature, and, most recently of America Unbound: Encyclopedic Literature and Hemispheric Studies, his first book, published last year by the University of New Mexico Press. Professor Barrenechea, who is currently spending the year as a resident fellow at the Institut Américain Universitaire in Aix-en-Provence, France, …

Letting In The Night: The Moon, The Madwoman, And The Irrational Feminine In Jane Eyre And Wide Sargasso Sea, Sophia Rosenthal

Scripps Senior Theses

This analysis examines Jane Eyre and Wide Sargasso Sea through the lens of lunar imagery and the irrational feminine, arguing that both texts are aspects of an extended, collective narrative in which both heroines rescue and reclaim their feminine essence from the construction of a masculine idealism.

T. E. Lawrence's Seven Pillars Of Wisdom And The Erotics Of Literary History: Straddling Epic., Václav Paris

Publications and Research

No abstract provided.

Protecting Systems Of Nature And Gender: Ecofeminism In Barbara Kingsolver's Prodigal Summer And Ruth Ozeki's All Over Creation, Sarah J. Hirsch

All Student Theses and Dissertations

Ecofeminism has permeated the disciplines of politics, philosophy, science, and literature – all of which are embedded in the fiction of Barbara Kingsolver’s Prodigal Summer and Ruth Ozeki’s All Over Creation. In this thesis, I consider the authors’ use of scientific evidence to engage readers with their rhetorical goals of protecting the systems of nature and gender. In the first chapter, I define the history of ecofeminist activism and how Kingsolver and Ozeki continue its tradition. The second chapter considers the parallels between biodiversity and cultural diversity within both Prodigal Summer and All Over Creation. In the final chapter, I …

Authorship In Burroughs's Red Night Trilogy And Bowles's Translation Of Moroccan Storytellers, Benjamin J. Heal

CLCWeb: Comparative Literature and Culture

In his article "Authorship in Burroughs's Red Night Trilogy and Bowles's Translation of Moroccan Storytellers" Benjamin J. Heal discusses Paul Bowles's and William S. Burroughs's varying interrogation of the constructed nature of authorship. In his study Heal focuses on the publication history of Burroughs's Cities of the Red Night (1981), which was written with considerable collaborative influence and Bowles's translation of illiterate Moroccan storytellers, where his influence over the production and editing of the texts is blurred as are the roles of author and translator. Through an examination of Bowles's and Burroughs's authorship strategies in parallel with an explication of …

Burroughs's Postcolonial Visions In The Yage Letters, Melanie Keomany

CLCWeb: Comparative Literature and Culture

In her article "Burroughs's Postcolonial Visions in The Yage Letters" Melanie Keomany discusses the contents of William S. Burroughs and Allen Ginsberg's The Yage Letters which could be dismissed as openly bigoted and racist. Keomany posits that the text reveals valuable connections between the colonial expansion of the eighteenth century and 1950s USA and Latin America. By re-shaping Burroughs's lived experiences in the Amazon into a text where the narrator William Lee mimics sardonically and parodically the colonial scientific explorer, The Yage Letters provides valuable insight into the complex postcolonial context of the mid-twentieth century.

Bowles's Up Above The World As Beatnik Murder Mystery, Greg Bevan

CLCWeb: Comparative Literature and Culture

In his article "Bowles's Up Above the World as Beatnik Murder Mystery" Greg Bevan discusses Paul Bowles's fourth and final novel, which at the time of its publication was met with mixed reactions from reviewers and its creator alike, and has seen relatively scanty critical attention in the years since. Gena Dagel Caponi perceives in the novel a reflection of Bowles's struggle for control, during the time of its writing, in the face of his wife Jane's terminal illness. Building on this insight, the current essay notes the same tension in the writings of the Beats—a movement with which Bowles …

Burroughs's Re-Invention Of The Byronic Hero, Franca A. Bellarsi

CLCWeb: Comparative Literature and Culture

In her article "Burroughs's Re-Invention of the Byronic Hero" Franca A. Bellarsi discusses George Gordon Byron's (1788-1824) and William S. Burroughs's (1914-1997) texts as masterful examples of irreverence which earned notoriety in their own days. Yet despite the scandalous aura of lawlessness, iconoclastic cynicism, and nomadic elusiveness which surrounds both authors' work, a parallel between them has never been attempted. Bellarsi argues that more than a hundred years after Burroughs's birth, assessing his work implies understanding that his enduring appeal across languages and cultures rests in part on how his writing pushes the transformation of the Byronic myth further in …

Theories Of Opiate Addiction In The Early Works Of Burroughs And Trocchi, Richard English

CLCWeb: Comparative Literature and Culture

In his article "Theories of Opiate Addiction in the Early Works of Burroughs and Trocchi" Richard English discusses William S. Burroughs's and Alexander Trocchi's representations of opiate addiction with special reference to their early writings. English examines the concept of homo heroin that can be attributed to Burroughs and lists and expounds its qualities. Among these are: immorality, criminality, mono-objectuality, self- and other-indifference, and, most importantly, the radical physical transformation into a new species, which Burroughs extends in Naked Lunch. English shows how homo heroin relates to Trocchi's conception of a heroin addict, which serves to illustrate that homo …

Exploring Psychological Territoriality Through The Domestic Gothic In Beloved And Mama Day, Lori L. Cook

English Department Theses

The novels, Beloved, by Toni Morrison, and Mama Day, by Gloria Naylor, contain narratives of families with a history of slavery that explore how their female protagonists claim their identities within the new boundaries of freedom. Using a framework of the Domestic Gothic, this paper explores how formerly enslaved female characters claim new psychological territory in bounded domestic spaces by using the chores they were forced to perform during their times of slavery as a means to independence. Domestic duties such as cooking and gardening along with magical and religious ceremonies and acts of violence are passed down through the …

Strindberg's Miss Julie: An Exploitation Of Genderlect And Liberatory Pedagogy, Jenava Moreau Harris

Theses and Dissertations from 2016

Navigating the complexities of naturalist dramatic literature proves to be a challenge under the best circumstances. How do we attempt to highlight the major themes and tenants of Naturalism through an educational theatre lens? What happens when the show is then double cast due to indecisiveness? How do we handle actors with personal trauma influencing their ability to work with vulnerability and physical contact? These questions and others were answered throughout this master’s thesis production of Miss Julie by August Strindberg. Through a process guided by social research and dramaturgical attention to detail, this director was able to explore a …

Review: Shakespeare’S Stage Traffic: Imitation, Borrowing And Competition In Renaissance Theatre. Janet Clare., Kelly Stage

Department of English: Faculty Publications

Shakespeare’s Stage Traffic is a fit title for Janet Clare’s investigation of Shakespeare and his theatrical environment. While her subtitle outlines the key practices that underpin her readings of Shakespeare’s plays, their co-texts, and their competition, the idea of traffic best encapsulates the complexity of the relationships that Clare charts. As she writes, Shakespeare’s Stage Traffic may enable “a more conjoined critical study of the plays of the early modern stage — one that will take into account the networks of influence, exchange, and competition of stage traffic that make up the matrix essential for talent to flourish” (267). Her …

Staging Famine Irish Memories Of Migration And National Performance In Ireland And Québec, Jason King

CLCWeb: Comparative Literature and Culture

In "Staging Famine Irish Memories of Migration and National Performance in Ireland and Québec" Jason King examines recent community theater productions about the Irish Famine migration to Québec in 1847. King explores community-based and national ideas of performance and the role of remembrance in shaping and transmitting the diasporic identities of Québec's Irish cultural minority. While most of the plays re-enact French-Canadian adoptions of Famine orphans as spectacles of Irish integration in Québec, David Fennario's Joe Beef: (A History of Pointe Saint Charles) (1984, published 1991) rehearses the history of the Canadian/Québec nation in terms of recurrent labor exploitation epitomized …

Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided for the introduction.

Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided.

Perceval's Sister And Juliet Capulet As Disruptive Guides In Spiritual Quests, Joanna Benskin

Open Access Dissertations

Perceval’s sister in Sir Thomas Malory’s Le Morte Darthur and Juliet in William Shakespeare’s Romeo and Juliet act as disruptive guides in spiritual quests by contradicting the expectations placed on them as women characters.

Though women are banned from the quest for the Holy Grail, Perceval’s sister accompanies the Grail knights as an authoritative spiritual guide and a symbol of the Eucharist. Previous critics have not recognized Perceval’s sister as a fundamental disruption to the systemic misogyny of the Morte or her Eucharistic significance. She challenges both the chivalric misogyny that sees her as an object of rescue and the …

Cooking, Language, And Memory In Farhoud's Le Bonheur À La Queue Glissante And Thúy's Mãn, Simona Emilia Pruteanu

CLCWeb: Comparative Literature and Culture

In her article "Cooking, Language, and Memory in Farhoud's Le Bonheur à la queue glissante and Thúy's Mãn" Simona Emilia Pruteanu discusses two moments in the evolution of (im)migrant writing in Québec. Abla Farhoud's 1998 novel shows the struggle of Dounia, a Lebanese immigrant living in Montréal, who in her seventies finds a voice with the help of her daughter's writing and starts to reflect on her identity. Themes of language and cooking overlap and reinforce one another and offer a new perspective on memory and the act of remembering. Language, cooking, and memory also intertwine in Thúy's 2013 …

Barrie's Traditional Woman: Wendy's Fatal Flaw, Charlsie G. Johnson

Oglethorpe Journal of Undergraduate Research

The primary goal of this literary critique of J.M. Barrie’s novel Peter and Wendy, with the utilization of a feminist psychoanalytical approach, is to explore issues such as: Neverland’s perpetuation of patriarchal structures under the guise of a false modernity and Wendy’s inability to achieve modernity through the societal expectations that undermine the freedom within Peter’s Neverland, as well as her inherent tendencies to gravitate to the traditional feminine role. The arguments and conversation of this topic is based upon a close reading of the Centennial Edition of The Annotated Peter Pan, Barrie’s Peter and Wendy, and articles …

The Uprising Of The Anecdotes: Women’S Letters And Mass-Produced News In Jacob’S Room And Three Guineas, Ria Banerjee

Publications and Research

This short article explores the similarities between Walter Benjamin's theory about the disruptive potential of an anecdote vis-a-vis the conventional narrative and Virginia Woolf's use of anecdotes in her novel, Jacob's Room and her anti-war treatise, Three Guineas.