English Language and Literature Commons^™

Review Of George Eliot And The Discourses Of Medievalism, Judith Johnston

The George Eliot Review Online, ISSN: 2831-5375

George Eliot and the Discourses of Medievalism argues that Eliot abandons realism in her last two novels in favour of medievalism, and that recognizing the presence and function of medieval discourses in Middlemarch and Daniel Deronda enables subversive political readings. Johnston positions these readings against criticism of the novels that identifies a collapse of narrative coherence and characterization in Eliot's 'failure' to sustain their apparent realism. In contrast, Johnston proposes that Eliot's manipulation of medievalism signals neither the failure of realism nor realism's antithesis. Johnston argues that the discourses of medievalism that Eliot manipulates share a facility for transformation: hagiography …

Notes On Contributors- 2007

The George Eliot Review Online, ISSN: 2831-5375

Kathleen Adams has been Secretary of the Fellowship since 1968. She initiated the Review in 1970, was editor until 1981 and co-editor 1982-91. She published Those of Us Who Loved Her in 1980 and A Community of Interest: The Story of the George Eliot Fellowship 1930-2000 in 2000.

Rosemary Ashton is Quain Professor of English Language and Literature at University College London. She is the author of acclaimed critical biographies of George Eliot (1996) and G. H. Lewes (1991). Her many publications on George Eliot include The Mill on the Floss: A Natural History (1990), and editions of Middlemarch (Penguin, …

The Thirty-Fifth George Eliot Memorial Lecture, 2006- Glimpses Of Life At 142 Strand, Rosemary Ashton

The George Eliot Review Online, ISSN: 2831-5375

1. John Chapman and the Strand in 1847

24 July 1847 the following advertisement appeared in the weekly periodical, the Athenaeum:

MR CHAPMAN, Bookseller and Publisher, begs to announce that he has REMOVED his Business from 121 Newgate Street, to more spacious premises on the South side of the STRAND, No 142, a few doors West of Somerset House; and requests, therefore, that all communications may be forwarded to the latter address.

For the next seven years John Chapman's 'spacious premises' - consisting of the bookselling business and publishing house, his family home, and rooms for literary lodgers - was …

Christopher Okigbo At Work: Towards A Pilot Study And Critical Edition Of His Previously Unpublished Poems, 1957-1967, Chukwuma Azuonye

Africana Studies Faculty Publication Series

The objectives of the present paper are two-fold. The first is to produce a critical edition of the complete corpus of the previously unpublished papers of Christopher Okigbo (1930-1967), who is today widely acknowledged as by far the most outstanding postcolonial, Anglophone, African, modernist poet of the 20th century. The second is to offer a pilot critical interpretation of the previously unknown poems in the corpus and to ascertain their place in the Okigbo canon. In 2007 these papers became the first corpus of unpublished works to be nominated and accepted into the UNESCO Memory of the World Register. The …

Front Matter, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

An Ambiguous Faith: Tennyson's Response To Victorian Science, Matthew Hahn

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Aristotle And Howells: Old And New Rules Of Storytelling, William Comfort Anderson

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Contents, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Oswald Review Undergraduate Research And Criticism In The Discipline Of English: Volume 9 Fall 2007

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Back Matter, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Review Of Henry S. Turner, The English Renaissance Stage: Geometry, Poetics, And The Practical Spatial Arts, 1580–1630, Elizabeth Spiller

Department of English: Faculty Publications

In The English Renaissance Stage: Geometry, Poetics, and the Practical Spatial Arts, Henry Turner argues that English stage practice emerged out of practical geometry and related mechanical arts. The book is part of a new critical attention to the interconnections between literature and science, one that depends on the recognition that art involved the creation not just of aesthetic objects but also of knowledge itself. Stage practice drew from geometry to develop the concepts of plat-plot and to define its use of scenes as both spatial divisions and dramatic structures. Drama also provided audiences with forms of practical knowledge …

An Unpublished Letter Of Lord Byron To Lady Caroline Lamb, Paul Douglass

Faculty Publications, English and Comparative Literature

Lord Byron took a highly ambivalent attitude toward female authorship, and yet his poetry, letters, and journals exhibit many proofs of the power of women's language and perceptions. He responded to, borrowed from, and adapted parts of the works of Maria Edgeworth, Harriet Lee, Madame de Stael, Mary Shelley, Elizabeth lnchbald, Hannah Cowley, Joanna Baillie, Lady Caroline Lamb, Mary Robmson, and Charlotte Dacre. The influence of women writers on his career may also be seen in the development of the female (and male) characters in his narrative poetry and drama. This essay focuses on the influence upon Byron of Lee, …

A Tragic Farce: Revolutionary Women In Elizabeth Inchbald’S The Massacre And European Drama, Wendy Nielsen

Department of English Faculty Scholarship and Creative Works

This essay examines Elizabeth Inchbald’s treatment of French Revolutionary women and relationship to European drama in order to appreciate the implications of tragic writing for British women playwrights. Focusing on Inchbald’s connections to French culture and English theater in late 1792 and early 1793 elucidates the self‐censoring and generic conventions of her only tragedy, The Massacre. Events in France like the September Massacres unsettled Burkean notions of femininity and raised the possibility of female violence. This mixing of traditional gender characteristics resembles discourse about Inchbald’s dramas as neither tragic, comic, nor tragicomic. The genre of tragic farce describes Inchbald’s revisions …

The Concentration Of Carnivalesque Themes In The Shared Fabliaux Of The Decameron And The Canterbury Tales, Timothy R. Jordan

All-Inclusive List of Electronic Theses and Dissertations

Geoffrey Chaucer's interest in social interactions in The Canterbury Tales is easy to see through his pilgrims' estate-based conflicts with each other. In addition to the frame narrative, the interest in social interaction is also apparent in the characters of the individual tales and as a reflection of the conflict between the individual pilgrims. Most of these social interactions embody what is called the camivalesque: free, open, contact between people due to the suspension of social hierarchies. Mikhail Bakhtin has described the camivalesque as characteristic of medieval thought. In medieval literature, the genre of the fabliau, short bawdy stories that …

Lord Byron’S Feminist Canon: Notes Toward Its Construction, Paul Douglass

Faculty Publications, English and Comparative Literature

Lord Byron took a highly ambivalent attitude toward female authorship, and yet his poetry, letters, and journals exhibit many proofs of the power of women’s language and perceptions. He responded to, borrowed from, and adapted parts of the works of Maria Edgeworth, Harriet Lee, Madame de Staël, Mary Shelley, Elizabeth Inchbald, Hannah Cowley, Joanna Baillie, Lady Caroline Lamb, Mary Robinson, and Charlotte Dacre. The influence of women writers on his career may also be seen in the development of the female (and male) characters in his narrative poetry and drama. This essay focuses on the influence upon Byron of Lee, …

Noms Et Identités Dans La Migration Des Coeurs : Vers Une Affirmation De L’Identité Caribéenne, Hanétha Vété-Congolo

Présence Francophone: Revue internationale de langue et de littérature

In Maryse Condé’s Windward Heights, the female characters bear the same first and last names, and act in the same way as, their counterparts in Emily Brontë’s Wuthering Heights. It would seem relevant, therefore, to ask about the dialectics of naming and identity set out in Windward Heights, and what this might mean for Caribbean identity. Is naming the only thing that gives Condé’s characters their identity? Or are they mirror-image projections of Brontë’s characters. Answering these questions, we may be able to determine how Condé’s work, as a new creation, establishes its own identity and whether its meaning is …

A Vision Of Metaphor Between Mind And World : Ricoeur, Stevens, And La MéTaphore Vive, Jacinthe A. Assaad

Archived Theses and Dissertations

No abstract provided.

Paradise Decomposed: Byron’S Decadence And Wordsworthian Nature In Childe Harold Iii And Iv, Paul Douglass

Faculty Publications, English and Comparative Literature

No abstract provided.

Liberation Theology And Liberatory Pedagogies: Renewing The Dialogue, Shari J. Stenberg

Department of English: Faculty Publications

recent Chronicle of Higher Education column, Stanley Fish describes a phone call he received after the death of Jacques Derrida from a reporter who was curious as to what would succeed high theory as the "center of energy in the academy." "I answered like a shot," Fish writes, "religion" (1). For many, Fish's prophecy might create a feeling of uneasiness; after all, in academic culture, religious ideologies are often considered hindrances to-not vehicles for-critical thought. This feeling may be especially true in regard to Christianity, which is often conflated with conservative politics and fundamentalism both in and outside of the …

Pieces Of Virginia: Post-Impressionaism And Cubism In The Works Of Virginia Woolf, Corie Dias

Undergraduate Review

No abstract provided.

We Don't Need No Water: Joyce And O'Brien Burning The Roof Of High Art, Robert J. Cannata

Undergraduate Review

No abstract provided.

Painters Of A Changing New World: James Fenimore Cooper And Thomas Cole, Corie Dias

Undergraduate Review

No abstract provided.

No Ordinary English: Gertrude Stein Defines Literacy, Nicole Williams, Amanda Morrish

Undergraduate Review

No abstract provided.

Chariman's Address At The Annual General Meeting Of The Fellowship, 11 March 2006, Bill Adams

The George Eliot Review Online, ISSN: 2831-5375

My Address at the AGM is usually concerned with our plans and hopes for the future but perhaps on this rather special day I may be allowed a glance at the past.

Last week I chaired a Council meeting for the last time; my first one was on 6 March 1971 - 35 years ago. When I succeeded Stan Dickens as Chairman in 1971 it was just two years after the remarkable success of the Fellowship's efforts to Commemorate the 150th anniversary of George Eliot's birth in 1969. That event became the foundation for our optimistic growth in the 1970s …

Laughing With George Eliot, R.J. Jenkins

The George Eliot Review Online, ISSN: 2831-5375

The tradition of admiring George Eliot for her genius is as old as the author herself. Alexander Main, one of her more sycophantic devotees, laid the foundations of this tradition during her lifetime with the publication of Wise, Witty, and Tender Sayings, a work dedicated 'to George Eliot in recognition of a genius as original as it is profound and a morality as pure as it is impassioned'. Though Main confesses that the preface to his book is 'not the place in which to attempt to give an exposition of George Eliot's genius', he cannot resist using it to remind …

Costanza, Constance, Custance And Emare: Romola's Medieval Ancestry, Katherine Inglis

The George Eliot Review Online, ISSN: 2831-5375

Arguably the most problematic episode of Romola for the novel's reviewers and critics is Romola's imitation of Boccaccio's heroine Costanza (or Gostanza) in the two chapters 'Drifting Away' and 'Romola's Waking'; even Romola's most favourable early reviews censured the episode's structural and stylistic interruption. However, as Mark Turner and Caroline Levine have observed, the critical consensus has evolved from censure of 'an unseemly breach in the narrative' to reappraisal of a 'crucial site of interest'.' If an unwritten orthodoxy remains then it is a less value-laden sense that the chapters depart from the novel's overarching historical project. However, it is …

Imagination, Morality, And The Spectre Of Sade In George Eliot's Romola And Daniel Deronda, Margaux Fragoso

The George Eliot Review Online, ISSN: 2831-5375

In her final book, Impressions of Theophrastus Such, George Eliot vocalizes her contempt for writers who dismiss morality 'as a sort of twaddle for bibs and tuckers, a doctrine of dulness, a mere incident in human stupidity' (Impressions 134). It is well known that Eliot subscribed to a complex system of morals that each successive novel brings closer to fruition. Eliot's last novel Daniel Deronda is her closest inspection of the conflict between egoism and morality. It explores the psyche of a woman who is made to develop moral sensibilities: Gwendolen's 'bad' luck in marrying Grandcourt creates conditions that foster …

Review Of George Eliot And Victorian Attitudes To Racial Diversity, Colonialism, Darwinism, Class, Gender, And Jewish Culture And Prophecy, Brenda Mckay

The George Eliot Review Online, ISSN: 2831-5375

Brenda McKay's volume, George Eliot and Victorian Attitudes to Racial Diversity, Colonialism, Darwinism, Class, Gender, and Jewish Culture and Prophecy will most likely appear on most of our students' and colleagues' bibliographies for some time to come. The topics addressed in this book will clearly appeal to our current generation of scholars and budding scholars; McKay describes her book in the Prologue as being 'chiefly devoted' to the study of 'the race discourse' in Eliot's work. In addition, as the unwieldy title suggests, McKay tries to connect to this emphasis on race issues of 'Colonialism, Darwinism, Class, Gender, and Jewish …

Note On Contributors 2006

The George Eliot Review Online, ISSN: 2831-5375

Bill Adams has been Chairman of the Fellowship from 1971 until his retirement this year.

Kathleen Adams has been Secretary of the Fellowship since 1968. She initiated the Review in 1970, was editor until 1981 and co-editor 1982-91. She published Those of Us Who Loved Her in 1980 and A Community of Interest: The Story of the George Eliot Fellowship 1930-2000 in 2000.

Michael Baron is a Senior Lecturer in the School of English and Humanities at Birkbeck College, University of London. He is the author of a monograph on Wordsworth and articles on nineteenth and twentieth century poetry. He …

Review Of Adam Bede, Mary Waldron

The George Eliot Review Online, ISSN: 2831-5375

This Broadview edition of Adam Bede has a biographical and critical introduction, appropriately integrating G. H. Lewes into its discourse, and useful essays on some of the themes of the novel, - Religion, Love, Rank and Status. There are short summaries of selected critical commentaries from the contemporary to the current, including an appraisal of the feminist divide over George Eliot. The brief chronology is succeeded by a note on the text, here that of the First Edition with minor corrections/adjustments from the manuscript, footnoted throughout. The Appendices which follow it provide foreground and background to the novel, for example …