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Articles 271 - 300 of 1362
Full-Text Articles in East Asian Languages and Societies
A Study Of The "World" Metaphor In Contemporary Western Narrative Theories, Jianguo Yang
A Study Of The "World" Metaphor In Contemporary Western Narrative Theories, Jianguo Yang
Theoretical Studies in Literature and Art
From the last 20 years of the 20th century, the metaphor of "world" found its way into narrative studies, resulting in a set of new narrative concepts as possible worlds, fictional worlds, and story worlds. With the help of these concepts, narrative researchers could break away from the text-focusedness in classical structuralist narratology and direct the focus of study to such problem as the ontological status of fictional narratives, the immersion effect of literary reading, and the flow of stories in transmedia channels. This article begins with an introduction of the definitions, historical development, and current situations of three major …
An Interpretation Of Painting For Preservation Of Life From The Perspective Of Aesthetic Life-Rearing, Fanren Zeng, Ruoyu Huang
An Interpretation Of Painting For Preservation Of Life From The Perspective Of Aesthetic Life-Rearing, Fanren Zeng, Ruoyu Huang
Theoretical Studies in Literature and Art
The aesthetic life-rearing lies at the heart of various forms of Chinese Buddhist art, and is also reflected in Feng Zikai's Paintings for the Preservation of Life collaborated with Master Hongyi (Li Shutong). Upon the request of Master Hongyi, Feng drew 450 pictures during a course of forty-six years, finished with poems and essays by noted calligraphers including Master Hongyi. The collaboration aims to spread the Buddhist purity of mind and compassion to beings, illustrating the doctrine that preservation of life preserves mind, and becomes an unprecedented Buddhist masterpiece. Buddhist concepts such as pure mind, compassion, benevolence, agape for beings, …
Canon Model: On The Repetitive Structure Of Oral Narration, Ruoran Huang
Canon Model: On The Repetitive Structure Of Oral Narration, Ruoran Huang
Theoretical Studies in Literature and Art
Repetition scatters in narrative, and it shows the heterogeneous isomorphism with differences integrated with repetitions. Due to the shared textuality thinking between inherent musicality of oral literature and polyphony, canon model with its contrapuntal compositional technique is universally found in the compositional mechanism of oral literature, – and creates a narration of repetition based on imitation under temporal principle and counterpoint under spatial principle. Within a single text and across multiple texts, canon model may take the forms of parallel canon, mirror canon and endless canon based on the development of plot. The former two forms can further be divided …
Events Toward The Future: Event Theory Turn From The Perspective Of Contemporary Thinkers, Jiang Lan
Events Toward The Future: Event Theory Turn From The Perspective Of Contemporary Thinkers, Jiang Lan
Theoretical Studies in Literature and Art
A turn is seen in event theory in the 21st century intellectual history, and the highlighting of the issue of event manifests man's aspiration to change the world. Event is a singularity, and cannot be reduced to a discourse or degree in an established order, since it itself constitutes a challenge to the discursive structure of the order. The emergence of an event signifies the occupation of a new place, so that absolute transformations can be made in new places and spaces. This is the starting point from which contemporary thinkers, such as Gilles Deleuze, Slovaj Žižek, and Alain Badiou, …
Meng Haoran's Poetic Ideas Reflected In His Fusion Of Ancient-Style And Regulated Verses Into Five-Character Poetry, Zhao Yang
Theoretical Studies in Literature and Art
The fusion of ancient-style and regulated verses in Meng Haoran's five-character poetry exemplifies the complicated relationship between ancient-style and contemporary-style regulated verses in the High Tang. His "regulated verses with ancient quality" had either gentle or steep patterns of tonality, and developed more flexible and consistent structures in variations of parallelism. On the other hand, his "ancient-style verses with regulated quality" were often delicate and fluent in parallelistic transformations. During the High Tang, poetry creations of these two types often shared some themes, and were also related to Meng's political frustrations or personal leisure which in turn reflected the subjectivity …
Playful Reception Of Classics: On Parodization Of Du Fu's Poems In The Song Dynasty, Hua Yao
Playful Reception Of Classics: On Parodization Of Du Fu's Poems In The Song Dynasty, Hua Yao
Theoretical Studies in Literature and Art
Playful writings are relatively less researched on in Chinese literary criticism, compared with the more exuberant discussions such as the parody theory in the Western literary tradition. This paper takes as example the parodizations of Du Fu's poems in the Song dynasty to explore the parodical writing and its implications in the reception of canonical poetry. As Du Fu's poetry was canonized in the Song Dynasty, increasingly more parodies of Du Fu's poems were seen. The popularity and publicity of Du Fu's poetry prompted the parodization, while his unique style and textual features became the basis for parodies, both of …
The Interaction Of Yin And Yang: Ouyang Xiu's Idea Of Music And His Poetics, Wei Cheng
The Interaction Of Yin And Yang: Ouyang Xiu's Idea Of Music And His Poetics, Wei Cheng
Theoretical Studies in Literature and Art
Ouyang Xiu regarded poetry as derived from music and he would prescribe poetry with his idea of music. His idea can be traced back to "Records of Music (yue ji)" in The Book of Rites, as he argued that music is originated from the vital energy (qi) of Yin and Yang. However, he abstracted the materiality from poetry and thus attributed emotional appeal to both music and poetry as their main function. In Ouyang's view, the imbalance of vital energy between Yin and Yang manifests in the diversity of emotions in music and poetry, while the circulation of the vital …
The Political Dimension Of "Empty Signifier": From Levi-Strauss To Žižek, Weijing Xiao
The Political Dimension Of "Empty Signifier": From Levi-Strauss To Žižek, Weijing Xiao
Theoretical Studies in Literature and Art
The political dimension of signifier is a hidden clue that runs through structuralism to post-Marxism. Empty signifier has no specific signification but can embrace all signifiers. Its theoretical foundations are the difference and arbitrariness of language systems, the signifier chain, anchor point, and object a as developed by Lacan. Levi-Strauss' analysis of the "excess of signifier" and "Mana" in treatment of shamanism has the connotation of empty signifier. Laclau believed that the process of cohesion from floating signifiers to the master signifier with "links" is the process of leadership competition and formation, where the dominant signifier has to absorb the …
The Politics Of Form: The Correlation Between Formal Reconstructions In Free Verse And Anarchism, Guohui Li
The Politics Of Form: The Correlation Between Formal Reconstructions In Free Verse And Anarchism, Guohui Li
Theoretical Studies in Literature and Art
Formal reconstruction was a common phenomenon in the early stage of the Third Republic of France and in Britain during the First World War when free verse passed its stage of formal liberation. Rather than differentiating free verse from prose, the deeper rationale of formal reconstruction is that free verse has been contaminated by the "mauvais sang (bad blood)" of aesthetic anarchism that satisfied the poets' craving for anti-formal poetry in the early stage. As anarchism did not fare very well under the press of political conservatism in the late 19th-century France and 1910s Britain, free verse, as a result, …
The Shift From "Thought" To "Spirit" In Lu Xun Studies Since 1976: A Case Study Of Wang Furen's A Mirror Of China's Anti-Feudal Ideological Revolution, Jian Wang, Guoen Chen
The Shift From "Thought" To "Spirit" In Lu Xun Studies Since 1976: A Case Study Of Wang Furen's A Mirror Of China's Anti-Feudal Ideological Revolution, Jian Wang, Guoen Chen
Theoretical Studies in Literature and Art
It is commonly accepted that 1976 was a turning point for Lu Xun studies, but what remains obscure is through what ways the shift eventuated. This article, by focusing on Wang Furen's study of Lu Xun, attempts to outline the shift with the two keywords "thought" and "spirit", and highlights his contribution of integrating factors of intellectuals and reality into Lu Xun studies, which is inspired by the epistemological turn. This attempt becomes the origin of a more individualized and enlightenment-oriented approaches to Lu Xun. It is in this latter period that the concept of "spirit" is emphasized, because it …
Toward "Rhapsodie": On Jean-Pierre Sarrazac's Modern And Contemporary Dramatic Poetics, Yinghui Zhao
Toward "Rhapsodie": On Jean-Pierre Sarrazac's Modern And Contemporary Dramatic Poetics, Yinghui Zhao
Theoretical Studies in Literature and Art
Central to Jean-Pierre Sarrazac's dramatic thought is "rhapsodie", a concept with united heterogeneities. The original meaning of this word is "stitching," and Sarrazac uses it to define modern and contemporary theatre, aiming to highlight the characteristics of comprehensiveness, flexibility, and heterogeneous unity. He takes modern and contemporary theatre as a continuation of and an exploration into contemporary theatre after the so-called "theatre crisis" at the end of the 19th century, and maintains that as theatricality is intertwined with the elements of "epic" and "lyric," once excluded from Aristotelian theatrical theory, traditional theatre has been developing toward an open artform. The …
"Imagery Beyond Images" In The Creative Process Of Idea-Imagery, Zhirong Zhu
"Imagery Beyond Images" In The Creative Process Of Idea-Imagery, Zhirong Zhu
Theoretical Studies in Literature and Art
Imagery beyond images (IbIs) evolves from the infusion of subjective affect into object or event images in aesthetic activities, during the process of which the subject perceives object and event images in the form of imagination-ignited aesthetic experience. IbIs results from the subject's contemplation on physical images and therefore constitutes a creation out of the empty and an expansion of time and space. IbIs depends on transforms physical images. It shows itself as a symbiosis of emptiness and haveness and even goes beyond imagery per se to the extent of pointing to infinity. As IbIs is built on the subject's …
Body-Ethics Or Body-Aesthetics?: An Investigation Into Terry Eagleton's Recent View On Body, Zhike Yin
Body-Ethics Or Body-Aesthetics?: An Investigation Into Terry Eagleton's Recent View On Body, Zhike Yin
Theoretical Studies in Literature and Art
According to Terry Eagleton, culturalism in postmodern thought emphasizes culture's conquest of nature, which refrains from criticizing culture itself, but veils the finiteness of body with the infiniteness of will. Eagleton argues that the foundation of human reason is the dependent and limited human body, and that reason must reflect on whether culture would result in overestimation of the power of will and desire. Eagleton's view on body-aesthetics is a blend of ideas from Aristotle, British empiricists, Kant and Karl Marx. For Eagleton, both artworks and body have internal value and telos, and thus do not yield to any external …
Culture Industry And Mass Deception: Critical Perspectives On Contemporary Concerns About Soft Power In China, Gregory Mahoney Josef
Culture Industry And Mass Deception: Critical Perspectives On Contemporary Concerns About Soft Power In China, Gregory Mahoney Josef
Theoretical Studies in Literature and Art
Max Horkheimer and Theodor Adorno's concept of the culture industry remains a powerful description of the fate of art, literature and other cultural products in an era where media and information technology have made culture more industrial and reifying than ever before. We revisit this concept, tracing it forward from Walter Benjamin's initial contributions and proceeding onward the work of Herbert Marcuse against the backdrop of Marx's theory of commodity fetishism. We provide a brief description of historical origins with David Hawkes' works on the emergence of commodity fetishism in 16th-century England and carry this forward to Joseph S. Nye's …
Exemplary Principle And Personal Consideration: The Dilemma In Editing An Anthology Of Contemporary Writers, Ren Liu
Theoretical Studies in Literature and Art
The detachment of literati's identity from scholar-officials became a turning point in literary anthology compilation as the compilation which had used to serve as a form of literary criticism began to take on an additional function of shaping social identity for literati groups. The principle of "excluding living people" was since abandoned and the compilation of works by contemporary writers started. As a result, the swaying power of interpersonal relationships excluded by the principle of "excluding living people" inserted itself into the selection process, thus undermining the exemplary principle as the only principle. The mutual restraint between the principle of …
Hong Mai's Experiences As Reflected In His Prefaces To Yijian Zhi, Dan Zhan
Hong Mai's Experiences As Reflected In His Prefaces To Yijian Zhi, Dan Zhan
Theoretical Studies in Literature and Art
Hong Mai's prefaces to Yijian Zhi (Record of the Listener) are of great significance in ways that they not only help readers understand his conscious construction of novel theory but also enable him to develop strong vitality from the process of compilation. The interaction between the perspective of a historian and that of an allegorist reveals his life experiences and rational thinking during the process of compilation. The stories in Yinjian Zhi are legendary in nature, and so is the process of compilation as reflected in his series of prefaces. To a certain extent, this "double legendary nature" is a …
Narrative Reliability And Literary Authenticity, Shouyi Jiang
Narrative Reliability And Literary Authenticity, Shouyi Jiang
Theoretical Studies in Literature and Art
Narrative reliability focuses on specific textual strategies, while literary authenticity highlights the overall effect of presentation. In terms of rhetoric, the former reflects the rhetorical strategy of the implied author through the narrator, so that the latter can be guaranteed on the narrative level. In terms of cognition, narrative reliability relies on the reader's perspective mechanism, for which literary authenticity serves as the potential basis. Considering the factor of the real author, new situations regarding the narrative reliability of the implicit author's rhetoric and the reader's cognition will arise, which leads to the diversification of literary authenticity. Given that the …
Somaesthetics And The Justification Of Body-Mind Monism: An Account From The Perspective Of Marx's Historical Materialism, Yingmin Fang
Somaesthetics And The Justification Of Body-Mind Monism: An Account From The Perspective Of Marx's Historical Materialism, Yingmin Fang
Theoretical Studies in Literature and Art
Although body-mind monism is the philosophical basis of somaesthetics, it is not readily justifiable within the intellectual history of Western philosophy and aesthetics. Western philosophers such as Ludwig Feuerbach and Maurice Merleau-Ponty, rooted in essentialist thinking, veered between affirming and negating body, thus failing to adhere to body-mind monism. The transcendence of the essentialist predicament was realized through Marx's theory of historical materialism, and a way to justify body-mind monism is thus introduced. From the perspective of Marxist historical materialism, the nature of body-mind relation as a theoretical preposition is translated from the essentialist understanding of a theoretical problem to …
"Pure Pleasure", "Absolute Beauty", And "True Self": A Study Of The Metaphysical Dimension Of Aesthetics, Xuguang Liu
"Pure Pleasure", "Absolute Beauty", And "True Self": A Study Of The Metaphysical Dimension Of Aesthetics, Xuguang Liu
Theoretical Studies in Literature and Art
Human aesthetic behavior has a metaphysical state: the subject, in its "true self" state, pursues "absolute beauty" through "pure intuition", and then obtains "pure pleasure". Albeit ideal, this formulation is a principle generally found in various Chinese and foreign aesthetics. It lays foundations for aesthetic behavior at the metaphysical level, guides specific aesthetic practices, and becomes an object of art. As the logic premise of modern aesthetics, this principle has significantly influenced various modern aesthetic theories.
The May Fourth Movement And Tradition: Cultural Undertaking Behind Fierce Rebellion, Xudong Gao, Tongwen Shi
The May Fourth Movement And Tradition: Cultural Undertaking Behind Fierce Rebellion, Xudong Gao, Tongwen Shi
Theoretical Studies in Literature and Art
This article primarily examines the cultural undertaking of the May Fourth Movement through analyzing the inner drive for its participants' fierce rebellion against Chinese tradition. In contrast to China, some Jewish and Islamic countries, having been confronted with more severe national crises since modern times, have preserved their religions and cultures. Therefore, the reason for the fierce revolt against tradition during the May Fourth Movement was deeply rooted in Chinese culture. Because Confucianism prioritized national revitalization over beliefs, traditional scholar-officials were motivated by an intense sense of mission and angst to rebel against tradition. The "new culture" created by the …
Mythological Narrative Of The Clouds And Its Tragic Characteristic, Chunlian Chen
Mythological Narrative Of The Clouds And Its Tragic Characteristic, Chunlian Chen
Theoretical Studies in Literature and Art
In Aristophanes's The Clouds, Socrates is a Promethean figure. While Prometheus steals fire from heaven in order to rescue human beings from extinction, Socrates attempts to educate Athenian citizensin rational conduct with his method so as to save their morality from the impact of the Sophistic movement. However, just like the fire that Prometheus has brought to mankind, which has both good and bad sides, the Socratic method could also be dangerous. His moral education is doomed to fail because people have desires and cannot live with their reason only. In The Clouds, Aristophanes continues to explore the theme that …
Qian Zhongshu's Old-Style Poetry: A Case Study Of His Collected Poems And On The Art Of Poetry, Zhixi Qian
Qian Zhongshu's Old-Style Poetry: A Case Study Of His Collected Poems And On The Art Of Poetry, Zhixi Qian
Theoretical Studies in Literature and Art
Amongst modern Chinese scholars' writings in the traditional style, Qian Zhongshu's Collected Poems has the deepest affinity with the prevailing poetry schools in the late Qing period. In his early years, Qian learned extensively from the Qing poets, and later narrowed down on the Tong-Guang style while taking in the influence from the School of Poetry Revolution as well as the late Tang style. Qian excels in seven-character metrical poetry, and his ingenious prosody can be traced back to the poetry by the Jiangxi School, or even Du Fu's. Qian delved deep into the transformations of poetics from the Tang …
The Cataloguing Method In The Book Of The Later Han Dynasty And The Anthologization Principles During The East Han Period, Yamei Shi
Theoretical Studies in Literature and Art
The cataloguing method in Fan Ye's Book of the Later Han Dynasty started the mode to categorize literary works on the basis of writing styles (genre) with author's names. This mode was not constructed by Fan Ye from his understanding of the concepts of literary styles and related written materials during the Southern dynasties; instead, it was a description of the configurations and concepts of literary styles during the Eastern Han Dynasty based on his mastery of related historical materials. Therefore, this mode was historically characterized. The historical specificities implied in the method encompass, the compiling status of various writing …
Three Faces Of Genre: Exploring Theoretical Approachesto Western Film Genre, Lin Gui
Three Faces Of Genre: Exploring Theoretical Approachesto Western Film Genre, Lin Gui
Theoretical Studies in Literature and Art
Theoretical studies of Western film genre started in the late 1940s, and have become significant for Western film studies. The theoretical construction has mainly been based on the Hollywood film industry and genre. After more than half a century, a lot of achievements have been made in genre studies. As a multi-dimensional phenomenon, genre includes various systems and conventions that formulate these systems, which further complicated genre studies. This article attempts to classify and summarize the findings of Western film genre theory with three theoretical approaches: cultural genre theory, artistic genre theory, as well as political and economic genre theory. …
Regarding The Naming Of Things: Another Approach To Onomatology, Hong Yan
Regarding The Naming Of Things: Another Approach To Onomatology, Hong Yan
Theoretical Studies in Literature and Art
Onomatology of things develops into a modern discipline through scholars such as Aoki Masaru and Yang Zhi Shui in the past decades. This new discipline is distinct from traditional onomatology in that it is guided by positivism and distances itself from the exegetical tradition of Confucian classics study, and its scope of study has expanded to cover such areas as everyday cuisine, clothing, and handicraft that had traditionally been considered as "trivial enquiries." Its methodological connection with the tradition lies in its philological and textual approaches with an emphasis on the study of "things." The discrepancy between traditional methodologies and …
Representation And Thought In Images: A Study Of The Relationship Between Words And Images From An Artistic Perspective, Yanqiu Zhao
Theoretical Studies in Literature and Art
The inbuilt thought of images comes from the meaning of things represented by images and also from the initiation of artist's subjectivity. The meaning of image emerges from the interaction between image and audience. The prescriptive nature of image's presentation becomes the source to generate image's meaning, while the interpretation of the audience actualizes the implicit meaning. In images, visuality is always dominant from which meaning is generated and the audience captures the meaning and keeps the visuality. The initiation of subjectivity into image is artists' conscious action, as is reflected in their observation, conceptualization, and performance. Artists can foreground …
The Art That Can Not Be Reduced: Sociologists Of Art On The Specificity Of Art, Wenchao Lu
The Art That Can Not Be Reduced: Sociologists Of Art On The Specificity Of Art, Wenchao Lu
Theoretical Studies in Literature and Art
In the history of sociology of art, the sociologists such as Marxist, Bourdieu and Becker used the sociological method to study arts, and developed our understanding of arts. But they did not pay attention to the specificity of art, what they did was just as the colonialism of sociology in the field of art, and reduced art into general social factors. This caused the criticisms of some sociologists of art. Wolff claimed that we cannot reduce art into economic base or ideology, and we should pay attention to its aesthetic and formal factors; Heinich argued that art was a value …
The Modernity And Dilemma Of Art Revolution, Xiaofeng Zeng
The Modernity And Dilemma Of Art Revolution, Xiaofeng Zeng
Theoretical Studies in Literature and Art
Considering "art" as a dynamic discourse, this paper contextualizes the concept in the period of the late Qing dynasty through the May Fourth period in connection with its competitive and interactive notions. The emphasis will be laid upon issues such as the establishment of literary beauty, literature independent of arts, the relationship between picture and art, and the value crisis of Chinese painting. Rooted in the social current swinging between reform and revolution during the late Qing dynasty and the May Fourth period, the formation and disciplinization of "art" in the modern sense embodied a modern appeal of anti-traditionalism, which …
The Origins Of Yao Xie's Poetics And The Construction Of The "Siming School" Of Poetry In East Zhejiang, Chen Li, Yazhong Ma
The Origins Of Yao Xie's Poetics And The Construction Of The "Siming School" Of Poetry In East Zhejiang, Chen Li, Yazhong Ma
Theoretical Studies in Literature and Art
Yao Xie's early poetry activities in the Zhenhu Poetry Club of Ningbo reflected that Yao Xie, Li Zhi and Ye Yuanjie were all influenced by Wu Dexuan and had similar views in terms of poetics. Thus, a possible path to explore the origins of Yao Xie's poetics is to consult Li Zhi's Poetry Remarks by Baihua Hermit, then to trace to the theories of Wu Dexuan, Song Dazun and Yao Nai, and finally to refer to the works on poetics by other members of the Zhunhu Poetry Club, particularly Chen Jin's Answering Questions in the Bamboos. This reveals the generative …
Ezra Pound's Poetry Translation And Stylistic Innovation, Liming Chen
Ezra Pound's Poetry Translation And Stylistic Innovation, Liming Chen
Theoretical Studies in Literature and Art
Ezra Pound's (1885-1972) literary career consists of two mutually enhancing constituents: translation and creation, which, as a whole, serve as an experimental field that has enriched his imagistic and vorticist poetics, including his poetics of translation. These three dimensions are closely related to his (un)intentional creative transforming and misreading of classical Chinese literature and philosophy. Pound's poetry creation and free translation show strong stylistic consciousness and strategies, but this has largely remains largely unexplored by academic research. His stylistic strategies take such forms as English haiku, the defamiliarization or foregrounding of ideograms, and the stylistic collage, and these innovations not …