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Articles 241 - 270 of 1362
Full-Text Articles in East Asian Languages and Societies
"Istoria" In Leon Battista Alberti's Painting Theory: An Application Of The Method Pseudomorphosis Into The Study Of Renaissance Aesthetic Concepts, Xi He
Theoretical Studies in Literature and Art
Della Pittura (On Painting) by Italian humanist Leon Battista Alberti (1404-1472) is considered as one of the most important works in the history of Western art theory. In this book, Alberti constructed a system of terminologies and a set of principles, in order to structurally describe the content of paintings, to accurately convey the technique of paintings, and to systematically understand and evaluate the meaning and value of paintings. With the method of "quasimorphosis", this paper explores Alberti's artistic term "istoria" in three steps. Firstly, it traces the origin of the term back to the Classical Age; secondly, it describes …
Is "Place" Ended: Dialectical Thoughts On Space Theory, Jun Zhu
Is "Place" Ended: Dialectical Thoughts On Space Theory, Jun Zhu
Theoretical Studies in Literature and Art
Globalization has reshaped our sense of place and this reshaping has profound impact on human aesthetic experience. Modern transportation, media, mass culture and theme — parkization of cities accelerate the proliferation of the aesthetics of placelessness. Facing the crisis of “the end of Place”, Marxist theorists on space believe that “place” has become increasingly important due to its multiple deformations. Place not only reshapes the structure of senses but also reconstructs urban situation and social structure. This paper claims that there is at present a need to discard the narrow understanding of place while retaining the aesthetic appreciation of particularity …
Reportage As A Non-Fictional Narrative Mode, Xiaoyuan Ding
Reportage As A Non-Fictional Narrative Mode, Xiaoyuan Ding
Theoretical Studies in Literature and Art
Reportage is a literary genre emerged out of modern journalism, featuring its blending of news, literature, and political commentary. With the changing of time, particularly due to the advent of the "Age of Omnimedia", its function to report news has significantly declined. Writers of reportage begin to develop its non-fictional narrative aesthetics, in order to accommodate themselves to the reader-objects and rising reader expectation. Reportage, as it stands, has shifted from its original style of reporting to a new genre of "literary reportage", a non-fictional narrative mode with distinctive features such as non-fiction, narrativity, and literariness.
The Characteristics Of Chinese Creative Culture And Its Form Of Existence , Xuan Wu
The Characteristics Of Chinese Creative Culture And Its Form Of Existence , Xuan Wu
Theoretical Studies in Literature and Art
Chinese creative culture intersects with modern Western culture in the following aspects. First, Fuxi's xiantian bagua (Prenatal Eight Trigrams Numbers), "creating symbols of humanity via nature," and the idea of "respecting Confucianism while creating philosophy of individualism" discussed in the Records of the Grand Historian and The Yi Commentary of Su Shi all represent the Chinese-style implicit creative experience of "respecting and transforming reality." Such experience — "creation of the individual within the whole" — is distinguished from creation out of binary opposition in the West. Second, the worship of vitality and the cherishing of life in ancient times, which …
The Emergence And Development Of Poetic Treatises During The Ming Dynasty, Miaomiao Zheng
The Emergence And Development Of Poetic Treatises During The Ming Dynasty, Miaomiao Zheng
Theoretical Studies in Literature and Art
Among literature on poetry during the Ming dynasty (1368-1644) there was poetic treatise, which focuses on theoretical and systematic expounding on the basics of poetics. This type of writing evolved through three stages of emergence, improvement and maturation. Li Dongyang's Poetry Commentaries from the Foothill Studio and Xu Zhenqing's On the Art of Poetry were two key works in the first stage. Li's work presented a gradually strengthened emphasis on the systematicity of poetry criticism, while Xu's work substantially centered on poetry criticism, marking the formation of poetic treatise. In the second stage, Wang Shizhen's Rambles in the Garden of …
The Political Dimension Of Vernacular Fictions During The Ming Dynasty As Exemplified By Fictions On Major Historical Events, Qingchuan Wan
The Political Dimension Of Vernacular Fictions During The Ming Dynasty As Exemplified By Fictions On Major Historical Events, Qingchuan Wan
Theoretical Studies in Literature and Art
The deterioration of political ecology during the Ming dynasty led to intense conflicts among various political powers and interest groups. Due to the development of publishing technology and Dibao Gazette, lower classes of the society were increasingly involved in political activities. The varying degrees of involvement of different social classes in political struggles influenced related writers' fiction writing and dissemination. In this sense, fiction, especially those based on major political events and historical figures, gradually became an auxiliary vehicle for political struggle. Through the selection and (re)interpretation of historical materials, authors expressed their political views and appeals, attempting to influence …
The Postmodern Or The Present: Time As The End, Yaojun Zhang
The Postmodern Or The Present: Time As The End, Yaojun Zhang
Theoretical Studies in Literature and Art
The postmodern is not a concept with definite historical times, but is still related to time, especially to the present. There are two different concepts of the postmodern in Lyotard's writings, which correspond to the present of two different kinds. One is the finished status of modernity, which embodies an eternal present that leads to the "inhuman" depressions on humans. The other is an instantaneous moment that has burst out emotionally, which not only reflects on the former kind of the postmodern, but also forms a particular style of postmodern existence.
A Synopsis Of "Symposium On The Review And Prospect Of Chinese Literary Theory Over The Past Seventy Years & The Founding Of The Phenomenological Literary Theory And Aesthetics Branch Of Chinese Association Of Literary And Art Theory", Xinxin Cui
Theoretical Studies in Literature and Art
No abstract provided.
Erasure And Whitewash: A Critical Analysis Of Two Non-Ecological Rhetorical Functions Of Environmental Discourse, Kuiying Zhao
Erasure And Whitewash: A Critical Analysis Of Two Non-Ecological Rhetorical Functions Of Environmental Discourse, Kuiying Zhao
Theoretical Studies in Literature and Art
A critical analysis of environmental discourse from the perspective of "ecological rhetorical discourse criticism" reveals that the non-ecological rhetorical function of environmental discourse is mainly demonstrated in "erasure" and "whitewash". Erasure in environmental discourse works in two directions: one is the erasure of the natural existence, while the other is the erasure of the agent. The two main rhetorical strategies to erase the agent are "passive voice" and complicated "nominalization". The rhetoric strategy to erase the natural world is mainly manifested in "objectification" and "personification", and the use of "hypernym" and "hyponym", etc. The rhetoric of whitewash is mainly euphemism, …
From Hades To Heimat: Quo Usque Tandem? — The Travels And Travails Of Critical Theory, Weber Samuel
From Hades To Heimat: Quo Usque Tandem? — The Travels And Travails Of Critical Theory, Weber Samuel
Theoretical Studies in Literature and Art
In their book, Dialectics of Enlightenment, written during the Second World War in their exile in the U.S., Adorno and Horkheimer portray Ulysses in the Odyssey as the exemplary Western figure. Focusing on an event that occurs as he takes his revenge not just upon the suitors but upon the women who collaborated with them, the authors raise the question of just what a return home can mean in the Western tradition. They emphasize the violence involved in reclaiming one's "property," as Ulysses' son, Telemachus, executes the women in the most brutal fashion. This allows the author to discuss the …
Political Polyphony And Folk Carnival: Historical Symptoms Of The Theory Of Peasant Literature In The 1930s, Bo Feng
Theoretical Studies in Literature and Art
The discussion on "peasant literature" among different parties and people around the 1930s was actually a continuation of the petty bourgeois issue in the 1920s Chinese revolution. This is because after the Communist-Kuomingtang spirit, the proletarian party could only reaffirm its political subjectivity when the petty bourgeoisie were distinguished from the peasants. Besides, Nonpartisan intellectuals also needed to highlight the unique significance of enlightening the more popular peasants, because they were different from the petty bourgeoisie, who, to a certain extent, was more directed at the intellectual class. However, the reception of theoretical resources from Soviet Russia and Japan inevitably …
The Disappearance Of Aura And The Formation Of Dialectical Images: A Discussion Focused On Walter Benjamin's Concept Of Technology, Peijie Chang
Theoretical Studies in Literature and Art
The transition from "aura" to "dialectical image" is a key to trace the trajectory of Walter Benjamin's aesthetic thoughts. Benjamin repeatedly specified the connotations, the prerequisites for emergence and the reasons for the disappearance of "aura." As far as artistic problems are concerned, the appearance of aura is closely related to "the semblance of beauty", trance experience and authenticity of things, and the key to this is that the aforementioned factors could ensure the essential distance between the aesthetic subject and the aesthetic object. However, these conditions do not stand under mechanical reproduction technology and aura is destroyed and disappears. …
A Critique Of Su Manshu From The Perspective Of Modern Buddhist Literature, Guilin Tan
A Critique Of Su Manshu From The Perspective Of Modern Buddhist Literature, Guilin Tan
Theoretical Studies in Literature and Art
After the New Culture and May Fourth movements, three major strands were present in the field of Su Manshu study: the coterie of the Southern Society, writers of the "New Literature", and authors on the new Buddhist literature. Among them, authors on the new Buddhist literature primarily focused on such dimensions as (1) Su Manshu's character projection as a Buddhist, (2) Su's contribution to the development of Buddhism, (3) the affinity between Su's personalities and his art, and (4) Su's literary appeal to young Buddhist, etc. The significance of their research was several-folded. They argued for Su Manshu's due position …
A Parody Of The Romance Of The West Chamber In The Plum In A Golden Vase, Yuanyuan Feng
A Parody Of The Romance Of The West Chamber In The Plum In A Golden Vase, Yuanyuan Feng
Theoretical Studies in Literature and Art
The parody of The West Chamber runs through the narrative of The Plum in the Golden Vase. This parody is demonstrated in the words and actions of characters, as well as in the descriptions of specific scenes and plot. The so-called "parody" is not only a degradation, de-coronation and desecration of the original text, but also a subversion of the narrative of gifted scholars and beauties, with characteristics of "deconstructionism" and "irony". The aesthetic style thus formed shows exactly the real symptoms of the time-carnival of the body and disappearance of taboo.
Confucianism, Ancient-Style Prose And Current Affairs: The History Of Chinese Ancient-Style Prose From The Perspective Of Japanese Sinology, Weizhao Chen
Theoretical Studies in Literature and Art
From the Tang dynasty onwards, ancient Chinese literature and literary theories have influenced the Sinophone cultural sphere, especially in East Asian countries such as Japan, Korea, and Vietnam. During the Edo and Meiji periods, conceptions of Chinese ancient style prose were also incorporated into the framework of Japan's intellectual and cultural constructions. Yet, Japanese writers acceptance of and rejection to the paradigms in ancient style prose were closely related to their current affairs in socio political, economic, and cultural dimensions. Remolded by Japanese culture, Chinese literary theories became localized and started to influence the literary creations and theories in Japan. …
Distanciation And Artistic Practice: How The Concept Of Masses Was Constructed In Althusser's Literary Criticism, Ju Huo
Theoretical Studies in Literature and Art
One of Louis Pierre Althusser's contributions to Marxism was to clarify the concept of the political "masses", affirming that the masses of all classes united in struggle functioned as both the departure of action and the end of theory. He thus loomed as a unique presence in the intellectual development of Western Marxism. From the perspective of literary criticism, this paper focuses on Althusser's re-positioning of issues such as author, form and defamiliarization in contemporary critical theory, and on his using the distanciation theory to explicate howideological practice surrounding mass movement intervenes reality and functions in it. The paper tries …
Innovation In Temporal And Spatial Narration Of The Plum In The Golden Vase And Its Significance To The History Of Fiction, Jinju Wang, Zhiwei Du
Innovation In Temporal And Spatial Narration Of The Plum In The Golden Vase And Its Significance To The History Of Fiction, Jinju Wang, Zhiwei Du
Theoretical Studies in Literature and Art
Although The Plum in the Golden Vase is a derivation of the episode “Wu Song kills his sister-in-law” in The Water Margin, its temporal and spatial narration breaks through the restrictions of the original text. In terms of historical background, The Plum in the Golden Vase intentionally blends the Song and the Ming dynasty, which sets a precedent for profound reflection of the times in popular novels. The coherent chronological narrative and the continuous festival writing in this work also demonstrates the ups and downs as well as the prosperity and decline through the comparison of before and after. The …
Liveness And Mediatization: Theater In The Age Of Media, Qian Li
Liveness And Mediatization: Theater In The Age Of Media, Qian Li
Theoretical Studies in Literature and Art
This paper focuses on the transformation of discourses on liveness and mediatization in theatre studies and theatrical productions, and tries to describe their historical contexts, intellectual backgrounds and social implications. It attempts to clarify the historical context in which the discourse of liveness is constructed, and claims that, for the theatre in an age of media, liveness and mediatization have shared theoretical constructs, and together they bring forth the richness of theatrical performances. In the current age of media, not only had liveness been drastically changed by media but also the live experience has been mediated, while the tension between …
On The Theory Of Literary "Craftsmanship" During The Six Dynasties, Dongxiao Yang
On The Theory Of Literary "Craftsmanship" During The Six Dynasties, Dongxiao Yang
Theoretical Studies in Literature and Art
The literary theories during the Six Dynasties often compared writers to "craftsmen", who were proficient in handicraft. Referring to the well developed art theory during this period, the connotation of "craftsman" can be considered in four dimensions: (1) a close adherence to the norm of literary styles, (2) an emphasis on language skills, (3) a balance between expressions of literary talents and emotions, and (4) a combination of conformance to rules and spirit of change. The theory of literary "craftsmanship" not only demonstrated an emphasis on writing techniques, but also disclosed its interactions with the lyrical and aesthetic functions of …
T. J. Clark's Modernist Art Theory, Yi Zhuge
T. J. Clark's Modernist Art Theory, Yi Zhuge
Theoretical Studies in Literature and Art
Sticking to Marxism, art historian T.J. Clark analyzes modern art from perspectives of politics and society. Through comparative analysis, this article extracts his theory on modernist art. According to Clark, modernism arose, developed and declined in the historical coordinate system which consisted of the bourgeoisie, technological reason, the society of spectacle and socialist movement. As a response to modernity, modernist art was a structural model to examine the representation of modernity by visual form, which also explored and embodied the origin of the experience of modernity. Modernist art intended to signify the social reality in the crisis of representation, and …
The Ideal Qualities And Their Value In Niu Yunzhen's Historical Criticism, Zhouyin Huang
The Ideal Qualities And Their Value In Niu Yunzhen's Historical Criticism, Zhouyin Huang
Theoretical Studies in Literature and Art
Early Qing historian Niu Yunzhen concluded that grave elegance of style, sophisticated maturity of expression and inspired originality of appeal were three foremost qualities of the history-writing genre, through his reading of Han historian Sima Qian's exemplary work Records of the Grand Historian. With these qualities as criteria for historical criticism, Niu Yunzhen not only reinforced the status of Records of the Grand Historian as a classic, but also attached importance on emotion as an intrinsic attribute of historical writing. As a result, the expression of personal feelings was gradually legitimized and eventually became equally important to narrative method and …
A Textual Critique On Mencius' Perception Of "Tracing Back Intent Through Understanding", Hongqiu Huang
A Textual Critique On Mencius' Perception Of "Tracing Back Intent Through Understanding", Hongqiu Huang
Theoretical Studies in Literature and Art
One long-standing debate in Chinese literary criticism and hermeneutics has been over the meaning of "intent" (yi) in Mencius' notion of "tracing back intent through understanding (yiyi nizhi).The debate between the text-centred and the reader-centred is renown due to Qing scholar Wu Qi's (1615-75) positing his interpreting Mencius' "intent" as idea of antique scholars against what he understood to be Han-Song scholars' interpretation of it as personal opinion or conjecture opinion of ancient people. The Han-Song Confucian scholars understood Mencius' "intent" from the reader's perspective, as the intent of text-based reader. Scholars in the Ming and Qing dynasties referred to …
Forms, Approaches And Limitation Of Avant-Garde Art's Intervention In Society, Lei Li
Forms, Approaches And Limitation Of Avant-Garde Art's Intervention In Society, Lei Li
Theoretical Studies in Literature and Art
The concept of "the avant-garde" has both political and aesthetic connotation when applied to arts, which, to some degree, corresponds to its two approaches of intervening in society. It either abandons artistic autonomy and directly intervenes in society based on certain political ideas and party positions, or, it adheres to artistic autonomy and intervenes indirectly in society by maintaining a distance from society. There are thus irreconcilable contradictions between ideas and approaches of the avant-garde when it intervenes in society. This internal paradox makes it difficult for avant-garde art to truly intervene in society, and it also determines the efficacy …
Elegance And Naturalness: Two Aesthetic Dimensions Of Traditional Chinese Thought On The Qin Music, Jing Zhang, Shuzhi Zhao
Elegance And Naturalness: Two Aesthetic Dimensions Of Traditional Chinese Thought On The Qin Music, Jing Zhang, Shuzhi Zhao
Theoretical Studies in Literature and Art
The qin (a type of seven-stringed plucked musical instrument) music plays a very important role in traditional Chinese traditional culture. The qin is the most frequently used musical instrument in classical Chinese literature and is representative of elegant music. The rich history of the qin music has engendered engendered profound traditional aesthetic thought on it, which has two important dimensions: 1) the concept of "elegance" that centers on the idea of "music as education" in Confucian ideology, and 2) the concept of "naturalness" with that has its origins in Daoist thought. These two concepts become unified in the prolonged history …
Myth As A Meta-Narrative, Zhiqiang Xu
Myth As A Meta-Narrative, Zhiqiang Xu
Theoretical Studies in Literature and Art
Seen from the phenomenological perspective, myth is not a primitive cultural phenomenon, but instead a permanent dimension in human culture, a meta-narrative with fundamental significance for human existence. Myth, as a meta-narrative, not only remains in the background of human existence to provide orientation, but also actively leads believers to return to their arche for authentic human existence. However, myth only occurs in the moment of human predicament, when it becomes necessary to promote the renewal of life by providing an absolute beginning.
Shakespeare And Econo-Literary Criticism, Min Jiao
Shakespeare And Econo-Literary Criticism, Min Jiao
Theoretical Studies in Literature and Art
This article introduces the phases and practices of econo-literary criticism over the years to argue for the interdisciplinary studies of literature and economics. By explicating the fruitful research on Shakespearean works from the different perspectives of econo-literary criticism, it argues that this critical practice, through examining texts for their embedded economic forms, contents and contexts, can furnish new perspectives on literary texts as well as cultural and economic history, which, in turn, benefits the research of economics, whose innate ethic deficiencies are growingly felt recently.
The Cross-Cultural Perspective To Survey Chinese Literati Paintings In François Jullien's Study Of Chinese Painting Theories, Yunhua Liu
Theoretical Studies in Literature and Art
François Jullien has consciously adopted a "Western self" to look at Chinese painting theories and take them as contributing to "the other." His theoretical base is also Western, or more specifically, derived from Heidegger, Levinas and Derrida. Jullien's goal is, arguably, to have a juncture and an approach to return to the European "l'impensé" by way of China, the "other." His study on Chinese painting theories is impressively novel, especially his insightful discussions on the nexus between Laozi (Daodejing) and Chinese painting theories. Also, his study provides methodological reference for Chinese scholars of comparative culture and comparative literature. That said, …
Understanding As Obstacle: Exercise As A Perspective For Intercultural Research, Pfizenmaier Ruben
Understanding As Obstacle: Exercise As A Perspective For Intercultural Research, Pfizenmaier Ruben
Theoretical Studies in Literature and Art
This paper argues that modes of understanding built on familiarity with the other, as well as on contrastive opposition can become an obstacle in intercultural research. Built on a critique of Gadamer's idea of a fusion of horizons, it claims that intercultural research not only has to circumvent the danger of reducing the other under the familiar, but also has to prevent a construction of the other as exotic and absolutely different.
Non-Fictionality Of Lu Xun's Old Tales Retold: On The Stylistic Effect Of Literary Game On Lu Xun's Historical Writing, Jianhuai Li, Guangya Zhao
Non-Fictionality Of Lu Xun's Old Tales Retold: On The Stylistic Effect Of Literary Game On Lu Xun's Historical Writing, Jianhuai Li, Guangya Zhao
Theoretical Studies in Literature and Art
Lu Xun's Old Tales Retold can be regarded as an absolutely unique voice in the history of China's "New Literature." It demonstrates an originality as non-fictionality of the stories, with imagistic modernist discourse interacting with with the ancient discourse. This resulted in a multi-voiced image-full textual world which contributes to the alienation of literary discourse, the estrangement of aesthetic experience, and the rhetoric effect of parody and irony. It hence broke the boundaries of reality and fiction, undermined the authenticity of historical writing, removed the barriers between fiction and non-fiction as well as those between literature and non-literature, and deconstructed …
"Aesthetic Dignity Of Words": Aestheticism In Theodor W. Adorno's Early Theory On The Philosophy Of Language, Yaochong Wang
"Aesthetic Dignity Of Words": Aestheticism In Theodor W. Adorno's Early Theory On The Philosophy Of Language, Yaochong Wang
Theoretical Studies in Literature and Art
As a key piece of writing of Theodor W. Adorno's early theory on philosophy of language, Theses on the Language of the Philosopher has lacked scholarly attention for a prolonged period of time. In recent years, Western scholars realize that the philosophy of language in classic critical theory affords potential ideological resources to reflect on the linguistic turn.The new generation of German scholars in critical theory also propose a "language paradigm", which promotes the revival of Adorno's philosophy of language. Adorno's historical contribution to the philosophy of language is based on his creative extension of Walter Benjamin's theology/philosophy of language …