Poetry Commons^™

Spirometry: For The Winds In Us, Kendall Allison

Dissertations, Theses, and Capstone Projects

Spirometers are devices used to measure lung capacity. This capstone is a creative study of what restores our breathing aptitude as a response to the suffocating and alienating consequences of whiteness for people racialized as white. The project is a sequence of lyric essays. The first lyric essay frames whiteness as a condition of exile and examines the cultural and emotional currents that shore it up. I use exile as a frame to emphasize the intensity of the spiritual and cultural alienation that people racialized as white experience. I also contextualize the dis-ease of suicide in my own lineage, and …

Begin Again: Blooming, Samantha Hope Boulgarides

University Honors Theses

Begin Again: blooming is a poetry thesis that explores the complexities of trauma, recovery, and identity through a feminist lens. Drawing from the lyric tradition, each poem serves as an emotional excavation, using voice, fragmentation, and address to create intimacy while resisting linear narrative and traditional poetic conventions.

The collection examines how pain imprints itself on the body and memory, with pieces like "Dear Dad," "Clean," and "My Baby" demonstrating the tension between tenderness and pain. Visually experimental and emotionally charged, these poems refuse erasure, reclaiming agency through raw articulation and form. Rather than seeking resolution, the speaker circles truth, …

The Ruminating Shell : A Reparative Experiment In Dialogic Writing And Sensory Resonance, Crystal Jiayin Ren

Masters Theses

This thesis unfolds as a first-person memoir, an incomplete record of remembered dialogues, and a structural experiment that aims to get closer to what I perceive as emotional and philosophical truth. Prompted by a conversation with my father-in-law, writer and thinker Shen Hao, I began to reflect on how informal, everyday exchanges with mentors, family, and friends have continually shaped how I translate internal echoes—ruminations, confusions, emotional residues—into writing, spatial, material, and experience.

Rather than adhering to the conventions of academic analysis or formal documentation, I adopt a dialogic form—one rooted in memory, shaped by subjectivity, and open to contradiction. …

How To Walk On Water: Living Through The Absurd, Esther Du

Masters Theses

Set in a speculative world submerged by water, this thesis constructs a fragmented, nonlinear narrative that reflects on survival, memory, and displacement in the aftermath of catastrophe. Through three interwoven chapters—The Outcast, The Researcher, and The World—the project explores the emotional and psychological landscapes of individuals navigating a post-apocalyptic existence where the past is irretrievable and the future uncertain. Using an interdisciplinary form of visual storytelling, writing, and sound, the work draws from personal experience and collective trauma to examine how people reconstruct identity and meaning after loss. Rather than offering a definitive answer to existential …

The Navel Of The Dream, Ella C. Baum

Masters Theses

The images in The Navel of the Dream evoke a state of groundlessness. In this body of work, photographs act as thresholds between what is seen and what is felt, between daydreams and nightmares, and memories and myths. The camera is used as a means to engage with feelings of loss, and reenact the mythos of childhood, as well as the deep waters of the subconscious.

Created in Southern Sweden between 2022 and 2025, these photographs investigate the fallow winter landscape, the liminal space of deep, dark Scandinavian nights and the transformative qualities of ice, snow and …

A Personal Manual Of Escapism, Qing Wen

Masters Theses

In this fast-paced, information-saturated era, avoidance has become a common mechanism of self-preservation. Confronted with global crises and structural instability, the current generation increasingly adopt a pessimistic stance toward the future: some retreat into virtual worlds, others find themselves unable to bear the weight of real-life responsibilities, and many turn to art as a private sanctuary. But is avoidance only a pejorative term?

It wasn’t until recently that I realized, nearly all of my creative work has stemmed from a place, or an action of escape. The imagined worlds I’ve built, the spaces I created to flee from reality—without knowing …

Feelings That Drive, Kayla M. Jackson

LSU Master's Theses

Feelings That Drive is an interdisciplinary, multimodal thesis that blends poetry, personal narrative, lyrical essays, and spiritual reflection to explore the complex intersections of Black identity, memory, trauma, resilience, and healing in the contemporary American South. Framed in five thematic sections—Worn, Anxiousness, Desperation, Hopeful, and Restored—the work traverses emotional and geographic landscapes, most notably the author’s home in New Orleans, to trace the cumulative effects of racialized trauma, familial rupture, and spiritual seeking. Through nonlinear storytelling and form-breaking verse, the thesis confronts experiences such as anti-Blackness in institutional spaces, gendered violence, economic precarity, generational silence, and the haunting …

Bellyache, Valerie Braylovskiy

Canterbury Scholars

My manuscript of poems, called "Bellyache," speaks to my experience with endometriosis and how it intersects with both womanhood, and the pain we inherit from our ancestors that becomes stored in our bodies over time. This project gave me the permission to write poems that grapple with both escaping and recreating what it’s like to be a woman inside the medical system which continues to equate pain with hysteria, and inside a world that either says you’re sick, or you aren’t.

Case Study: The Hanged Man, Ava Hake

Arrow Rock

No abstract provided.

The Diary Of Cassandra, Emily White

Arrow Rock

No abstract provided.

Betting On The Bloom, Zareefah Raiidah Khan

Arrow Rock

No abstract provided.

It's About Time, Dylan Edmond

Arrow Rock

No abstract provided.

El Dolor=Creativity, Joshua D. Hammond

Arrow Rock

No abstract provided.

Hair Dye, Adeline Myers

Arrow Rock

No abstract provided.

I’M Not Talking About Dirty Laundry, Parker Coyne

Arrow Rock

No abstract provided.

I Offer Up Myself/You Are Mine, Joshua Hammond

Arrow Rock

No abstract provided.

The Summer They All Came Back, Georgia Coomer

Arrow Rock

No abstract provided.

There's No One Left Here, Logan Hentschel

Arrow Rock

No abstract provided.

Ms. Shirley's House, Joshua Hammond

Arrow Rock

No abstract provided.

Livestock Guardian Dog/Livestock Guardian Dog, Continued, Adeline Myers

Arrow Rock

No abstract provided.

Purple Cup, Ray Kruger

Arrow Rock

No abstract provided.

I Saw The Sun, Dylan Edmond

Arrow Rock

No abstract provided.

This Kind Of Animal, Raegan Blair

Arrow Rock

No abstract provided.

The War Over The Heavens Does Not Favor The Gods, Logan Hentschel

Arrow Rock

No abstract provided.

Tomorrow Is A New Day, Madeline Cronin

Arrow Rock

No abstract provided.

A House With No Walls Where Persimmons Grow In The Garden: Photography As A Collaborative Feminist Practice And Using Archives To Reframe The Present, Jada Wheeler

University Honors Theses

A House With No Walls is an investigation of the idea of chosen family, as it exists apart from the influence of any institution. It alludes to the home as a place that exists within space shared with the people we choose as family and within our own free bodies. This project investigates the collaborative potential of photography, and uses it as a tool in creating a feminist representation of family. All the photographs were made with close friends, in an unplanned and spontaneous manner, to document intimate moments of our everyday lives.

Where Persimmons Grow In The Garden is …

Personas Issue 3, 2025, Jonathan Maiullo

Personas: Multilingual Creative Writing Journal

No abstract provided.

Poetries Of Abandonment: A Study Of Plath And Glück, Yara Abdelmoneim

Theses and Dissertations

This thesis explores the intersection between literature and trauma, which can be discerned in the key works of two poets, Sylvia Plath and Louise Glück. While offering readings of crucial poems, the thesis also examines the interrelations among trauma, memory and narrative as theorized by two contemporary psychiatrists, Bessel van der Kolk and Judith Herman. Both Plath and Glück wrote about personal and generational trauma after going through different experiences of abandonment. Absence, indirection and repetition provide the basis for literary techniques that allow their traumas to be better understood by authors and readers alike. The degree to which each …

A Crisis Of Craft: Creative Writing In The American University, Brenna E. Derbish

Undergraduate Honors Theses

In this essay, I aim to analyze the changing nature of the Creative Writing MFA through the lens of the American culture that shaped it. In the 1930s, creative writing in American universities began to take shape, citing itself as a way to reform the philological study of literature into a more active field, a way for the common person to learn through creativity and self-expression. However, as the number of MFA programs in the nation continued to rise, admittance became increasingly selective, with many universities accepting only between 5 and 10% of their applicants. This increase in exclusivity, coupled …

Resurrection: Poems, Antonia Felix

MSU Authors Collection

Resurrection: Poems by Antonia Felix explores the inner and outer dimensions of place, nature, and personal ties.