Poetry Commons^™

What I Was And Who I Am, And Before And After, Molly K. Del Rossi

Graduate Theses/Dissertations

This thesis begins with a critical introduction which analyzes varying forms—such as the inverted sonnet—the schools of confessional and post-confessional poetry—and how they differ—and inspiration used for my creative work in poetry. I claim to be a poet who writes primarily based on personal memories. I chronicle my initial encounters with poetry as a teenager through the lens of confessionalism, as demonstrated by Eavan Boland and Anne Sexton. To exhibit my gained knowledge, I reference poetic theorists such as Richard Hugo, Charles Olson, Adrienne Rich, Mary Ruefle, and Gertrude Stein when analyzing which theories and dialogues influence my poetic style. …

Ordinary Signs, Practical Magic, Erin Patricia Tyler

Graduate Theses/Dissertations

Ordinary Signs, Practical Magic outlines my personal wrestling with belief – in art, in spiritual intervention, in self, and in the quiet forces that guide us through the world. Using the frameworks of ordinary signs – tactile and visual cues that ground and orient me and practical magic – what I define as human intervention and the act of creation – this work examines how attention, care, and materiality shape my understanding of meaning and connection. Through visual data collection –photography, assemblage, collage, drawing, painting and found objects – alongside poetic writing and personal narrative, my thesis navigates the tension …

Mythopoesis And Gendered Power: An Akan Perspective On Stacy Waite’S A Real Man Would Have A Gun, Akua Agyeiwaa Denkyi-Manieson

Department of English: Dissertations, Theses, and Student Research

Review of Stacy Waite’s A Real Man Would Have a Gun, challenges traditional Akan gender roles and critiques the societal structures that limit women’s power.

‘‘I Am Not This, Not Here, This Time’’: Claudia Emerson’S Infusion Suite As A Compelling Account Of The Lived Experience Of Cancer, Chris Foss

English & Linguistics Articles

Claudia Emerson’s Infusion Suite section within her poetry collection Impossible Bottle is a significant contemporary literary representation of cancer. In this twelve-poem sequence, Emerson dispenses with the typical martial metaphors so often used to represent this lived experience. Instead, she focuses on more mundane everyday moments in a way that acknowledges and respects the humanity of all those at the treatment center—especially that of the patients. Emerson refuses to airbrush out the daunting, debilitating aspects of cancer, but she also preserves space for light and life.

A Kind Of Goodness, Marianne Chan

English Faculty Publications

[Introduction]At the playground, my mother hid from me, I couldn’t find her, and I called her name a thousand times.

And when she reappeared, I ran to her, and she ran to me, and I clenched her neck, and I put my hands on her face, and I said, Where were you? Where were you? and she said, I’m so glad you found me. And we hugged, and she smiled as she cradled me, and I howled, like a gibbon, at her shoulder.

Lily, Rylyn Jaggar

Intertidal

No abstract provided.

Drown, Derek Sadorra

Intertidal

No abstract provided.

Confessions In Sandy Vacancy, Katrina Swenson-Aguirre

Intertidal

No abstract provided.

Missing Cat, Allie Sweeney

Intertidal

No abstract provided.

A Brainwashed Citizen Does Not Even Fuck God, Hanna Lee

Intertidal

No abstract provided.

Sun Dance, Grace Gillio

Intertidal

No abstract provided.

Author Bios, Author Bios

Intertidal

Intertidal Vol. 3 Author Bios

Monopoly, Emilie Vu-Nguyen

Intertidal

No abstract provided.

Hallucination For America, Ana Sage

Intertidal

No abstract provided.

The Filament, Elena Skibicki

Graduate Student Theses, Dissertations, & Professional Papers

The Filament weaves together the results of a neurodivergent person exploring their universe, in all its harrowing beauty and familiar tragedy. The speaker traverses oceans and thunderstorms, wades through the swampy shallows of their high school, participates in a pharmaceutical supply chain and its subsequent ransacking, floats through altered mental states, and retells legends, spanning many styles while still using the lyric “I”. Scrying into a nebulous future, the speaker returns with stories of the planet and its people, and the kind of world they want to build.

The speaker exposes their ghosts throughout the collection, hoping that the adage, …

Workable Seams, Jackson Mills Smith

Graduate Student Theses, Dissertations, & Professional Papers

In Jackson Mills Smith’s Workable Seams, readers encounter the stories, landscapes, and lives of rural Knox County, Indiana, from the oscillating vantage of a Hoosier boy raised with a Cajun sensibility. After relocating from Louisiana to the river bottoms of the crossroad state at a young age, the speaker gradually uncovers a local history only previously understood in fragmentary shards and fading glimpses.

Alternating between semi-lyrical embodied experiences and memories, documentary pieces in conversation with the state’s historical archive, and the retelling of exaggerated local yarns, poetry is a means of inquiry in Workable Seams. Topics range from …

Cullet, Celia Alice Easton Koehler

Graduate Student Theses, Dissertations, & Professional Papers

“Cullet” is an industry term for the refuse and smashed-up glass added to new material in the process of making new glass. It is related to the word “cull” from the old french “to collect” or gather. This collection of poems picks up the term as a framework for investigating the piece-meal of daily life, tracing relations between the individual and collective, and also tracing vantage and scale; shifts of where and how the speaker directs their gaze. The poems are invested in assembling an ethos of the domestic that recasts “the domestic” to include more public sites of daily …

From The Heart: Writing Love Poetry With Ai, Dan Ryan

Open Educational Resources

The chief reason our writing students turn to AI is not "laziness.” It’s fear. This lesson plan helps college students overcome their fear of a first-time poetry assignment by empowering them to partner with “collaborators”—first AI, then each other—to co-write a love poem before finally writing a poem on their own. This 4-hour lesson plan for a college-level Introductory Creative Writing course includes three low stakes drafting and revision assignments, and culminates in a high stakes poetry assignment.

“Women Who Don’T Know How To Stay Married”: The Poetic Afterlives Of The 1927 Bristol Sessions, Aubrey R. Adkins

Honors Theses

This project begins from the understanding that song lyrics can have lasting impacts on the poetic work that proceeds from them, and can and should, therefore, be read as literature. In the cultural context of Southern Appalachia, a historically underserved and academically underrepresented region, this understanding is intertwined with Audre Lorde’s idea that “For women...[poetry] is a vital necessity of our existence.” The women of Southern Appalachia, denied access to particular modes of expression as a result of external circumstances such as poverty and sexism, need poetry, according to Lorde, to take “tangible action” in their lives. What came before …