Creative Writing Commons^™

Amjambo Africa! (July 2022), Kathreen Harrison

Amjambo Africa!

In this Issue

Amjambo Arts ......................2/3

Adama Delphine Fawundu Arisa White • Genius Black

Education ..................................4

Youth Fellowship Moonglade ................................ 5

4th of July • Hanji Chang

APIDA books for kids

Editorial & Letters.................... 6

Tips & info ...........................8-15

Fully translated

Useful info: Stimulus checks,

Resources, Marijuana, scams World Market Basket .............16

Farm market in Wales All about the workforce... 18/19

Licensing • Networking Community Happenings..20/21

News from Africa .......22/23/36

Congo Basin • Rwanda Ethiopia • DRC

Health & Wellness ............24-30

Lead poisoning - Fully Translated

Ask the Doctor • COVID Monkeypox • Suicide prevention

Community org. columns ....32

Financial …

Sumi-E? Haiku? Why Not Both!, Sara Anne Hook

Graduate Scholarship and Professional Work

No abstract provided.

Beautiful Botanicals: Traditions, Methods, And Materials, Sara Anne Hook

Graduate Scholarship and Professional Work

No abstract provided.

Traditional Chinese Poems, “The White Blossom” And “Agony Unfurls,” As Well As The Finished Parts In The Martyrdom Of Chen Zi-Ang, A Film Screenplay, And “Shadows Of Phoenixes” In Scarlet Tears On A Golden Branch, A Novel (華夏傳統詩〈素華〉與〈抽怨〉、電影劇本《陳子昂殉道記》已成之部、小說《金枝紅淚》中〈凰影〉已成之部), Xiao-Yu Chen

Student Publications

Book Description

Chen Zi-Ang (courtesy name Bo-Yu, 659–700 CE) was a medieval Chinese author, poet, scholar, twice-prisoner, and a martyr. It has been a devotion of the Daoist and the Chinese folk religions to venerate him as the Holy Land Patron of the Shu Area (Sichuan) and his hometown, Shehong. During his brief life, Chen reverently practiced the cultural-spiritual lineage of Confucianism and was a devout follower of the Daoist religion. He was also a long-term manifester of the Chinese cultural-spiritual archetype of the warrior. Earning his doctorate in 684 CE, he served in a number of minor official roles, …

Front Matter, Journal Editors

Yalobusha Review

No abstract provided.

3 Poems, Miya Nixon

Yalobusha Review

No abstract provided.

Full Issue, Journal Editors

Yalobusha Review

A special summer issue guest edited by Christy Conner and Joshua Nguyen featuring the work of young, Black writers from Mississippi involved with the Catherine Coleman Literary Arts and Justice Program. Poetry by Tray Ball, Niaya McCoy, and Miya Nixon. Prose by Sage Martin. Art by Timothy Ivy.

Editors’ Note, Christy Conner, Joshua Nguyen

Yalobusha Review

No abstract provided.

2 Poems, Niaya Mccoy

Yalobusha Review

No abstract provided.

3 Poems, Tray Ball

Yalobusha Review

No abstract provided.

Tonight, I Broke A Glass., Sage Martin

Yalobusha Review

No abstract provided.

Chrysalis, Nafisa Choudhury

HCA Healthcare Journal of Medicine

This poem explores the experience of being an Asian American care provider and civilian, growing up and trying to mesh together culture with “fitting in” and suffering racism from other individuals and patients. It was inspired by the March 16, 2022, shootings in Atlanta and discusses the origin of hatred and racism/xenophobia. What I hope this conveys is a glimpse into the shared perspectives of many Asian American and Pacific Islanders and describes the optimism moving forward as we begin to tackle these issues.

There Was Confusion, Carter Cumbo

Stonecoast MFA Theses and Capstones

This collection is about a young man with an overactive mind trying to make sense of life in early recovery from alcoholism. It focuses on the reckoning of his past, how it appears to go with him into the present, and the relationships that exist on the periphery of his adamant self- examination. It is about the realization that his obsessive process of self-examination, and desperation for answers to life’s universal questions, pale in comparison to the wisdom of his own lived experience. It is a journey through current and past life and the reckoning of a confused mind.

Disposables Of Senegal (Photographs), Grace Rooney

Exile

No abstract provided.

Small Talk Haiku - Temur, Turan Temur

Student Work

Library Literary Contest Spring 2022: “Small Talk”

Entrants wrote a haiku that addressed the following prompt: “ You escape small talk with the most unrealistic excuse possible. Write your excuse as a haiku.”

Small Talk Haiku - Boyce, Jaxyn Boyce

Student Work

Library Literary Contest Spring 2022: “Small Talk”

Entrants wrote a haiku that addressed the following prompt: “ You escape small talk with the most unrealistic excuse possible. Write your excuse as a haiku.”

And Your Eyes Open, Benjamin Yusen

The Hilltop Review

This piece explores the realties of dreams, and the blurring of dreams and reality.

World Upside Down, Kevin Fitton

The Hilltop Review

No abstract provided.

Pollination, Lauren Coyne

The Hilltop Review

No abstract provided.

784 Grams, Stephanie A. Kurzenhauser

The Hilltop Review

This poem elucidates my experience of grief and loss in response to breast cancer and a bilateral mastectomy without reconstruction.

Two Poems, Lauren Coyne

The Hilltop Review

No abstract provided.

How To Make Cemetery Tea, Lauren Coyne

The Hilltop Review

No abstract provided.

Womanist Poetics: Emily Dickinson, Gertrude Stein, And Audre Lorde, Aya Telmissany

Theses and Dissertations

Today, the sentimentality associated with poetry is often condescendingly dubbed in a patriarchal society as “feminine poetry.” The first women poets who dared to attempt the pen were often met with attacks on their femaleness and harsh critiques of their writing which was likened to sorcery and witchcraft. Emily Dickinson, Gertrude Stein, and Audre Lorde are three American women poets who countered these attacks and turned them inside out in favor of their own womanist poetics. They wrote about experiencing the world as women and most importantly about experiencing poetry as women. What happens to poetry when a woman appropriates …

The Flow Of (Re)Memory In African American And Nubian Egyptian Literature: Morrison, Oddoul, And Mukhtar, Bushra Hashem

Theses and Dissertations

The purpose of this thesis is to define the term rememory, which Toni Morrison coins in her novel Beloved, and explore its interplay with water imagery in the novel and in two Nubian short stories, namely Haggag Oddoul’s “The River People” and Yahya Mukhtar’s “The Nile Bride.” The three narratives have core common features: they centralize water bodies as key sites of events, they depend heavily on the retelling of history and mythology, and they are told predominantly from the perspective of women. How do the writers weave rememory, history, and mythology to produce these narratives? Are they attempting to …

Cultivating Creative Storytelling, Emma Kuli

Canterbury Scholars

This essay investigates how the structural expectations and narrative conventions restrict contemporary creative writing. This work seeks to imagine how, in order to work towards the creation of an anti-racist creative space, a classroom may work without and against the limits set by writing and language conventions. Blending academic research, sample student work, and narrative anecdotes, this essay examines the ways in which storytelling can be used to uplift young writing voices.

Identity In The 21st Century Nigerian Fiction: A Case Study Of Blackass By Igoni A. Barrett., Ogochukwu B. Ossai

Beyond the Margins: A Journal of Graduate Literary Scholarship

This paper attempts to examine the allegorical narrative strategies and politics of identity—race, and gender, using postcolonial and racial frameworks. The novel, Blackass written by a Nigerian writer is a 21st century fierce comic satirical adaptation of Metamorphosis, a novella by Franz Kafka. The intricacies and culture within a society and ethnicity in a nation such as patriarchy are explored through the language, characters, and development of the plot in Nigerian literature. For this essay, I enter into the discourse of race by analyzing the social and cultural phenomena that occur throughout the structure of the fictional work.

Amjambo Africa! (June 2022), Kathreen Harrison

Amjambo Africa!

In this Issue Education ..................................3

Moonglade .............................4/5

Publisher’s editorial ..................7

Financial literacy: what is Credit .................8-13

In 7 languages Market Basket ..................14/15

Tips&Info ................................16

Lead in soil ..............................17

All about the Workforce ..18/19

Community Happenings .20/21

photos from community events

News from Africa .............22/36

Health&Wellness ...............24-31

Bridging the healthcare gap

In 7 languages

Columns .......................32/33/39

Nonprofit Organizations

Ask the D.A.

Let’s Talk/ELL

New Voices columns ........34/35

Vol. Lix, No. 3: Thinking Gospodinov Thoughts, Thomas Mcgonigle

The Hollins Critic

No abstract provided.

Testimony, Violence, And Silence: An Examination Of Agamben And His Critics, Yagmur Uygarkizi

Dignity: A Journal of Analysis of Exploitation and Violence

This paper investigates the difficulties faced by survivors of atrocities in testifying. I work on the case of female victims of domestic torture as reported by Jeanne Sarson and Linda MacDonald. The starting point is Giorgio Agamben’s Remnants of Auschwitz with his discussion on Primo Levi’s paradox and the testis/superstes/auctor distinction. I build on his nuances while arguing that he has not looked enough into power dynamics that render one speechless. “Unspeakable violence” refers simultaneously to incapacity and not being allowed to speak. Pain renders the victim speechless; perpetrators distort language and speak over survivors. Victims are often not allowed …

The Messiness Within: Personal Essays On Peeling Back The Facade, Chava Pearl Lansky

Dissertations, Theses, and Capstone Projects

This collection of three interconnected personal essays draws from the genres of memoir and biography to answer the following question: What are the physical, mental, and emotional repercussions of covering up hardship and sickness with a facade of normalcy and perfection? Overlaid by themes of chronic illness, dance, beauty, and control, this project chronicles my own personal battle against this tendency. The first essay explores the complexities of the year and a half I spent working as a ghostwriter for Larry Rhodes, an elderly dancer attempting to rewrite his history in the wake of societal change. The second piece follows …