Creative Writing Commons^™

My Mother The Mountain, Ricky Vasan

Masters Theses

Teach me How to Write a Love Song

I catch a glimpse of my mother sitting on her bed in her bedroom from the bathroom mirror. What a rare occurrence! One I am not fortunate enough to witness as often as I would like. A moment that I know —even before it has occurred—will one day become my dearest desire for wanting to turn back time. This moment is a mirage. Once I return to my senses, after the passing of a twelve-hour lag, it will already be too late.

This is the place where I wish to work from. …

Care Ecologies Between Knots, Eliza R. Marris

Masters Theses

Discarded fibers like raw wool behave the way harm reduction does. Harm reduction resists stigma and works to move beyond assumptions and oversimplifications of substance use and addiction. Wool is irregular, complicated, and emotionally charged. It resists compression and maintains its own being even when pulled apart. Working with raw wool is in relationship with complexity, as is harm reduction.

At its core, harm reduction is grounded in thoughtfulness and empathy towards people, their lived experience, and its nuances. It is a witness to lives, memories, and imprints, acknowledging the entangled realities of addiction. Our detachment from fiber remainders, materials …

Fallen Leaves:The Unseen, Forgotten, Presences That Live In Us, Juhee Cho

Masters Theses

The fallen leaf is a material figure of the unseen, forgotten moments that have made us and holds us still while remaining outside our sight. In urban environments, fallen leaves are managed as seasonal waste, collected and quickly separated from everyday encounter. Yet within ecological systems, they continue to participate in cycles of regeneration, becoming the soil that sustains new life. This quiet continuation is unavailable to the eye, yet known by the body. As a proof of this, the leaf’s transformation reveals itself not to the mind, but to the hand. The curling fiber wears out, the deepening brown, …

Draw To Breathe, Ranran Ma

Masters Theses

This thesis explores visual expression in drawing as an intuitive mode of thinking suited to everyday life—a form of expression that runs parallel to language and surpasses it.

The project begins with a daily Post-it note drawing practice. These drawings often emerge before conscious understanding, subsequently accompanied by brief text, allowing image and word to resonate through emotion and intuition. Through the use of small-scale, portable, low-pressure materials, and with immediacy and intuitive freedom as the foundation of making, a visual language system grounded in the self develops. Through this sustained practice, I developed an instruction-based card system titled Draw …

چھپن چھپائی (Chupan Chupai), Muhammad Talha Mr

Masters Theses

Baji, how do you breathe in a burqa? Doesn’t it suffocate you? Don't ask too many questions, walk straight, and don’t let go of my hand. Men were standing in the street, and she was trying to avoid them, walking as fast as she could, almost dragging me. I saw a big wedding tent. It was a multi-colored, red, yellow, blue, and green pattern. I asked baji, Is that where we are going? She nodded in affirmation. The tent was beautiful. I saw kids peeking inside the tent, and it reminded me of a time when I was doing the …

Seeking Ground, Shrishti Chatterjee

Masters Theses

Design increasingly sits within modern systems that reduce the world to narrow, instrumental categories. A tree is paper, the sky is a clock, an ant is a pest. And a graphic designer is a visual marketer optimising for reach and engagement. This leaves the designer without a sense of their place in the world.

Seeking Ground asks how we might return to a more rooted practice. Physically, the ground is the solid surface on which all other things rest. Conceptually, it is the foundational premise from which knowledge is derived. To be grounded is to be connected to real-world implications …

Auxiliary Damage, Aiyi Cheng

Masters Theses

AuxiliarY DamagE asks what happens to pain when it is moved outside the body and given material form. Pain is not treated here as an image to be represented, but as something processed through repetition, pressure, exposure, and care. It is handled. Washed. Arranged. Pulled out. Swallowed back in.

Hair became the material that allowed this question to stay unstable. While attached to the body, it is intimate and ordinary. Once detached, it becomes residue, evidence, discomfort, value, and loss. In the studio, I washed collected hair, untangled it, threaded it through metal, placed it near flame, held it in …

1, 2, 2, 1, 1, 2, 1, 2, 2, 1, 2, 2, 1, 1, ..., Annemarie Torresen

Masters Theses

1

I invite you to see it and feel it and sit in it and breathe it in and

hold it in your lap. Art isn’t too scary, and neither is math.

2

bouncing between bounds of a binary

bippity boppity! let’s break brains and bread

balance or belly flop, what’s mine is yours:

bumptious and bumbling and barely able

i offer it broken and let you like it that way

Landscape Repositories: Mapping Post-Mining Narratives In Asbestos, Qc Val-Des-Sources, Qc, Rasha Lama

Masters Theses

Landscape Repositories: Mapping Social Narratives in Asbestos, QC Val-des-Sources, QC proposes the ‘landscape repository’ as a tool for landscape literacy and cultural legitimacy that integrates histories, geographies, and social narratives to inform grounded and place-based post-mining futures.

Val-des-Sources, Québec (formerly Asbestos, QC) is a place whose extraction legacies and material histories are deeply interwoven into its contemporary economy and cultural landscape. The centre of town is the Jeffrey Mine, once the world’s largest open-pit asbestos mine that is deep enough to hide the Eiffel Tower entirely. Ceased in 2012, the 130-year-old Jeffrey Mine and sixty-one other Québec asbestos sites once …

Commodity Beyond Price: A Visible Database Of Free Objects, Yifei Cai

Masters Theses

This thesis explores how value is constructed and circulated outside of traditional monetary exchange systems. During two years of living in Providence, I collected hundreds of "free objects." For each item, I wrote a brief description detailing its physical characteristics, provenance, or emotional significance, and measure it according to four parameters: price, cost, weight, and value. Of these, "value" is subjectively defined by memories, emotional attachments, and it presented as relational equivalencies established within the collection itself.

It presented as an open-ended archive, this project functions simultaneously as an installation, an exchange system, and a visual database. The thesis proposes …

Until The Ground Breaks, Annie Hu

Masters Theses

Until the Ground Breaks explores the complex relationship between personal memory, embodied experience, and internalized "archival logic." By examining long-term cross-cultural diasporic experiences and the shifting dynamics of family narratives—including the sensory experiences and fading memory of a grandmother, a father's correspondence that acts as a textual record of emotional logic, and the continuous revision of family history—this thesis dissects the psychological tremors that occur when the illusion of a singular, stable memory archive collapses. This research rejects the view of memory as a static container of truth, revealing it instead as a dynamic, unstable, and constantly rewritten living system. …

41.82379°N, 71.38497°W, Xiaotong Cai

Masters Theses

I, Xiaotong Cai, have known an abandoned bridge was lifted and stuck at 64-degree from 1976. I have walked and bent down towards it for over 60 times, each paralleling a journal entry. The visits and 27,351 words (up until May 5th) are the living proof: observation, encounters, correspondence, collectively and personally. It’s been nine months since it emerged in flux. Two flesh. A moving outsider and a still bridge. How can an Unused giant activate a human body? Who is the attractor and intervener?

Here, my solution is to conduct a series of small gestures. I say, interpreting without …

Where Each Step Lands: Reconnecting And Reparenting Through Visual Narrative, Skye Wang

Masters Theses

This research begins with lived experiences of dissociation and a persistent sense of disconnection between body and consciousness. It explores the potential of visual narrative as an embodied practice. Through daily walking and sketching, bodily sensations are translated into visual language through a synesthetic process, forming the foundation for a picture book as the central outcome of this project.

The picture book adopts the perspective of a jumping spider positioned beneath a five-year-old girl’s shoe, creating a shifting, downward-facing viewpoint. The spider functions as a viewing position, while the girl represents the inner child. The narrative is constructed around the …

An Anxious Artist's Guide To Magic, Mot Tuman

Masters Theses

Illustration’s essence is using some type of media to tell a story. This could be anything from sculpture, watercolor, even just text alone. Beyond its medium, I have been thinking for a while of illustration and storytelling as a type of illusory magic. Magic, according to the Oxford language dictionary as being "The power of using supernatural or other unseen forces to apparently influence events or human behaviour." It gives us the power to reach inside the mind and heart of a person and change their emotional and mental state. It's the ability to create a world and have others …

If The Sun Were As Big As My Heart, What Would Be The Distance Between The Sun And The Earth? Or How To Domesticate The Sun, Catalina Martinez, Catalina Martinez Rojas

Masters Theses

If the Sun were as big as my heart, what would be the distance between the Sun and the Earth? Or how to domesticate the Sun is a multidisciplinary installation project that explores how emotional, spiritual, and perceptual experiences can be translated into material form. Beginning from a speculative mathematical proposition that reduces the scale of the Sun to the size of the artist’s heart, the project investigates distance not only as a physical condition, but also as an emotional and domestic one.

Drawing from Colombian vallenato traditions, everyday observations of sunlight, and references ranging from Agnes Martin and Wayne …

The Names We Carry, Christan Hickman

Masters Theses

The Names We Carry explores the weight of the labels and expectations we carry from others and sometimes from ourselves. It tells the story of moving from exhaustion, self-doubt, and trying to be everything for everyone to discovering rest, boundaries, and a sense of wholeness. The book looks at identities people have given us and asks whether these names show who we really are or who we had to become to survive. It is about learning to live fully, care for ourselves without guilt, and embrace authenticity in work, relationships, and faith. At its heart, The Names We Carry is …

Dialogue In Screenwriting: Developing The Character Through Conversation, Madalynn Ruth Shiderly

Masters Theses

The purpose of this document is to highlight the importance of dialogue in a screenplay, discuss specific examples of dialogue from well-known films, and analyze how words affect the characterization of a film’s protagonist. First, the document explains the importance of having strong characters in a story for it to be compelling enough for audiences to engage with it. Then, the question of whether character or plot is more important in a narrative is discussed. Finally, the document introduces the concept of dialogue in a screenplay, forming the argument that dialogue is just as important as plot structure. For this …

Fiction Novel Chapters: Ghost Orchid, Ronald C. Whetsell

Masters Theses

There is a natural tension between governments whose structures are maintained by strong, centralized control like those of Russia and China, and one built on a decentralized, constitutional democracy such as the United States. Although Russia and China have functioned on the global stage in a manner largely reflecting their own self-interests since the early twentieth century, that configuration will change within the fiction novel, Desert Orchid. The narrative will detail their agreement to combine their resources which will better enable them to compete with the free economy of the United States. Their goal is to usurp the global economic …

Running For Home: Approaching Feminist Literary Theory Through A Biblical Lens In Women's Fiction, Tabitha Joy Lawson

Masters Theses

“Undeterred, Stephanie’s frown deepened. ‘Too bad you don’t have a mom. Maybe she could teach you how to be pretty’” (Lawson). These lines from the creative manuscript, Running for Home, capture a prevalent gender norm as eleven-year-old Eli attempts to navigate life in a new school. Gender norms as they apply to women, such as submissiveness versus independence, are a central theme of Women’s Fiction and is the genre of my creative manuscript. Written from the point of view of two characters, the story begins when Teresa is in her early twenties in 1974, and Eli’s begins in 1991. The …

From Concept To Creation: Writers Are The Builders Of Worlds, Rosalyn A. Fletcher

Masters Theses

This paper examines the disparity between the monumental success of the Assassin’s Creed video game franchise and the epic failure of its 2016 film adaptation, and how to avoid those missteps in the screenplay, The Chemist. The analysis argues that while Ubisoft masterfully integrated worldbuilding into every stage of the games' production – blending factual history with the high-concept lore of the Animus – the film faltered by treating these elements as mere set dressing. By prioritizing cinematic spectacle over narrative substance, the film alienated its core fanbase with jarring changes to established technology and a lack of meaningful character …

Trauma, Myth, And Sacred Memory: How Narrative Gives Form To Suffering, Theology, And Meaning, Jacob M. Tannehill

Masters Theses

This thesis explores the relationship between trauma, myth, and narrative meaning through academic and creative works. Drawing upon trauma theory, cultural memory studies, and mythopoeic fantasy, this thesis examines how communities remember catastrophes, preserve identity, and struggle to transform suffering into coherent narratives. The critical portion focuses on J. R. R. Tolkien’s account of Númenor’s destruction in The Silmarillion, reading the Downfall as a model of cultural trauma whose meaning persists through inheritance and contested narration. The creative portion, drawn from excerpts of The Adia, extends these concerns into a mythic world in which language, memory, and theological inheritance shape …

Fanning The Flames: Incorporating Faith Into Fantasy, Rachel E. Noonan

Masters Theses

This thesis examines the integration of Christian themes into fantasy literature through critical analysis and original creative work. The critical component traces the tradition of Christian fantasy from Edmund Spenser's The Faerie Queene to C. S. Lewis's The Lion, the Witch, and the Wardrobe, arguing that faith achieves its greatest literary impact when woven organically into character and world-building rather than imposed upon the narrative. Contemporary novels by Shannon Dittemore and Chuck Black illustrate the dangers of didacticism and shallow characterization. The creative manuscript, Fanning the Flames, applies these principles through Kian Sai, a young conscript navigating an authoritarian military …

What Cannot Be Returned Witnessing Forgotten Wrongs Against Native Americans Through Narrative And Historical Memory, Haley Marie Cranman

Masters Theses

What Cannot Be Returned is a hybrid creative nonfiction thesis that examines forgotten and often minimized injustices committed against Native American communities throughout American history. Through a combination of historical research, witness literature, and fictionalized narrative, this project explores events including the California genocide, the Long Walk of the Navajo, Osage oil exploitation, Indian boarding schools, forced sterilization, the Sand Creek Massacre, the Trail of Tears, and Wounded Knee. The thesis argues that while these losses—land, language, family, identity, autonomy, and life—cannot be undone, they must be remembered with honesty and care. Grounded in archival records, government documents, survivor accounts, …

Societal Sickness: An Exploration Of The Racially Biased Stereotypes Found Within American Historical Fiction Novels, Josephine Robbins

Masters Theses

This thesis explores the complicated nature of stereotypes in American historical fiction, particularly around black oppression and the Civil Rights Movement. The artist statement explores the personal and literary influences that led me to explore and further research this topic. The critical paper explores how historical fiction novels over the last few centuries have used black suffering as a vehicle to promote white moral development, causing a rise in the white savior character archetype. Finally, the creative manuscript, The White Washing, is a novel that develops African American characters morally and gives them a central role in their own story, …

Rainy Day Books, Katy Harris

Lines from the Middle of Nowhere

Rowan finds himself wandering the streets on his brother's death anniversary. He stumbles upon a used book store that provides an escape from the memories bubbling up.

Church Of Unity And Other Short Stories, Ashton C. Steele-Thomas

Electronic Theses & Dissertations

For my thesis, I wrote stories that focused on many of the emotions that often follow hand in hand with exploring trauma—Grief, disappointment, anger, vulnerability, and self-realization. I’ve learned from my own experiences, and that of others, that it is often easier to cope with these emotions and experience them if they are told through an otherworldly lens. Sometimes the emotions are too big to feel natural, so we look to the supernatural or darker sides of reality to cope. This is what I hoped to explore.

In “Church of Unity,” the ghost of a young boy attempts to protect …

Contributor Bios, Studio1 Literary Club

Studio One

No abstract provided.

Fire At The End Of The World, Teresa Leudtke

Studio One

No abstract provided.

Combat Fatigue, Katie Thorn

Studio One

No abstract provided.

Language Barrier, Julie Ferraro

Studio One

No abstract provided.